A Station Eight Fan Web Site
Questions regarding "Walkabout"
1. Why did Dingo meant by helping Fox and Anastasia? Carry crates? Clearing the test sites?
2. How did the Matrix shrank after being so insanely large? Compression? Did it kill a handfull of nanobots?
3. What was Dingo's job before going to America?
1. Generally, I think he was in charge of security. EXTERNAL security. Although, clearly he was off duty when the episode begins.
2. Deactivated and dissolved most of them, yes.
"31. What is the extent of the sensations that can be felt between Demona and Macbeth via their link? Can they feel other things besides pain?
Simple touching doesn't pass from one to the other. Intense feelings of pain and pleasure would."
So if the happened to have sex, it would be some sort of transfering chain re-action of pleasure?
I'm not big on relating my entire reaction to an episode, but highlighting certain key reactions of mine that stand out. I'll start with the negative. The idea that this Matrix could be so rapidly developed by Xanatos along with all his other projects struck me as reaching a little far. That he never chooses to use the technology for commercial gain in industry (nanite construction) or medicine (nanite healers) also threw me.
Of course, this was Fox's and Anastasia's experiment, not so much Xanatos'. I liked the notion that perhaps Anastasia infused the Matrix with magic in order to accelerate it. I also choose to believe that the Matrix represented, for Xanatos, a sort of dark temptation. I like to think that after the failure in Australia, Xanatos decides it was for the best and that transfiguring the whole world for his purposes is not him, it is the deep inner demon in him that must be silenced. I think Xanatos is a guy who values reason and considers it the barrier and interpreter between his dark, inner demon and his outer surface of grace, charm and tact.
Anyway, I loved Dingo, the Shaman, and the Dreamtime. Neither the Shaman nor the Dreamtime were very thoroughly developed, but that is what I liked about them. The spare dialogue made the Shaman and the Dreamtime feel more mysterious and therefore attractive. The way the Dreamtime was used as a bridge of communication with the Matrix was a stroke of brilliance, I thought.
Finally, in the Dreamtime, I loved the way the Matrix is represented -- as that mechanical set of arms and gyroscopic "eye" that zooms in on Goliath like an insect as he gives his gloriously-written and very eloquent speech, which I also loved. Tha whole scene is perfect and made the episode for me. I love the stuff Goliath will say in a tight spot that manages to convey desparation and maintains eloquence at the same time.
I'm glad there was so much that you liked. I hate to therefore pick on the little bit of negative that you mentioned, but I can't resist, because it raises a larger point.
"The idea that this Matrix could be so rapidly developed by Xanatos along with all his other projects struck me as reaching a little far. That he never chooses to use the technology for commercial gain in industry (nanite construction) or medicine (nanite healers) also threw me. "
Except you don't know that any of the above statements are true. The fact that we hadn't shined a spotlight on this area of his conglomerate until "Walkabout" hardly proves that he (a) hadn't been in development of this tech for some time or (b) that he wasn't -- both before and after events depicted here -- attempting to exploit the tech industrially. Xanatos Enterprises is a BIG company, and most of their endeavors are, well, dull. The fact that I'm only telling the interesting stories doesn't prove that the mundane isn't taking place behind the scenes.
Been a while since I posted a question. Thanks to all involved getting Ask Greg fully operational again.
Seeing that the question line is about 1.5 years backlogged, I figure asking this in November '04 might get it answered when it is just about the time to ask: With season 1 coming out soon as I type, and long since out by the time this is read, what is the news on season 2?
Season 1 and Season 2, Volume 1 are both available now on DVD. The former sold well. The latter, not so much. So as I've said MANY, MANY times before, we need to SPREAD THE WORD about both volumes so that we can get Season 2, Volume 2 which is not currently scheduled to be released due to the poor sales of Season 2, Volume 1.
I've plugged 'em before. Now I'll let them plug themselves...
Subject: Much Adoobie Brothers EXTENDED!
Troubadour Theater Company EXTENDS
Los Angeles Times' Critics' Choice
Much Adoobie Brothers About Nothing
NOW Playing through Sunday, September 24.
Scroll down to read the rave reviews.
Miles Memorial Playhouse
August 10 - September 24
Thurs - Sat 8 pm, Sundays 4 pm
1130 Lincoln Blvd., Santa Monica CA
La Mirada Theatre for the Performing Arts
October 1, 2006 7pm
All Tickets $25
On Sale Now and Going Fast!
