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I was wondering if the Gargoyles Comics were eventually going to reprinted as a graphic novel once enough issues are put out? I'm not sure if you would know about this or not, but I've always liked the material that graphic novels are printed on more than the paper back comics, and I feel that Gargoyles is worthy of that type of medium.
I don't know.
Hey, I'm not sure, but do you still take Max Steel questions? I've got a couple I've been sitting on:
1) For all intents and purposes, the Max Steel series is canceled in the USA (there's a large fan base in Latin America, with three movies produced so far). As such, do you feel able to discuss your plans and ideas for the show, or not? If so, would you be willing to share?
2) You've references a Max Steel "Bible" in a few earlier questions: do you still have it and would you be able to share any information in it if you still do?
Thanks for reading, even if you don't reply!
1. Well, it's not that I'm unwilling, but you're talking about a series that I did 13 episodes for back in 1999. So my memory isn't crisp on the subject. Anything specific you were curious about?
2. I might still have it at my other office. I don't have it here at Sony. Sorry.
This day in Gargoyles' Universe History....
The Stone of Destiny is recovered at Arbroath Abbey and returned to Westminster Abbey.
Not a question, but a comment. I'd like to thank you for your periodic contributions to GargWiki. They've been a big help to it. Thanks, Greg!
You're welcome. It's been fun. And I'm as eager as anyone to make that a truly useful and comprehensive reference. Renders my own encyclopedia a bit moot. But the odds of that ever getting published were pretty slim anyway.
You mentioned not hearing about Daredevil The Director's Cut, so I'll explain it as much as I can. Daredevil as was originally planned was R Rated. Characters like Foggy Nelson and The Kingpin (who's sense of menace is built upon more) got more screen time. It includes a murder subplot missing from the theatrical cut, which had Coolio playing accused murderer Dante Jackson (Though his name was left in the credits in the theater). Overall the murder case plays a part of how Wilson Fisk was revealed as the Kingpin.
As the commentary would describe it, the Director's Cut puts more emphasis on Matt representing the underdog, less on the love story. You'd probably like it (better than the theatrical cut).
I saw Daredevil on a plane, and I'm generally more forgiving of movies on a plane. Having said that, my memory of the film is pretty vague.
Got #3 today, as well as a copy for my brother. While it still is a bit different, the art does look a bit more like the show than #1-2.
Like everyone else stated, Castaway is more interesting than he was portrayed in TGC. If I'm correct, I believe this is the first time since Hunter's Moon Part Three that Morgan has appeared.
After seeing Brooklyn's luck (Or therefore lack of), Timedancer can't come soon enough. No pressure minded you.
Keep up the great work. Sorry if my review wasn't as good.
Reviews don't have to be good. (Not that I don't prefer positive reviews; I mean, I'm only human.)
What is the significance of the numbers in the Illuminati greeting, "Thirty-Six" / "Thirty-Two"?
If I told you, I'd have to kill you.
Do you think that Demona is justified in pursuing her agenda against humanity?
I think she thinks she is.
After reading through issue #3 of gargoyles, I have a few questions:
1 - In your mind, who did you cast as the voice actors for the new cops on the Gargoyles Task Force? On a related question are they newly created characters for the comic or did you have rough ideas for them even back during the 90s?
2 - Does the scene at the Cathedral with the crystal mean that Atlantis: Lost Empire is part of your vision of gargoyles?
1a. Yes. 1b. The latter.
2. No, but it means "The Last" does.
Nobody Asked for My Two Cents (Clan Building, Issue #3)
But, I always give to a worthy cause, however little!
I hadn't realized that the letter under the Masque Invitation on the first page was officially from the government. It looks a bit like themed stationary. Still, MY how Xanatos is moving up in the world. He has amazing status, power, and connections unrelated to his finances.
While we're on the topic of Xanatos, I always like seeing he and Fox being loving parent. This adds to their believability to make them first and foremost people before they are EVIL people. For instance, Fox appearing from the shadows as she invites the gargoyles to try on costumes is suspicious at best, and later Xanatos is dangerously playing the gargoyles as pawns in a game he doesn't have full control over. Yet earlier when she and he are not being malicious and treacherous they're swinging their son around and smiling in the picture-perfect family portrait!
