A Station Eight Fan Web Site

Gargoyles

The Phoenix Gate

Ask Greg Archives

Behind the Scenes

Archive Index


: Displaying #1 - #25 of 528 records. : 25 » : 250 » : Last » :


Posts Per Page: 1 : 10 : 25 : 50 : 100 : All :


Bookmark Link

Lauren B. writes...

Why wasn't Gargoyles included in Kingdom Hearts 3? The more I binge Gargoyles from Disney+ the more I think of how it would have been just the perfect world for a DLC add on. It's just a shame it's not included and I really want to know why.

Greg responds...

Then you are asking the wrong guy. I have no idea.

Response recorded on August 16, 2021

Bookmark Link

Erik writes...

I have a simple question, who were the artists that did the concept art for the show? I have searched extensively but couldn't find much in detail, even after searching the archives.

I found Dennis Woodyard, Kazuo Terada and Hiroshi Ohno but not much in terms of concept art. Maybe it's because there wasn't social media platforms to share them to back then when the show aired.

Greg responds...

From context, I assume you're talking about Gargoyles. This is all in the archives, but I don't mind mentioning their names again:

BOB KLINE

DAVE SCHWARTZ

GREG GULER

PAUL FELIX

Response recorded on August 16, 2021

Bookmark Link

Bluebird722 writes...

Hi Greg! Once again, thanks for the amazing show that is Young Justice. I wanted to ask a few more questions about the show I adore.

1. How old are Traya, Anissa, and Jennifer?
2. Was there any debate between the writers, producers, and actors over how to pronounce Lian? (I know some people including myself pronounced it as LeeAnn, and sometimes say that)
3. If it was Cadmus policy to delete the source material, how come they kept Roy alive and frozen instead?
4. How did Mal and Karen discover Conner's and Megan's real identities, or is that something we might see later?
5. What's your response and feeling when people come up to you and say that the show (or even Gargoyles) helped them during a difficult time, maybe even saved them from suicide?

Thanks!

Greg responds...

1. By the end of Team Year Eight...

Traya Smith is 11;

Anissa Pierce is 5;

Jennifer Pierce is 3.

2. I pretty much set it as Lee-AHN from the beginning and Brandon, Jamie and the actors followed my lead.

3. The Light thought they might have a use for him later.

4. Yeah, no spoilers.

5. On the one hand, I'm glad we were of use, but it's sad that we were necessary in that way.

Response recorded on August 12, 2021

Bookmark Link

InterestedFan46 writes...

I love watching Young Justice and Gargoyles, they're amazing shows! I can't wait for the 2nd half of YJ outsiders, but regarding your earlier work, what was your favorite part about producing Gargoyles?

Greg responds...

Back then... probably the voice recordings and the sound mixes.

Response recorded on July 26, 2021

Bookmark Link

Marvelman writes...

Sorry to put you on the spot but...

Roy Thomas alleges here, https://www.bleedingcool.com/2019/04/18/an-open-letter-to-dc-comics-from-roy-thomas-on-paying-and-crediting-whats-due/ that DC Entertainment has not paid him royalties for their use of Artemis who he created. How do you feel about this?

Did DC ask you to change Artemis' name to Tigress or was it just a story/character decision?

Greg responds...

DC did not ask us to change Artemis' name to Tigress. That was a purely story-driven decision. (And her name is still Artemis Crock.) Besides, to my thinking Roy created BOTH Artemis and Tigress (i.e. the Tigress version of Paula Brooks).

I worked as Roy's assistant editor at DC in the mid-80s. He was very good to me. And, of course, I personally think he deserves royalties on the Artemis character, no matter what she's called.

In the Bleeding Cool article linked above, he's wrong on only one point: when he says that virtually every other character in YJ has creators listed. Unfortunately, that's not true. No matter how many creators he sees credited on our show, the vast majority of characters still do not receive creator credits - or only include some but not all of their creators. How they decide who does and doesn't receive that credit (and the royalties that go with) is a complete mystery to me. I have been pushing back against this from Day One... to no avail.

Now, I might honestly get in trouble for posting this. And it won't change anything, anyway. So a big part of me is hoping that Ask Greg doesn't have much of a reach.

Or that I'm politically smart enough to delete this post.

But I'm not.

Response recorded on July 26, 2021

Bookmark Link

Marvelman writes...

