A Station Eight Fan Web Site
Hi Greg -- thanks so much for taking time to answer fan questions like this! I have been a fan of your work since the 90s and Ask Greg is an amazing resource.
My question is: Back in the 10th century, did Brooklyn have a girlfriend or female clan mate he was close to romantically?
Now that Brooklyn is older than Goliath does that mean he needs to appoint a new second from Angela, Broadway and Lexington or even Eliza? You mentioned the second in a Gargoyle clan is of a younger generation than the clan leader and groomed to take over, now that Brooklyn is older does that invalidate him from the position?
Not automatically. We'll just have to see how things play out.
Hey Greg, I'm a big fan of Gargoyles and I actually have a question for it concerning Brooklyn. How much has his personality changed after he got back from his Timedancing adventure? I didn't see this question posted at the archives but if you did post it then I apologize.
He's evolved - and aged - more than he's changed.
Not a question, but a comment. I was watching "Temptation" again, and when Demona first approaches Brooklyn she has this line "wasn't this like old times, fighting together side by side, comrades in arms..." and I have to say, kudos. Thanks to "Tyrants" and "The Gate" there so many more layers upon layers to that line especially. I could be wrong, but I never got the impression that they knew each other all that well prior to the massacre, so I used to wonder if the reference was generic or if she was just trying to make an appeal. Now, well... now the context of the line has changed, and for the better.
I don't know if the idea for their team up against Constantine existed in your head way back when "Temptation" was written, but I love moments of creative serendipity.
It didn't way back when, but I ALSO think they fought side-by-side in the past from Brooklyn's POV. Keep in mind there's YEARS of adventures in GARGOYLES: DARK AGES.
Recently I noticed that Brooklyn wears an eyepatch over his left eye when he's dressed up as a pirate in "Eye of the Beholder" - and wears one over his left eye for real when he returns from his Timedancing in "Clan-Building". When you worked with the artists on Brooklyn's post-Timedancer look, did you have the Halloween costume in mind? Or is it just a neat coincidence?
Yes. And that's not all.
are Brooklyn and lex getting along better in comic books ?
Better than what?
Hi Greg, I've been a long time fan and have never had the opportunity to ask this question, but it's a question that I've had since I watched the series in its initial run. Why did Broadway ever end up with Angela? Was it a decision by a particular writer, a shift in the creative team, or something else? Brooklyn seemed to be the logical choice do to fan base, role as second in command, and overall use in stories. In episodes like "The Gathering Part II" and "Turf" Brooklyn seemed to be building a relationship (even a very small one) with Angela. Broadway seemed like the last possible gargoyle to end up with Angela (totally discounting Lex there). And yet he did end up with Angela. I guess this long rant has one simple question behind it, why not Brooklyn?
Our plan was ALWAYS to pair her with Broadway. ALWAYS. It seemed right to us for all characters involved. For more details - CHECK THE ARCHIVES, as I've answered this over and over again.
Hello, Mr. Weisman.
My next questions are for Brooklyn, who was one of my favorite characters in the franchise. Not only did he come off as cool, but he was a relatable character who came off as a sort of rebellious youth. So, here are the questions.
1. I read in a 2008 interview that Brooklyn was quite popular with the fans of the show. How and when were you able to determine that? Nowadays, I figure it would be pretty easy given the pervasive nature of the internet and how fast information can be circulated. But back in the 1990's, during the show's original run when internet use was not as prevalent, how were you able to obtain feedback about certain aspects of the show, such as character popularity?
2. Brooklynâs encounters and love interests in the twentieth century always seemed to have an unhappy ending to them (his initial encounter with Demona and his initial interests in Maggie the Cat and Angela come to mind). Because of this, he seemed to come off as the most unfortunate character in the original Manhattan clan, at least to me.
a. Do you think that all of these unfortunate letdowns were necessary in developing his character, and preparing him for what was to come in Timedancer?
b. Do you think that Brooklyn having fewer ties to (new) people in the twentieth century made it easier for him, mentally and emotionally, to jump around different points in time?
3. Were you concerned about the audience perception of Brooklyn when you had him return from the Timedancing adventures not only with a family, but an eye patch? I think one of the qualities that made Brooklyn such a likable character, in addition to his personality and his cool voice, was that he was a physically attractive and handsome gargoyle. One external change might not be all that drastic though.
Thank you for your time.
1. From the internet. It may not have been AS prevalent back then, but it was prevalent enough. There was like an e-mailing list. Uh... for the Disney Afternoon in general, I think. Then my sister helped me find Station 8.
2a. It just felt organic to us.
3. I don't think he's any more or less handsome now. If you liked him before, I can't imagine the eyepatch would cause you to think he's unattractive now.
Um, well wow never thought I'd get a chance to ask you one of the questions that been burning my mind for the longest of times. A question that could very well shake the fabric of reality.
Just exactly where did Brooklyn get that wicked Eye patch from in Issue 12 page 24 of Gargoyles the Slave Labor Comics? I'm not asking how he got the wound, but where the Eye patch itself came from? It's just been bugging me for the wildest of times.
I'm not revealing that at this time.
Did Hudson influence Goliathâs decision at all as to who shouldâve been Goliathâs second in command?
If something had happened to Goliath before he had chosen a second in command, I would assume that Hudson wouldâve become leader at first, but then would choose someone else to lead since heâs older and believes that a younger leader would be best (which is indicated in the episode Upgrade). If this was the case, who would Hudson have considered becoming the new leader of the clan? Would he have based his decision along the same lines as Goliath, or would he have looked for other qualifications?
Thank you for your time and all that you do,
Hudson and Goliath are two different guys... but I still think Hudson would have ended up choosing Brooklyn.
Long time watcher and short time question-asker-or.
Am I the only one who thinks Brooklyn is like some sort of dragon gargoyle? Did you intend this or is the big red beak just getting to me? haha
He is what he is, beak and all.
I'm curious if Goliath ever told the others in the clan besides Elisa and Angela about what happened in "Future Tense", considering that Brooklyn returned wearing EXACTLY the same armor. This was one of the most interesting revelatins from CBII. Throughly enjoyed everything you've done and looking very forward to more.
I don't think he did tell much. And certainly not in the kind of detail that would allow Brooklyn to model his armor off of Goliath's story, if that's what you mean.