Also, thought Morgan plucking up the courage to ask Elisa out was so cute and sweet and-- dare I say-- she may actually want to go or more than the reason that he's human! I think it's tragic that Jason makes a perfect date now that he's reformed, but crippled as well.
Next, I'm so excited to see the Illuminati in action again. The networking is intriguing. I like that Hacker is unimposing but charismatic. Then he can be threatening enough that you don't try him, like with the shoulder squeeze and an insistence of "Don't be coy." Furthermore, he has every player thinking the Illuminati is backing his respective plans. On that note, I understand why Castaway wants the Gargoyles dead and why Matt wants them protected, but why does Xanatos want them exposed? What good does this do him, and if he's still trying to pay back his debt to Goliath and the clan? I don't think the clan would appreciate the gesture?
Also who is this perfect hypocrite to deny the gargoyle's true identities? Elisa, as a gargoyle-lover? Thailog as a clone but not the real deal? Demona? I'm on the edge of my seat.
Speaking of Demona I find it equally interesting as I find it odd that there is an intact shiny crystal in the middle of the cathedral rubble. I don't think I'm even sitting on my seat anymore.
Anyway, I wanted to like Hedgecock's art (I got the correct artist this time) I really did. But some places I didn't feel he captured the scene or the emotion. Issue #2 was good, great if you like his style. For instance, the chase scenes have a real since of moving fast paced, and the angles are dynamic. But here in issue 3, for example, where Elisa and Goliath are having their gulp break up I don't see the face always reflecting what he says. The resentment, sadness, or hurt looks very nonchalant in some frames. (But maybe the numbness is the point?) I prefer the frame where there's a huge space between them and Goliath is bracing himself against the stone because the emotion is subtle and the space is metaphorical. I suppose I most dislike the lack of details in the background. Characters do not seem to have a lot of distinctive features either. I would give him anoher chance but I can't deny my excitement to see the other artists after this.
And for my last comments…
Lexington and Fox are still great with the wry sense of humor.
Goliath is a BLOCKER! Brooklyn needs lovin' too.
And the safety of the Labyrinth ain't all that safe. Like… most of the time!
Again, I am teeming with anticipations. Can't wait for the party when everyone bumps heads.
People may have misinterpreted Xanatos' plan for the Gargoyles. He doesn't want to "expose" them. They've already been exposed. He wants to help them find eventual acceptance. To do that, he's "exposing" them to select people in small doses, first by not revealing that they are actually gargoyles, but introducing them, so that people meet them simply as people.
Of course, if that's not clear from the comic itself, I should probably just shut up.
Without traffic, it's a 30 minute drive to my comic book store. With traffic, it's one and one-half hours. The latter is what I fought in order to get my copy of Gargoyles #3, but I say it was worth the trek.
Of course, there's the required sigh of relief: After 11 years of waiting, new canon! In this true follow-up to "The Journey," we still have some character introductions and blunt exposition, but we might as well get them in one story rather than drag it out; that way we can get to the real meaty canon waiting for us in months down the line.
The non-spoiler version:
The art shows plenty of improvement, and plenty of places where improvement can be had. I think the coloring in this issue matches Hedgecock's style better, but it's still not going to get any rave reviews. I'm somewhat lukewarm to the new characters, but then... they're new. There's a long way to go with them.
But with the SPOILERS (and LOTS of them):
First, let's jump into the art. This is a comic after all, so there's no point in ignoring it. Hedgecock asked for three issues before we cast judgment, and this is issue number three, so: No, I'm not wild about the penciling, but I don't think it's been worth a lot of the fuss that's been made over it. Obviously the fandom has had its share of stellar artists, most of whom I *would* prefer to see taking on a project like this, but I don't see the art here as being too out of synch with a lot of new comics.
Frankly, I found more fault with the coloring of the first two issues than the pencil work, and I think Dustin Evans' work is a better fit for Hedgecock's style. And there's plenty of evidence in this issue that Hedgecock is getting a hang of the character models, so on the whole I feel positively towards the artwork of this issue.
Now, on to the meat:
I liked the reference to the upcoming visit to the White House in the opening page - subtle, but there - although to whomever was in charge of that page: You, er, missed the comma between Washington and D.C.; and even more technically, for an address you would use the postal abbreviation DC and not the D.C. form. I'm just pointing it out as a local, not a critic.
