A Station Eight Fan Web Site
Hey Greg, I have been rewatching The Batman and I just watched the episode you wrote, Meltdown. I noticed that at the start of the episode Batman stopped clayface with a pellet that turned him into a hardened white foam like material, then clayface darted his eyes back and forth, this exact same thing happened to clayface in the first episode of Young Justice Invasion. Was that an intentional callback? It was awesome either way.
It might have been. I honestly don't remember now. Glad you liked it!
When you freelance for a show, you're only writing select episodes, and only focusing on those episodes, where as a staff writer and producer would think about it in a larger sense that would fit the entire season/series (if it had some overall arc).
Has any series you have freelanced got you interested in the series outside of the episode(s) you have written for (or maybe you had been asked to take part in a larger role, but couldn't do it at that moment)? For example, you only got to write one episode of TMNT (2012), but is there anything would've liked to have done more of? As in a character's development, story arc, etc.
There have been a handful of series that I was just freelancing on, where I got hooked and might have liked to do more, and/or did talk out larger arcs with the story editor. THE BATMAN, Season One, and BIG GUY & RUSTY come to mind.
Have you read the Grimm storyline from Batman: Legends of the Dark Knight #149 - 153?
Does Batman keep trophies inside the Batcave?
Which series we talking about? I've done at least five with Batman in it.
out of these 3 heroes Spiderman wolverine and batman who do
you find the most interesting.
I find all three interesting. You'll find - as others have - that ranking things isn't big on my list of stuff to do. Just not the way my brain works.
Stop #6 on the Gargoyles Twentieth Anniversary Tour is LONG BEACH COMIC CON: http://longbeachcomiccon.com/
The full schedule can be found here: http://www.comicbookresources.com/?page=article&id=55700
But here's MY schedule. I'll only be there the one day - Saturday, September 27, 2014 - but as you can see, I'm certainly keeping busy, with five panels and three signings!
LONG BEACH COMIC CON
Saturday, September 27, 2014
11:30am - 12:20pm - Room 102B/C
GARGOYLES TWENTIETH ANNIVERSARY
Moderator: Greg Weisman (Creator, Producer, Writer)
1. Thom Adcox-Hernandez (Voice of Lexington, Brentwood)
2. Vic Cook (Storyboard Artist)
3. Elisa Gabrielli (Voice of Obsidiana & Maria Chavez)
4. Frank Paur (Producer, Director)
5. Dave Schwartz (Development Art Director)
12:30pm - 01:30pm - Signing Area
I won't be attending this signing (because I have to rush off to another panel), but the rest of the Gargoyles panelists will probably be there.
12:30pm - 01:50pm - Hero Complex Theater, Room 104A
WARNER ARCHIVE COLLECTION PRESENTS YOUNG JUSTICE
Moderator: Jevon Phillips (Los Angeles Times)
1. Phil Bourassa (Emmy Winning Character Designer)
2. Cameron Bowen (Voice of Robin/Tim Drake)
3. Kris Carter (Composer)
4. Nicole Dubuc (Writer, Voice of Iris West-Allen)
5. Oded Fehr (Voice of Ra's al Ghul)
6. Kevin Grevioux (Voice of Black Beetle)
7. Kevin Hopps (Writer)
8. Bryton James (Voice of Virgil Hawkins/Static)
9. Josh Keaton (Voice of Black Spider)
10. Curtis Koller (Talent Coordinator)
11. Eric Lopez (Voice of Blue Beetle/Jaime Reyes, Scarab)
12. Michael McCuistion (Composer)
13. Jay Oliva (Director)
14. Mark Rolston (Voice of Lex Luthor, Jonathan Kent)
15. Jason Spisak (Voice of Kid Flash/Wally West)
16. James Arnold Taylor (Voice of Flash, Neutron, Topo, Burton Thompson)
17. Brandon Vietti (Producer, Writer)
18. Greg Weisman (Producer, Writer, Voice of Lucas Carr)
19. David Wilcox (Line Producer)
02:00pm - 03:00pm - Signing Area
YOUNG JUSTICE SIGNING
I plan on being here for only the first twenty minutes or so - before I have to run off to yet another panel. But for as long as I can stay, I will sign for free, anything you put in front of me. I will also be signing and selling copies of my animation teleplays for $20 cash. Among the series you'll have to choose from are Gargoyles, Men In Black, Team Atlantis, W.I.T.C.H., The Batman, The Spectacular Spider-Man, DC Showcase/Green Arrow, Batman: The Brave and the Bold, Young Justice, Beware the Batman and two radio-plays: The Spectacular Spider-Man Meets Gargoyles and Gargoyles Meets The Spectacular Spider-Man Meets Young Justice. All while supplies last, and for as long as I can stay. So show up promptly at 2pm.