I'm kinda going on a question spree now that I have some down time and this is something else that poped into my head that I haven't seen yet. Are Brooklyn and Katana biologicly the same age when they meet?
Why do the Gargoyles never upgrade their equipment with the changing times?
I understand from the archives that Hudson uses his to make up for his age, but, despite the number of times their stony rears were handed to them by technologically/magically superior foes, they never seem to try to even the playing field. Tradition is one thing, but I'm reminded of the famous Churchill quote on the subject of a major overhaul of British naval technology: "The traditions of the Navy are rum, the lash, and sodomy."
I think it's less about tradition than comfort. But you've seen some of the cast 'upgrade'. Brooklyn, for example, is now heavily armed.
One last question before bed....
From what little we've seen, it seems that Brooklyn and Katana are parents, not just rookery parents. (All those years with just each other would make it seem inevitable. There are no rookery siblings or other parents.) You wrote that Broadway and Angela ~choose~ to raise their children in the gargoyle style. So...
1. Are there currently any clans who have adopted human parenting, like they adopted human naming? Will there be by the future series?
2. Even those choosing to raise children collectively, are their strong human influences to that thought? (For instance, noting a rookery child looks like you.)
3. Am I correct in my assumption that Brooklyn and Katana are more like human parents in that respect?
4. It has been strongly implied that Elisa and Goliath will in some way adopt. Should they raise a child, would it be as individual or collective parents?
More later, (when I can hopefully decipher my handwriting).
1. We'll have to wait and see.
2. See above.
3. See above.
4. See above.
Have Angela, the Trio, and Bronx ever killed someone? I don't mean like in the show, but back in the 10th Century? With Hudson, Goliath, and Demona being as battle hardened as they are it's sort of obvious they've done the deed, but I've always been curious to the younger members of the clan.
Well, not Angela. But I think it's very possible that Bronx and/or the Trio might have. And almost definite that Brooklyn did at Rathveramoen.
Some questions bubbled up in my mind while reading Gargoyles Clan-Building, first about the Timedancer arc.
1)Is Fu-Dogâs gold collar affected by the humility spell?
2)Does Katana speak English? I note that she had no lines in âPhoenixâ and in the non-canon Radio Playâ¦is the reason she doesnât speak because she canât speak English?
3)Somewhat related to question 2, is Brooklyn able to understand the languages of times/places he goes automatically, or does he need to learn them?
1. It's up to him.
2. She speaks English.
3. I haven't fully decided, but I'm leaning toward the Phoenix compensating magically.
Does Brooklyn meet Katana before or after his adventures in the future with Samson and the resistance?
In the comics are we ever going to find out what happened to Brooklyn in his 40 years of time travel?
If I'm given the opportunity, yes.
1. When was Katana hatched?
2a. How old is Katana biologically when Brooklyn & Co. return to Manhattan 1996?
2b. How old is Katana chronologically when Brooklyn & Co. return to Manhattan 1996?
3. What year did Katana and Brooklyn first meet?
4. I hope this doesn't sound vulgar because it's not meant to be, but when did Brooklyn and Katana find time to mate with Nashville hanging around? I just imagine lots and lots of awkwardness:-Z
1. I'm not revealing that at this time.
2a. Same age as Brooklyn.
2b. I'm not revealing that at this time.
3. I'm not revealing that at this time.
4. Parents manage. (Otherwise, I wouldn't have TWO kids myself.)
Well I finally got my copy of Clan Building 2 last week; it was weird, even though I'd been waiting MONTHS to read this, when I had the book in my hands I wasn't in that much of a rush to read it. Maybe subconciously I was registering that this would be the last few stories of Gargoyles that I would read for some time. :(
Anyway, I have to say when I did read it I loved it, couldn't put it down.
Just one question (for now at least):
As of 1994 (or "Awakening part 4") did Demona remember her encounter with "the gargoyle of the sword" back in 997? If so, how did she reconcile it with Brooklyn waking up in 1994 after being put under the sleep spell?
I have to say, I loved the 997 arc btw; thought it was brilliant. Especially loved the end pages of #12; finally we get to see Katana, Nashville (or Gnash as he likes to call himself) and Fu-Dog (& not to mention Egwardo) after all these years.
It was also a surprise seeing Coldstone and Coldfire rejoin the clan.
On the whole loved the book; here's hoping for more soon.
Yes, she remembered. She must have put SOME of it together. And it may be why she chose Brooklyn in "Temptation".
My review for #11, "Tyrants".
* SPOILERS *
I'd long had a vision of Brooklyn, during his Timedancing, confronting his stone self at Castle Wyvern - so I was amused to see that happen here, and on the "cover page".
I'd read since "Avalon Part One" aired about Constantine's nickname being "the Bald", and got a kick out of seeing you incorporate that here.
I liked Constantine's "Three Brothers" line, alluding to your four-parter here.
Another priceless moment: Brooklyn accidentally blabbing about Tom's future to Mary.
Just his luck: the Phoenix Gate trapped inside the stone pouch. And now the Humility Spell's name becomes canon, rather than canon-in-training. Followed by the Wind Ceremony.
Demona's second-in-command from "City of Stone" shows up in her clan. Nice touch.
I liked Brooklyn's "Hit those books" moment - very funny, and such good advice. And I'm certain you've encouraged your readers to study up on 10th century Scottish history with this story.
And Brooklyn has to make an alliance with his old enemy Demona (who hasn't even done the thing he'll hate her for yet). I liked his slip about Hudson's name. (Also Demona frantically lying about her whereabouts during the Massacre.)
Another great cliff-hanger, with a double threat from Demona and Valmont.
* SPOILERS END *
Brooklyn was fun for me here. I was worried I was almost making him too competent... not thrown ENOUGH by what had happened. But it just seemed right, that he'd take things as they came...
I reading a question someone asked you about if demona and goliath would ever be a couple again and you said no. I was some what unhappy about that development as I was always had hope they would be a couple again at some point. I also find Elisa to be a some what uninteresting character to be honest compared with demona. I know many shows will take into consideration input from the fanbase and bring certain characters back to life,give popular characters with a small amount of screen time more time and so one. I was wondering if you basically have a vision set in stone for your characters or do you ever make any changes in gargoyles or any other show based on fan feed back? I hope this questions does not violate your rules for answering questions,but I was really wondering about what level you take fan input into consideration regarding existing characters and events? Great show and keep up the good work. I'm kind of burnt out on spiderman to be honest,but now that I know you're involved in it I guess I'll have to buy the box sets and check it out.
