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ANSWERS 2002-06 (Jun)

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I'd like to thank everyone who entered (forgive me if I skip or mispell anyone):
Zach Baker
Greg Bishansky
Josh Wurzel
Goliath JD - Jack Donovan
Lord Sloth
Aris Katsaris
Lady Mystic
Jim R.
Noel Leas
Kelly L. Creighton/Kya White Sapphire
Alex Katsaros
Kali Gargoyle
(the guppi)

First the honorable mentions:

matt writes...

how many gargoyles??? i asked Anubis, he said:

"the lightbulb has died, let it rest. ultraviolet or standard, 55 or 100 watt, all light bulb are equal in death. burning out is the ultimate fairness..."

Airportman writes...

How many gargoyles does it take to screw in a lightbulb?

Gargoyles do not screw in lightbulbs, they ROAR!!!

Jim R. writes...

Fang: "Hey, Goliath, how many gargoyles does it take to screw in a lightbulb...?"
Goliath: "Silly mutate, lightbulbs are for humans."

Lynati writes...

(Fang voice:)"How many Gargoyles does it take to change a lightbulb?

...None! They don't have time to change lighbulbs! They are too busy out harassing innocent citizens who are just minding their own business and locking them up in drafty Frankenstein cells! With no TV! HEY! DON'T YOU WALK AWAY FROM ME WHEN I'M YELLING AT YOU! ...ya creep..."

Patricia writes...

Fang: Hey, Goliath, how many gargoyles does it take to screw in a lightbulb...

Goliath: You mean the lightbulb died? We must have a Wind Ceremony for it. Come. (exits)

Fang: No, Goliath, wait! (signs) Man, he can't even take a joke!

Now, in second place...

DragonWolf writes...

How many Gargoyles does it take to screw in a lightbulb?

"Six. One to screw in the lightbulb and five to berate themselves for not protecting the old one from burning out."

DragonWolf's prize for second place is highly speculative. Since the winning entry -- for obvious reasons -- could never actually be used in a script, I'm giving DragonWolf the honor of putting words in Fang's mouth should I ever get the opportunity (and assuming I don't find one I like better before then).


And finally, our winner!!!!

Aris Katsaris writes...

"How many gargoyles does it take to screw in a lightbulb?"
Greg responds: I'm home right now and the answer is in my office. Ask again later.

"How many gargoyles does it take to screw in a lightbulb?"
Greg responds: Your assumptions are incorrect.

"How many gargoyles does it take to screw in a lightbulb?"
Greg responds: I'm not that big in quantifying things. Lots, I guess.

"How many gargoyles does it take to screw in a lightblub?"
Greg responds: What's a lightblub?

"How many gargoyles does it take to screw in a lightbulb?"
Greg responds: All things are true.

"How many gargoyles does it take to screw in a lightbulb?"
Greg responds: I wouldn't want to tie down my hands and the hands of the artists in this respect.

"How many gargoyles does it take to screw in a lightbulb?"
Greg responds: The world may never know. :-)

Yeah, yeah, I know it's at my expense. But it made me laugh. Aris, you da man.

I honestly don't know what you're prize is going to be yet. But e-mail me and we'll figure it out.

Thanks again everyone.

New contest coming soon.

(Which in Ask Greg terms means... someday.)

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Chapter XXXVIII: "Heritage"

Time to ramble...

This chapter was written by Adam Gilad. Story Edited by Gary Sperling, and directed by Frank Paur.


As I watch each episode with my family, I've got my journal open in front of me to take notes for these rambles. During the opening credits, my five-year-old son Benny said: "I like Gargoyles." I was very pleased, of course. Then he said, "Can you write down that?" So I did. And so I have.


Back on the skiff, and Elisa still hasn't QUITE gotten the idea. She still anticipates being back in Manhattan. Like visiting Scotland was an anamoly, but now surely Avalon will send them home. (What did you all think at the time?)

And boy, that girl likes her hot dogs. Make her one with everything, you know?