02:30pm - 03:20pm - Room 102B/C
THE SPECTACULAR SPIDER-MAN
Moderator: Greg Weisman (Supervising Producer, Writer, Voice of Donald Menken)
1. Kevin Altieri (Director)
2. Kris Carter (Composer)
3. Victor Cook (Supervising Producer, Supervising Director)
4. Nicole Dubuc (Writer)
5. Elisa Gabrielli (Voice of Ashley Kafka)
6. Sean "Cheeks" Galloway (Lead Character Designer)
7. Kevin Hopps (Writer)
8. Josh Keaton (Voice of Peter Parker/The Spectacular Spider-Man)
9. Andrew Kishino (Voice of Kenny Kong, Ned Lee)
10. Phil LaMarr (Voice of Fancy Dan/Ricochet, Joe "Robbie" Robertson, Rand Robertson, Homunculus)
11. Joshua LeBar (Voice of Flash Thompson)
12. Eric Lopez (Voice of Mark Allen/Molten Man)
13. Michael McCuistion (Composer)
14. Daran Norris (Voice of J. Jonah Jameson, John Jameson/Colonel Jupiter)
15. Deborah Strang (Voice of Aunt May Parker)
16. James Arnold Taylor (Voice of Harry Osborn, Frederick Foswell/Patch, Alan O'Neil, Homunculus)
17. Wade Wisinski (Line Producer)
03:30pm - 04:20pm - Room 102B/C
DISNEY AFTERNOON: THE CONTINUING LEGACY
Moderator: Aaron Sparrow (Writer of Darkwing Duck: The Duck Knight Returns)
1. Jim Cummings (Voice of Darkwing Duck, Bonkers, etc.)
2. Jymn Magon (Creator/Producer Talespin)
3. Greg Weisman (Creator/Producer Gargoyles)
4. Mark Zaslove (Story Editor/Producer Talespin)
04:00pm - 05:00pm - Signing Area
SPECTACULAR SPIDER-MAN SIGNING
I'll have to miss this one too, as I'll be in the Disney Afternoon Panel, followed by the Disney Afternoon signing.
04:30pm - 05:20pm - Disney Afternoon Reunion Booth/Signing Area
DISNEY AFTERNOON SIGNING
I'll be at this one for the entire signing. Again, I'll sign anything you bring along for free. And I'll also be signing and selling my teleplays.
05:30pm - 06:20pm - Room 102B/C
RAIN OF THE GHOSTS
Greg Weisman (Author)
06:30pm - 7:30pm - Booth 104 on Show Floor
MYSTERIOUS GALAXY SIGNING
I'll be selling and signing copies of my two novels, RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM.
I have more questions, hehe
1. Did Donna Troy called herself Troia when she joined the Team or did she had other codename before? Let's say Wonder Girl?
2. Most of The Light's members seems to be people that have idealist beliefs so I find it interesting how Black Manta became a choice for The Light's membership, what were The Light's motives to offer him a place in their society?
3. How many villains are aware of The Light's activities? If there are, even tough they may not know The Light's motivation or plans, Are there some villians that may actually rivalize or oppose them over the fact that the may monopolize villians for some criminal activities? We've seen that The Light in fact doesn't tolerate this kind of activities when Sportsmaster attacked Intergang
4. I've seen that in some of your answers you don't seem to know too much about some modern comics, I remember that in the early stages of developement you choosed the lead characthers over around 100, some were elected based on how much screen time they had before, how they fit with the story, how they can contribute to the story, etc. I even have vague memories about some early concept art of Mary Marvel.
Did you needed to read some issues in which some of those recent characters appear to help you decide which ones will be elected or you just researched the ones that you think would be good for the show?
5. I remember that when The Batman was on air, they introduced Batgirl first in the show just because they couldn't use Robin because he was on Teen Titans, so when Teen Titans ended they in fact introduced him in the next season. There have been some cases like the fact that Superboy couldn't be named Superboy in Legion of Superheroes because Smallville was on air so they renamed Superman
With Teen Titans Go! on air now, if Young Justice were to be renewed for another season that would mean that we would have said good-bye to screentime for Nightwing, Beast Boy or Robin? or we would have never seen Starfire, Raven or Cyborg? Or Nightwing would be safe as he is counted as a different character of Robin? Would Tim Drake be safe as he is not Dick Grayson Robin or he would need to change to Red Robin?