Hmmm... I really don't change stories based on fan desires. First off, fans don't all agree on what they want (for example a lot of folks think Elisa is great), and sometimes (like Demona getting back together with Goliath) they want things that just don't make any story sense and would be bad for the property.
On the other hand, I do respond to what the fans respond to. Brooklyn's popularity was probably one of the things that lead me to the creation of TimeDancer.
So I've been lurking a bit, and I see folks are questioning the accessibility of the Gargoyles comics.
And I know I shouldn't do this, but I'm going to defend my own work here instead of just letting it stand on its own.
I totally reject the notion that the comics aren't accessible to new readers, unfamiliar with the GARGOYLES property. Now, granted Clan-Building, Volume II is pretty inaccessible IF you haven't read Clan-Building, Volume I. But in fairness to me, the Clan-Building arc is published in two volumes for commercial reasons, not creative ones. It's not two six-issue arcs; it's one twelve issue arc. So if you read Clan-Building in it's entirety OR if you read Bad Guys in it's entirety, I think both these arcs are extremely ACCESSIBLE.
And, yes, I've seen the reviews that claim that they're not. But I notice that those reviews are written by people who ARE passingly familiar with the cartoon and are making the ASSUMPTION that the books would be inaccessible to new readers. But I don't buy it. I've been doing this for a LONG time. And I know how to fill in my reader and/or viewer, introduce new concepts, etc.
Every issue in sequence introduces all the necessary information to a new reader that said reader would need. Does a reader benefit if they know all the backstory? Of course. But they don't have to know that backstory to enjoy the comic.
Let me take a specific example -- one that a reviewer specifically brought up. At the very end of issue #2 of Bad Guys, Sevarius appears. The reviewer (who knew exactly who Sevarius was) thought that I was blowing off new readers, because I gave NO backstory or introduction to Sevarius in that issue. But I'd argue that no introduction was necessary at that point. We've seen a mysterious figure descend into the Labyrinth, taser a guard, shed a disguise and confront Fang, claiming to know his real name and stating that he is Fang's "maker". That's ALL you need to know at that point as a new reader. It's perfectly okay if you DON'T know who this guy is. It's intriguing enough on that level. And in the very next issue (or chapter if you're reading the trade) Hunter gives all the backstory on Sevarius that you need to appreciate his role in issues/chapters #3 and #4. Yes, a hardcore fan is going to get extra juice when Sevarius pulls off his disguise because they'll recognize him. But even if Sevarius had been a brand new character, I wouldn't have handled his introduction any differently.
Look at Tasmanian Tiger. He is a new character. I hope he's at least a little bit intriguing. But is a new reader lost because they DON'T know that this is his first appearance? Readers, whether they are hardcore Garg fans or complete newbies, know as much about TT as they need to know -- and no more.
Yes, there are resources on the web -- BUT I don't count on those AT ALL, with one exception. And that exception is if people wonder why I'm ignoring Goliath Chronicles. And a new reader isn't even going to KNOW about Goliath Chronicles, so it's NOT an exception to him or her.
Otherwise, I use the tools I have within the book to explain what an audience needs to know. Someone familiar with the property may THINK the reader needs to know more, but I flat-out think they're wrong. My proof is anecdotal but it exists. I know people who've read the books and enjoyed them even though they never saw the show. Has it interested them in finding out more about the original series? Yes. And that's good and fine. But there's a difference between a new reader being intrigued and WANTING to learn more and a new reader being confused and NEEDING to know more to get what's going on.
You don't need to KNOW Brooklyn's entire history to know he's hurting because he can't get a date, to know he's pining for Angela and to know he's trying to get away from Angela and Broadway before chapter 10 of Clan-Building comes along -- and he's thrust into the past. Everything you NEED to know about him is present in issues 1-9. One benefits from knowing more, but that doesn't make it necessary to know more.
Of course, the greatest blockade to accessibility is the non-linear structure of chapters 7-9. But that's not property-based or familiarity-based, that's me using a non-traditional structure, which I might have done on an issue of, say, Captain Atom or Spider-Man or whatever. Hopefully, if a reader has read the first six chapters, they're intrigued enough to want to follow along despite the difficult structure.
Remember, issues 1 & 2 are designed to introduce you to the world of Gargoyles and any relevant information about said world. I got slammed by one reviewer for opening the comic book series with that adaptation of "The Journey", but I thought it was essential for new readers. One could argue fairly that each succeeding issue isn't as accessible as those first two, but complications and characters were added gradually through those first six issues. Anyone reading the book in order would not have been lost for a minute. If we hadn't been plagued by delays and late deliveries (which I had no control over and did not anticipate) it wouldn't have been the same kind of problem.
Any comic book or animated series that employs serialization and continuity is subject to these difficulties. And the middle chapter of any story (including a twelve-part story like Clan-Building or a six-part story like Redemption) can be tough to follow without having read the first few chapters. But just as I feel you can enjoy, say, "Leader of the Pack" without ever having seen any episodes from Season One of Gargoyles, I think Clan-Building can be enjoyed without having seen ANY of the Gargoyles TV series. Is the same true for "Avalon, Part Two" or "Avalon, Part Three"? No. But I think it IS true for "Avalon, Part One" and/or the three-part "Avalon" series when considered as a single unit.
My point is, I'm very familiar with the dilemma, and I know how to compensate. Or in any case, I'm VERY aware of the need to compensate. One can argue that I failed, I suppose. It does become subjective at some point. But nothing I did was done without very conscious thought on my part vis-a-vis the needs of a new reader. So any reviewer who claims that I didn't care or didn't try to make the book accessible is just -- well, wrong. And I think they are making assumptions based on THEIR knowledge of the richness of the property. They get all these resonances and call-backs, etc., and ASSUME a new reader would be lost without them. But you know what they say about the word "ASSUME". The resonances and call-backs are gravy. (And if you don't know they exist you won't know you're missing anything.) The meat, in my opinion, is all right there on the page.
