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In episode " seeing is'nt believeing, Elisa doesnt call Goliath by his name when he is human, was that done on purpose so it gave us a more understanding that he was human ( because no in thier right mind would name thier child that) or was it just left out for another reason and if so , what was it.
danke for answering,
Gargoyles Forever !
(man work is boring)
I had nothing to do with the production of that episode. I've only ever seen it once. I have no idea what their intent was.
Does Lexington have a mate?
As of when?
I am sure you have had this question before. I am planning a tattoo of Goliath...either full winged on my back or something smaller on my arm...where can I find good pics to use?
Actually, I haven't heard this question before. And I don't know the answer. Sorry.
well, this is just a comment of a sort. i just started to watch the show after all these years. it is amazing. here i thought it was just another kid cartoon, but hell, i am an adult and love the show! great work to all those involved in making the show happen and wish to see more!
hi greg. My name is Michelle. My son who is 2 years old and is obsessed with Max Steel. I have been looking all over for videos for him. I have had no luck in finding any. If you can help me in any way, I would appreciate it. I am willing to pay anything for them. thank-you
Please e-mail me at firstname.lastname@example.org.
As far as I know, videos for Max Steel are not available. Sorry.
Did Janine Renard call herself Fox because the French word "renard" means "fox"?
I'm sure that was part of it.
hello, I want to say that if there is any way that any one cares,that I'm one of the third race(lol) and yes my real name is Forliya. how did you come up with the show GARGOYLES in the first place???????
A team of us worked together to bring it to life.
Personally, I've always been fascinated by Gargoyles. For more info, check the Archives for this site.
hello, If you would please tell me where to find the gargoyles tapes because my friends and I want to find them!
I'm not sure where to find the answer to my first question?
and dont be mean please.
Not mean. I just don't know. Sorry.
But the first season is coming out on DVD THIS YEAR!! Watch for it!!!
does lex ever find a mate?
hello agen, If you could most dearly tell me the script to the final episode I would be abliged if you could help.
toodles gargoyle frends!
The title of the final episode of the first season was "Reawakening".
The title of the final episode of the second season was "Hunter's Moon, Part Three".
The title of my final episode was "The Journey".
The title of the final episode of the Goliath Chronicles was something like "Angels of the Night". But I'm not sure.
Greg, what age group was gargoyles ment for and what age group did it attract?
It's primary target was Boys 6-11. But the show was created and designed to reach a MUCH larger audience than that. For financing purposes we had to hit our target. (And we did, though not as well as Power Rangers.) But we also sought out and reached an audience that included both males & females and everyone from age six to sixty, as far as I can tell.
What IS with leaders having long hair?
Some do and some don't.
Like METAMORPHOSIS and THE CAGE, I missed this during the first airing (an episode spotlighting Brooklyn, my favorite character, and the Mutates, my favorite arc). Consequently, this was the last "new" episode I watched. So, I already knew that Brooklyn would be trying to start something with Angela and that Fang would be imprisoned for something, but I was left wondering about how Fang got in there and what closure there was to Brooklyn's crush on Maggie. This ep was almost like a long needed salve for me.
First, let's get the animation out of the way. I must say, with all love and respect, that this really is some of the least in the series. It could have been good--the movements are very smooth, almost liquid and supple. However, some of the characters seem to go slightly "off-model" every now and then, and image continuity suffers quite a bit. Aside from the infamous scene, which I affectionately call the "Two Hudsons and a Bronx" scene, the gargoyles seem to not only change positions, but places during their day of stone sleep. What, did they all have to get up at noon to go to the bathroom/get a drink of water/have a mid-day snack--what?
Regardless, there were some things I liked in the animation. One of the big things, by either accident or design, was Brooklyn's change. He seemed a lot smaller in the beginning, both shorter and skinnier. When he accepts his responsibility though, he seems to stand taller, and become well-muscled. I also like it when the gargoyles bust through the ceiling at the end. Lex looks especially cool with the way his arms are folded.
I was also glad that Cagney was well taken care of--but I already knew he was from THE GATHERING. I did like how the clan did not instantly know that Elisa was missing along with Goliath and Bronx--Broadway had to check out her apartment first.
Brooklyn's reluctance to accept leadership in this situation was nice, and exactly what I had wanted to see through most of the World Tour (too bad I had to wait until summer reruns). I must admit, I had not figured out that Brooklyn saw accepting leadership as giving up on finding Goliath, but it makes sense. I had guessed that he was held back by fear. The fear of doing something wrong, bringing everything crashing down. So, I was half-right, I suppose.
