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RESPONSES 2001-9 (Sept)

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Ricky writes...

Hi again...

Sorry to hear that the Atlantis project was scrapped, that's terrible news...actually a series like that would've been great to see. Too bad!

Why are all the first episodes of Max Steel titled with "S" names? Was it your idea, any humourous reason?

Greg responds...

My idea. No humorous reason.

The reason in my head was always a bit obscure. I was trying to do something that I never quite achieved. Years later, it's even less clear to me now.

But here's a question... since the titles don't appear on the episodes, how do you know them? From this site?

Response recorded on September 09, 2001

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Anonymous writes...

1.Have you givens names to all the races involved in the galactic war yet?
2.What role do the other races involved in the war play in the war?

Greg responds...

1. No. Not all. Just the major ones.
2. I'm not telling.

Response recorded on September 09, 2001

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Anonymous writes...

Alien technology

1.Seriously what is Nokkar's spaceship made out of? metal?
2.Do the N'kai and Space-Spawn have anti-gravity technology?
3.How exactly does the Space-Spawn planetbuster work? Does it destroy the Earth like the Death Star or does it just make the surface uninhabitabele? Does Nokkar's race have planetbuster technology?

Greg responds...

Seriously, I don't feel like telling you.

Response recorded on September 09, 2001

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Virginia writes...

Are you going to be able to make any kind of art gallery in the near future? I love your work and would be interested to be able to purchase picutres from the gargoyle and Max Steel series. My 3 year old son loves the show too, btw.

Greg responds...

That's great. But I'm not an artist. Can't draw worth a darn. (I said darn because your son is only three.)

Response recorded on September 09, 2001

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Anonymous writes...

Why do you dislike Terminator 2? Was it because of the time travel?

Greg responds...

Well, I think the time travel is a mess, certainly.

But I just didn't like the movie either. It's been so long since I've seen it, that I don't feel comfortable giving a full review here. My command of the specifics is non-existent, I'm afraid. But as much as I loved the first one, that's about how much I disliked the second.

Response recorded on September 09, 2001

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JEB writes...

'Ello, Greg.

1) What years were you working at DC Comics? Were you there around the time they did CRISIS ON INFINITE EARTHS? (I'm assuming yes, since you worked on its 'cousin' WHO'S WHO IN THE DC UNIVERSE.)
2) If (1) was yes, did you work on anything Crisis-related (excluding WHO'S WHO)?
3) What did you think of the Crisis, story-wise? (I liked it, of course. Then again, anything with cosmic stuff and grand epic battles is guaranteed to be a favorite with me.)
4) Which did you like better, the pre-Crisis multiverse or the post-Crisis single universe? (I like them both, but I miss the former.)
5) What did you think of the Crisis' effects on DC Comics as a whole? Do you think it did more good, more harm, or do you think it didn't really do either? (I think it was interesting, and created many excellent opportunities for revamps (Superman, Wonder Woman, and Captain Atom being among the best). However, the continuity blips- especially those afflicting poor Hawkman- were a major long-term failing.)

Sorry if these questions are a bit annoying or disinteresting to you, but I just realized that you were in the offices around the time (at least) that the post-Crisis cleanup was underway, and I was curious about your views on that period. Thanks!

Greg responds...

1. I started freelancing for them in 1983. I joined the staff as an Editorial Assistant in 1985, toward the tail end of Crisis. I was promoted to Assistant Editor in 1986. And promoted again to Associate Editor in 1987. I quit my staff job in '87 but continued to freelance for them until late 90 or early 91 (overlapping with my Disney career for a year or two.)

2. No. I was a peon in those days. Unless you count xeroxing stuff. Of course, Crisis had ramifications that lasted for years, so you could say I later worked on things that were "Crisis related".

3. Some of the issues of Crisis are powerful great stuff. But the name Anti-Monitor never did much for me. And I have to say I miss the parallel universe stuff a bit. It wasn't so much Crisis as what came out of it that disappointed me. For me the results either went too far or not far enough. And there was so much well doing and redoing... It's all hindsight, and not like anyone at DC is asking me, but I'd do things differently.

4. Definitely the multiverse. I'd bring it back if I could. "Crisis on One Earth". I think it's what allows them to start over every twenty years or so, let the characters age normally. But then move on to a new Earth, where the old ones can still be reached, but we can see Superman, etc. young again. Let's us leave behind missteps without shattering continuity. Etc.
5. Well, I've kind of answered this already. But again, I don't want to blame Crisis. I think Crisis did ITS job. I just don't love all those revamps. (Except Captain Atom, of course.)

It's fun to revisit old stuff. That's why I'm here no need to apologize.

Response recorded on September 09, 2001

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Jacob writes...

Hi Greg

Are there any series you have produced or created that you like more than others? Maybe you could write your three favourite ones.

Greg responds...

Well, Gargoyles. Duh.

But I also really loved working on Starship Troopers aka Roughnecks, though I was neither the Producer or Creator.

(I assume we're limiting this discussion to series that actually made it on the air.)

Anyway, those would be my top two, in that order.

Response recorded on September 09, 2001

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Justin writes...

Greg

You have mentioned that you are color blind. I believe you said you are red-green deficient. So my question is,
What colors do you see the gargoyles as?
Brooklyn?
Hudson?
Lexington?
Broadway?
Kai?

Because you said you thought Goliath was blue, when he really was purple.

Thanks

Greg responds...

See, now this sounds like...

All right.

Brooklyn looks kinda burnt red to me.
Hudson... I don't know. Brown maybe.
Lex... Brown or green.
Broadway... green/blue.
Kai... hell, I don't remember. Blue or purple?

Response recorded on September 09, 2001

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Lucy Valko writes...

Dear Mr. Weisman!
I am a great fan of your "Gargoyles" and the fact that the show has been stopped still (in 2001!) breaks my heart . Realistically, is there any hope of its ever coming back?

Also, I haven't been in North America in 1997 to see the final (so far...) "Gargoyles" season ("The Goliath Chronicles"), and it's not on the re-runs. Do you know where/how I could get a chance to see the last 13 episodes?

And one final question: the "Gargoyles-Fans" website contains "The Gargoyles Saga" which by plot goes far beyond the last tv episode. Does this Saga have any relation to what the actual show might have been if the series haven't been cancelled?

Thank you for your patience!
PS: PLEASE-PLEASE-PLEASE bring the gargoyles back !!!!
a heart-broken fan :(

Greg responds...

Thanks for being a fan.

Yes, there's hope. For a more complete answer check the ASK GREG archive "Bringing Gargoyles Back".

And no I don't know how to arrange for you to see the Goliath Chronicles. Sorry.

And no, I have nothing to do with The Gargoyles Saga, though I understand they've made use of certain things I have revealed. I haven't even read it.

Response recorded on September 09, 2001

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icemann writes...

Don`t think this ones been asked be for

Is there any way that technology in the future (2158 and beyond) could bypass the Gargoyles turning to stone? Cause if magic can do it, I can`t see why technology couldn`t replicate the same effect in some way.

Greg responds...

Not by 2198, or 2199 for that matter.

Response recorded on September 09, 2001


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