G2009 Radio Play - Act Two
BIG MAN STANDS.
Act Two. The Big Man of Crime enters his offices, but finds heâs not aloneâ¦
248. BIG MAN
You spend so much time here, Iâll need to buy you your own chair. So youâll stay out of mine.
Green Goblin STANDS.
249. GREEN GOBLIN
Surprised to see me?
250. BIG MAN
251. GREEN GOBLIN
Then you wonât be surprised to learn Iâm still running thingsâ¦
252. BIG MAN
If you can run them from a hospital bedâ¦
Catching Gobby off guard, Lincoln punches him right through the windowâ¦
254. GREEN GOBLIN
The goblin-glider swoops in and catches the Goblin, who pulls out a Pumpkin Bomb.
PUMPKIN BOMB STANDS.
256. GREEN GOBLIN
Ever the gracious host. And ever the gracious guest, the Goblin must show his appreciation. Here. I brought a gift.
Gobby throws his âgiftâ, but Goliath swoops in, catches it and throws it back.
Goliath and Spider-Man STAND.
258. PUMPKIN BOMB
259. GREEN GOBLIN
Not far awayâ¦
No, no, no, no, noâ¦ I was hoping Iâd never hear that trademark Pumpkin Bomb shriek againâ¦
Spidey swings in to find Goliath and a recovering Gobby togetherâ¦
So thatâs what these gargoyles areâ¦ more of the Goblinâs Halloween creationsâ¦
Spidey swings into action against Goliath.
265. GOLIATH, SPIDER-MAN
<ad-lib battle sounds>
The Bugle was right about you: you are a threat and a menace!
Wait, you can talk? And read?! And what you read is the Jolly Oneâs editorials?!
268. GREEN GOBLIN
I know I should assassinate Mr. Lincoln. But Iâm so enjoying the show. Really, someone should make more Gargoyles. I know: Iâll call Walt Disney.
Green Goblin, Spider-Man, Goliath, Pumpkin Bomb and Big Man sit. ANGELA, BROOKLYN, BROADWAY and LEXINGTON STAND.
Meanwhile, atop the Eyrie Building, Brooklyn, Lexington and Broadway watch Angela playing with Brooklynâs son Nashvilleâ¦
Thatâs great, Nashville. This time try the axeâ¦
Wow, Angela looks so adorable playing with Gnash. I mean, Gnash is cute tooâ¦
Thanks. I know he hatched in another decade, but Katana and I discussed it, and we want the whole clan to be Gnash and Egwardoâs Rookery parentsâ¦
Weâd be honoredâ¦
I still canât quite take it all in. I go to Britain for a few weeks, and everything changesâ¦
At least you were gone for weeks. Try adjusting in forty seconds.
Hey, I had forty years to get ready for this, and itâs still strangeâ¦
But, dude. Youâre soâ¦ old.
Older than Goliath.
Almost Hudsonâs age.
I get it. Iâm old.
Itâs not that. Everything about you is different.
Oh, come onâ¦
No, heâs right. The way you talk. The way you move. All those weapons you carry now. Itâs like youâve outgrown us.
Thatâs not fair. I canât tell you how much I missed you both.
We get that. And weâre not mad. Butâ¦
Look, this isnât all on me. As I recall, things were already changing. Broadway spent all his time with Angela.
Not all my time.
Uhâ¦ pretty much.
Yeah, well, youâre practically on the internet non-stop.
Itâs addictive! Do you know they have porn on that thing? Thereâs this one website, Blue Mug Prodâ"
I donât wanna know. The point is weâve all gone through some changes. Thatâs just life.
I guess our Three Musketeer days are overâ¦
Zafiro and Obsidiana STAND.
Gargoyles of Manhattan!
We need youâre help!
At just that moment, the sun rises, turning Brooklyn, Lexington, Broadway, Angela and Gnash to stone. Obsidiana and Zafiro are unaffected, thanks to their mystic Mayan pendants.
Nuestro cronometraje apesta hoy.
Obsidiana, Zafiro, Lexington, Broadway, Brooklyn and Angela sit. Spider-Man, Green Goblin and Pumpkin Bomb STAND.
Across town, Goliath also turns to stone.
What the heck?!
303. GREEN GOBLIN
Well, that wasâ¦ unexpected.
All right, thatâs enough. I know youâre not the real Gobby.
305. GREEN GOBLIN
Yes, yes, âItâs not the voice; itâs the words. Not the tech, but the moves.â Iâve heard it all beforeâ¦
Then I know exactly who you really are: Chameleon!
307. GREEN GOBLIN
That would ease your conscience, wouldnât it? To think Iâm Chameleon â" and not the ghost of the man you killed!
I donât believe in ghosts.
309. GREEN GOBLIN
Then maybe youâd prefer I was the Spawn of Goblin.
Oh, youâd just love to shift the blame to Harry. Sorry, Gobby â" I mean, Chammy â" but weâve been there, done that. Besides, no matter who you are, there hasnât been time for the Globulin Green to kick in and truly Goblify you. So Iâm gonna take you down now while youâre still just a cheap imitation.
311. GREEN GOBLIN
You could do thatâ¦ or you could save stoneface over there.
Gobby throws a pumpkin bomb at Goliath. Instinctively, Spidey webs it awayâ¦
313. PUMPKIN BOMB
Pumpkin Bomb and Green Goblin sit.
By which time, the Goblin is gone, leaving a confused Spidey perched on Goliathâs headâ¦
So in hindsight, Iâm thinking maybe you werenât part of the Gob-Squad, right?
Fine. Stonewall me.
That morning in Forest Hills, Spidey sneaks in through his bedroom window, hoping to catch a few Zs.
Peter, are you awake.
Uh, sure Aunt May. Just getting dressed.
Well, hurry up. Iâmâ¦ âconferencingâ with all the other parents.
Robbie, ROSIE THOMPSON and George STAND.
Are you sure you donât mind, Mrs. Parker? Cuz I gotta say, what youâre proposing would be my worst nightmare.
<laughs> Oh, I donât believe that for a minute, Mr. Robertson. Itâs a joy to be around Peter and his friends. And I wonât be alone. Anna Watson and Mrs. Osborn will be with me.