Our Sea Monster attacks. It's a cool design, based on research that we did. (It happens to look a lot like a pre-historic whale I saw last night on a Discovery Channel special: "Walking with Pre-Historic Beasts".)

I wish we could have found a less generic name for the creature than "Sea Monster". Thunderbird is a cool name -- particularly since I have fond memories of the L.A. T-Birds from Roller Derby telecasts of my youth -- but our research never turned up another name for the Sea Monster.

Keep in mind that though we did research, we also had time constraints. We couldn't keep researching a topic indefinitely. Eventually, we'd have to use what we had and run with it in order for the story and script to be delivered on time.

But I know Gary and Adam did quite a bit of backgrounding for this story. The Sea Monster, Thunderbird, Raven and Grandmother all came from Haida stories -- though we conflated quite a bit, I think. We did always try to be as true as possible to the history and legends we were riffing on.


As the battle with the Sea Monster came to a close, my seven-year-old daughter Erin said: "What about Elisa? Where's Elisa?"

Five seconds later, Goliath surfaces and says pretty much the same thing, before fearing her drowned by shouting "ELISAAAAA!!" (Shades of things to come -- in Hunter's Moon III.)


Speaking of research, the origin of the whole episode was the fact that Totem Poles caught my eye as being a particularly gargoylesque deal. Then we did some preliminary research and found that they weren't carved in anything that seemed to resemble a gargoyle tradition. They were 'carved to honor animal ancestors'. So rather than stretch (or abuse) the truth, we decided to let the characters (and audience) be lured off course by the poles, just as we had been.

Fake GARGOYLES, right here in North America.

In many ways, I think it could be argued that what takes place in this episode is handled or covered in other episodes to come. We have another episode with a 'sea monster'... a more famous sea monster in a certain loch... coming up rapidly in "Monsters". Also in that ep, one of our cast is lost and feared drowned after an early attack by that monster. And much of Nick/Natsilane's dilemma is also re-covered with a more-important recurring character (Peter Maza) in our other Native American-themed episode: "Cloud Fathers". We even do more with a volcano in "Ill Met by Moonlight". On some level I suppose I regret the duplication of efforts. I don't think we usually did this sort of thing.

But I don't regret the episode. I had plans for Raven. Plans for Queen Florence Island. Plans for Nick/Natsilane. I still think the ep has some cool stuff in it. And I think we NEEDED to cover Totem Poles. It was a natural.

HAR with a V. VAR with a D.

I went to a high school in North Hollywood, CA named "Harvard High School". Named after the University. (Some people have incorrectly stated I went to Harvard for college. But I went to Stanford for Undergrad and U.S.C. to get my Masters.)

I don't remember who's idea it was to have Nick be a graduate of Harvard. Might have been mine. Harvard of course is useful as a symbol.

I like Nick/Natsilane. He's got some nice attitude here and a nice shift. Maybe not the most impressive of our so-called "International Heroes". But very likable.

I give a lot of credit to the voice actor for bringing him to life. Gregg Rainwater was brought in by our Voice Director Jamie Thomason. Gregg was terrific. We used him again in Cloud Fathers, but I've used him many times since Gargoyles. I've even written parts with Gregg in mind. He was Jake Nez in Max Steel. And I cast him as Jake MacDonald in 3x3 Eyes. He always brings incredible humanity to a part, I think. Heroic, but real.


It's a raven. Our second Trickster makes his first appearance. Of the four (Puck, Raven, Anansi and Coyote), Raven was the guy we gave the most evil bent to.

I like all the shape-shifting he does. (Though when he flees at the end, I wanted him to flee in his bird form, not his Raven-Goyle form.) I also like how he lies by using pieces of the Truth.

Raven-Goyle: "There is an evil sorceress named Grandmother. She summoned the monster that you fought."

When he said that, did you believe him?

Of course, Grandmother does have magic power and she did, in a way, summon the Sea Monster.


While doing our research, we encountered names of Islands off the Canadian coast like Queen Charlotte Island. So I named the fictional island we'd be using "Queen Florence Island."