CRITICS' CHOICE! "Put it all together and you have the truest hallmark of any Troubadour show...bad wigs, rock star preening and outrageous comic riffs (that) LEAVE THE AUDIENCE BREATHLESS WITH LAUGHTER!"
--Daryl Miller, LA TIMES
["All true" --Greg Weisman]
GO! "A SCREAM! Another LAUGH FILLED TRIUMPH FOR THE TROUBIES!"
--Martin Hernandez, LA WEEKLY
"HILARIOUS! DELICIOUSLY FUNNY! UNDER MATT WALKER'S FIRST RATE DIRECTION, THE WHOLE EXPERIENCE is a RAMBUNCTIOUS BUNDLE OF JOYFUL COMIC ANARCHY!"
--Terry Morgan, VARIETY
["Matt Walker is an effing genius" -- Greg Weisman]
CRITIC'S PICK! "IT'S ALL TOTALLY BITCHIN'! MATT WALKER, WHO ACCOMPANIED BY HIS USUAL PARTNER IN HILARITY, BETH KENNEDY, AND THE LOVELY LAUREN GIRA - BRINGS DOWN THE HOUSE! A PITCH-PERFECT JEN SEIFERT PARRIES BRILLIANTLY WITH ERIC ANDERSON! A BALLS-OUT ROCK 'N' ROLL BASTARDIZATION OF SHAKESPEARE! RIGHT ON!"
--Jennie Webb, BACKSTAGE WEST
CRITIC'S PICK! "WILD! HILARIOUS! THE IMPRESSIVE SMARTLY MOUNTED PRODUCTION, AND WALKER'S SHARP SAVVY DIRECTION WITH ROLLICKING PERFORMANCES JUST ASTONISHES! DON'T MISS IT!"
--Gerri Garner, AMERICAN RADIO NETWORKS
"Nobody does Doobies like the Troubies"
I was woundering if you have ever thought about continueing the series on a website in writen form or something of the like??
How about as a comic book?
What ever happened to the the "live-action" movie of Gargoyles? Will there ever be one eventually?
As I've answered many times before -- including VERY recently -- the movie has been shelved by Touchstone.
MARK OF THE PANTHER
And with this I should finally be caught up.
In the first few minutes, I found myself fearing that this episode would be focused primarily on our heroes stopping poachers. To me, it just seems that whenever a series does an episode like that, it turns into something where story and character are put on hold for the sake of a message or moral. Even if the message or moral is good, if that's all the episode is about it just winds up feeling hokey and forced.
Thankfully, that was not the case with this episode.
I loved the whole "I've saved you--OOF!" thing at the waterfall. A nice way of continuing, and yet making fun of, Goliath's "always being there to catch Elisa" habit.
I actually didn't recognize Diane Maza--it had been a while since I'd seen her (or even heard her VOICE), and her character design looked a bit different (not just in wardrobe, something in the face, too). Regardless, I'm still glad she appeared, and I was VERY pleased that Elisa finally got word to (at least one of) her parents.
The Panther Queen story was, of course, fantastic. It never ceases to amaze me that it all took place in the first Act. It just seems to be "bigger" than the space allotted it. I was actually kind of surprised to learn that you guys made it up yourselves. Actually, I was even more surprised to find out in the original outline, "The Jaguar Queen" that you guys didn't even have Anansi!
Angela tries to view the world through the prism of her experience, wondering if Diane is a Queen or Magus. I always loved that.
Elisa's sheepish excuses around her mother always threw me--considering the circumstances (which any reasonably intelligent person would know could not be explained with "being on a case") the truth was obviously the only way to go. But like you said, Greg, Elisa's a little selfish with her secrets.
I sincerely wished that you guys had had enough time to put in some reference to Elisa's leaving Matt an (unreceived) message.
I love the looks on Angela and Goliath's faces during the, "You're right, parents and children should be able to discuss anything" sequence. Just as I like how when the gargoyles do join the action, Elisa just smiles while Diane's face takes on a more terrified/surprised expression.
One thing that always bothered me, though--Angela BENDS a spear, as though it were metal. Maybe it was, but it sort of looked like wood to me.
I loved the were-panther transformations. Especially in Karadigi. Just the way the humans stayed on four limbs for a bit after having transformed back.