The use of the background radio chatter was a nice way to set the stage in the opening panels, and it segued nicely into the Task Force's meeting, where we meet two new detectives, and three cheers for the reappearance of Martin Hacker! I've been a quiet fan of his for a long time - I just like the idea of a guy who on the outside seems like a pretty mid-level management/agent kind of person, ultimately forgettable, but who in another realm is someone of real consequence. Matt clearly is still a bit upset about having been lead around the bushes by Hacker for so long, and I think that comes out very nicely in their brief "on scene" exchange.
After the meeting, I'm glad it was Officer Morgan who approached Elisa, as there's no way I would see Elisa approaching Officer Morgan - pre-talk with Goliath, anyway. Clearly Elisa was dealing with the many issues which presented themselves in recent nights, and I doubt she was of the mindset to approach a colleague and proposition him for a date.
I was also particularly fond of the exchange with Jason. He's letting her go before anything else needs to be said, and I think it shows that he still has a pretty strong character to be able to fess up to that. And who brought Jason the flowers sitting on the table at the foot of his bed?
Next scene with the gargoyles awake, I like Brooklyn's silent reactions to watching Broadway and Angela make nice as a couple. First it's angst, but by the last panel of page nine, he looks really annoyed at how obvious the two are making it, or perhaps just repulsed by how clingy they seem (they definitely have the new-couple clingy thing going on). It's no surprise he wanted to bail to the Labyrinth (with an appropriate choice of words: primp. Good word. Apt word. Primp).
I did end up feeling particularly bad for Goliath his conversation with Elisa. "I realize your options are limited-" "Limited?!" The laundry list of things she wanted that he couldn't offer, she might as well have pulled out a picture of Norman Rockwell's work and said, "You see this? This is what I want. Can you cook a turkey?"
And that was a very clever way to bring back Demona.
Jumping ahead a little bit to put together all of Hacker's conversations with Bluestone, Xanatos, and Castaway, it's clear he's lying to *somebody,* but I'm hesitant to say that he's lying to *everybody.* Clearly the Illuminati either wants something to do with the gargoyles or nothing to do with the gargoyles. If it's the former, then clearly Castaway's being lied to, and if it's the latter, it seems like the Illuminati are going to excessive lengths to get rid of the gargoyles. Giving Xanatos an order to walk out onto the parapets with a sledgehammer at dawn would be sufficient for that cause.
Of course, I'm not writing the thing, so I can only make guesses at this point.
Getting past the exposition of the Labyrinth, more angst for Brooklyn! It's bad enough he's in proximity to one of the females who outright rejected him, but then he has to suffer a block from Goliath. I mean, wow, the guy has worse luck than I do.
As for the new character introduced in the Labyrinth, I have to say that I gave her a lukewarm reception. She strikes me as awfully third wheel: an apparent acquaintance of an associate to a minor villain doesn't strike me off the bat as someone worth raising much of an eyebrow for. But, then, there are many issues down the road to find out things about her.
I like the approach to Castaway. He wants the gargoyles destroyed, not his reputation and budding standing within the city. With this kind of character, there are plenty of places Castaway can go, and I'll look forward to following him.
And three cheers for the dramatic return of Thailog! Guns at the ready and everything, it's a great jump off to issue #4.
On the whole, it's a fine way to return to canon stories. Plenty of story arcs are open for business, and I'm looking forward to May to get back into them. Well done, Greg, and kudos to your team!
Thanks. I'm not sure which "minor villain" you're referring to though.
I've got a few oppinions/questions about Oberon. Many fans seem to veiw him as a 'bad guy'. I really don't see him as such. Yeah, he's immature,(the kind of person you don't know wether to laugh at or stranggle at times) but he's a KING. In his mind, he's supposed to get what he wants. For the most part, I often dissagree with his judgement, but I try to look at it from his point of veiw too.
For example, his punishments for the Banshee and Puck (expecialy for Puck) made many fans unhappy with him. I agree, they were harsh.... very harsh. However, I have to remember his feelings of superiority as a lord and the way HE sees it.