Brooklyn still has his crush on Maggie, but he's not blindly chasing after her anymore. Showing a bit more maturity (sp?) there. He can obviously figure out the best course of action to take (like not outright attacking Xanatos, nor letting on to him that Goliath is missing--I feel like slapping Broadway when he blurts that part out). Of course, he lets his insecurities get the better of him (until Maggie asks him for help...you're right Greg, a damsel in distress is a great motivator for the Brookster). I like how his wings fold into a cape for a moment after he accepts leadership (caping wings is something Goliath tends to do more than the rest, so perhaps as a result of that, it kind of gives Brooklyn that extra majesty).
Hudson, the old soldier, gently nudging Brooklyn in the proper direction. I like him here--not only does he get on well with the cat, and admits he misses the "dog," but he allows Brooklyn to grow. Hudson's always been a very patient fellow, and a sly teacher when he needs to be. He fits the "advisor" role quite well.
Fang--I already knew he'd be a bad guy, but I wondered when the schism came up. Fang loves to have power, and so he becomes, for all intents and purposes, a super-powered bully. I thought he was pretty funny, and a good threat. I especially like James Belushi's reading of "I'll show him who rules down here." Nice and dangerous.
Talon--I always found it ironic that Talon basically goes around saying, "No one is in charge, and that's an order!" Talon's behavior actually kind of adds to Fang's character--it gives the latter a valid point ("For someone who's not in charge you sure like dishing out orders.") I find it interesting how Talon seems mocking/angry when he tells Brooklyn, "You want to be in charge? Speak now or hold your piece!" I wonder what got him in such a tizy about leadership. I would have loved to see the look on Talon's face when Fang says "THIS army--and you're our first prisoner of war" (love that line). Maggie had warned him about Fang....
Now Claw was the surprise for me. I knew he was one of the good guys, but I never thought that he originally went with Fang. Claw's an odd one--he's the biggest and most heavily muscled of the Mutates, and yet he was one of the most submissive. I liked how he took no part in the fight between Brooklyn, Fang, Chaz, and ?, and even looked worried about it. I liked how he helped Maggie escape, and I laughed at his pantomime (along with ?'s reaction of "Boy, are YOU asking the wrong guy!") and his hiding inside his wings. I liked how he never used his gun, instead falling back on his electro-blasts. At the end, he finally grows in resolve, and develops the strength to rebel against Fang. I like the look on his face there. Very nice.
It never bothered me that Maggie was the only female portrayed here, because I had never given any thought to it before. Maggie is more of a "support" sort of character, anyway--she makes suggestions and helps in more passive ways. But she can still give a good tongue-lashing (she tries to scold Fang after he riles up Talon--I like the shocked look on her face when she realizes that Fang really IS trying to get Talon out of the way).
Some comparisons. Although Talon was ultimately captured, it was only because of Chaz and ? using their guns that he fell. Talon bested Fang--in terms of power and stamina it seems to me Talon was the better. The Mutates may have limited flight capability, but judging from Broadway and Lexington's dodging of particle beams, the gargoyles still manage to outdo them in aerial manuevers (sp?). Maggie does a good acting job, and so does Brooklyn. For Maggie, this scene is so much more fun now that I know she was trying to be an actress--but she still has trouble concealing her smile as she deftly unlocks the cage (of course her's is nothing compared to Talon's pleasantly nasty little grin as he exits the tube). With Brooklyn, I wonder how he learned to act that well--did he have to talk himself out of trouble a lot when he was younger?
While I'm on this tack, I liked the closure this brought to the whole Brooklyn/Maggie arc, while also strengthening (sp?) Talon and Maggie as an item. I like how Brooklyn comforts Maggie in the Clocktower and she doesn't flinch from his touch like the first time--in fact, she ran to him. Perhaps appropriately, the plight of her and Talon seems to be what compels him to finally accept leadership (though it takes Hudson's "Is that an order, then?" for Brook to aknowledge it as such). And then when Brooklyn practices his deception on everyone at the end...I must admit I almost believed that Brooklyn would trade his integrity for a chance with Maggie (only to, of course, make the right choice at the end). But then he surprised even me. I like the expression on his face when Maggie looks at him after noticing the keycard, and the smile on her face immediately afterwards. Brooklyn's head does bow when he sees Maggie and Talon's joyful embrace, but it seems to me like a gesture of acceptance as well as sadness. I'd like to think that, even though Brooklyn only had a crush on Maggie, that those two did develop something of a friendship.
As for Maggie and Talon: they really do look happy together, and comfortable in each other's embrace. It's hard not to be glad for them.