Growing up in Woodland Hills, California, I lived on Queen Florence Lane, a street off Queen Victoria Road. Victoria and Florence were the daughters of Michael Curtiz, the director of such films as CASABLANCA. Curtiz, at one time, owned all the property in that area, so he named the two streets after his daughters.

OR so I once was told... by a ghost named Humphrey who tried to convince me that he was Humphrey Bogart, though you could tell by looking at him that he wasn't.


Elisa is so strong so much of the time, that it's kinda sexy to see her vulnerable and feverish.

Notice that Grandmother doesn't use Fairy magic to heal Elisa. She uses Haida medicine. Thus the rule of non-interference is bent not broken.

I like when Nick comes back in and the Fever's broken. And he says just don't tell me you cured her with tree bark.

When she says, "...and roots." His expression is priceless.


I like the lighting in the Volcano scene.

Goliath is so glad to learn that other clans have survived, that he doesn't notice -- in fact defends -- the inconsistencies in Raven's story.

Angela, on the other hand is suspicious. This was done, in part, to further develop her character. She's naive about certain things. Having been raised by humans, she's not inclined to judge them harshly or fear their prejudices. But she's not stupid. Something doesn't smell right and she notices.

For once, Bronx though does not. I chalk this up to the high quantity of magic being tossed around on this dying island. Grandmother is not what she seems. Neither is Raven. Bronx is confused.

Anyway, Goliath speaks to Gargoyles protecting to explain away why "Raven's Clan" can both hate humans and protect them. You get the sense that he understands all too well. Like despite everything, there's a part of him -- a prejudiced part -- that hasn't forgiven the human race for what happened at Wyvern. (Also keep in mind, he was just at Wyvern again, rehashing all those old memories.)

Of course, once Goliath learns that Raven was pulling something, he's furious at the trickster. Playing on his hopes AND his prejudices, Raven has risked G's wrath.

At the end of this scene, the three silent gargs vanish magically.

Erin said: "What happened? What just happened?"
Benny said: "How did they just vanish?"

They know I know the answer. But I resist telling them. It's a touch cruel. What did you guys think?


Elisa is such a New Yorker. Everything is compared to that. "This sure isn't Central Park."

Anyway, Raven, then a bear, then Bronx and finally Angela and Goliath find Elisa. I love Goliath and Elisa's hug. It's so unselfconscious. They were so worried about each other that they forgot the usual distance that they maintain.


So who did you trust? When the gargs disappeared, that had to indicate that something was up with the Raven-goyle.

So when Goliath tells Elisa that Grandmother is a sorceress, particularly given that Grandmother saved Elisa's life, we all tend to think that G's been duped. Then we spot Grandmother turning into Thunderbird. What did you all think then?

Benny noticed "her ears" and suspected her even before she turned into T-Bird.


A cool moment in the battle against T-Bird is when Goliath rakes the creature with his claws.

Then Angela spots the Illusion. And plays it cool with Raven.

I like Goliath's line to Grandmother: "We live. We do not thrive."

Grandmother than establishes that Raven is a Trickster and that they are both "Children of Oberon". Thus we establish that aspect of our series.

She states that they are forbidden from directly interfering in human affairs. Reinforcing what the Weird Sisters said a few episodes before.

Raven joins the party. The jigs up, but he revels in it. He's got a few decent lines too.

I like "It's so messy."


Elisa more-or-less quotes Shakespeare: "There are more things in heaven and earth, Natsilane, than are dreamt of in your philosophy."

I've always loved that line.

Anyway, Goliath and Angela depart to fight Raven. They arrive first, but given the fact that Nick had to...
1. Have a final change of heart.
2. Change clothes.
3. Get up to the volcano without wings.

...He makes good time, don't you think?

Raven brings the totem beasts to life. This was always a bit weird. We introduce illusion gargs based on the totem beasts. But then when we bring the totem pole to actual life (or semblance) we have new designs for the woody creatures.

Does everyone see Goliath play dead for that bear?

Raven has a nice exit line here: "This place no longer amuses me."

Neither does this Ramble.

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Chapter XXXVII: "Shadows of the Past"

Time to ramble....