I interpreted his POV when punishing the Banshee and Puck to think himself pretty fair. Girl yells a lot, make her shut up. Servant doesn't want to come back to Avalon, fine, banish him. Servant wants to play mortal, fine, take away his powers. Heck, maybe he was event thinking ahead. If he ever desides to change his mind, a harsh punishment might have been better. He could always chalk it it up to being merciful or to have been 'teaching them a lesson'. Or, the subject is so releaved about having the punishment lifted they don't take the time to wonder WHY Oberon changed his mind. Don't look a gift horse in the mouth, if you will. That way, Oberon saves face. I supose I should get to the questions now.
1. During the series, will Oberon be given the chance to mature?
2. How does the poor guy keep order in his kingdom? When almost all you subjects are magical, that must be tough. Makes you wonder how he finds time to sleep...
3. You've said Oberon loves his children, does that include Merlin?
1. I like to think all our characters evolve, some for the better, some for the worse.
2. There's no one method. But being Joe Most-Powerful helps a lot.
3. Life is complicated.
Generally, I'd like to say I agree with much of your analysis of the character.
I searched through through the archives and didn't see the answer to this so thought I would go ahead and ask.
You've said previously that Petros Xanatos was a Greek immigrant.
1. Assuming you gave it any thought yet, what part of Greece is he from?
2. How old was he when he came to the US?
3. Was David's mother from Greece as well?
That's all for now, but I also wanted to say thanks for continuing the story in comic book form, I'm really enjoying it so far. :)
1. I'd have to research this... or see if I can track down Aris Katsaris to ask for his advice.
2. I'm not revealing that now.
I wanted to know what is Buena Vista Home Entertainment's Phone Number that I have to get Buena Vista Home Entertainment's attention all over again about (i.e. increasing sales of Season 1 and Season 2, Volume 1) releasing the rest of Gargoyles Season 2, Volume 2 on DVD (second half of Season 2). I have been very good about waiting very patiently for Gargoyles Season 2, Volume 2 to get released on DVD to complete the entire series? Are there any DVD news for future Gargoyles DVD's about the release of Season 2, Volume 2 in Gargoyles #3 issue by Slave Labor? Thank you and have a nice day.
Guys, don't you think I'd tell you (SCREAM IT LOUDLY) if I had ANY news at all?
I don't have a phone number either, believe it or not. At the moment, I don't even have an e-mail address, because my previous contact on the project at BVHE has been reassigned, and she hasn't been able to tell me who has taken over. I'm glad you've been patient, Jonny, but believe me, I have NOT been patient. But I've made no progress. I'm hoping that will change. But I have no new info at this time. I promise to keep everyone posted, both here and in "ETCHED IN STONE".
A few comments on Issue #3...
My opinion is mixed on the artwork. I mean, it's a different medium from the animated series, so it's not going to look exactly the same. Without motion, more detail is needed to convey the same feeling that was done through gestures in the cartoons. Just like a radio play needs narration. (Which, by the way, you are AWESOME at...) On the other hand, I'm not entirely sure that this particular character drawing style is necessitated by the medium. (Somehow, Agent Hacker looks a lot more organic than everyone else; why can't the other characters have a little bit more of that organic feel in their designs?) And there is a bit of inconsistency. Bluestone struck me as looking a lot like David Hyde Pierce in his second panel. Although the artwork may be less than perfect, it is still at least acceptable, and certainly does not distract from the story.
And the story is great! Already an order of magnitude better than The Goliath Chronicles. I especially like the layered reveal of what organization Hacker really represents. I have a tendency to forget details, so I didn't get it until the second shot. Anyway, great job! I really look forward to future issues!
Wow, talk about damning with faint praise. (I'd hope we're better than Goliath Chronicles.) I'm glad you're liking it though. And I still like the art. It may not always be perfect, but I think it's powerful when it needs to be, and relays the emotions that I'm looking for. And I think David is improving all the time. We have fill-ins by great artists in 4, 5 and 6, but I'm also looking forward to David's return in issue #7.
Here is a question I've been meaning to ask you for a long time.
Demona and Macbeth's link implies that they will basically live eternally until one kills the other. However, I wonder - does that not mean that they can still be maimed, crippled, or permanently physically disabled? Mentally damaged? They seem to have survived things that should have been fatal, and because of the enchantment it is acceptable that they survive. But why not even sustain serious injury? On top of surviving, will their bodies always be restored to a state of full health?