Emily? Sheâs soâ¦ odd. I donât think sheâs ever said one word to meâ¦
Well, I donât know her very well, Rosie, but Harry is Peterâs best friend â" no offense to your Eugene â" so she must be doing something right.
May, you never change. Always seeing the best in people.
Iâll take that as a compliment, dear girl.
In any case, Iâm glad to get Gwen out of Manhattan for a few days. The streets are looking pretty grim right about now.
Oh, Iâm sure your officers will have things under control in no time.
Aunt May, whatâs going on?
Oh, didnât I tell you, Peter. Iâm chaperoning your trip to Miami Beach!
Peter, May, George, Rosie and Robbie sit. Big Man and Dominique STAND.
Meanwhile, back at L. Thompson Lincolnâs officeâ¦
332. BIG MAN
And how can I be of help, Ms. Destine.
I think I can help you, Mr. Lincoln.
334. BIG MAN
What makes you think I need any help?
Oh, little things. The shattered window, that unusual statue on the ledge outsideâ¦
336. BIG MAN
Point taken. How about you cut to the chase?
Fine. Tony Dracon. Tomas Brod. Silvio Manfredi. All in jail. Hammerhead. Sable Manfredi. On the run. This gives you a unique opportunity to reclaim what was lost.
338. BIG MAN
Iâm sure L. Thompson Lincoln has no idea what youâre talking about. But go onâ¦
You have three problems. Green Goblin, Doctor Octopus and the government watching your every move.
340. BIG MAN
And you have the solutionâ¦
I have the manpower. Threeâ¦ âsuper-villainsâ to take down the competition and Dominic Dracon to use as a figurehead.
342. BIG MAN
The old man? I heard he was shy a few brain cells.
Itâs easy enough to spread the word he was faking insanity to avoid prosecution. And easy enough to assign him a keeper. Meanwhile, heâs a Dracon. And that name still carries weight, I believe.
344. BIG MAN
It does. But what would you want in exchange?
Nothing extraordinary. Just the services of the Tinkerer.
346. BIG MAN
I believe that can be arranged.
Lovely. But letâs not allow the moss to gather. Youâll want to move fast. Before the Octopus retrieves his armsâ¦
Dominique and Big Man sit. SILVER SPOON MANAGER, Vulture, DOCTOR OCTOPUS and Electro STAND.
The weather has turned cold. At the Silver Spoon, three men in trench coats and hats wait for their coffee.
349. SILVER SPOON MANAGER
Vulture sits down with Electro and Doctor Octopus.
352. DOCTOR OCTOPUS
Thank you, Adrian. Now. My arms?
In an OsCorp vault.
<shhhhh> Not THE Vault. A vault. Still very high security, and the police are bound to expect our arrival, butâ¦
356. DOCTOR OCTOPUS
Indeed. <sigh> OsCorp. Even in death, Norman Osborn torments me. But it cannot be helped. I must have my arms. We go in under cover of darkness tonight.
Doctor Octopus, Vulture and Electro sit. Silver Spoon Manager remains standing. Peter and Mary Jane STAND.
The three men exit through one door. Two teenagers enter through another.
358. SILVER SPOON MANAGER
359. MARY JANE
Try to understand, Tiger. I just canât do that to Gwen. Sheâs really become my best friend at Midtown.
But itâs not like weâd be making out or anything, right? Uh, right?
361. MARY JANE
Right, right. Weâd be going as friends. Hanging out when the couples were â¦ you know, coupling.
363. MARY JANE
And that would be great. But look at it from her point of view. She took all the risks, and you still wound up with Liz. Thereâs no way, sheâd see me as anything but a threat. Wait, that sounded really conceited.
Have you looked in a mirror? Not conceited. Just fact.
365. MARY JANE
Ooh, nice one. Such a player.
Yeah, right. The worldâs loneliest player.
367. MARY JANE
Stop it. I know you donât want to hurt Gwen either. Not after all the two of you have been through.
Yeahâ¦ I wonder if Ms. Brant likes Miami. Kidding, kiddingâ¦ Wow, pretty good. That was practically the Look.
369. SILVER SPOON MANAGER
SEYMOUR OâREILLY stands.
So youâre just not going?
371. MARY JANE
Oh, Iâm going. Itâs 48 degrees outside and 82 in Miami. I asked Tiny to be my plus one.
Tiny?! Tiny McKeever?! The guyâs got the brain of an amoeba. He makes King Kong look like a genius. Hell, he makes Flash look like Stephen Hawking!
373. MARY JANE
<argggh> I just wish I could skip the whole thing. But Aunt Mayâs going, and after her heart attack, I really think she could use some fun in the sun--
Sorry to interrupt. Couldnât help overhearing.
Oh, hey, Seymour.
Just wanted to let you know Harry invited me too. And Iâm totally going stag. I mean who wants a ball and chain when Miami Beach is full of hotties, right?
Just donât expect to hang out, okay. Youâd fully cramp my style.
Of course I wouldâ¦
381. SILVER SPOON MANAGER
Silver Spoon Manager, Peter, Seymour and Mary Jane sit. Dominique and TINKERER STAND.
Meanwhile, the Tinkerer arrives at the Destine Mansionâ¦
You have the devices?
Five was all I could put together on short notice. Unless you want to bring Mysterio inâ¦?
Our stage is crowded enough. And five should do quite nicely.
Dominique and Tinkerer sit. May, Mary Jane, GREG BISHANSKY, Sally, Gwen, Harry, Kong, Rand, Flash, Liz, Jason, Peter and Seymour STAND.
Later that afternoon, Harryâs rented a party bus, and the gang is en route to the airport, stuck in heavy traffic on the expressway. A very prepared May Parker has a clipboardâ¦
All right, we have three adults and sixteen children â" sorry, sixteen teenagers. Thatâs nineteen sojourners bound for Florida. So why did my headcount come to twenty?
388. MARY JANE
I think you counted the bus driver, Mrs. Parker.
Oh, that I did.
Hey, twist my arm! Iâll go to Miami with you guys!!
Was anyone talking to you?
Then eyes front.
Harry, are you all right?
I dunno. All this stopping and starting. My stomachâs a little queasyâ¦
Dude. Does this bus rock or what?!