This chapter (episode) was brought to you by:

Director: Kazuo Terada
Story Editor: Michael Reaves
Story: Michael Reaves
Teleplay: Michael Reaves & Brynne Chandler Reaves

Plus the usual suspects, including Frank and me.

The title is one of Michael's. I had the impulse to shorten it to "Shadows", but I didn't.


As the recap ended and Tom shouted out: "Avalon doesn't take you where you want to go. Avalon sends you where you need to be!" My seven-year-old daughter Erin said, "Uh, oh."

"Uh, oh," indeed.

And so we begin Tier Four in earnest. Our quartet of travelers weren't headed straight home. Of course you couldn't know at that time just how long they'd be gone. And frankly when we started writing, neither did we.

It wasn't just the quantity of episodes (23 counting the Avalon three-parter, Kingdom, Pendragon, The Green and Future Tense) that we'd spend before everyone was reunited in Gathering One. It was the reruns in between.

What was supposed to be a five week trip became a five month trip. And so, for many of the fans it became interminable.

Why all the reruns? Well, the schedule finally just caught up with us. When Gargoyles was picked up for a second season by Buena Vista, I was asked how many we could reasonably produce for the fall quarter (between September & December of 1995) without interruption.

I told them that we were prepared to do six more. That was all the scripts that had been ordered (Leader, Legion, Metamorphosis, Lighthouse, Beholder, Vows). But I said we could do 13. We had done 13 the first season with a ten month sliding schedule. Now we had just under twelve months so we could certainly do 13 again.

I was asked what's the most we could do. I said, well if we start right now we can do 18.

Not 52? They asked.

52? Are you nuts? (Well, I didn't say that exactly.) I said we'll never get 52 done for the fall quarter. We'll wind up with a lot of repeats. You (Buena Vista) will not be happy with all those repeats.

They were disappointed. So disappointed, that instead of ordering 18, they only ordered six. (If we can't have 52, then forget it. [Okay, they didn't exactly say that either, but that seemed like the basic attitude.])

So we get to work to do six. Two weeks pass. Buena Vista comes back and says. No, do 13.

We respond with, uh, okay. Of course we've lost two weeks, so it'll be a bit harder, but we can do it.

Two weeks pass. They come back and say, "No, do 18."

We grumble a bit, because now we've lost a month of prep time when we could have been building crews, etc. But okay, I said we could do 18. We'll manage.

Two weeks pass. They come back and say, "Do 52."

Now we balk. We warned you we couldn't do 52 in twelve months. Now you want us to do it in 10? It took us ten to do 13.

Do 52.

And so we did. We built multiple crews. Our staff increased exponentially. We expanded to four writing teams from one. We expanded from one pre-production team (in Japan -- waves at Roy) to three and a half (one in Japan) and two and a half here in L.A.

And we worked like little demons to bring you 52 for the fall quarter. But it was never going to happen.

We wound up doing pretty good. I don't have my old calendar in front of me, and I can't remember exactly how many we managed to air in the fall, but it was considerably more than the 18 that I thought we could do.

But it wasn't 52. And so we had reruns. And reruns. And reruns. And most of those reruns came in the middle of the World Tour. And thus... yes... it seemed to go on forever.

Whoops. Sorry.

Of course, other people didn't care for it for other reasons. They felt it got away from the series strengths of the gargs in Manhattan. Obviously, it left behind four of our characters, and I'll admit that I underestimated the trio's popularity a bit.

But I felt it was important. The World Tour gave our series breadth and hope. It expanded the Gargoyles Universe, added many new characters and in particular added at least four other clans of gargoyles.

And I think some of the stories really kicked ass.

So I apologize for nothing. NOTHING, do you hear me, nothing!!!!!!

Except for that outburst. Sorry about that outburst.


Anyway, our first stop was no place new. Goliath immediately recognizes the ocean cliffside as "home, my home."

Even before Hakon and the Captain start to drive him crazy, his dialogue is laced with nostalgia.

He's so into being back in Scotland, that when he climbs the hill, he doesn't even take Elisa with him. Elisa goes with Angela. Which is no big deal. But usually, G's more of a gentleman than that. Particularly with Elisa.


