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I'm a bit wary to be postin' this, because the last comment of this nature was made almost a year and a half ago, but . . . well, since there was no cut-off, I figured it was worth a shot. This is what I deemed to be my favorite smart-ass response.
If this is a repeat ignore this.
1. Mr. Weisman, How many licks does it take to get to the center of a tootsie rool tootsie pop?
2. Did you have any more plans for the Mutates?
3. Did you have any more plans for the Clones?
Thanx A lot.
1. The world may never know.
2 - 3. Sorry. Questions on separate topics, must be posted separately.
recorded on 12-30-99
I think I think it's funny because . . . well, just, that poor sap. ^^ No more reason than that; there were others that were as good (maybe better), but I'm not good at quantifying things. :b
Anyhow . . . that's all.
That's enough. Thanks.
In "Awakening" when the trio were playing with Bronx and Tom comes to talk to them. His mom throws a stick at them. When their eyes started to glow. Were they trying to scare people away from them or were they just trying to have some fun?
More the former. They were hurt and angry. Basically, you can take at face value what they say in that scene.
I have been reading the archives and was wonderig about one thing about a Shakespeare character and wondering something about it.
Why is Calaban(presumuble Caliban)to be a antagonist, I been cheking about the Tempest and thougt that he would be more suited in a role of protagonist,given to childis presonality.
That's just my opinon on the issue.
You have no idea what I have in mind for the character, so it's a little odd to be challenged on the point.
But your welcome to your opinion.
Posting this though I know it will take a while to be answered, but I'm afraid I'll forget to ask you at a later time.
This is a Starship Troopers Roughnecks question about the inscription on Razak's urn. I'm assuming that you scripted what it would say, sounded like your touch.
The quote, near as I've been able to tell, is part of a longer quote by an 18th century female astronomer. Is that right?
Secondly, are there any significance to the dates used? You often tend to choose month/day combinations with personal significance. Just wondering.
Actually, I had nothing to do with the inscription on the urn. In the original script, I described it as a small metal box.
I was looking on another website and I saw a picture of Broadway dead in Goliath's arms. Why did Broadway get killed?
He didn't really. But in an episode called "Future Tense", Goliath was presented with a vision of a (largely) false future by Puck. Among other shocking occurences, was the Death of Broadway.
Is Puck unable to undo the spell that turned Owen's arm to stone, or does Puck choose not to reverse it because it would be "breaking the character" of Owen?
Ah, a new episode ramble at last! Thanks, Greg!
My own thoughts on "Kingdom".
I certainly do remember this episode airing out of order; the first time was in February 1996, just before "The Hound of Ulster". (I also missed the beginning of the episode first time around, so it was a while before I got to see the whole thing).
I'm glad that Broadway and Hudson provided a home for Cagney at the tower; as a cat-lover myself, I certainly wouldn't have wanted to see Elisa returning from the Avalon World Tour only to discover that her pet had starved to death in her absence. Hudson tending to Cagney (and admitting that he wasn't quite a substitute for Bronx) was a lovely moment.
I was, for my own part, a bit disappointed that Xanatos only got a sub-plot role here, although still a fun one. (Yes, the cannons could have been better designed, but he himself was in form as ever: "Don't you just hate it when people drop by unannounced?" as well as the one that you cited "Do I really need an excuse to have a good time in my own home?")
Fang made a very entertaining "bad guy" here; I got a real kick out of the scene where Claw hands him the key card. Although, for me, the funniest moment comes when Claw, after doing that pantomime sequence for an angry Fang, hides inside his own wings. I always LOL at that part.
I liked the handling of Brooklyn being unwilling to become a leader, for fear that it means admitting that Goliath won't be returning. One of my favorite parts in that plotline comes when Brooklyn finally tells Hudson to accompany them to the Labyrinth, admitting that it's an order, and Hudson has a little smile upon his face as he sees that Brooklyn's finally taken on his responsibility.
To return to Xanatos: when I think it over, I don't think that it's all that surprising that he didn't actually take advantage of the information about Goliath being missing. (Although, the first time that I saw "Kingdom", I was indeed expecting him to do some real searching for Goliath and Elisa, in line of his words to Brooklyn - particularly the "I wasn't aware that I needed permission" line - and was a bit disappointed that when he and his associates do encounter them during the Avalon World Tour, it's unintentionally). Because, when you stop to think over it, what would he really have done? He had no practical reason to go after Hudson and the trio (it was clear by now that they wouldn't serve him as henchmen), and certainly wasn't going to be hunting them simply for revenge, since that wasn't his style. Likewise, I can't see him attempting to take over the whole city in Goliath's absence, regardless of what "Future Tense" might claim; after all, why conquer it when he'd already been able to achieve the bulk of his goals under the current system (as I recall you pointed out in the Gargoyles Season One Bible)? In the end, Xanatos's doing nothing to take advantage of it made a lot more sense, because taking advantage of it didn't match his character and goals. (One thing that definitely makes him a unique "main adversary" in animation).
All true, but...
I knew, just KNEW, that there was a story in there something. I've since figured it out. A little late, I realize, but there's a good flashback to be had someday in some medium...
Why is Sevarius so freaken Crazy?
He's not Crazy. He's just nuts.
It's funny how you mention Xanatos finding out that Goliath is missing, then not hatching any kind of a plot as a result, because you honestly couldn't think of something. I strained my brain to try and figure out how X might possibly use such knowledge to his advantage, and came up dry, so when nothing happened, I kind of expected it. In fact, felt validated by it. In my head, knowing that Goliath was missing let him put two and two together in episodes like "Cloud Fathers."
X's new security system DID suck, but it's cool to know why it was installed (as a result of "Double Jeopardy"). Those cannons were out of control. I think the sequence would have worked, thanks to the atmosphere and X's cool lines, if the cannons just would have aimed AWAY from the castle. The redundancy didn't bother me. Sure, Mac's place has these spiffy blaster cannons too, but HE'S not Xanatos.
Where did those Cyberbiotics rifles come from? Why did Cyberbiotics abandon them? Okay, so they pulled out fast, but jeez, talk about corporate neglect, leaving an arsenal of deadly weaponry in a subway. So much for Renard's integrity. (I'm trying to bait you here.)
Oh, the climax with Maggie and the key card? One of my favorites. The build-up is perfect and Carl Johnson composes it well.
Carl is great, but much credit should go to Marc Perlman, our music editor. We couldn't afford to have Carl score every episode. So Marc had to edit Carl's music to fit any situation. Though they were rarely in the same room together, the two made an amazing team.
it seems to me there is a difference from season 3 Seeing Isn"t Bleaving maby more shadowing do you notice any difference?
What's with all these "Seeing isn't Believing" questions recently? Is this one person posting under many names?
Anyway, I've seen this (and all non-Journey Chronicles episodes) exactly once, way back in '96/'97.
I remember there was one that was sort of Aladdinesque in its animation, but I'm not even sure which ep that was. And I don't know why.