2. His competence and their need for his specific skills and tech mostly. But Manta believes his motives are pure.
3. A number are vaguely aware. Only a few really know who's in the inner circle, let alone understand their true intent. I could see certain villains opposing them. Joker, for one, who was not initially aware that he was being used by them when he was part of the Injustice League.
4. Clip art of Mary, not concept art. We never got around to designing her, even in a rough stage. And, yes, I read a number of recent comics to get up to speed. But it's not a comprehensive education by any means.
5. I don't know for sure what happened in the past, but I think your claims in the question aren't quite accurate. I don't think Superboy in LSH being called Superman had anything to do with Smallville. I think that was about legal issues DC had with the estates of Superman's creators, Jerry Siegel and Joe Shuster. And I'm not even sure if the real reason Batgirl came before Robin in The Batman had anything to do with Teen Titans either. Maybe, but I'd guess otherwise. In any case, vis-a-vis YJ and TTG, I don't think there's any issue with two such different versions being on the air simultaneously. But the situation changes all the time, so who knows?
Hey Greg. I was just wondering if you were a Blockbuster fan? Not of the rental store, but of the DC Comics villain. I ask this because the episodes you wrote featured him in it. For example, in the Batman episode Meltdown, which you wrote, I noticed Mark Desmond was the chief scientist working on trying to cure Ethan Bennett. Blockbuster also appeared on Batman: Brave and the Bold. He was in the teaser for Death Race to Oblivion, which you wrote. FInally, he appeared on Young Justice, great premier by the way, which you wrote and produced. I'm a bit of a Blockbuster fan to so I just wanted to know if you were? Thanks for taking the time to read this and keep up the good work.
I do like Blockbuster, although his appearance in B&TB, at least, originated with Producers Michael Jelenic and James Tucker, who came up with the entire story for that episode (including the Teaser).
I can't remember if, on The Batman, it was story editor Duane Capizzi or myself who decided to use Desmond. Could have been either of us.
But it was definitely my idea to include Desmond/Blockbuster in YJ.
Hey, Greg! I love what you've done with Spectacular Spider-Man. The the best show ever. The 90s show compared to yours is nothing. This show rules!! Here's my question:
Every season in Spectacular Spider-Man has 4 arcs. Each arc is 3 or 4 episodes. You were involed in "The Batman" but you weren't the main director. If you were the main director and producer of "The Batman" when it was first planned, would you have done the same thing you did to Spectacular Spider-Man (having 4 arcs per season)?
I'm not a director at all. (Well, I've been a voice director, but I'm guessing that's not what you're talking about.)
What you seem to be talking about is me being a writer-producer. But no series exists in a vacuum. The arcs weren't my idea on Spec Spidey -- they were part of my marching orders -- though I took to the notion like a duck to water.
Regular readers of Ask Greg know I'm not too fond of hypothetical questions, but asking me about The Batman in this context is just... well... a hypothetical that borders on the silly. (Sorry.) There are too many unknown factors for me to evaluate. But since clearly the producers of The Batman had no such marching orders, the odds are slim that we would have taken that approach.
Hi Mr. Wiesman
A question related to "The Batman", it was a very different kind of Batman series, fresh off the gridiron and airing alongside the final seasons of JLU, I'm not sure if it had a chance to really "define itself" in light of such a strong legacy, but part of what gave it it's own identity was the hard work of Duane Capizzi, Alan Burnett, a great voice cast (Mitch Pillegi!), and your own scripts.
"The Everywhere Man" featured the voice acting of "Superman Returns" leading man Brandon Rough, who played the main antagonist, his co-star was Allison Mack, aka Chole Sullivan from long-lasting Superman series "Smallville", so all in all, it felt like a big Hollywood atmosphere
1. Do you have any memories of this beyond just the scripting process?
2. Were you told to write characters that "complimented" Brandon and Allison or did you know they were coming in?
1. Well, I was at the voice recording, and it was a lot of fun. Both Allison and Brandon were VERY nice. SUPERMAN RETURNS had not hit theaters yet, but was due out soon, and Brandon really struck me as Clark Kent.