Additionally, gotta say that I'm loving the comic book! I'm not going to say a lot about it here, because I'm sending a letter through the snail mail, but just gotta let you know that it's good to be back in the Gargoyles' universe!
Thanks. It's good to be back for me too.
I've answered your question MANY times before. Which is to say, I can't answer it. They've never been maimed, etc. So how would I know?
These questions have to do with your spin-off ideas for Gargoyles:
1a. I know that you are doing the BAD GUYS spin-off in comic book form and that you said you did that particular spin-off because it was next in your timeline. If Disney aloud you to bring back one of your spin-offs as a TV show, would you do the same? I mean, would you keep it in order and do BAD GUYS, or, since you could only do one of them, would you choose another spin-off?
1b. If you decided not to keep them in order according to your time line and didn't do BAD GUYS for the TV show, which spin-off would you do?
2. I know that you have posted up 6 different spin-off show ideas. Do you have any other spin-off ideas in mind that you have not posted up yet? I mean, do you have any other story lines in mind that could become spin-offs all on their own, but have not mentioned anything about them (for whatever reason)?
Thank you for your time.
1a. Honestly, this question is TOO hypothetical. I NEVER have that much freedom to make those kind of decisions. I'd do what I could SELL. Not sell what I felt like doing.
1b. You lost me.
2. Yes. Including one I have mentioned once or twice, featuring Rory and Molly.
A new OCCASIONAL feature here at ASK GREG...
This day in Gargoyles' Universe History....
The curate of the Archbishop of Paris consecrates the Paris catacombs as tombs.
Hello Again Greg! I hope you are well. And now onto the Question:
Are Goliath and Elisa the Only Cross-Species couple out of favorite 8 Gargoyles, the Manhattan Clan?
We know that Booklyn ends up with Katana, Bronx with Boudicca, and Broadway with Angela, Hudson has already had and lost a mate. I guess it is pretty apparent as to why I ask this question, for you are no fool at all. I will gladly join the ranks of the fans who have an intense interest in Lex's mate whoever he is. When I was younger and watched the show I always felt Lexington was the cutest one, and now that I am an adult, I still feel the same. I also seem to (coincidentally) be attracted to men with a build similar to Lex's, and I would love to know what kind of guy, gargoyle, Fae (or alien???) our little green friend would go for.
I hope you find it in your heart to answer! Thanks to you and yours!!
Jarrod, it's a perfectly legit question. But, no. I don't find it in my heart to answer. I've given away SO much already. The fact that you can blithely mention Katana in a post, as if you've already met her is somewhat depressing, you know? You gotta leave me a few secrets now that I have the comics.
I've read and very much enjoyed issue 3. As someone familiar with the series there is much to appreciate.
But when trying to see the comics from the view of someone who knows nothing else about the universe, based solely om the three issues, what cues are there that anyone be rooting for the Gargoyles per se? Perhaps, like the way you often describe Xanatos as a complex villian even in the TV series, you are meaning to potray everyone a little less clear cut? The writer in me is curious to hear your thoughts about that.
If the cues aren't obvious, I'm not sure there's much point in me discussing them.
I would think that (for example) Castaway's thinly disguised hate-speech in issue #1 would automatically make the gargoyles and Goliath specifically sympathetic. And if that didn't work, the fact that Banquo and Fleance tried to smash him in his sleep... well, you get the idea.
On the other hand, I do like shades of gray.
Maybe in a few years, I'll ramble on these comics. When I've got more distance and perspective. But right now, I'd prefer (largely) to let them stand or fall on their own merits.
Okay, it's me again. After re-reading issue #3 again and mulling it over in my mind another question did spring to mind. The teenage girl that Al was talking to...who is she? Besides being a device to explain to new readers (and refresh old readers)? We never learned her name (because Talon was interrupted) and it just kind of struck me as odd. Is she significant in some way or am I just reading to mush into things?
Can't wait till May
She's not just a device. Was Al just a device in "Kingdom"? If so, then is he still just a device?
As you know, you and I were both recently at WonderCon in San Francisco. After the panel we did together, I stayed for yoyr spotlight panel which I enjoyed very much.
However, as I was leaving, I wound up behind two young women. I didn't catch all of their conversation but one line was along the lines of: "Thailog... Coldstone... I had no idea what he was talking about."