Crikey! I almost forgot about Xanatos! Now I know I'm tired. Anyway, Xanatos and Owen were great fun. All the good lines have already been stated, so I won't repeat them. The whole "turret-cannons" thing was rather silly, and I don't think non-projectile cannons would be able to fire when the barrels are bent. Still, I like the looks on X's and Owen's faces as they dodge debris after the castle takes a pretty heavy hit. How much you want to bet that after the gargoyles and Talon started their search, X turned to Owen and said, "Get rid of that security system and fire the man who designed it...and sue him for the damages to my castle"? I, for one, kind of miss that we didn't get to see Xanatos take advantage of Goliath's disappearance--it would have been nice to see how all parties acted in such an occasion.
Pointless trivia: Owen says, "An intriguing development." Immediately after which, Brooklyn says, "Perfect." The ONLY time in the series, as far as I remember, in which Owen and Brooklyn (both voiced by Jeff Bennett) speak two consecutive lines. I would have loved them having a conversation.
Broadway and Lexington smashing the guns with the rocks. I figured the audience was supposed to, at first, think they were bashing Chaz and ? on the head, but I don't know if I ever thought that myself.
My ramble has been kind of piece-meal, but hey, I guess I'm just rather tired now and stressed from trying to find an apartment in LA. I'll just finish off by saying that I really like this episode.
Well, I hope you've found a place (after two years).
But don't worry about it. Your ramble read well to me.
This isn't a question, so much as a comment. I just rewatched Awakenings Part 2, and I must say it was absolutely stunning. The part that really sticks out for me is when the great acting the voice artist do in the opening scene. The parts that stick out in my mind are as follows:
"These bowstrings have been cut... there was betrayal here."
As you said Hudson was falling back on his training.
And Keith David and Bill Fagerbakke were excellent in their exchanges.
The animation during this scene is amazing in my book. Maybe not the models that I liked in episodes like Hunter's Moon, but it is still amazing. Each character display such emotion. I know Bronx is only a beast, but it even feels like he gets what happened. I loved the scene. Hudson knocking some Vikings into hay as he swoops in. Broadway using what he knows best... food! The action really picks up here and I feel so sorry for these characters. I must admit that in October 1994 when this first aired I thought many more died than about forty. Which is the number I think u said. But nonetheless it is so sad. I just lost a friend of mine back in November. So it taught me that if even one life is lost is just hard if hundreds are lost.
Anyway Kudos on an awesome episode.
Thanks. Glad you liked it.
I have a question (duh!) what if sometime in the distant future disney brought gargoyles back would you be able to do the job of writing new episodes? If so what if the actors for the characters weren't available, would you still use the same characters, or have to start over from scratch?
It's all very hypothetical, but, yes, I'd certainly hope to brought back as the writer-producer of the series. We'd reuse as many voice actors as we could.
A few members of our former cast have passed away, and we'd deal with them on a case-by-case basis.
I've been a fan of Gargoyles for a while and I was wondering what a few characters were based on. The mythology is put into the sotry so well and fits like a puzzle. Anyway, I was wondering who the Weird Sisters and Megus. The mythology of the story is beautiful and the plot is extraordinary. So, That's my question- What were Megus and The Weird Sisters based on?
The Weird Sisters were based primarily on the Weird Sisters, from William Shakespeare's play MACBETH. They were also influenced by various triple/lunar goddesses from various mythologies, in particular the Graces, The Furies, the Fates/Norns.
The Magus is more of an "original" creation. He begins, I think, as fairly standard D&D wizard material. But I like to believe that he transcends the stereotype.
Does Avery Brooks do the voice for Goliath? If not, then who?
Keith David is the voice of Goliath. (Keith can currently be seen as the Imam in "Chronicles of Riddick".)
Avery Brooks did the voice of Nokkar the alien for us.
I'm a bit wary to be postin' this, because the last comment of this nature was made almost a year and a half ago, but . . . well, since there was no cut-off, I figured it was worth a shot. This is what I deemed to be my favorite smart-ass response.
If this is a repeat ignore this.
1. Mr. Weisman, How many licks does it take to get to the center of a tootsie rool tootsie pop?
2. Did you have any more plans for the Mutates?
3. Did you have any more plans for the Clones?
Thanx A lot.
1. The world may never know.
2 - 3. Sorry. Questions on separate topics, must be posted separately.
recorded on 12-30-99
I think I think it's funny because . . . well, just, that poor sap. ^^ No more reason than that; there were others that were as good (maybe better), but I'm not good at quantifying things. :b
Anyhow . . . that's all.