2. Didn't know who was going to play the characters when I wrote the script.
I think spectacular spider-man is great and probably one of the best animated series in the past 5 years. The only other series that I can think of that have equally strong plotlines, acting, and sense of continuity are those in the DCAU (DC Animated Universe) created by Bruce Timm and Paul Dini. That whole shebang spun off of what was originally the standalone Batman: The Animated Series because of the commercial and critical success of that show. I already know that you're considering doing DVD movies after Spectacular Spider-Man ends it's run, but would you ever consider doing other shows set in the same self-contained Marvel Universe like that of the DCAU? Just wondering b/c I see how strong a series Spectacular Spider-Man is and can only imagine the potential for adapting other characters.
And once again, the DCAU was not "created" by Timm & Dini. For starters, of course, it was not CREATED by any of these people, it was DEVELOPED. An important distinction in this business. Secondly, it was developed by a number of people, but certainly the two most important were Timm & ALAN BURNETT (who was Paul Dini's boss). I feel bad about constantly doing this, because I think it leaves the (false) impression that I've got an axe to grind against the very talented Mr. Dini, and I absolutely do NOT. Paul is phenomenal and deserves major props for his work on the DCAU. But I'm really tired of Alan not getting the credit he deserves for (a) RESCUING Batman the Animated Series from mediocre writing and (b) being the Executive Producer (alongside Bruce) of the entire DCAU (including THE BATMAN).
As for Spidey launching a "MCAU"... it isn't likely. Marvel's doing that on their own. Sony has the rights to ONLY Spidey and Ghost Rider. And before you ask, Vic and I have asked Sony about doing an animated Ghost Rider, but they are currently uninterested.
I read on one of youre answers that you are a huge batman fan. Did you see the Dark Knight and what did you think of the Joker? I feel that the Joker blew all the other characters away, but apparently some people don't like the interpretation. One person said that the Dark Knights's Joker is the best film version to date, but didn't approve of the interpreation, because of how sloppy he was and he considered Joker to be a neat freak.
I thought it was a stunning interpretation.
While this isn't Gargoyles related, I did have a question about one of your other works. Today when I was researching the episode of "The Batman" titled "Artifacts", I was surprised to find out that you were the story writer. I checked some more and found that you actually worked on 7 episodes of "The Batman"; The Big Chill, The Rubber Face of Comedy Part 1, The Clayface of Tragedy Part 2, Meltdown, Strange Minds, The Everywhere Man, and Artifacts.
Coincidently, I've noticed that the episodes you worked on happy to be the higher ranking episodes for me in this show. Besides that, my question to you is how deeply interested / have you been in the Batman world? Did you read it a lot when you were a kid? Are you a big fan of Batman? Were these seven episodes just offered to you, or did you strive to get them?
I'm mostly curious, and look forward to your response.
I'm a huge Batman fan. As you may know, I also worked at DC Comics for years. And one of my personal favorite Captain Atom issues which I wrote for them, was a Batman-Captain Atom crossover.
I pursued writing work on The Batman, AND I was offered said work... first by story editor Duane Capizzi (for the first five episodes you list) and then by story editor Michael Jelenic (for the last two). All seven scripts were close collaborations.
I liked the show, and they seemed to like my work on it. Glad you liked it too.
well i actually have seen the joker episodes you've written and they are tureley works of art a shame that they could not make joker like that through the rrst of the series oh well anyone on to a new question i've heard molten man will be in the show and we he actaully have connections to Liz Allen like the comics is he part of the firs or second arc of season 2
Punctuation would really enhance your post.
i noticed you wrote a couple episodes of The Batman i wass wondering if you did a batman show how would you play the characters particularly joker
I've written more than a couple "The Batman"s. Plus I've written the character in comics. If you want to see how I'd handle the Joker, check out "The Rubber Face of Comedy", "The Clay Face of Tragedy", "Strange Minds" and others...
Some questions about The Batman I've been meaning to ask recently:
1. Which would you say is your favorite story that you produced for the show?
1a. Which episodes outside of the ones you've worked on did you enjoy if any?
2. Are you writing any episodes for the upcoming season?
2a. Have you been approached or had any interest in writing an issue of The Batman Strikes?
3. Concerning all of the episodes that you have written, have they remained intact or have any of them went through any major changes storywise?
4. Have managed to view The Batman VS Dracula yet? If so, did you like it?
5. What's your opinion on the appearance of the Justice League in The Batman? I myself find that it works for this version of Batman since it isn't as grounded in reality as the previous show.