Hi Greg,

Having watched the first half of season 3, I can honestly say that the writing on Young Justice is as sharp as ever. As always, some episodes like "Evolution" and "Nightmare Monkeys" are better than others, but that's going to be true of any show.

However, I recently re-watched "Depths" from season 2, and I have to say that the quality of the animation on Outsiders is just not at the level of the animation on seasons one and two. What would account for this? Is your budget smaller? Did you switch animation houses? Or, do you not agree with the premise of my question?

Don't get me wrong. I think the animation is okay. It's just not as good as prior seasons.

Greg responds...

Our budgets are technically higher, but are (with inflation) more or less the same. We did switch animation houses. But we had to. The world has changed. There's way more production in Seoul than there used to be. It's way more competitive for studios and artists over there.

But basically, I don't agree with the premise of your question. We've had mixed animation success in every season, with strong episodes and weak episodes and everything in between. I'd put the animation on "Nightmare Monkeys" up against anything we did in Seasons One or Two. And there are episodes in all three seasons that had us pulling our hair out over the animation. In the end, however, I think they all cleaned up respectably.

Response recorded on July 26, 2021

Bookmark Link

Shana K writes...

Not a question. Just letting you know, my six year old daughter loves Gargoyles and was ranting that the bad guys were being mean to the Gargoyles. She'd make a great advocate for them. And she loves what you guys did with the comics. I had to change some of the words that my daughter does not need to learn yet. But that's okay. I hope someday you will be able to keep up the good work.

Greg responds...

Thank you so much. That really makes my day!

You know, when we first focus tested GARGOYLES, the moderator asked the kids, "Did you like Goliath?" The kids all said yes. Then: "Did you like Demona?" The kids said no. The focus testing folks then advised us to take Demona out of the show. We had to explain to them that the kids didn't like Demona because she was THE VILLAIN! (Duh.)

Response recorded on July 09, 2021

Bookmark Link

Mike writes...

Where there any plans during the production of the Avalon world tour for the travelers to wear outfits from the London, Mayan and the ishimura clans?

Greg responds...

No. Pragmatically, changing costumes - particularly back when we were producing Gargoyles in the 90s - was a costly, difficult thing. We did it, but sparingly. I doubt we even considered doing it in the way you're suggesting.

Response recorded on October 23, 2020

Bookmark Link

PERLITHA writes...

English isn't my native language, but i really want ask you some questions.

I know you are color blind and maybe this question is more suitable for Phil Bourassa, but since both are currently working in Young Justice: Outsiders, maybe you should ask him if you can´t answer...

1)Why decided make the Bart's eyes green? In all the comics his eyes are yellow (except in New 52 where were red and that Bart at the end wasn't Bart). His yellow eyes were an important part of his design, even his googles are amber color in order to hiding his eyes color because were so unique what could reveal his secret identity. His eyes were the first thing we saw clearly in Bart´s debut in Flash #92 (and i thought he was a girl because this close up of big eyes and hair locks looked like an image from a romantic comic XD) Change the yellow for the green, is like turning Superman blond.

2) I've noticed the Reach Scientist's dress look like a hijab with a niqab, and according to Young Justice wiki, i'm not the only who think that. So Is this intentional?

2-a) All the Reach women dress like her?

It´s a bit hard to see a woman with a "hijab" being ignored, despised and silent by a man (although she was smarter).

3) Why Traci 13 was redesingned like caucasian to the season 3? She was asian american in the comics and Young Justice had being doing a great work including divertsity in the members of the Team

I love Young Justice and i'm very happy for the season 3. Thank you very much for your great work

Greg responds...

For the record, I'm red-green color deficient, not full on color-blind.

1. Maybe because of my color deficiency, I wasn't aware of Bart's eye color. I can't speak for Brandon, Phil or our color specialist James Peters, but it is certainly possible they weren't aware of that detail either.

2. Not that I know of.

2a. Not necessarily. No spoilers.

3. Look again. Thirteen/Traci Thurston is biracial in Young Justice. Her father is Caucasian. Her mother is Asian. I think that's always been true in the comics.

Response recorded on October 29, 2019

Bookmark Link

Marvelman writes...

What will the run time of Outsiders be? Will it be longer than Invasion?

Greg responds...

I assume you mean per episode.

We no longer have a set time constraint for lenth of episodes, as we did back on our cable days. Of course, we have budgetary constraints, so the episodes are still approximately the same length. But some ran a litttle longer than others, as we can now edit each episode to its ideal length and not to some arbitrary fixed length.