Damn right itâs cool. Wouldnât mind taking this baby all the way to Florida.
Excuse me?! Itâs a bus.
Sallyâs right. Weâre not ditching the private jet for a bus. Right, Jason?
It really is a very nice bus though.
Hey, Iâm not offended. I still canât believe the Osborns hired me again. The last time, I got in two-- <impact grunt>
Dude, you totally rear-ended that guy at the tollbooth!
Wonderful. Now, weâll be stuck here forever!
Everybody stay calm.
Ah, man, gotta use the johnâ¦
<laughs> I think Osbornâs gonna hurl!
Oh. My. God! If my hair starts smelling like vomit, Iâll sue you for bus-driver malpractice!!
Bishansky, Sally, Kong, Harry, May, Seymour, Peter, Jason, Liz, Flash, Rand, Gwen and Mary Jane sit. Brooklyn, Lexington, Broadway, Zafiro and Obsidiana STAND.
The sun sets. At the castle, the gargoyles awakenâ¦
415. BROOKLYN, BROADWAY, LEXINGTON
You must be Zafiro.
How did you know?
Strong family resemblance.
Long story. Time travel. The future. A whole other spin-off. Two actuallyâ¦
We donât have time for your âspin-offsâ. Â¿Donde esta Goliath?
He didnât sleep here.
But Iâm sure heâll be back soon.
Heâd better. We have trouble. Demona trouble.
Hi, Obsidiana. Iâm betting you have trouble tooâ¦
Elisa, Obsidiana, Lexington, Broadway, Brooklyn and Zafiro sit. Kraven, Calypso, Curt and Gulyadkin STAND.
And while the clan awaits Goliathâs returnâ¦
It is time, Calypso.
Yes. The forces gather. We can make this one our own.
I demand you let me go!
Hold your tongue, American dog. Or Gulyadkin will hold it for you.
<low lion growl>
Calm yourselfâ¦ This change will not be difficult. The primitive bound within is barely skin-deepâ¦
I-- I donât know what youâre talking about.
I think you do. You see my companion. The details may have been created in a laboratoryâ¦
But the soul of the Hunter â" the beast inside â" was always my own.
What are doing with that doll?
Turning it inside out.
Listen to me, please. Even if you can release the âbeast insideâ, you donât want to! It canât be controlled.
<laughs> Nyet. Not by you perhaps. But my Calypso is not so easily trifled with.
It is timeâ¦
Noooo!!!! <transformation scream>
Curt Connors is transformed by Calypsoâs magic into the Lizard.
Nowâ¦ to the Hunt!
Kraven, LIZARD, Calypso and Gulyadkin sit. Obsidiana, Zafiro, Angela, Elisa, Goliath, Broadway and Brooklyn STAND.
Back at the Castle, Goliath has returned, and the entire clan has gathered. Elisaâs revealed what she knows about Demona. Now, itâs Obsidianaâs turnâ¦
It came from somewhere further south. Two human smugglers carrying an object of great power through the Greenâ¦
My mate is sensitive to these things. We tracked them, but they boarded a jet airplane and were soon out of our reach.
Pero still I could sense great forces gathering. I asked Jade and Turquesa to teach us the way to Avalonâ¦
Gabriel says hello, by the way.
Oh, I miss him. How is he?
Angela, honey, letâs stay on point. I take it Avalon sent you here.
Yes. We nearly achieved the totem, but a ridiculous human dressed in red and blueâ"
454. ELISA, GOLIATH (UNISON)
He did spin webs like a spider. Though from his hands, not hisâ"
Focus, mi amor.
Lo siento. This Man-Spider, he interfered. The smugglers escaped again. Now, power builds on power, rising to a crescendo.
And thatâs bad, right?
Elisaâs cellphone rings.
Itâs Matt. Somethingâs going down at the OsCorp vault off the Expressway. Most of the Taskforce is already here. Stacy and his men too. But Iâm thinking we might needâ¦ âback-upâ. Lots and lots of back-up.
Weâre on our way. Brooklyn, can Bronx and Fu-Dog baby-sit Egwardo?
Good. Because otherwise itâs all hands on deck.
Elisa, Brooklyn, Broadway, Obsidiana, Zafiro, Goliath and Angela sit. George, Morgan and OâNeil STAND.
Okay, Captain. The rest of the Taskforce is on its way.
My men are deployed.
And just in time! Cuz we got Gobby and his Pumpkin-Heads at 12 oâclock!
Green Goblin and Pumpkin Bomb STAND.
468. GREEN GOBLIN
469. PUMPKIN BOMB
And a gargoyle at 3 oâclock!
Thatâs not a gargoyle. Thatâs the Vulture!
You were right, Otto. The police were waiting. And the Goblin is here too. You donât think it could actually be Osborn, still alive, do you?
Doctor Octopus and Electro STAND.
473. DOCTOR OCTOPUS
Do not get distracted by old grudges, Adrian. It hardly matters who wears the Green. His intent is still to prevent me from regaining my arms. You must keep the Goblin and the authorities occupied.
475. DOCTOR OCTOPUS
Now, Electro. Open the vault.
Roger that, Doc!
Electro, already inside, short-circuits the vaultâs electro-magnetic lock.
Tinkerer and Demona STAND.
Electroâs breached the vault.
So predictable. Send in your operatives.
Tinkerer opens a burlap sack, releasing his five âoperativesâ.
HOMUNCULUS #1, HOMUNCULUS #2, HOMUNCULUS #3, HOMUNCULUS #4 and HOMUNCULUS #5 STAND.
481. HOMUNCULUS #1
Homunculi to the rescue!
482. HOMUNCULUS #2
Dirty work to be done!
483. HOMUNCULUS #3
484. HOMUNCULUS #4
Uh oh, somebodyâs language systemâs off-line again.
485. HOMUNCULUS #5
You know it, girlfriend!
Calypso, Kraven and Lizard STAND.
And down in the sewerâ¦
It is right above us, my love. The Power and the Glory. The very keys to the Kingdom.
And Kraven will lay them all at your feet.
Up top, a stretch limo skids to a stop outside the vault. Dominic Dracon and Fancy Dan emerge.
Dracon and FANCY DAN STAND.
