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Joxter the Mighty writes...

Hey Greg,

You've said in the past you intended to fit in every legend and such ever made, right?

1. How would you have fit the men in black in? They are a real legend, but now Warner Brothers has a big ol' licensed series about them... Did you have any plans on this?

Greg responds...

No immediate plans for MIB. And what I said was that given enough time and enough episodes I'd fit in every legend, but that didn't mean I had a working plan to do that yet.

Response recorded on January 10, 2000

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Airwalker writes...

I've heard that when you pitched DARK AGES to CBS they suggested instead pitching a future based series instead. Was that the first time you started to think about GARGOYLES 2158 or did you previously have a developed idea of what the Gargoyles future would be like?

Greg responds...

I can't deny that CBS' suggestion was the first time I really DEDICATED thought to a specific future. (It was after that conversation, that I nailed down 2158 as the year of the setting for example.) But some of the material that I had planned for the show, had already been racing around in my head. The Nokkar stuff in particular. The Demona stuff. The children of Angela and Broadway.

But it was more amorphous, timeline-wise.

Response recorded on January 10, 2000

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Aris Katsaris writes...

When "City of Stone" was first written and produced were you planning that the Hunter legacy would continue through the Canmore family or had you thought that Macbeth had taken up the mask and was now the last of the Hunters?

Greg responds...

Well, it's more complicated then that.

"City of Stone" was originally pitched as a Direct to Video movie. My boss, Gary Krisel, immediately rejected it as a video. (Though, obviously, he had no problem with it being done as episodes.) He felt that a Gargoyle video needed to focus on our heroes -- and I had to admit that "City" was really the story of two of our villains: Macbeth and Demona. Goliath and company have supporting roles at best.

But Gary liked the HUNTER angle. So immediately, Michael Reaves and I came up with the basic story idea for "Hunter's Moon". We made a sincere effort to make both multi-parters stand independent of each other. "City" came first, but the two ideas were born so close together, I can't really give you a definitive answer to your either/or question except to say (in my smart-ass fashion) "Both."

Response recorded on January 10, 2000

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Derek writes...

A long time ago (according to the archives) you said that you wanted to do a Gargoyles story involving scarecrows because they had a lot in common with gargoyles, but that you had trouble making it different from the Batman villian. But, you said someday you would crack the story. Have you?

Greg responds...

No.

But I haven't tried. I've been busy working on other shows, other projects. Gargoyles is like a hobby for me now. Which means that I rarely write anything down. Rarely do any of the hard work of writing. I do the easy stuff. I let the ideas come to me. Since the Scarecrow idea was never easy, it hasn't come to me. To crack that, I'd have to really dedicate time to it. And I haven't.

But someday...

Response recorded on January 06, 2000

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Airwalker writes...

Who designed the Golem? In all the legends I read of the Rabbi Loew's Golem, he was a huge giant but of Manlike proportions, not like he was in the episode, but more like a taller version of Bane from BATMAN & ROBIN.

Greg responds...

I'm not familiar with Bane. Isn't he just a big guy?

Anyway, I'm not sure what you're asking? Do you mean who on Frank Paur's team designed Golem or are you asking if Rabbi Loew designed him?

Response recorded on December 30, 1999

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Airwalker writes...

In the archives, you mentioned that originally 6 episodes were planned for Season 2 before the order came down to expand to 52. Which 6 episodes specifically did you originally have in mind?

Greg responds...

"Leader of the Pack"
"Metamorphosis"
"Legion"
"A Lighthouse in the Sea of Time"
"Eye of the Beholder"
"Vows"

Though they might have been very different had I not gotten word partway through that they were going to be 6 of 52 instead of 6 of 6.

Response recorded on December 30, 1999

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Airwalker writes...

On the Mutate redesign, why eliminate the cat tails? I always thought it gave a sense of balance to the designs.

Greg responds...

That was Frank's call. You'd have to ask him.

Response recorded on December 30, 1999

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Airwalker writes...

Would you ever consider reprising your role as Xanatos Goon #3 if the show ever returned?

Greg responds...

Actually, I was the 2nd Commando.

But I'm not in the Union. So theoretically I never said "Nice mask!" Never. Understand.

Response recorded on December 30, 1999

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Confundrum writes...

Hi Greg. I wanted to drop a line and congratulate you and the rest of the team responsible for Gargoyles. I saw the show for the first time this summer, and I enjoy it thoroughly. It's just raggedy that several of the episodes seem like they won't be aired. I guess I'll just have to be patient until some brave tv station will air the rest of them.

My question is about the plot of Gargoyles. My favorite part about Gargoyles is that each episode affects the ones to come. The plot builds, like a soap opera with the important distinction being that Gargoyles is cool. It almost seems that Gargoyles was created completely in advance, because it fits so well together. How did you anticipate how many different directions Gargoyles could and did go when creating it? ... especially since the story never became sketchy or contradictive?

Greg responds...

Thanks.

Some of it was dumb luck. Serendipity. We started out with a pilot that had Vikings attacking a Scotish castle in the year 994 and then after the fact discovered that such an event was historically accurate.

After that we made an effort. We did research into both history and mythology (of multiple cultures). I already had an extensive background in Shakespeare (and a number of other random disciplines).

And we planned ahead. A whole bunch or us. Myself, Frank Paur, Michael Reaves, Brynne Chandler Reaves, Cary Bates, Gary Sperling, Lydia Marano... etc.

Personally, I had some long term plans. I was just careful about laying groundwork. I spent years working in comics which was good training for the kind of episodically serialized tapestry that we were creating. (I've also been watching ALL MY CHILDREN on and off for nearly thirty years, which didn't hurt.) HILL STREET BLUES was a big influence too.

And mostly, the stuff just wrote itself. I don't want to make it sound easy. But I had a definite sense that the Gargoyles Universe existed somewhere and that my job was to tap into it and discover what happened. Sometimes things just seemed right. Of course, Owen was Puck. Of course, Fox and Xanatos were in love. I didn't know these things when I started. But the answers became self-evident.

Nothing in my professional life, before or since, has ever given me as much pleasure.

Response recorded on December 30, 1999

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David G. writes...

And now for something almost completely different: (a) Was the Cauldron of Life inspired by the Celtic legend of the Cauldron of Bran (which could restore the dead to life)? (b) Would the Cauldron of Life have worked if the user had been completely submerged in/drenched with the waters (thus making the fact Xanatos melted it down for scrap rather ironic)?

Greg responds...

a. It was inspired by multiple Celtic Cauldron legends. You'd have to ask Michael Reaves whether he had a specific one in mind.

b. It would have worked. It would have turned the whole body to stone.

Response recorded on December 30, 1999


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