Response recorded on October 29, 2019

Bookmark Link

danny writes...

hey mr greg weisman i was just wondering were you aiming a little older and just had to keep it appealing for kids

Greg responds...

We talking Young Justice? Gargoyles? Shimmer and Shine? Every series is different in its demographic targeting, sometimes even from season to season. In most cases, we tried to target multiple demographics simultaneously by writing in layers.

Response recorded on October 17, 2019

Bookmark Link

Anonymous writes...

Can you tell us the meaning of the colors of the index cards you use to plan your shows?

Greg responds...

It changes from show to show, even from season to season. And on YJ S3, because of index card shortages of specific colors (this happened, believe it or not), it changed more than once DURING the season.

As an example, in YJ S1:

Green - villains
Red - Justice League
Blue - The Team (hero stuff)
Purple - The Team (teen stuff)
Yellow - Stuff where a specific date matters (like holdays)
White - Stuff that we're laying pipe for but will not objectively reveal to the audience at this time

Response recorded on April 29, 2019

Bookmark Link

THE SMARTEST MAN IN THE ROOM

The following needs saying, so I'm taking time out from my very packed weekend - not to procrastinate, which would not be unusual - but to write up something that I think is important.

But first, some backstory...

I'm not particularly smart about very many things. I am in many ways a bear of very little brain. Ask anyone. I use an iPhone 4.0 because I literally believe that I don't have the brain space to deal with upgrading. I'm a slow reader. My dyslexia makes math difficult as I am constantly transposing numbers. I'm afraid of change. Etc., etc., etc.

But one thing - maybe the ONLY thing - I am smart about is STORY. Now, I've studied story for decades and decades in small ways and large. I also believe I have an innate gift for story. Like a great pianist, the gift itself would have been wasted without years of study and practice. I've had and done both.

What that means is that - when it comes to story - I have often (not always, but quite often) considered myself - with no modesty and tremendous arrogance - to be the smartest person in the room. In any room where this is a topic of conversation, but especially in any room where story was being professionally discussed. (You can see why - with an attitude like that - I'm so popular with animation executives and the like, and why I've been fired from so many jobs.)

Even on the many, many occasions when I have felt that I am among peers who understand story as well as I do, I never felt like they understood it better than I. As good, yes. Differently, sure. Stylistically, of course. But not better. I never felt anyone knew story better.

Oh, I've made mistakes, missed opportunities, slipped up, ad nauseam. I'm human and have never claimed perfection. I've collaborated with some brilliant and wonderful people. The list is nearly endless. But none of that ever shook my basic feeling that when it came to story, I was as smart or smarter than anyone in the room.

All that changed with YOUNG JUSTICE.

So let me state it for the record: when it comes to story, BRANDON VIETTI is the Smartest Human Being in the Room.

I'd love to tell you - BELIEVE ME, I'd love to tell you - that he learned all this at my ancient knee, and that if the student has surpassed the master, the master can at least take some satisfaction in that. But that, dear readers, would simply be a load of crap.

From Day One of YJ, as witness Kevin Hopps could attest, Brandon Vietti knew story, understood it deep, the way I do. And he was smarter about it than I.

The ultimate example of this dropped this past Friday.

Episode 307 of Young Justice: Outsiders, entitled "Evolution."

SPOILERS coming, so if you haven't seen the episode then please go watch it first before reading any further.

Like all YJ episodes this season, Brandon and I broke this story together. A pretty even 50-50 collaboration. There were certain things I wanted specifically to see, like the Cave Bear. Certain things I had researched such as that in (actual documented non-DC Comics) mythology, Nabu was the son of Marduk. And there were certain things that BV wanted in there, like the meta-human kid that Kalibak sacrifices. Certain things he had researched like The Art of War by Sun Tzu (a.k.a. Vandal Savage, a.k.a. Genghis Khan, a.k.a. Marduk, a.k.a. etc.)

And together, we created a pretty kick-ass story for the episode. I don't actually remember the day of the week, but for the sake of simplifying the story, let's say we finished breaking/building the story with index cards all neatly pushpinned into my office bulletin board on a Monday. Monday evening. We both felt pretty good about it, or at least I did, and we left for the day.

Tuesday morning, he comes in and says, "Something's missing."

I tell him he's crazy. There's nothing missing from 307. Nothing. It's a great damn episode. Maybe one of our best.