1. I didn't produce the show. I wrote a handful of episodes. I'd say my personal favorite is "Artifacts".
1a. I remember liking the zombie one. Forget what it was called.
2. Nope. Too busy on Spider-Man.
2a. No one has asked. I might be interested if the timing was right.
3. They mostly remained in tact. I worked very closely with story editors Duane Capizzi and Michael Jelenic on my episodes. Some details and dialogue changed, but largely they came out as I wrote them.
4. No, I haven't seen it.
5. Haven't seen it.
What are the chances of a crossover between Spider-Man and Batman for the two cartoons?
This is also a comment, rather than a question.
I saw, not too long ago, the episode "Artifacts" that you wrote for "The Batman", and very much enjoyed it. My favorite part of it was the scenes where the archaeologists in the future are speculating about Batman's history and come to several wrong conclusions (such as that Thomas Wayne was the Batman and Bruce was Robin, or that the wheelchair that they found in the Batcave belonged to Alfred). It reminded me, incidentally, of my favorite part of Stoppard's "Arcadia" (which I read after you spoke highly of it in the Station 8 comment room some years ago): the part where the modern-day professor was convinced that the events in the Regency period of the play were connected to a scandal involving Lord Byron, and was deliberately ignoring all the evidence that didn't fit his theory!
Stoppard's "Arcadia" was the absolute inspiration for the entire episode. Call it an homage.
Of course, as we got into it, the work of Frank Miller inspired the near-future segments, which I thought turned out nicely. But for me, the real appeal of the episode was the far future stuff, which was very much Stoppard-inspired.
Still, it's fun when your influences range from Stoppard to Miller.
All right. Hi. I already posted a question, but it was kinda sucky, and I wanted to ask one of a more intellectual/character-oriented nature. Demona's character in "Awakening" reminds me much of the character Andrea from Batman: Mask of the Phantasm. (Which is my favourite movie ever, by the way.) Both were love interests to the hero in the past, indepentant, intelligent and strong-willed love interests to be sure... but still love interests.
At a certain point, the hero and the love interest part ways. (With the hero being mis-led in terms of the love interests' parting.) And continue on their lives seperately. Leading very different lives. Eventually, the hero and his love meet up again, and the woman is now a very different person than she was before. Leading the hero to believe nothing's changed, she eventually reveals her true colours at the climax of the series of episodes/movie. (Both hiding themselves from their lovers, knowing that they would never accept what they've become.)
I was just wondering if this was intentional in your thought process, or just a comparison I've dreamed up. As I am a big fan of both of the aformentioned characters.
(P.S. As a side-question, what were your thoughts on the character of Andrea, and the performance of her Actress Dana Delany?)
I have had a crush on Dana Delany for longer than I'm sure either of us would like to admit. Way pre-China Beach. So I thought she was great. It's been years since I saw Mask of the Phantasm, but I thought it was just great at the time, and I still feel that way. I'm sure I liked both Andrea and Delaney's performance.
But as to how much influence Andrea had on me... I'm guessing none. Just because we were in production at the same time. The movie may (I don't remember) have come out first, but I didn't see it until it did come out, so...
Having said that, I think your argument about the parallels are fairly convincing. And although it's probably mostly a case of great minds thinking alike, I can't rule out the possibility of influence, as both Michael Reaves and Frank Paur worked on Batman TAS and may have worked on Mask as well. Still from a story standpoint, I was the guy in charge and we started developing the series including Demona back in 1991 or something, i.e. long before Mask came out.
1) Why weren't you allowed to use the Scarecrow in the new animated Batman series?
2) In regards to the Batman cartoon were the plethora of mechanical gadgets such as the jet pack, batman exosuit and the anti-freeze suit for the specific purpose of marketing batman toys towards younger viewers?
3) What did you think of the Batman Begins movie by Goyer and Nolan? Did you think it succeeded in translating and telling the origin story onto the screen?
1. I gather because of the character's participation in Batman Begins.
2. Largely. We tried to make it work.
3. I've answered this before. I think the movie raised the bar on Batman movies and then didn't quite make it over that bar. The end falls apart for me. (I have other additional minor issues, but they're more nitpicky.) Though it's the best Batman movie ever made, I don't necessarily think that's saying much.