Angela: "It was always summer on Avalon."

Just wanted to give a sense of things on the fair island. Seemed to fit the legends as well.


I can't say enough good things about the animation in this episode. It's just gorgeous. The work of Disney's studio in Tokyo. WOW! Production AND Pre-Production was done there. All sorts of little touches, like Elisa slipping briefly and regaining her footing. And GREAT, GREAT character animation. Great lighting as the characters enter the tunnels. STELLAR effects animation in the megalith chamber. Just wow gorgeous stuff.

And boy, did we fight over this episode. [Roy, I'd love to get your perspective on this.]

When we got the storyboard from Japan, Frank and I each found something that just drove us nuts.

For Frank, it was the Wyvern cliff. The castle was gone, of course, as Xanatos had taken it away. But the cliff seemed to otherwise remain in tact. Frank was adamant that a chunk of the cliff had clearly been taken away and was part of the Eyrie Building. You could see it on that design. So obviously, we needed a crater of sorts to exist back at Wyvern.

When Frank pointed it out to me, I agreed with him. It didn't bother me as much as it bothered him, but I agreed.

What bothered me was Elisa's parka. In the storyboard, Elisa was wearing a parka with a hood. Of course, she looked great in it. And it kept her warm and safe and dry. But there was of course, no way and no place where she could have acquired that parka. (The Avalon Eddie Bauer, maybe?) So I insisted the parka had to go.

Frank agreed with me after I pointed it out. It didn't bother him as much as it bothered me, but he agreed.

So we gave Japan both these notes. And to our surprise, they balked. They felt that the only changes we were allowed to make to their boards were S&P changes.

We couldn't believe it. Finally, they relented. But on the cliffside ONLY. They felt that was a fair compromise. Since that had been Frank's BIG note, he was appeased. But obviously, I was not. All sorts of people came to me asking me to back down.

But I wouldn't. And I can honestly say it was for you guys that I refused. I knew even then that OUR FANS paid attention. That we couldn't get away with Elisa suddenly having a warm coat from no where.

So I put my foot down, and Elisa stayed cold and wet.

And our Tokyo Studio had another reason to be annoyed with me.

I regret the tension, certainly. But I still think I did the right thing, so I apologize for NOTHING, DO YOU HEAR ME? NOTHING!!!!

Except for that outburst, I apologize for that outburst.


A great movie. A husband tries to convince his wife that she's going insane. It's now a staple of melodrama everywhere. And we used it too.

So the ghosts of Hakon and the Captain try to gaslight Goliath.

We tried to gaslight the audience a bit too. Tried to let them think for a bit that Goliath might just be losing it. Post-Traumatic Stress Disorder, maybe.

You can hear it in Goliath's voice. How he's lost in the past. Angela tells him that he did the right thing all those years ago by saving the Princess.

His only response: "Still, I wanted revenge." I love Keith David's reading of that line.

But we also wanted to play fair, so we dropped a hint: when Goliath hears Demona's voice, Bronx howls. He senses something. Always trust Bronx.

Bronx has a pretty important supporting role in this, btw.


When Goliath and friends first enter the caves, Goliath picks up an old Viking axe. Hakon's Axe. The one he uses in "Vendettas".

Should have been a mace by the way. Should have been the same mace you can see in the opening titles EVERY episode. The one that Hakon used to smash the gargoyles at Wyvern.

Shoulda been. My fault.

Okay, for that -- I apologize. I screwed up. Dang.




"This place is creepier than the morgue at midnight."

Michael was great at giving Elisa this tough contemporary feel without taking us out of the moment.

Another good one: "Old wounds bleed as bright as new ones sometimes."


When Goliath pretends that he's NOT freaking out and having hallucinations, Angela can tell he's lying.

I love Brigitte's read there. She sounds SO SHOCKED: "He's not telling the truth."

You can tell she was raised in a world where there was little cause for lying.


Goliath attacking Elisa and Angela, thinking they are Hakon and the Captain.