I, too, enjoyed Goliath's rather surprised/pliant "Of course not" to Diane's proud statement, "I don't need looking after."
Actually, another interesting character bit here--Goliath was going to send everybody else off in one group and travel his path alone. He seems to have this kind of "I'm the big and strong one, so I can handle anything without any help," mentality. Shades of where the Eye of Odin would eventually take him?
Diane wonders why Goliath can't just fly out of the hole--again playing to human's initial assumptions on gargoyles. I just love how Goliath is so nonchalant about the tiny spiders crawling over him, or their webs hanging off him.
Elisa, Angela and Bronx's trap is pretty darn creepy--being entirely covered in a "web blanket."
The talks on parenting are well handled--they get the point across without being overbearing. Actually, it took me a while before I realized that Goliath's treatment of Angela was more out of personal fear rather than just following clan customs. And now that I think of it, Elisa's complaints about her mother reminds me of how she disagreed with Goliath's keeping Angela in the dark in SANCTUARY. Maybe that's why Angela's words meant so much to Elisa--she thought of how unhappy Angela is at NOT being able to talk about things with Goliath.
I was surprised with Tea's story about how Fara Maku marked her--it kind of switched who was the victim between the two. I loved Diane's line, "That's not love Fara. That's selfishness." That leads me to wonder how many people have let their own selfishness outweigh their love in relationships.
When Anansi finally makes his grand entrance, all I could think was, "DAMN, that's a BIG SPIDER!" Don't ask me how, but I just knew LeVar Burton had to be in this episode somewhere, and he did a great job as Anansi, though I could barely recognize his voice. If Anansi had ever taken human form, I would have loved hearing LeVar's un-altered voice.
When Anansi starts losing the battle, I love how his eyes take on a very worried look (almost makes me feel sorry for him), and he starts trying to placate our heroes with wishes.
I was surprised that you guys actually "killed" Anansi--I hadn't thought the little spider at the end was actually him (possibly because that spider was brown instead of purple), but I am glad for the thought.
As for Tea and Fara Maku's reconciliation...yes, I'm afraid I can't help but find it a little too easy. Again, this is one of those times that I wish GARGOYLES could have run longer. Heck, if Tea had been awake (and reacted) when Fara swore to serve Anansi forever if Tea was freed, it might have worked better for me.
The resolution between the parents and children was well done. Yeah, Goliath and Angela's was pretty sappy (mostly because of Angela's reaction, and the swell of the music, IMO--Goliath's always cool), but it was still okay. Diane's and Elisa's was just great, and I love Diane's line that sometimes love can be about "letting go".
Funny thing about Elisa's "No" at the end--I didn't even hear it until the second or third time I watched this ep. And I think you're right that the ending plays better without it.
GOLIATH THE PANTHER-GOYLE: Sometimes you can only see these things through the eyes of a child. ;-)
Seriously, though, it wasn't necessary, and from what I saw in the "Panther Queen" sequence, it looks like it has to be done in a very specific fashion. So I wouldn't lose any sleep over it.
My ramble's a bit all over the map, but trying to do two rambles in one sitting is enough to tax anyone's brain. Suffice to say, this really is a great episode all around, and I enjoyed sharing my thoughts on it.
Looking forward to your next ramble!
Ugh, see... I have got to catch up here, because I haven't a clue as to what "Goliath the Panther-Goyle" refers to.
This is one of those episodes that has a lot I like, and a lot that I felt could have been better.
One of the latter was, of course, the "off" portrayal of the Dream Time. As Todd already said, the Dream Time is basically Antiquity. In that view, the Shaman's statement that the gargoyles come from the Dream Time makes sense. That being said, I DID like the battle that took place in the Dream Time (more on that later).
One thing that really struck me this time around was just how CALM everyone was when the Matrix started to go overboard. I mean, Fox and Anastasia are just calmly talking about the "Grey Goo Scenario" and how the world will end in just this straight (and sometimes rather flippant) manner while everyone else largely just stands looking serious. I mean, it's like everyone's going "Hmmm, we'll all most likely be dead in less than half an hour and the world will end...Hmmmm." In the case of Anastasia it kind of makes more sense (or will after will learn about her "double life") but with everyone else? Elisa seems to be the only one even close to panicking.
And, of course, the whole "Law and Order" thing.
But there was a lot about this I still liked.
