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Out of curiosity, are you aware that, in the original comics, the initial intent for the Venom symbiote was that, instead of going to Eddie Brock, it would go from Peter Parker to a WOMAN who had a grudge of her own against our friendly neighborhood web-slinger?
From what I've heard, the initial idea was that the woman would be pregnant and in labor. Then, her husband would try to wave down a taxi, and the taxi driver, who is paying more attention to Spider-Man in action instead of the road, accidentally hit and killed the woman's husband. The woman would then give birth on the spot, but the child would be a stillborn, and she'd lose her sanity because of the sudden loss of both her husband and her child, sending her to the Ravencroft Institute. She'd eventually regain her sanity and be released, but would still blame Spider-Man for the loss of her family. The symbiote would be nearby and sense her mutual hatred of the web-slinger, and bond with her to form Venom.
The reason Marvel didn't go this route, from what I hear, was that they felt their readers wouldn't consider a woman to be a physical-enough threat to Spidey. (Never mind the fact that a woman with the Venom symbiote would be, by definition, physically STRONGER than Spidey). Thus, they went with Eddie Brock, whose grudge was based on things that happened because of his own stupidity.
Here's the article describing it, just scroll down the page and you'll find it:
Not to mention, as a result, it came to be something of a self-fulfilling prophecy, as Spidey doesn't have a lot of MEMORABLE female villains. In fact, the only one I can think of is Felicia Hardy aka Black Cat, who is very on/off when it comes to villainy, and is TECHNICALLY a clone of Catwoman when you think about it.
Still, imagine how things might've been had they gone with the female Venom route.
It's interesting, but I'm not too enamored of the scenario you described. Again, her hatred of Spider-Man is largely irrational. She could hate the cab driver. God. Whatever. I prefer things being more personal. On the other hand, the goal of having more and more powerful female villains is one I'm whole-heartedly behind.
Hello Greg! I hope you are doing well and I want to congratulate you for Young Justice season 3 being commissioned. I cannot wait to see it. Here are my questions:
1. How long was your timeline for Spec Spidey, if you had one? I know you had eventual plans to go into Peter's college years and beyond if you had the chance, so I was curious if you had stories, characters, and events such as deaths, graduations, etc. planned out? I'm not asking what stories you wanted to tell but I am curious if you had a long outline, similar to Garg and YJ.
2. Why did you make MJ and Gwen friends in the series? It was a change I loved and considering where Pete and Gwen end up in the comics and where Pete and MJ end up, I thought it was a brilliant idea.
3. For YJ and Spec, was Jamie Thomasson a comic book fan? I ask because I wonder if him being a possible comic book fan helped him cast parts in the show easier. Did he only rely on your scripts or also on other source material?
Can't wait for YJ season 3 and hoping for Garg comics! And I still hold out hope you can write Spider-Man again in another form! Take care Greg and good luck.
1. I did have one. But I don't remember how long it was, and I don't have access to it here at my Warner Bros office.
2. I didn't come up with it. They were on and off friends in the comics.
3. You'd have to ask him, but I don't recall him being a hardcore geek like me.
Do you know if Tom Holland, or any of the cast/crew of Homecoming, or if Feige are fans and have seen Spectacular Spiderman?
Spectacular was an excellent adaptation which really captured the spirit of Spiderman. I love it so much and hope Homecoming does something similar to it.
So in Young Justice, you cast Bruce Greenwood as Batman, but not John DiMaggio as the Joker. Any reason on ditching that match-up? I find it amusing.
I don't know why it's amusing. We weren't/aren't in continuity with the Red Hood movie. But we felt Bruce was right for our Batman, and that John's interpretation of Joker wasn't right for our version of the character. Love John's work, however, as any fan of The Spectacular Spider-Man must know.