Very dramatic. And again, we don't know yet, objectively that he isn't just going nuts.

What did you guys all think at this point? Did you suspect the truth?

Anyway, Bronx saves the day.

And Goliath runs off. He also has a nice stumble here. Again, parka aside, much amazing attention to detail and character in all this animation. Stunning.


No, I'm not talking about the voice cast.

Finally, we objectively reveal that Goliath is being influenced. We see two floating entities hovering over the scene. He doesn't see them, so they're not part of his dementia. Ergo (I don't have much opportunity to use the term ergo you know), ergo, they must be what is causing this.

Of course, they look like energy beings right out of Star Trek.

We also see Demona, Othello and Desdemona.

More of us playing fair. Sure they're identifiable. But of course, they (plus Iago) would be the souls LEAST likely to be haunting Wyvern and Goliath.


Yeah, Keith was the star. And we're always going on about Jeff's versatility. But we really were blessed with an amazing cast right down the line.

Salli does Elisa SO DARN WELL. It's the little things really.

Like when Angela explains about the fissure and how Goliath could die in it. Elisa says, "Swell." Just, "Swell." In one word, she says everything that needs to be said. It's hard. Try it sometime.


Bronx saves Goliath (temporarily) from falling by chomping down on his arm. Always thought that was cool. Would have liked to have drawn some blood, but we knew we'd never get away with that.

And the fissure itself is way cool. I love Goliath's fall.

And Elisa's determination, as she starts to climb down feet first. And I love the contrast, as Angela and Bronx, by virtue of their claws, climb down head first.


Some fans have felt, I know, that the Captain's change of heart at the end comes suddenly. That may be so. It's hard in a mere 22 minutes to achieve these arcs and turns. But as usual, we tried to drop subtle hints that he wasn't fully on board with Hakon.

Hakon is enjoying tormenting Goliath.

The Captain says: "Make an end to it." Hinting at his ambivalence. Torturing Goliath doesn't give him pleasure.

And while we're praising voice actors, how about a toast to the late Ed Gilbert, voice of the Captain of the Guard. Wonderful work here. Evil. Tortured. Redeemed.

Ed, wherever you are... THANKS!


Demona. The Captain must have assumed that Demona died in the massacre. He and Hakon figured that her appearance would be the coup de grace. That Goliath's will would just dissolve when faced with her ghost.

They were almost right. But of course, G is no idiot. A bit slow sometimes, but not stupid. Demona's ghost shouldn't be here. Cuz the dame ain't dead.

[By the way, the idea to have her fist morph into a mace was mine. Just a little post-storyboard tidbit that I suggested amid bitching about the parka. They must have liked the idea because that wasn't one I insisted on, but they did it anyway. When push came to shove, everyone -- on both sides of the ocean -- was just VERY dedicated to making the show better.] [See. It's a mace because that's the weapon that we associate with the Massacre. Hakon's axe should have been a mace. How did I miss that?]

Anyway, Goliath figures out the truth and, hey, we've awakened the sleeping giant. He trashes the phony Demona. And we think he's going to smash all the others.

But something even more chilling happens. They all begin to dissolve around him. It still gives me the creeps. Very cool animation AND music and effects. (Props to the gang at Advantage Audio too.)


Or rather how come we don't have ghosts hanging around ALL the time. I didn't want this episode to open a spectral floodgate, where any character that was killed or had died in the past was available to haunt us.

So the Captain offers two possible explanations: Hate and Magic. Both present in ample supply. Plus Guilt. His guilt. Unfinished business.


Again, very cool effects on the Megalith's here. But the idea emerges from an old (if not very original) idea I've had since I was a teen. The notion that Stone Dances, that Megalith Circles were like Medieval Mystic Dynamos. Circles of power. That build and generate.

Really came to life here.

I love Hakon's line: "I can feel it. I can feel again." I love that transition halfway through the line between where he can feel that the process is working and when he realizes the simple fact that he can feel things again.

But again, watch the Captain feel his own hand. You can see the ambivalence there. Particularly when Goliath becomes the Ghost and Hakon is beating on him. Cap doesn't participate in this.

