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I decided to reread "Clan-Building" as well, after rewatching the first two seasons of "Gargoyles" on DVD, starting with Chapters One and Two ("The Journey)).
The "hunting" analogy continues even past "Hunter's Moon" with Vinnie stating that he hunted a gargoyle down, and Castaway mentioning it (both specifically use the word "hunted").
In my "review comments" on "Hunter's Moon", I noted how it ended, in its final scene at the castle, on what went well for the gargoyles (they're back in the castle, they've made peace with Xanatos, etc.), with their being revealed to the public not mentioned. "The Journey" opens with it being made clear that their problems aren't that over after all, with the public's alarm, the foundation of the Quarrymen, and even Brooklyn raising the question of whether Xanatos really has changed that much. I think his sardonic "Welcome home" establishes the "It's not so happily ever after, after all" tone - in contrast to the way Elisa said "Welcome home" at the very end of "Hunter's Moon".
It was nice to finally be able to do my version of "The Journey" - as opposed to the reedited piece that was used in The Goliath Chronicles.
Rewatched my DVD of "Eye of the Beholder" today. I didn't find as much new to notice with this one, unfortunately, though I was delighted to note the moment where Xanatos placed his hand on Goliath's shoulder while pleading for his help at the castle - meaning that he had an opportunity (which he used, obviously) to plant that tracking device on him. I'm glad that the episode played fair with that.
Brooklyn's eyepatch as part of his pirate costume seems all the more appropriate after the ending of "Clan-Building".
Goliath echoes "Re-Awakening" when he speaks of Manhattan as "my castle, my city".
Lots of echoes in this one - backwards and forwards...
Features I'd just noticed about "Temptation", this time around.
1. When Broadway tells Goliath that Brooklyn had gone on a joyride, he makes motions with his hands suggesting someone gripping a motorcycle's handlebars.
2. Demona, when she talks about the events of "The Thrill of the Hunt", uses the phrase "hunted like animals" - which not only continues the "humans seeing the gargoyles as beasts" thread that I'd noticed all the more in "Awakening" and "The Thrill of the Hunt", but also put me in mind of the Hunters - no wonder she uses that description!
2. She's got a history...
I also rewatched "The Thrill of the Hunt" and "Temptation" today. Things I noted this time in "The Thrill of the Hunt".
1. Lexington, angered about the Pack's treachery, cries that they're like animals. I thought that appropriate, given the Pack's "animal names".
2. The Pack continue the "referring to the gargoyles as beasts" practice from "Awakening" and even speak of hunting them, such as Wolf's cry "Let the hunt begin!" - the talk about hunting them also made me think of the Hunters (though they wouldn't be introduced until Season Two, of course).
3. When Brooklyn and Broadway arrive at the end to tell Goliath and Lexington how they'd seen a report on the news about Fox and Wolf's arrest, they come gliding in from outside the castle - so apparently they weren't watching television with Hudson when they found out, but somewhere else. (I won't ask where, but this detail struck me for the first time.)
4. Dingo's cry of "Stone me!" upon seeing the photographs of Goliath felt like a particularly appropriate response to a gargoyle.
2. Common themes running through the series, I think.
3. Or they were watching t.v. earlier.
Am I missing anyone or adding someone incorrectly? So far Sevarius has the DNA of the following?
Goliath, Brooklyn, Angela, Broadway, Bronx, Lexington, Eliza, Hudson, Yama, Robyn Canmore, Dingo, Talon, Maggie, Fang, Claw, Wolf, Demona, Nessie, Deiliah (Mix)?
It's been a while since I saw the episodes. I guess he has Delilah, but then if you're including her, he'd also have Thailog, Burbank, Hollywood, Brentwood and Malibu. I guess he probably has Maggie, Fang, Claw and Wolf. But then I imagine he has Erin, Benny, Thug and Tasha, too.
Hello Mr. Greg! I would like to start of by saying that you are very admirable in your dedication not only to previous works but also to fans, as seen in keeping up this page. You're an amazing storyteller and as an author, I admire you greatly.
My question actually pertains to your series Gargoyles, which I have been bingeing non-stop recently. I saw in another ask that some gargoyles use weapons while others don't(ie Hudson). If you had to give each member of the Wyvern Clan weapons, what would they be and why?
Hudson does. He uses a sword.
Brooklyn, after his timedance, uses multiple weapons. (See Clan-Building, Volume Two.)
Lexington has been known to use what's handy.
The others largely don't.
A few things I've been wondering
1)Is Matt considered part of the Manhattan Clan or just a friend?
2)We know Broadway loves old detective movies but what film genres do you think the other members of the clan enjoy most?
3)Do any of the other Gargoyle clans enjoy aspects of human culture like music, books, comics, film or television?
1. An ally.
2. Brooklyn likes swashbucklers. Lex likes SciFi. Hudson likes Celebrity Hockey. Bronx likes anything that's muted.
In "Future Tense" Puck depicted Demona & Brooklyn as mates, now obviously that's not happening considering Brook found Katana & started a family, but was there ever a point in time in which you were seriously considering the idea of a reformed Demona hooking up with Brooklyn in the future? OR, was Demona & Brooklyn's illusionary relationship meant to be a hint towards the eventual pairing up of Delilah and Malibu later on? Or was that all just coincidence and Puck's "shipping" of Demona & Brooklyn was never meant to be a clue as to their future or the futures of their clones? I only ask because I was always interested by Puck's ominous warning to Goliath regarding how his portrayal of the future, while not one hundred percent accurate, could still give hints as to the possible futures of the gargoyles as well as their friends and foes, i.e. like how although Lexington himself didn't turn evil as he did in Puck's illusion, his clone did indeed "join the darkside" by siding with Thailog. Thanks for your time!
1. Honestly? Never.
2. <heh heh heh> Wouldn't you like to know. (I mean, obviously, you would. You asked the question.)
3. I'll leave this to your imagination/interpretation.
Hi Greg, I read somewhere you're a big X-Men fan. Now that I think about it, I do see some surface similarities between Brooklyn and Scott Summers. Would you say there was some inspiration there or no?
No. I don't see them as having much in common.
Cyclops is/was originally built in the Gary Cooper mode: solid, laconic tall, thin, heroic, unfancy.
Brooklyn is way more Errol Flynn.
Topic: Phoenix Gate and time travel to the future
In regards to Gargoyles 2198, we know the Phoenix Gate cannot allow someone to change the past as it is part of the history, but how would the Phoenix Gate and time travel work if someone from the present were to go to the future?
During planning, were there problems with figuring out how Brooklyn's presence in 2198 would relate to his "historical self" (either "disappeared" when the Gate took him; the "historical Brooklyn" never time-travelled), or did you always have it in mind that time-travel to the future from the present was also immutable - Brooklyn factus erit iam illud (Brooklyn already shall have done that)?
P.S. I apologize in advance if my Latin is off.
1. Knowing no more about what happens next than one would being someone from the present IN the present, it's more of a non-issue. If someone from even FURTHER in the future showed up, then the M.I.A. scenario is in play.
2. If I'm understanding you right, the latter. Again, a non-issue, as I knew he was time-dancing, and one of his stops would be 2198.