Now, granted this may only be a minority reaction. The bigger question is, how challenging do you find it in your convention appearances when speaking to people with a varied range of knowledge about GARGOYLES?
I don't find it challenging at all... but then I guess I didn't think about this aspect much, did I?
These things can be a mess. At this point there are a ton of spoilers from the original series that it never occurs to me not to spoil most times. And more than once, I've heard groans as newer fans are spoilt by something I've said in a panel.
But there's careful and there's careful. And at some point, I just have to go for it. I'm obviously going to be MUCH more circumspect about Spider-Man, which won't air for another year than I'm going to be about Gargoyles, a property where I've spent a decade giving stuff away.
I was wondering if you could give us some advice on how to spread the word about "Gargoyles". The one potential problem with doing so on the Internet that I can think of is that I want to do so without making it look as if I'm just spamming whatever forum I'm visiting (something that would be more likely to turn people off "Gargoyles", which I obviously don't want). Do you have any suggestions on how we can spread the word without appearing like, say, pesky telemarketers?
I wish I did. But as many of you know, I'm not that facile with computers or the internet. I've learned a lot from your fellow gargoyles fans, but I'm not a regular visitor to fan boards, and I don't know the ettiquette. Obviously, we don't want to come off as spamming someone else's board. But on the other hand, there must be SOME way to say the equivalent of "Hey, I'm a big ElfQuest fan. And I'm also a big Gargoyles fan. If you like ElfQuest, you might like Gargoyles too." I know that sounds pretty transparent, but maybe if one establishes one's creds on this board or that, so that the crowd there knows one and trusts one not to spam, it would help. Maybe.
Aside from your gargoyles related comics work such as the new Gargoyles sequel and the upcoming Bad Guys mini, will we be seeing any more comics written by you?
I hope so. Tell your favorite comic company to contact me.
In your opinion, which one of the newly introduced characters from the Avalon World Tour did you find the most fascinating and interesting? Which ones did you want to further develop and to write more about?
They're all my children. I don't play favorites, and I have plans for all of them.
1. Why did the Archmage-Plus specifically pick Macbeth to serve him alongside Demona other than just following the directions of his future self?
2. How did the Archmage intend to deal with the returning Oberon and his entourage? Could he have fought Oberon off if he had succeeded in taking Avalon from the gargoyles?
3. Who was the greater threat in the Avalon Three Parter? The Weird Sisters or the Archmage?
1. Do you think he needed a better reason? (I do, but I may be a touch smarter than he is.)
2. Not sure he knew about Oberon's pending return.
3. Depends on whether you're the Magus or Goliath.
Hello, I'm a big fan of the show and can't wait to the third issue of the comic arrives. In a previous question, a fan asked if you would ever consider a cross-over and mention several comic related ones. You answered maybe and mentioned that you'd do none of those mention because they are all part of a larger fictional universes (barring an Earth1/Earth 2 type story). What copy-righted character do you think might make a good cross-over with Gargoyles?
There literally isn't a single non public domain character that I'd be psyched to include. None. I'm not saying that a good cross-over story couldn't be written, but my mind just doesn't seem to want to go there. They've all (largely) got their own universes, and are complicated enough without trying to make everything work in concert with ours.
Having said that, there are literally a TON of public domain characters that I'm anxious to begin including. With Macbeth, King Arthur, etc., we've barely scratched the surface.
Enough about WW2 - What was Demona doing in the 1960's/70's?
Uh... the hokey-pokey?
You mentioned that the Wyvern Clan was created mostly from members of the Manhatten clan, who are themselves decended from the old Wyvern Clan. Does this mean that we would meet more survivors from the clan as the series progressed?
No, that's not what it means.
We seen that Demona has a great deal of affection for her child, Angela. Since Samson is a descendant of hers, won't that affect how she feels about him? Or will his similarities affect her normal affection for her kin?
We'll have to wait and see.
When Fox had her name legally changed, did it become "Fox Renard" or just "Fox"?
Just "Fox". (As if that's not enough!)
In Norse mythology, Odin had sacrificed one of his eyes (in most depictions I've seen, his left) to gain wisdom and omniscience. When the Eye of Odin was restored to him, did this have any repercussions on what he had "bought" with it?
