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I'm not exactly sure if this is a spoiler question, but here it goes:
Dick appears to be slowly transitioning into the role of leader of the group, stepping up to lead the team when Aqualad was felled to the "invaders", reassuring Zatanna when she doubted her abilities in "Misplaced", encouraging a fearful Artemis during the bout against Red Volcano. My question is this:
1) The look that Robin gives Aqualad when he vehemently denies that any of his team members are traitors - is that suspicion or shock over his naivetÃ©?
On an unrelated note,
2) In "Misplaced", when Billy utters the name of immortal Shazam, does the plane teleport into another dimension, or is it merely destroyed?
1. It's the seeds of doubt.
2. Neither, at that moment. He is transported to the adult dimension. The plane stayed right where it was, i.e. moving through the air of the kid dimension.
Hey Greg, I have to admit seeing Billy's uncle a little worried/scared was the best part of Misplaced for me. After seeing him act a little cold towards Billy on Alpha Male, but show that he really cared for Billy, honestly, satisfied me. 1. By the way, why did you guys make Billy "not homeless" anymore? Thanks for your time and keep up the good work.
I don't know where you got the idea that Dudley was cold to Billy in "Alpha Male". I certainly didn't get that at all.
1. Urchins in the old fashioned sense don't exist. You have to go someplace pretty dark to have a homeless kid on his or her own in today's world. Billy doesn't seem THAT dark to us.
Klarion can be kill only his cat kill
Chaos can't be killed.
Why did Chad Lowe took over Rob Lowe as Captain Marvel?
Rob was no longer available, and Chad - with Rob's blessing - kindly stepped in.
Paraphrased Antiyonder's appeal from the Comment Room:
"The Young Justice Wiki (http://youngjustice.wikia.com) incorporates info from Ask Greg, such as the often repeated age questions. So if you're (just talking to folks in general who tend to do so) going to ask for an age, look at the character articles on the wiki to see if it's there."
A question about Atlantis:
Have you wondered that in a land with names like Orin, Orm, Mera, Tula, Kaldur'ahm, and Sha'lain'a, the name Garth sticks out like a sore thumb? Unlike any of the former names, it sounds so un-Greek (or un-Atlantean).
PS: I really like this incarnation of Garth. I hope to see more of him in future episodes.
I don't know what does or doesn't qualify as Atlantean except what I learned MUST qualify based on the sources. Does Garth sound more or less "Atlantean" than Ronal or Blubber or Lori? I guess that's up to the ear of the beholder.
This is an addition to my previous post - I accidentally missed my first paragraph when I copied and pasted it:
To begin, I wanted to say that I really like "Young Justice" and what amazes me about the show in particular is how heavily serialized it is as an animated program. That is to say, very few US animated series attempt the same level of continuity and on-going storytelling. So, my questions here will mostly be about the serialized nature of the show.
Uh. Okay. Thanks.
First of all, Iâve noticed that the approach as a whole is to make standalone/arc episodes. In other episodes, nearly every single episode so far has a self-contained storyline that additionally builds on the longer running plotlines.
Why did you choose to approach the series in such a way in particular? Was there perhaps talk that the series might become too complex for audiences to follow?
During the showâs development stages, was there ever consideration of making the show a more standalone show in general? Or of making more two-part episodes that tackle a single standalone/arc plotline?
Or conversely, having multiple ongoing plots unfold over the course of one episode without resolution, leading to a cliffhanger ending and necessitating more episodes to bring everything to an end (I think itâs referred to as the âflexi-narrativeâ structure)?
Has there ever been any pressure (from the network, DC or outside forces) to de-serialize the show and make more standalone episodes that don't connect to the main arc of the season at all?
Do you ever feel that having only 22-minutes to tell a story hurts the quality of an episode, or forces you to rush through material?
Do you know pretty much every major plot beat of the season when you started writing the episodes or are certain key plot points figured out along the way?
Have you ever been in a situation where you decided to take the main story in a bit of different direction and so had to go back you to earlier episodes and re-write them to make sure everything fits together seamlessly?
Given that the first season so far has begun many different plot points, can we expect all of them to be resolved by the end of the first season or will certain threads carry over to next season and beyond? In other words, are the arcs self-contained or will they span multiple seasons?
In the future, please NUMBER your questions.
1. I think it's the best of both worlds to have coherent stand-alone adventures (great yarns) that still forward an overall arc. That way anyone can enter at any time and pick up what's going on.
1a. I pitch my shows as "Episodic but Sequential" because that's how I prefer to work. No one's forcing me to do it this way.
5. Not to rush, but we almost always feel like we're leaving out things that would add richness to stories and characters. I'd love to do hour episodes, which is NOT the same as doing two-parters.
6. We work it all out in advance.
7. Occasionally, we go back and adjust little details here and there.
8. Almost everything is on-going. But I hope episode 26 left everyone with an appropriate amount of open-ended closure. Also some things will be addressed in our companion comic-book.
Dear Mr. Weisman,
Thank you for all the wonderful work you've done from Gargoyles, to Spiderman, to Young Justice. Been a fan for years.
1) From your experience, what was more enjoyable to work with? Working on a show that was completely yours to control - Gargoyles - from character development, plot, and storyline? Or Spiderman and Young Justice where the basics has already laid out?
2) Was there more pressure to succeed working on Gargoyles because it was original and the creativity was your to control? Or was there more pressure to work on an adaption on Spiderman and Young Justice because the bar has already been set?
1. They're different. Gargoyles is my baby. But in terms of the actual work, I don't think I had any more or less fun working on SpecSpidey, W.I.T.C.H. or YJ.
2. I think the pressure rises with each series, but I blame the internet more than anything inherent in the series. (I blame the internet for a lot, which is not to say I could go back to living without it.)
I have a few questions pertaining to Roy Harper.
1. Since he's 18, is he a high school senior? Or a college student?
2. What languages can he speak?
3. You metioned earlier that out of the orginal sidekicks, Roy was closest to Kaldur. What is his relationship with Robin and Kid Flash like?
4. This is more of a confirmation, actually: Artemis can speak Vietnamese, French and knows high school Spanish. Correct?
1. He graduated high school and is now taking a year off.
2. English, obviously. Otherwise, I'm not sure.
3. Cordial and friendly. Even fraternal.
4. ASKED AND ANSWERED.