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RESPONSES 2001-7 (July)

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Gabe writes...

Hi,
I just wanted to make a comment:
I think it was very creative and cool to make the cold trio's drama be closley paralleled to Shakespear's OTHELLO. Except for the few inconsistantsies (i.e. Othello-Colstone not being a commander like Othello, Goliath taking on Cassio's role, and the absence of a Rodrigo, and the whole bit with Othello's tissue) I thought evrything was played-out well and done correctly; Iago-coldsteele wasn't as "Machiavellian" as was Iago in the play, but he still had that same pure-evil aura, and Desdemona-Coldfire isn't as naive as Desdemona in the play. It would be neat just see the play done by the characters of the show.
Anyways just thought I'd say that since OTHELLO is one of my favorite plays and plot-lines (almost ranked next to HAMLET and MADAEM BOVARY in my book).
Oops, I lied, I do have a quesiton, nothing too difficult, though: What kind of music would you say the Manhatten clan would listen to? That just popped in my head; I don't know why :).

Greg responds...

I don't know. Carl Johnson stuff mostly.

I'd love to use the Gargoyles characters to perform a whole variety of Shakespeare Plays. Othello's obvious. (Can you see Vinnie as Rodrigo?)

Response recorded on July 02, 2001

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Corrine Blaquen writes...

How would Macbeth react to the Canmore siblings? They are, after all, descendants of his arch-nemeses, and overall the family hasn't proven to be very honorable.

Greg responds...

He'd not be fond of them.

Response recorded on July 02, 2001

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Demoness writes...

In the "Gathering pt 1" Oberon reminds Titania "It is my law not to interfer in human affairs. Let the woman keep her child."

Then a minute later he says: "If it pleases you, you have my permission to take the child."

Xanatos: "It's alright, no one is going anywhere. It is the epiphany [sp?] in interfering in human affairs by taking a child from its parents. By your own law, you can't do this."

Oberon: "I've made up my mind."

Xanatos is right....So Oberon just broke his law by trying to take Alex whether he is of Fae blood or not. He would still be interfering in Fox and David's lives. Doesn't he realize that he made a big mistake concerning his law? Or is it just because he's the King and he can do whatever he wants?

Greg responds...

That's your point of view. Not his. Not even mine necessarily. I'm not saying he was right about taking Alexander in any kind of moral sense. But I certainly see his point from a "law-interpretation" sense. Alex was a "Child of Oberon" (not literally). He therefore was not a mortal and not subject to the non-interference rule. Quite the contrary, Oberon had declared the Gathering. Alex was REQUIRED to attend by Oberon's law. Since he couldn't get there on his own power, Oberon was simply providing a taxi service. Giving them an hour -- monstrously cruel as it sounds to us -- seemed to him like a generous concession. After all, Alex was due in Avalon yesterday -- literally.

You can see the 'fairness' of his judgment in the way he deals with Fox. He could have insisted that she come too. Costing Xanatos both wife and child. But he ruled that Fox was "regrettably human". And thus he could not touch her. From his point of view he was being very fair.

And mentioning Oberon's earlier comment is specious. He didn't know who Alex was at the time.

Xanatos certainly, and obviously, has his point of view. But who is he to interpret Oberon's law relative to Oberon himself. Who had the backing of Titania by the way in said interpretation.

Response recorded on July 02, 2001

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Anonymous writes...

Who is Anubis's father Todd says it's Osiris (making him a bastard), but Roger Lancelyn Green says it's Set? So who exactly is he in the Gargoyles Universe?

Greg responds...

Not going into that now. Mostly because I haven't done enough research recently to have made my decision.

Response recorded on July 02, 2001

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Anonymous writes...

Are the Children of Mab literally descended from Mab or is it a metaphor casting Mab as the ruler/parent and the fay as the kids?

Greg responds...

Metaphor. Though Oberon is literally Mab's son.

Response recorded on July 02, 2001

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Todd Jensen writes...

Do Anubis's "life-and-death" powers extend to the Third Race? That is, is he (or someone who is his avatar a la Jackal) able to age or destroy any of the fay, the way that he can to humans and gargoyles?

Greg responds...

Aging the Children is an oxymoron. Killing them is something else again.

Response recorded on July 02, 2001

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Epantiras writes...

What are the names of the clones clan?
thanks!

Greg responds...

You mean the names of the clones or the name of their clan?

Anyway, as of 1996, when one might argue the Labyrinth Clan was founded, the cloned gargs included Hollywood, Brentwood, Malibu, Burbank and Delilah. There were also Mutates down there: Talon, Maggie the Cat, Claw and an imprisoned Fang. And a number of homeless humans who had found a home beneath.

Thailog's also a clone, but he wasn't exactly part of this clan.

Response recorded on July 02, 2001

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Todd Jensen writes...

When you first had Xanatos and Owen mention the Emir in "The Edge", did you know that he'd feature in an episode in a prominent role at that time? Did you when you got to their mention of him in "Double Jeopardy"?

Greg responds...

Edge - No.

DJ - I was beginning to suspect that everything would eventually be used.

Response recorded on July 02, 2001

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Tony Scrima writes...

Hey Mr. Weisman,

I just have one question that I've been thinking about. I know you created Gargoyles back in 1991, but how come it was three years before the series was put on T.V.? Surely it didn't take three years to write, animate, voice record, and edit/censor the first thirteen episodes did it? So what happened? Why'd it take three years from the time you created the series to the time it was put on T.V.?

Greg responds...

We started creating the show in 1991. As a comedy-adventure. (Take a look at the "Original Development File" archive at ASK GREG.)

We failed to sell it to Michael Eisner. Then we tried again as an Action-Drama. We failed to sell it again.

We reworked the pitch and tried a third time. (The show didn't change this time, just the way we pitched it.) Third time was the charm. He bought off on it. And we went into production. But that process took about two years total. (We only got to meet with Eisner once every six months in those days.) That brings us to 1993. We then had ten months to produce the first thirteen episodes (on a sliding schedule). Which takes us to the fall of '94. Which is when we premeired.

(But what are you implying with the word "censor"?)

Response recorded on July 02, 2001

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matt writes...

i have a question about the process of gargs turning to stone, i've noticed that they turn to stone differently at different times. sometimes they convert to stone all at once, sometimes they do this fast and sometimes they do it slowly, and sometimes they turn to stone from the ground up or from one direction to another. my question is, why do they turn to stone different ways? is it because of their mindset at dawn or is it just random? i've noticed that they turn to stone slowly from the ground up when they don't want to turn to stone, like when Goliath and Hudson were returning to Wyvern the night of the massacre, or when Goliath was told Elisa was shot, or when Broadway was caught in midair at dawn. in a way are they trying to to forstall the change to stone and this causes the change to happen in a different way? am i looking at this way too hard, i don't think i am, the stone changing process just seems slower and more "forced" when the gargs are in distress or don't want it to be dawn...

i think thats all i have to say...

Greg responds...

Well, the obvious real world answer is that we're using artistic license all over the damn place.

But in the garg universe, I think you've answered your own question. If they don't want to change, they can fight it for a few seconds. Slow the process a bit. But just a bit.

Response recorded on July 02, 2001


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