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thanks again for taking the time to communicate with the community. Today, I have a few questions about the gargoyle designs:
1) On the show, the further the show progresses, the more varied the gargoyle design becomes. Originally, the gargoyles have a rather human look, but with time some of them cross the border to animalic. I'm thinking about the London Gargoyles in particular. How did these character design decisions, for example for lion-, eagle- and horse-heads and the bird wings, come about? Did you, the production crew, argue about such designs among each other? Or was it something that everybody accepted immediately?
2) I believe I remember a piece of promotional art that features Bronx with very small wings on the back. Why was it decided to remove those wings?
3) For the show, when you came upon a story that involved new gargoyles, what was the design process? Was there a lot of moving-sketches-back-and-forth, approving and rejecting designs, or were you usually contend with the first design you got?
4) Unfortunately, so far I have only seen the covers of the comic. But I wonder: why has the change to a bare-midriff look for Angela been made? Was it just a hunch of the artists, or were there more serious thoughts behind this?
Thanks in advance for answering and all your work.
1. I don't remember any fighting over the London designs. MANY, many "gargoyles" in England are based on heraldic forms, and that's what we followed. It all fits into our backward extrapolation for why humans started sculpting faux gargoyles to safeguard their buildings.
2. Bronx never had wings. Bronx did have ears that acted as tiny wings and allowed him to hover a few inches off the ground. It was a comedy-development holdover, and Frank Paur jetissoned it when he came aboard.
3. Some of each.
4. It was a discussion between Greg Guler and myself to consciously make her look a bit sexier and more grown up, as she embarked on a more adult relationship with Broadway. And if her new look called up memories of Demona... well, so much the better.