That's enough. Thanks.
In "Awakening" when the trio were playing with Bronx and Tom comes to talk to them. His mom throws a stick at them. When their eyes started to glow. Were they trying to scare people away from them or were they just trying to have some fun?
More the former. They were hurt and angry. Basically, you can take at face value what they say in that scene.
I have been reading the archives and was wonderig about one thing about a Shakespeare character and wondering something about it.
Why is Calaban(presumuble Caliban)to be a antagonist, I been cheking about the Tempest and thougt that he would be more suited in a role of protagonist,given to childis presonality.
That's just my opinon on the issue.
You have no idea what I have in mind for the character, so it's a little odd to be challenged on the point.
But your welcome to your opinion.
Posting this though I know it will take a while to be answered, but I'm afraid I'll forget to ask you at a later time.
This is a Starship Troopers Roughnecks question about the inscription on Razak's urn. I'm assuming that you scripted what it would say, sounded like your touch.
The quote, near as I've been able to tell, is part of a longer quote by an 18th century female astronomer. Is that right?
Secondly, are there any significance to the dates used? You often tend to choose month/day combinations with personal significance. Just wondering.
Actually, I had nothing to do with the inscription on the urn. In the original script, I described it as a small metal box.
I was looking on another website and I saw a picture of Broadway dead in Goliath's arms. Why did Broadway get killed?
He didn't really. But in an episode called "Future Tense", Goliath was presented with a vision of a (largely) false future by Puck. Among other shocking occurences, was the Death of Broadway.
Is Puck unable to undo the spell that turned Owen's arm to stone, or does Puck choose not to reverse it because it would be "breaking the character" of Owen?
Ah, a new episode ramble at last! Thanks, Greg!
My own thoughts on "Kingdom".
I certainly do remember this episode airing out of order; the first time was in February 1996, just before "The Hound of Ulster". (I also missed the beginning of the episode first time around, so it was a while before I got to see the whole thing).
I'm glad that Broadway and Hudson provided a home for Cagney at the tower; as a cat-lover myself, I certainly wouldn't have wanted to see Elisa returning from the Avalon World Tour only to discover that her pet had starved to death in her absence. Hudson tending to Cagney (and admitting that he wasn't quite a substitute for Bronx) was a lovely moment.
I was, for my own part, a bit disappointed that Xanatos only got a sub-plot role here, although still a fun one. (Yes, the cannons could have been better designed, but he himself was in form as ever: "Don't you just hate it when people drop by unannounced?" as well as the one that you cited "Do I really need an excuse to have a good time in my own home?")
Fang made a very entertaining "bad guy" here; I got a real kick out of the scene where Claw hands him the key card. Although, for me, the funniest moment comes when Claw, after doing that pantomime sequence for an angry Fang, hides inside his own wings. I always LOL at that part.
I liked the handling of Brooklyn being unwilling to become a leader, for fear that it means admitting that Goliath won't be returning. One of my favorite parts in that plotline comes when Brooklyn finally tells Hudson to accompany them to the Labyrinth, admitting that it's an order, and Hudson has a little smile upon his face as he sees that Brooklyn's finally taken on his responsibility.
To return to Xanatos: when I think it over, I don't think that it's all that surprising that he didn't actually take advantage of the information about Goliath being missing. (Although, the first time that I saw "Kingdom", I was indeed expecting him to do some real searching for Goliath and Elisa, in line of his words to Brooklyn - particularly the "I wasn't aware that I needed permission" line - and was a bit disappointed that when he and his associates do encounter them during the Avalon World Tour, it's unintentionally). Because, when you stop to think over it, what would he really have done? He had no practical reason to go after Hudson and the trio (it was clear by now that they wouldn't serve him as henchmen), and certainly wasn't going to be hunting them simply for revenge, since that wasn't his style. Likewise, I can't see him attempting to take over the whole city in Goliath's absence, regardless of what "Future Tense" might claim; after all, why conquer it when he'd already been able to achieve the bulk of his goals under the current system (as I recall you pointed out in the Gargoyles Season One Bible)? In the end, Xanatos's doing nothing to take advantage of it made a lot more sense, because taking advantage of it didn't match his character and goals. (One thing that definitely makes him a unique "main adversary" in animation).
All true, but...
I knew, just KNEW, that there was a story in there something. I've since figured it out. A little late, I realize, but there's a good flashback to be had someday in some medium...
Why is Sevarius so freaken Crazy?
He's not Crazy. He's just nuts.