Your use of the Batman analogy to explain Canmore's actions in "City of Stone Part Four" reminded me that I still hadn't commented on your Mr. Freeze episode ("The Big Chill") for "The Batman", even though I'd seen it a few months ago. Very remiss of me, so I thought that I'd give my thoughts on it here.
I'll start off by confessing that, since my previous knowledge of Mr. Freeze came entirely from his portrayal in "Batman: TAS", I had a little trouble accepting the new version of him in "The Batman". In "Batman: TAS", Mr. Freeze was a very poignant figure on account of his wife Nora; the Mr. Freeze of "The Batman", on the other hand, was a simple super-powered jewel thief with almost no complexity or depth to him. For an analogy, it'd be as if somebody else were to do a remake of "Gargoyles" and portray Demona as a simple Hyena-style psychopath without any mention of the thousand years of human persecution that she'd undergone or her suppressed guilt over the Wyvern Massacre. Of course, I suspect that it was the higher-ups who'd decided how the series would portray Mr. Freeze, and you weren't given much say in the matter.
The bit that I liked, on the other hand (and which does counter the characterization of Mr. Freeze) was the impact that the discovery of Freeze's origins had on Batman, making him wonder if he was making things worse for Gotham if his actions had led to the upgrading of a regular jewel-thief into a super-powered jewel thief. The especial highlight of it was his nightmare about the murder of his parents where Mr. Freeze became their murderer.
(I still feel a little spooked by how much Detective Yin physically resembles Elisa. I'd certainly like to ask the people in charge of character design on "The Batman" about it, and whether it was a deliberate hommage to "Gargoyles" or just a strange coincidence.)
I'm guessing the Elisa resemblence is a coincidence. I've met most of the designers on that show (none of whom worked on Gargoyles) and none of them gave me the wink, wink, nudge, nudge about Yin. (I suppose it's possible that they were subconsciously influenced, but even that may be unlikely.)
As to Freeze, I'll grant that the BTAS version has more depth, but our marching orders was to keep the depth charge on Bruce/Batman himself. When you've only got 22 minutes, it's tough to go deep, deep, deep on the villains without turning the hero into a cypher. By making Freeze more of a monster, it gave us room to do the bit you liked, which was to show how Freeze influenced and effected Bruce/Bats.
Just a comment: I couldn't help to notice that detective Ellen Yin from "The Batman" has the same the color schemes as Elisa Maza.
I've noticed that too. But I have to assume it's a coincidence. Red, black, blue isn't exactly an exotic choice for either character. I've worked on both series, and certainly, no one on The Batman has ever snuck up to me and whispered, "Ellen's a tribute to Elisa, you know."
i am a great fan of your work. i know that gargoyles finished along time ago, but i was wondering if there was anything you will be working on in 2003 for disney or anybody else. also could you please give a brief description
Of course, it's 2004 now. Here's a sample of how I've been keeping busy:
I worked a bit on "Bionicle: Mask of Light"
I wrote a number of episodes for "The Batman" and a couple for "Super Robot Monkey Team Hyperforce Go!", plus one for "Alien Racers".
Right now, I'm working on the second season of W.I.T.C.H. (But I had nothing to do with the first season.)
I got a job!!!!
I'll be producing the SECOND season of a series called W.I.T.C.H. for SIP Animation and ABC Family's Jetix block.
I had nothing to do with the FIRST season, but I'm rooting for its success... because frankly if it doesn't do well, then you'll never get to see the neatokeen stuff I'm planning for season two.
The first W.I.T.C.H. "minisode" premieres on Jetix on Saturday morning, October 30th. (Check your local listings.) Again, I had nothing to do with it, but I do think it's fun stuff. (And if you love me, you'll support it ;)
Oh, and while I'm at it, I think my first episode of THE BATMAN, "The Big Chill" featuring Mr. Freeze airs THIS Saturday, October 23rd on Kids WB. (Again, check your local listings.) It features the voice of Clancy Brown (Hakon, Wolf) as Freeze.
And also keep an eye out for the two episodes of SUPER ROBOT MONKEY TEAM HYPERFORCE GO! which I wrote for Jetix. I'm not sure exactly when they're airing, but I'll keep you posted.
Here's my ramble on "Shadows of the Past".
First off, of course, this is where the Avalon World Tour begins (if you don't count the "Avalon" triptych), which makes it a biggie. I agree with you that the reruns in between the three instalments of it (which aired, as I recall, in November-December 1995, February 1996, and May 1996 - more or less) make the World Tour seem longer than it really was. (Incidentally, you're right that you were able to bring out more than 18 episodes of "Gargoyles" in the September-December period; I remembered that the "fall run" ended with "Grief", and so worked out that it was 30 new episodes during that period).