All right, boys. Get me those jewels!
492. FANCY DAN
I think what the boss means isâ¦ Destroy the competition!
Carnage, Colonel Jupiter and Venom STAND.
<evil chuckle> Carnage time?
494. FANCY DAN
Yeah. Go. Kill. Whatever.
495. COLONEL JUPITER
Colonel Jupiter will stop the Green Goblin and Vulture in their tracks!
496. FANCY DAN
Knock yourself out. But what are you waiting for?
Someone worthy of our hate. But we have faithâ¦ Heâll comeâ¦
498. GREEN GOBLIN
My, my, the fieldâs getting crowded. Letâs thin the herd. Pumpkin-Heads, release the hounds! <ahem> That was a metaphor. Throw your pumpkin bombs already!
499. PUMPKIN BOMB
Pumpkin Bomb, Green Goblin, Venom, Fancy Dan, Colonel Jupiter, Carnage, Dracon, Lizard, Kraven, Calypso, Homunculus #5, Homunculus #4, Homunculus #3, Homunculus #2, Homunculus #1, Demona, Tinkerer, Electro, Doctor Octopus, Vulture, George, Morgan, OâNeil and Matt SIT. May, Peter, Bishansky, Flash, Kong, Sally, Mary Jane, Gwen and Harry STAND.
Goodness, what was that?
Something The Bugle will want pictures of. Open the door.
Peter Parker, I am not letting you off this bus in the middle of the expressway.
Aunt May weâre at a complete standstill. And you donât have to worry. Iâll use my telephoto lens. I wonât be anywhere near the action.
I suppose it is your jobâ¦ Open the door.
Thanks, Aunt May. You rock!
If Puny Parkerâs going, Iâm going too!
Eugene Thompson, you sit your backside down in that seat right this minute.
Whatâs he going to take pictures with? I saw his camera get blown up two months ago.
513. MARY JANE
Peteâs a professional photographer, Sally. Iâm sure he has more than one camera.
Harryâ¦ Are you all right in there?
<vomit noise> Ugh, donât come in. It really isnât pretty.
Harry, Gwen, Mary Jane, Sally, Kong, Flash, May, Peter and Bishansky sit. Broadway, Goliath, Brooklyn, Angela, Elisa, Zafiro and Obsidiana STAND.
The clan alights on a rise overlooking the battlefield.
Whoa, what a messâ¦
We will split our forces. Brooklyn, Lexington, Broadway, Obsidiana, Zafiro with me.
Shouldnât I lead the other contingent?
I need your experience and your weapons at my side.
Donât worry, Brooklyn, weâve got it covered.
Angela, Hudson, Katana, Gnash, Coldstone and Coldfire glide toward the battle.
523. BROOKLYN, BROADWAY (UNISON)
You know Iâm going with you.
Not this time, Elisa. You must join your fellow officersâ¦
When all is settled, we shall need your help to cover our retreat from this conflagrationâ¦ You know this is true.
Elisa sits. Spider-Man STANDS.
Elisa makes her way down the hill. Goliath and the others glide to the Vaultâs roof. Spider-Man lands there at the same time.
530. SPIDER-MAN, ZAFIRO (UNISON)
Hold, Spider-Man. I have a friend who knows your Captain Stacy.
This policeman believes in you. So I choose to believe in you as well.
Says the eight-foot tall medieval monster. But I get it. Weâre on the same side. So letâs go kick some Pumpkin-Butt!
Â¡Idiota! That battle is a mere distraction.
The true danger lies withinâ¦
All right, all right, you had me at âIdiotaâ.
The gargoyles rip open the rooftop. The seven heroes descend, but someone watchesâ¦
Spider-Man, Obsidiana, Zafiro, Goliath, Broadway and Brooklyn sit. Venom and Fancy Dan STAND.
And there goes our Broâ¦
540. FANCY DAN
You going in? That wasnât the plan!
And how do intend to stop us?
542. FANCY DAN
Fine, go. But if you see my Ricochet suit, bring it out!
Fancy Dan and Venom sit. Foswell, Jonah and Robbie STAND.
See, J.J. The tip from Draconâs old chauffer was right on the money.
Whaddaya want, a fershlugginer medal?! Letâs get in there!
Slow down, Jonah. I promised Joan I wouldnât let you lose your head, figuratively or literally.
Forget my head! Who cares about my head?! My boy needs me!
Ned and Colonel Jupiter STAND.
Looks to me like your boyâs doing pretty well, Chief!
548. COLONEL JUPITER
Take that, miscreants!
Ned, how did youâ"
Tip from one of the pumpkin-heads. Foswellâs not the only one with sources.
You two can naked mud-wrestle over whoâs the biggest brown-noser later. For now, Robbie, if you donât let go of me in zero-point-zero seconds, Iâll dropkick you to next Season! And thereâs no guarantee thereâll be a next Season!
Jonah breaks away from Robbie, but his path is blockedâ¦
Get back! You want to wind up street pizza!
But thatâs my son up there.
Yeah, well, at least heâs fighting on the right side.
556. COLONEL JUPITER
Nothing stands against the might of Colonel Jupiter!
Does he always talk like that?
Bombasticism runs in the family.
Robbie, Elisa, Colonel Jupiter, Jonah, Ned and Foswell sit. Vulture, Carnage, Green Goblin, Angela, Fancy Dan, Matt and Dracon STAND.
Jupiter takes down Pumpkin-Heads right and left. Hudson squares off against Vulture.
Why do I get the old guy?
Youâre old. Heâs old. Itâs parallelism. Get over it.
Coldstone and Coldfire isolate Carnage.
No fair! These two donât spatter at all!
Angela and Katana take on the Goblin.
564. GREEN GOBLIN
Oh, goody. Gobby likes getting down and dirty with the hotties.
Oh, you did not just say that.
And little Gnash goes after Fancy Dan.
567. FANCY DAN
Admit it, you gave me the kid because Iâm short?
Even Detective Bluestone gets into the act.
Youâre confused. Iâm G.F. Benton, a certified public accountant. I think Iâll be going nowâ¦
Yeah. Back to Ravencroft, you old nutter!
But inside, things are a bit more seriousâ¦
Matt, Dracon, Fancy Dan, Angela, Green Goblin, Carnage and Vulture sit. Electro and Doctor Octopus STAND.