BV says no. Something's missing.

I say, "What? What's missing?!"

BV says, "I don't know yet. Something. Give me a day."

I roll my eyes in as pronounced a fashion as I possibly can and say, fine.

Wednesday morning he comes in and says, "I want to add a character."

I'm resistant. "It'll mess up the works, I tell him."

But he explains, and of course, he's right. Because Brandon Vietti is the Smartest Person in the Room.

The character he wants to add is Olympia. Olympia Savage. (I take credit for the first name only.) That's right. In our first version of this story, Olympia simply did not exist.

Try to picture "Evolution" without Olympia. Be honest. It's still a solid story. A few of the actual things Olympia does, we had Cassandra doing. But otherwise the plot remains almost completely unchanged.

But not the ending.

With Olympia in the story, the episode isn't merely a solid YJ episode. It's not merely a great YJ episode. To my mind, "Evolution" transcends YJ. It is a phenomenal, even revolutionary twenty-plus minutes of television.

And I tried to talk the guy out of it.

Of course, BV's contributions don't end there. He wrote the script, too, which is fantastic. And if you knew how much he contributed to every facet of production it would humble you. It humbles me, and as you can see above, I'm NOT a humble guy.

But screw all that. I'm not talking about pretty pictures, or color, or sound, or music or even dialogue.

This post is ONLY about STORY. And when it comes to STORY... BRANDON VIETTI will always be the SMARTEST HUMAN BEING IN THE ROOM.

I bow to his greatness. And trust me, I do not do that lightly.

To be honest, he's so good, it's pretty damn annoying.

But it's an honor to be his partner.


Bookmark Link

Juan M writes...

Are they any bisexual and trans gendered gargoyles in the gargoyle universe?Have we seen them without mentioning who they are. the tv show and comic were theyre closeted for now?

Thank you and the crww for a great cartoon ahead of time.

Greg responds...

Bisexual for sure, and yes you've seen some, though keep in mind that most gargoyles mate once and for life, so you're less likely to get proof. I'd think there would be trans-gendered ones, as well, but I'll admit I haven't yet written any.

Back in the day, we weren't allowed to objectively present LGBTQ characters. That doesn't mean the characters were in the closet. We tried to write with consistency - even to the things we weren't allowed to do.

Response recorded on December 14, 2017

Bookmark Link

Danny writes...

hi Greg i was just wondering were you making gargoyles for kids or did you just have to appeal it to them to and were aiming for older

Greg responds...

Our primary target was dictated to us as "BOYS 6-11". But our intent was always to reach a much wider audience. We had to hit that center target, and we did. But we intentionally created a series that would work for kids as young as four. For girls and women. For tweens, teens, college students and adults.

Response recorded on October 25, 2017

Bookmark Link

Marvelman writes...

Are all of the premises for individual scripts generated by you and Brandon? Or, does your team of writers pitch some story ideas to you? Can you give a specific examples in regards to Young Justice how this collaboration works?

Greg responds...

On seasons one and two, all the springboards were generated by Brandon, myself and Kevin Hopps, working together to break the stories. That is, we didn't go off separately and come up with premises and then pitch them to each other. We sat in a room and worked it all out together. I then wrote all the premises, and those were handed to the writers, who wrote the outlines and the scripts.

Season three has been similar, except it's just been Brandon and myself generating the springboards and breaking the stories. I then go off and write all the beat outlines. And those are handed off to the writers to go straight to script.

Response recorded on May 04, 2017

Bookmark Link

killuaDev writes...

Do you enjoy having conversations with people about your work (If they are not asking for spoilers or trying to pitch you ideas etc.

Greg responds...

Very much.

Response recorded on April 18, 2017

Bookmark Link

ClarkeC writes...

Hey Mr.Weisman, managed to check out Starbrand and Nightmask and it was pretty good to no one's surprise. Also congrats on a season 3 of Young Justice. I just have two questions regarding that show.
1. You mentioned that there was both a timeline(that only you and Brandon are privy to) and a series bible(with details like Vandal Savage being Attila
the Hun supposedly). In the context of Young Justice, is their a difference or are they more or less the same.
2. You mentioned on this site that you used post cards and a giant billboards with different cards with different colors to establish certain dialogue or plot points. Do you also use them for events off screen such during the time skip or prior to the series?
Thanks in advance for time.

Greg responds...