And Goliath helps him remember what he has forgotten. The Captain doesn't HATE Goliath. His problem is that G's presence has reinforced his own guilt.

But here's an opportunity to redeem himself: "I can't let this happen again!"

He pushes Hakon back.

Hakon: "You've crossed the lines of power, you fool."

You can almost here the Ghostbusters say, "Don't cross the streams."


So Cap hated himself, not G.

G forgives. He forgave the Magus last episode. Now he forgives the Captain. Shows that he's a pretty decent guy.

You think if Hakon made an effort? Nah.

Anyway, I like G's line: "One enemy. And one friend."

And then a positively angelic Captain returns briefly to say goodbye and thanks. I also like the "shackles of hate and guilt" line. And the way he calls Goliath, "Old Friend".

Elisa thinks she's in for a long story.

G: "Centuries long."

And as the sun rises, and Elisa -- as usual -- leans against her stone beau for a nap....

Hakon: "Don't leave me here alone!! Not without anyone to hate!!"

Many people think I should have left him there forever. But evil doesn't rest in peace in my opinion. When left alone it tends to get out of control.

Besides I already had this fun idea. What if Wolf was Hakon's descendant?

Anyway, that's my ramble. Where's yours?

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Lord Sloth writes...


Fang> Hey, yoy Goliath! How many Gargoyles does it take to screw in a lightbulb huh?

<Goliath stares at Fang>

Fang> I duno either, but it must take a lot since neither Talon or his dumb replicas of you have even BOTHERED to change the lightbulb for my cell. Oh, wait, that's because you all despise everything about me <starts over dramatic sobbing> Nobody likes me, boo hoo hoo.

<Goliath turns away in disgust>

Fang> <stops sobbing> What's wrong Mr G, cat got your tongue? Hey, come back here, or I WILL get your tongue! Aw, you're no fun anymore.

Greg responds...


Results soon, hopefully.

Response recorded on June 12, 2002

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Courtney writes...

Fang: "Hey, Goliath, how many gargoyles does it take to screw in a lightbulb...?"
Goliath: Lets see...*starts counting on his fingers* one for holding the...
Fang: Goliath...this is a joke..
Goliath: *lookes confused*
Fang: You know a joke...hahah very funny
Goliath: Ah...I see...hahaha...is that right now?
Fang: *rolles eyes* Never mind...gosh...nobody ever gets jokes anymore.

Greg responds...

You are entered.

Response recorded on June 12, 2002

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Slash Thrasher writes...

Dear Greg,

I know I'm breaking the "Ask Greg" Rules here, but I figured this was the only way to get in touch with you. I Just wanted to say thank you for making me feel welcome at the gathering 2001. I've wanted to sit down and type this to you for a long time, but time is something I no longer am able use for such simple things. The whole time I was in L.A. I was nervous enough to be so far from home, but no one there seemed to notice me. The Mini-clanners tried there best to make me feel part of something, but It became clearly evident that I didn't fit in there clan eather. People I knew Online wouldn't say hi to me, the one person I thought was my true friend Denis Duplaen was off in his own world with a girl he met, and Demona May drove me freekin' nutz! I truely know how Brooklyn felt when the clan became caught up in there personal affairs and he had no one to talk to. I left L.A. being more depressed then I've ever been in my life, wishing the plane would crash or something.... But I wouldn't have changed a thing if I could, cause I now realize the valuable lesson this all taught me. That no matter how much you think you are apart of something, and feel like you belong, It doesn't mean that People care about you and how you feel. I don't blame anyone but myself for feeling this way, but I also learned that not everybody... er.. better make that hardly anybody likes heavy metal, and just cause you devote time and effort to something, it doesn't mean anyone will care. Now I know that I need to just worry more about what I need to do, rather then what others think of me. I hope to thank Jeff Bennet too. That guy was awesome and we got to talk a bit at Mug-A-Guest. I also wanted to appoligize for not seeming like the biggest gargoyles fan eather. I love the show with all my heart, but I've never had the time to watch every epsiode over and over till I've memorised every event and name and stuff. I've been working hard since I was 14 and now I'm paying bills for my parents. Its not easy to balace 2.5 jobs and school. I envy the people that have the time to watch T.V. everyday.
Well, I'm sorry I rambled on like this, I know you are a much busyer man than I. Thank you for you time and happy late Birthday to you!