The short answer is no. We put a spin on the legend to make it "insight".
When they speak of Oberon's Law and/or The Law that Cannot Be Broken, does this refer only to the law of non-interference, or in a more general, "his word is law" sense?
Depends on context.
Thank you for giving us a wonderful series. Anyway...I'm still hoping to eventually see Season 2, Volume 2 on DVD, but while doing a websearch for any new news I saw a website advertising a "complete 3 seasons with 78 episodes on 5 DVDs" set. I'm not posting a link here because if the set isn't authorized, as I suspect, I don't really want to inadvertently point people to it.
Is this in any way likely to be something that's legal, and if not, what course of action would you suggest be taken?
It's clearly NOT legal, as you already had guessed. The only action I can suggest is to ignore it and encourage everyone else to ignore it.
I've noticed a trend in the episodes that center around Hudson: old age, and the infirmity that comes with it. Firstly, in "Long Way to Morning," Demona makes several less than encouraging comments, in the past and present, regarding Hudson's age. For example, when she is hunting for Hudson and Goliath, she taunts the elderly gargoyle, saying "This game is futile. You were too old to play it a thousand years ago."
Later, in "The Price," Xanatos attempts to convince Hudson to go along with being a test subject for the Cauldron of Life - "Still wasting your evenings in front of a television set? You're of little use to your clan, you might as well be of some use to me."
Even The Goliath Chronicles had an episode that followed this theme - "Dying of the Light" - wherein Hudson's vision is blurring, his one good eye beginning to give out (and personally, I felt that this episode wasn't half as bad as others [coughcoughJusticeForAllcoughcough]).
These variations on the theme lead me to ask - if, as Hudson says, "a Gargoyle can no more stop protecting the castle than breathing the air," what then does a Gargoyle do who has grown too old to fight?
Let's all hope that Hudson lives long enough to find out. We're also hoping to move Hudson beyond such rarified concerns. I don't think his literacy story in "Lighthouse" was age specific. And Hudson has plenty to do in upcoming issues...
I just read the good news that BAD GUYS will be a 6 issue limited comic book. I can see that if the comic book doesn't do well that you'd only want 6 done, but what if it does well? Would you make more than just the 6 comic books? I know you want to jump into PENDRAGON after the 6 are done, and if you do, would you continue BAD GUYS from that point, or would you go back and tell stories that happened within the 1st and 6th comic books?
Thank you for your time and for creating the new comic book.
If Bad Guys is a success, we would eventually bring it back, either with another Gargoyles:Bad Guys limited series or if the demand was just HUGE with it's own series. But for the time being the idea of alternating the regular bi-monthly Gargoyles comic with a bi-monthly spin-off mini-series is very appealing to me. It's not an overwhelming amount of work for me to cover, and it allows us to visit all over the Gargoyles Universe.
Hi Greg, I'm back again.
I've been doing my best to spread the word about Gargoyles - I've told people about the comics, the DVDs, and the Gathering - I've even managed to bring a couple more people into the fandom by loaning them the DVDs - they were hooked from Awakenings.
Since December, I've managed to get the first two issues of the comic - would have gotten the third today, but I couldn't make it to my comic store. Hoping to get it Friday.
I loved the first two issues - and the fact that I already knew the story in them did absolutely nothing to reduce the pleasure I derived from them. I may or may not go into a more detailed review after I get the third ish.
Anyhow, I've spent the past three months watching my DVDs (the Toon Disney airing keeps moving to less and less convenient time slots, and on some level, I wonder if they're TRYING to get bad ratings for it), and have come up with a few questions/comments - but I don't want anything to be dropped from Ask Greg, so they won't be submitted now.
I'm trying like mad to make it to The Gathering this year - Pigeon Forge is the closest it's ever been, and I don't know how long before it comes close enough for me to attend again (limited budget, can't afford air fare). If I can make it, I hope to see you there.
Hope to see you there also. And I do appreciate the efforts you've been making to spread the word.
I would like to (once again) disabuse everyone of the notion that Disney is TRYING to sabotage the property. That's just nonsense. (I realize you were half-kidding, but people might take the notion seriously if I let it stand unchallenged.) You can accuse Disney of at worst, benign neglect. They may not have exploited the property to the extent that you and I and the hardcore fans would like, but they are not, have not and will never intentionally sabotage it. Disney, as a company, is out to make money. Sabotaging their assets is not a path to making money.