Got your arms, Doc!
574. DOCTOR OCTOPUS
And my Megalo-Pack?
Youâre Mega-what now?
576. DOCTOR OCTOPUS
My power-source, Maxwell.
Right, right. No. Thatâs not here.
578. DOCTOR OCTOPUS
Homunculus #1, Homunculus #2 and Homunculus #3 STAND.
579. HOMUNCULUS #1
Gotta get the true treasure!
580. HOMUNCULUS #2
Bring it back to the big Smurfette!
581. HOMUNCULUS #3
Blunk hates getting wet!
Three Homunculi fly deeper into the vault to retrieve Demonaâs prize.
Homunculus #3, Homunculus #2 and Homunculus #1 sit. Zafiro, Spider-Man, Lexington, Homunculus #5, Goliath, Brooklyn, Broadway and Obsidiana STAND.
What are those things?!
584. SPIDER-MAN, LEXINGTON (UNISON)
And I got one!
586. HOMUNCULUS #5
Leggo, you big bully!
<ugh> What an annoying voiceâ¦
588. HOMUNCULUS #5
(aside to audience)
Look whoâs talking.
â¦But I might be able to use it to take control of the others.
I think I can help.
Youâll be a little too busy for that, Bro.
Friend of yours?
Once upon a time. Not so much now.
595. VENOM, SPIDER-MAN
<add-lib battle sounds>
A little help?
Brooklyn blasts Venom, who collapses.
Sonic Cannon. Circa 2198. Guess my weapons do come in handy.
Just cover me until I can get this workingâ¦
Demona and Tinkerer STAND.
Whatâs wrong, Tinkerer? Why havenât they returned?
Someoneâs trying to counter their programming. He wonât succeed.
He had better not.
My hackâs being hacked!
Heâs overriding my override!
Homunculus #4 STANDS.
606. HOMUNCULUS #4
Go right. Go left. Go right. Go left. Blow up!
Homunculus #4 blows up. But so does Homunculus #5 in Lexingtonâs hands!
Homunculus #4 and Homunculus #5 sit.
610. DOCTOR OCTOPUS
This is madness! Grab my arms and get me out of here!
Workinâ on it!
Electro blasts away, until he and Doc Ock are blindsided byâ¦
Kraven, Gulyadkin, Lizard and Calypso STAND.
613. ELECTRO, DOCTOR OCTOPUS
Look, itâs Claw.
Thatâs not Claw.
Well, itâs sure not Maggie.
Is that an actual lion?
Lizard, too? Seriously, this is way over the top.
Homunculus #1 and Homunculus #2 STAND.
622. HOMUNCULUS #1
Got the gizmo!
623. HOMUNCULUS #2
Homunculi never fail!
Two homunculi fly past, carrying a sealed container down a dark corridor.
625. CALYPSO, OBSIDIANA (UNISON)
(pointing at each other)
Donât let her near it!
Go, Calypso! Leave them to us!
Â¡Vaya, mi amor!
We got your back, Goliath! Go!
Think Iâll tag along tooâ¦
Spider-Man, Obsidiana, Calypso, Homunculus #2, Homunculus #1, Goliath, Tinkerer and Demona sit.
Calypso, Obsidiana, Goliath and Spider-Man race down the corridor.
Lizard, take the reptile!
Â¡No soy ningÃºn reptil! Â¡Soy un GÃ¡rgolo!
633. ZAFIRO, LIZARD
<ad-lib battle sounds>
Gulyadkin and Kraven attack Lex and Broadway!
Hey, get him off me!
Kinda busy at the moment!
639. GULYADKIN, LEXINGTON, KRAVEN, BROADWAY
Brooklyn steps in and pulls both cats off his rookery brothers. They turn on him.
642. BROADWAY, LEXINGTON (UNISON)
All for one!
The two gargoyles return the favor, knocking Kraven and Gulyadkin aside. Then Brooklyn blasts them both.
And one for all!
645. KRAVEN, GULYADKIN
Some things never change.
Zafiro throws Lizardâs unconscious body on top of Kravenâ¦
648. KRAVEN, LIZARD
We should follow Obsidianaâ¦
650. ZAFIRO, BROOKLYN, LEXINGTON, BROADWAY
The four gargoyles are dropped by Electroâs blast.
Still want out?
653. DOCTOR OCTOPUS
Indeed not. My curiosity is piqued. Letâs see where this leadsâ¦
Doctor Octopus, Electro, Broadway, Lexington, Brooklyn, Zafiro, Gulyadkin, Kraven and Lizard sit. Demona, Homunculus #1 and Homunculus #2 STAND.
Electro and Octopus head down the corridorâ¦ In a dimly lit room, Demona holds the Spear of Destiny and watches as the two homunculi open the container. Insideâ¦ is a crown of thorns.
The Crown of Thorns!
Demona removes her tiara.
Place it on my headâ¦
658. HOMUNCULUS #1
659. HOMUNCULUS #2
Homunculi aim to please!
The Homunculi gently lower the crown onto Demonaâs head before disappearing back into the darkness. The thorns bite into her brow, drawing blood. Calypso, Obsidiana, Goliath and Spidey come rushing in.
Homunculus #2 and Homunculus #1 sit. Spider-Man, Goliath, Calypso and Obsidiana STAND.
My Kingdom come. My Will be doneâ¦
Friend of yours?
Once upon a time. Not so much now.
On Earth as it is in Heavenâ¦
For MINE is the Kingdom and the Power and the Glory for ever and everâ¦
668. CALYPSO, OBSIDIANA, SPIDER-MAN (UNISON)
Light radiates outward from the Spear. Goliath watches in confusion as Calypso, Obsidiana and Spider-Man drop to their knees before Demona. Octopus and Electro enter and likewise fall to their knees. The light reaches the outer vault. Though still unconscious, Venom, Lizard, Zafiro and Kraven lurch to their feet, then drop to their knees. And still the light advancesâ¦
Obsidiana and Calypso sit.
What sorcery is this?!
The most powerful human sorcery ever created, Goliath. This is humanityâs Armageddon. Their entire raceâs final act.
END ACT TWO
NEXT: ACT THREE...