Slash T.
(Dan W.)

Greg responds...


I'm sorry your experience at G2001 was a let-down. I feel that I contributed to that, and I do apologize. I still think about it.

But I am curious. Did you have fun at G2000? I mean it couldn't have been too bad, since you came back for more, right?

Anyway, sometimes we build our expectations too high. I'm not sure even the letdown you describe merits some of the more dire conclusions (or 'lessons') that you have chosen to draw from it.

I hope you give the Gathering another chance some day (like this month). But if not, good luck.

Response recorded on June 12, 2002

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Dan writes...

Happy birthday greg, i know you won't read this for months, so happy hanukah to while i'm at it:D

Greg responds...

Nearly Happy 4th of July, huh?


Response recorded on June 12, 2002

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Matt Stone writes...

Hey Greg Weisman --

I know this may be late, but I've busy with work at the Video Connection, so --

Happy Birthday! YOU RULE!!!

Greg responds...


Response recorded on June 12, 2002

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Lord Sloth writes...

Happy birthday to the one and only, Greg Weisman, Creator of WORLDS!!! Or, since you wont read this for a few months, Merry Christmas to THE Greg Weisman, Puppet Master of GARGOYLES!!! Or perhaps just a happy UN-birthday for you, whenever this is.

I take it that it is no coincidence that the day Charles Canmore was killed by Demona happened to be on the day you turned 18 (if my math serves me (it usually doesn't)). Is there any cool story as to how that came to be? And I seem to remember there being some other dates in Gargoyles that are one with your special day, but I could be wrong since I can't think of them. Are there by any chance?

Anyway, have a nice day and good luck with your 38th year, unless it's 39 by now... Cheers.

Greg responds...

Actually, in 1980 I was turning 17, not 18.

And there's no cool story for this one. I just used my birthday because it seemed like the right time of year and I felt like it.

I've used my birthday (9/28) a few times:

994: Tom, Mary and the refugees enter Wyvern Castle. [This one has less to do with my birthday, then with the fact that I decided that the date of the flashback in AWAKENING ONE should coincide with the Gargoyles World Premiere in Florida, which was on 29 September 1994. Working backwards, it's obvious that the refugees got to Wyvern on the 28th.

995: Tom, Mary, Finella, Magus, Katharine and the eggs escape Edinburgh Castle. [Again, this is just a coincidence. They escaped on Michaelmas Eve. Michaelmas is 9/29.]

1963: Vinnie is born. [I gave him my birthdate since he was my stand-in in THE JOURNEY.]

1980: Charles Canmore dies. [See above.]

1995: Demona summons Puck in THE MIRROR. That same night Fox contacts Vogel, inducing him to betray Renard. [The events of the Mirror just broke down in the chronology so that they wound up happening on the 28th. On the other hand, OUTFOXED originally aired on my birthday in 1995, so I tried to have something from "OUTFOXED happen on that day -- though the main events of the episode could not have taken place until later.

1996: Xanatos captures Coldstone in the Himalayas. [This event had to have happened around this time, but I chose my birthday, cuz I felt like it.]

That's it for now.

Response recorded on June 12, 2002

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Artemis writes...

I couldn't get online yesterday to wish you a happy birthday, Sorry!

Today at band practice, for the first time it occured to me that Gaygolyes have somewhat limited hand use, having only 4 fingers. For example, you could never get one to properly play a flute, clarinet, and even trumpets (they probably wouldn't anyway, but still), since they require 5 fingers per hand. They can't flip people off either! (that is, if they really wanted to). Oh well, just a stupid comment. But while my mind is on the topic, why did you decide for them to have only 4 fingers anyway?

Greg responds...

Frankly, it tends to look better in animation. It also set them apart more.

Response recorded on June 12, 2002

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