Will you ever tell who Tom's father is in the comic books or in a TV show if you made one? If so, would it be in GARGOYLES or in one of the 5 spin-off shows?
Thank you for your time.
Eventually, I'd get to everything. This might happen in Dark Ages, but a Gargoyles flashback or even a TimeDancer episode might get us there first.
Okay, this is a question that's been on my mind for a while now. I've always wondered, was it a little harder for Lex to learn to type on a computer because he only has 4 fingers on each hand instead of five? Would it take him longer to type something up than a human because of this?
Thanks for your time.
Never having had five fingers and never having had a keyboard before, I think he wasn't too hampered by a handicap he wasn't aware of. Though a keyboard is designed for ten fingers, to a first-time observer, one could argue that it was designed for someone with 48 or more fingers. Yet we all adapt.
I realize this might be similar to your "how on earth do all the gargoyles get enough food in Manhattan" question-slash-bane-of-existence, but I'm actually just honestly curious:
What's there to eat on Avalon? Does a lot of fruit grow there? Are there wild beasts in suitable population for the occasional harvest? I would imagine being-always-summer would make agriculture interesting.
There's food. I'll admit I haven't dedicated a lot of thoughts to the logistics, but there's food.
I was wondering have you considered doing a live action movie or television series for the Gargoyle Franchise. And would you consider another person's script.
I have answered this MANY times before.
I'd love to do a movie or tv show, live action or animation -- though it is of course NOT up to me. I would not cold read anyone else's script (to protect myself from lawsuits), and obviously my first choice would be to write it myself.
Wow! Having just read issue 3 of the comic, I must say... I was astounded! I have had my reservations about the first issues, mostly because I was uncertain of the pacing of it all. But now, things are moving briskly, but we are still seeing flashes of our characters, even when they appear only briefly in an issue. It was amazing finally seeing NEW story progression after all these years!
In the letters page, you mentioned the idea of audio comics, and let me tell you... I'd pay a very reasonable (maybe even unreasonable) price to be able to listen to this issue read in the original voice actors' voices... but I suppose we should always have something to fight for out here in Garg fandom.
My question, at last- Since issues 1 and 2 equated roughly to one 22 minute episode... do you have any sort of fixed guideline you follow in a pages to minutes conversion? Does issue 3 feel like a 22 minute episode to you, or just part of one? I'm just curious, and I know that in teh long run my question's really rather irrelevant.
Thanks for making it so easy to keep having faith in the Gargoyles Universe, Greg! And if we ever get Season 2 Volume 2 on DVD, you better be at the front of every episode with introductions again. I loved those and found them charming, not goofy (as someone once commented here... or was that you?)
I do think they're goofy (which is not to say I didn't have a lot of fun doing them).
I'd also love to do audio comics, but we'd need to see more evidence that there's a market for them. Hopefully, now that we're on schedule again, we'll be able to build the sales up on the comic.
To answer your question, I generally view each issue of the comic as being equivalent to one act of an episode. This is not a hard and fast rule, but it seems to be how things are breaking down. I was able to fit my adaptation of "The Journey" into two issues because the first issue had extra pages. But normally, I'll need three issues to do MOST stories justice. (Three acts to a TV episode = three issues of the comic.) Or so it seems. I'll admit that I'm still thinking TOO MUCH in TV terms. Issue #6 is a more stand alone story, but issues #7-9 tell one story and issues 10-12 will tell another that will bring the 12 issue Clan-Building arc to an end. It's like this:
Story #1 - Issue #1 ("Nightwatch") and Issue #2 ("The Journey")
Story #2 - Issue #3 ("Invitation Only") and Issue #4 ("Masque") and Issue #5 ("Bash")
Story #3 - Issue #6 ("Reunion")
Story #4 - Issue #7 ("The Rock") and Issue #8 (TBA) and Issue #9 (TBA)
Story #5 - Issue #10 (TBA) and Issue #11 (TBA) and Issue #12 (TBA)
Twelve issues, five stories, one arc. As you can see, this barely scratches the surface of my Season Three plans, let alone my LARGER tapestry plans. But it's a start.