As I mentioned before, I enjoyed the Avalon World Tour, and agree with you that something like that was necessary for the series at some point (especially in bringing in enough other gargoyles to make it feasible for the species to survive and recover - as I've mentioned here before, something along the lines of the World Tour was probably the only realistic way for Goliath to discover that there were gargoyles left in other parts of the world, given that he couldn't simply hop on board the next flight from New York to London or Japan).
Angela's correct (from the original legends perspective) about it always being summer on Avalon; in fact, I remember that the old Welsh legends about Avalon (or, more accurately, its "literary predecessors") called it the Summer Country or the Region of the Summer Stars.
In hindsight from "Vendettas", I picked up on the significance of that axe that Goliath unearths - and agree with you now that Hakon's mace from the Wyvern Massacre would indeed have worked better. Too late for that now, though.
I also liked that line (which I considered very poetic) of Elisa's about "old wounds".
The Captain and Hakon's tormenting of Goliath was very effective - probably the creepiest part, in my opinion, was when Angela and Elisa appear in Goliath's eyes to be the Captain and Hakon - but then we hear Angela and Elisa's voices coming from the Captain and Hakon's mouths.
The Captain of the Guard's change of heart worked for me (again, I especially liked the bit that you mentioned where he's looking troubledly at his hands as he and Hakon solidify). In fact, it made sense in view of his role in "Awakening" - he'd never wanted the clan massacred, and was horrified as to how that had gone wrong. I might add that Hakon showed, again, just how creepy he is when he gets into the fight with Goliath and begins laughing as his fists pass through Goliath - the reason for that being now, not that Hakon's insubstantial and Goliath solid, but the other way around.
Incidentally, the Captain actually appears better-looking in the scene where he's giving Goliath his thanks, just before he ascends.
And I'll confess that I'm one of those who would have preferred Hakon to have remained trapped in the cave for all time - I felt, when "Vendettas" aired, that it destroyed some of the effectiveness, in retrospect, of Hakon's sentence: trapped alone for eternity, with nobody at hand for him to hate. (Also, "Vendettas" felt anticlimactic on the Hakon front; in "Shadows of the Past", he battles Goliath by skillfully undermining him with a lot of psychological subtlety; in "Vendettas", he's reduced to simply fighting him in a slugfest with a big dumb werewolf - though don't tell Wolf that I called him that. :) ). But I do think that you made a good point about how, ultimately, Hakon would have to be given more permanent resolution than just that.
Incidentally, your treatment of the megalith that the Captain and Hakon were using, and your comments on it, make me wonder now how you would have handled Stonehenge if you'd ever gotten to do an episode involving it (especially since you mentioned having had plans to send King Arthur and Griff there during their quest for Merlin) - a pity that we may never know the answer to that now.
*I think it's appropriate that as the Captain is (in essence) redeemed and "ascends", that he is beatified a bit.
*I get what you're saying about Hakon, certainly. And yet, I really like "Vendettas" and hardly think that Hakon's post-Vendettas fate is likely to be any kinder than his post-Shadows fate. And although Hakon was the series' first big villain, he was hardly the most impressive of our villainous creations.
But, let's be honest, I just couldn't resist giving Clancy Brown the opportunity for a David Warner-esque tour de force performance. I'm sure I'll get into this topic more when (some day) I get around to rambling on Vendettas, but I think Clancy's double duty in Vendettas is perhaps even more impressive than what Warner did -- (a) because Clancy did what he did with a then amateur voice director (i.e. me) and (b) because the two characters he was playing (Wolf & Hakon) allowed for much less subtlty than Warner's two Archmages. (This of course, is not designed to take any credit away from the brilliant David Warner, simply to give Clancy his just desserts as well. And speaking of Clancy, he does a great Mr. Freeze in the new "The Batman" series.)
*The ideas used in Shadows for the Megaliths, were in fact cribbed from ideas I've had for Stonehenge for some time. (Pre-dating the creation of Gargoyles, in fact.) It would be interesting to see (even to me) how I handled Stonehenge now. On the one hand, I wouldn't want to repeat myself, but I'd also want to be consistent and I don't want to betray the notions I've had in my head forever. That's the problem when your brain begins to cannibalize its own ideas. A danger I find myself facing all the time.