I was one time rewatching all of The Spectacular Spider-Man episodes and I noticed in the episode Identity Crisis smaller fronted overlapped letters on the word Kevin Michael Richardson on the closing credit. Was that some kind of goof/glitch and if so how can it happen out of curiosity or perhaps are the letters supposed to be some kind of word maybe? I wish if it is some kind of glitch that it could be fixed someday because I seemed to be triggered by OCD/intrusive thoughts/unwanted thoughts on it lately which seems to make me have anxiety feelings.
I'm sorry, but I have no idea what you're talking about. How were you watching the episode?
Just a few words about Miguel Ferrer, who passed away yesterday. I won't pretend I knew him very well, but he was always a pleasure to have in the booth. He was the voice of Silvio "Silvermane" Manfredi on The Spectacular Spider-Man, and Bo "Bibbo" Bibbowski and Tribune #1 on Young Justice.
Did I forget anything? Oh, yes. His brilliant portrayal of Vandal Savage in Young Justice, making him one of the most interesting and complex hero/villains I've ever had the pleasure of working on.
His talent - both in material I was involved in and in the many, many things I simply watched as a fan - was immense.
He will be missed.
I have some more questions about S2 Ep1 of Spectacular Spider-Man.
1) Did you voice anyone else other than Menken?
2) How did Xander Berkeley land the role of Mysterio?
3) What inspired your version of Mysterio?
4) Where did the idea of the little purple bat things come from? Who voiced them?
I liked the Star Wars reference when Spidey said "May the Spidey Sense be with me."
1. The truck driver, maybe. I'd have to look at it again.
2. I suggested him. He and voice director Jamie Thomason and I had worked together on GARGOYLES, in which he played Coldsteel, so we knew he'd be great.
3. The comics and the core idea of the character.
4. The Homunculi seemed to fit Mysterio's M.O.
4a. Thom Adcox, Dee Bradley Baker, Steve Blum, Phil Lamarr, Cree Summer and James Arnold Taylor. I loved those little guys and wanted to do a spinoff series with them.
Spectacular Spider-Man is the best Spidey adaptation ever in my opinion. I have a few questions about S2 Ep1 "Blueprints".
1) Who was Eddie's roommate?
2) Where did Eddie live? Was it a dorm on campus?
3) How was it having Stan Lee making a cameo?
4) What all does Liz Allan's father own? Liz says he owns some hotels and in a previous episode they gang ate at his restaurant.
5) Where was Miles Warren before he returned to NYC?
I have more questions so I am going to submit another discussion because of the 5 question rule.
1. Oh, I used to know this. I really did. But its been so long, I can't remember. It was a character from the canon. I want to say... Josh something. But honestly, I can't remember now.
2. Dorm on campus.
3. F---ing AWESOME!
4. The restaurant was IN one of his hotels. He owns hotels.
5. Elsewhere. (Never bothered to figure that out.)
So a new Spider-Man series was announced yesterday at the New York Comic Con. Are you taking part in this project in any way? If your not, is there any way you could get aboard it because that would be spectacular.
Thank you so much for your time.
No. And no. I'm busy on Young Justice S3, and in any case, Marvel would have to want me on it. They certainly know how to find me. There's clearly no interest in putting me and the character back together at this time.
First of all I just want to say thank you for every piece of writing you've ever done. You're a genuine source of inspiration to me and i'm continually amazed by the depth of your storytelling.
You've talked in the past about your decision to keep Emily Osborn alive and around in Spectacular instead of being a missing mother. I was thinking recently about how it's not uncommon for writers to imply that Norman's treatment of Harry to the idea that Harry's birth caused or bought about Emily's death.
You're Norman is probably the most explicitly cruel of all the Norman adaptations towards his son, and yet he totally lacks this excuse. I was wondering if that was something you where conscious of when writing the Osborns?
(P.S Spec!Norman is probably my favourite version of the character. He's cold, clever, charming and creepy, but most of all he's an unnervingly believable bully.)
I never really bought into that as an excuse for Norman. If he had been a decent man up to the point of Emily's death, then he would have treated his son with decency. But he wasn't, so he didn't. So it didn't bother me to "lose" that particular motivation when weighed against other concerns.