1. They are two different documents. I'm constantly updating the timeline. The bible, I haven't looked at in five years.

2. Index cards, not post cards. And, yes, sometimes.

Response recorded on February 28, 2017

Bookmark Link

Snaggle Fraggle writes...

What in the animation industry has changed since you first got into it, for better or for worse?

Greg responds...

Tons. And nothing.

The biggest change for me, right now at least, is the end of animation in broadcast syndication and for the major networks, through the rise and (plateauing) of cable stations, into streaming services.

Response recorded on February 22, 2017

Bookmark Link

writes... writes... writes... writes... writes...

Why didn't SpecSpidey or YJ have "Previously On" segments? Was it a network or production decision?

Greg responds...

I'm vehemently against using them. I learned painfully from Gargoyles that they actually have the opposite effect then one would think.

Instead of acting as small reminders or hints, they convince people that they've missed too much to join the series now. They were never necessary. Everything you truly NEED to know to enjoy a given episode is spelled out in one way or another within the episode itself.

Response recorded on December 16, 2016

Bookmark Link

Bob writes...

Did it ever get annoying having to make almost every single character in Gargoyles you wanted to kill fall off something?

Greg responds...

Eh. More amusing than annoying.

Response recorded on December 14, 2016

Bookmark Link

brandon writes...

Hi big fan of the series gargoyles thank you so much for your part in creating the show. My question is during the creation of the gargoyles were did the ideas of there look come form for instance London clans animal features wyvern clans beaks horns human faces and so on also Hm which were your favorite clan artwork my personal favorite wyven/avalon clan

Greg responds...

I don't really play favorites. They're all my children.

The idea that the London clan would be modeled (loosely) after heraldic animals was mine. Not the execution, of course. Credit for that goes mostly to our lead character designer Greg Guler.

The idea for Zafiro being serpentine was also mine. We just looked to Aztec, Olmec & Mayan art for inspiration.

Response recorded on December 01, 2016

Bookmark Link

Robert Misirian writes...

Hi Mr. Weisman. I remember we met in WonderCon last year and I asked you questions about writing spec scripts for cartoons. I remember you said that I should write three scripts, then go over them, and only submit one of them if you're absolutely sure it's good.

Knowing what you and your crew got away with in Young Justice, how do how people like you and Gennedy Tartakovsky on Sym-Bionic Titan get away with the TV-PG content and make your show with teens in mind? And since I plan to make TV-14 shows for the main Cartoon Network channel, would the channel accept them?

Greg responds...

You'd have to ask them. The needs of ANY given channel are constantly changing.

And I don't write for an older audience. I write on levels so it works for the widest possible audience.

Response recorded on November 30, 2016

Bookmark Link

Domenic writes...

How long did it take to write and make an episode for Young Justice?

By the way, you are THE BEST writer on TV ever!!!

Greg responds...

Thank you.

Um... well, it takes a minimum of nine or ten months to go from an episodic springboard to a final complete episode in the can, ready to air. Often more like a year.

Response recorded on September 15, 2016

Bookmark Link

Annonymus writes...

Hi Greg, I was just wondering, how do you react to negative criticism on a show you worked on before like all those people who heavily criticized something you that you and your team liked, like the Joker in Young Justice for example? Would you stick to the creative choice despite how the majority of the audience did not approve or would you make changes to that criticism even if you thought it was fine the way it was.

I know I'm not obligated to advice the creator what to change or not not to change, I am merely asking how the creative team would react in this situation, because I too am learning in production management and how to plan construction for a form of entertainment media.

It would really help,

Greg responds...

I have to stick to my guns. In part because of the long lagtime between production and airing. And in part because I need to maintain my passion for a project. If I'm taking notes from everyone who can make a suggestion on the internet, I'll (a) never get anything done and (b) quickly lose my passion for the project.

If I had listened to all the YJ criticism that came down the pike early on, I would have, for example, cut Miss Martian, Superboy and Kid Flash from the series. I would have made the season one Robin Tim Drake and not Dick Grayson, which means we would never have gotten Nightwing in Season Two. I would have lost Dick's laughter and his wordplay. Aqualad would be another white guy and not the son of Black Manta. Etc. Etc. Etc.

People don't know what we have planned, and they react. Often negatively - especially on the internet - to things that they will eventually love if we and they are patient.

Response recorded on June 24, 2016


: Displaying #1 - #25 of 528 records. : 25 » : 250 » : Last » :