Dingo was the big one. I'd been wondering what happened to him since GRIEF, and now here he is, trying to start over. I liked this--we've already seen good people "fall" throughout the series (Demona, of course, but also Macbeth, the Captain and even Renard for an episode), and some of those people redeemed themselves, of course. However, this was the first time that someone who we first saw as a villain actively tried to reform of his own volition. Not only did Dingo prove himself perhaps one of the smarter and more able-bodied members of the Pack when they were human, but also the most sane and...well, like you said, Greg, HUMAN. Actually, Dingo showed even more than the "quest for redemption"--his discussion about the nanites and comparing them to enzymes and the like indicated that he was probably far smarter than anyone ever gave him credit for.
On the subject of that conversation, two things that always stood out: Dingo's mention of Coyote (more continutity, and a bit of added depth to Coyote), and the "voice reverb" on the helmet. The way it subtly changes Dingo's voice right in mid-sentence when he puts it on (kudos to the sound team).
Also, Dingo's utilization of his suit was great. I loved how he used it as a sort of missile against Goliath by remote control. The removal of the helmet was a bit different here than in UPGRADE (Dingo had some sort of yellow hood, the front of the helmet rises like a mask, etc.).
Moving away from Dingo for a bit, I was also happy to finally meet Anastasia Renard, and extremely pleased to see a visibly pregnant Fox. That last part was important, simply because in most visual mediums there's a little "If you don't see it, it didn't happen" mentality, so this made Fox's pregnancy that much more REAL.
The Matrix itself was fairly interesting. I must admit, I was a bit surprised that the ultimate solution was not to destroy it, but to "convince it of its error."
Also, the "Grey Goo" did seem a bit more random than it perhaps should have been, but at least it was well animated.
I rather enjoyed the interactions between Dingo and our heroes. The first instinct on either side is to attack first, of course. And after escaping from the the Grey Goo together, our heroes' first thought is that Dingo had something to do with it (and they're actually right, but he's not THAT involved). And Dingo gets a bit defensive and even territorial about them being in Australia (loved the slang that Mr. Cummings put in there, BTW). When Dingo suggests that only he and Elisa see the Shaman, Elisa gets this great, almost disgusted look on her face, like someone asked her to swim through garbage. And, when Dingo's participation in Fox's research is revealed, and he tries to explain this isn't what he expected, he takes a step towards Elisa, who in turn takes a step back. I somehow get the feeling that Goliath's more apt to trust Dingo than Elisa would ever be.
Loved the music during the "Matrix chase" scene. Not so sure about the "white glow" that occurs whenever the goo passes through a surface.
Fox did have a rather "cliched villain" idea--a machine to transmogrify the world to suit the controlling individual. Yet, it seems to me that Fox is more enamoured with the *idea* and having the capability of doing that, than actually doing that. Again, she displays that she's more interested in fun than results (unlike her husband).
Actually, that's the funny thing--Xanatos is connected with this episode, but he really has nothing to do with what's going on (kind of like in MONSTERS).
The revelation to Goliath that Fox is Halcyon Renard's daughter was nice, I'm glad it made it in there, but it always just feels too quick. If only there had been more time--I would have loved Goliath's musings on that new bit of information.
Now, the Dream Time battle. I did notice that the combatants used what was familiar to them (in fact, a few of Goliath's gestures looked like he could have been invoking magical spells, and his psuedo-clan shot lightning from their hands). Of course, the Matrix still manages to best them, and only relents when Goliath says what I consider to be the best line in this episode, "Your peace is that of the grave!"
When Dingo talks about being a hero again, he's smiling. Think about it--how many times has Dingo given a genuine, happy smile.
And then the Matrix bonds with his suit, and Dingo becomes a new kind of hero; one whose adventures I would have been most interested in watching.
When my brother watched this with me (after having seen THE HOUND OF ULSTER the previous day) he remarked about the gang creating heroes wherever they go.
Batwave...y'know, it's funny. You probably started these rambles, before "The Batman" was even in development. :-)
And there's my ramble!
Thanks. It's a good one. Of course, the problem with the delay here at ASK GREG is that at this point it's been two years since I've seen "Walkabout"... or read my own ramble on the subject. "Batwave" just seems like a non sequitor to me now.
hey,Greg. What´s up??I am from argentina and yes :We love Gargoyles here too!!!!!!!!!!!!!!!!!!!!!!!!!. I always see Brooklyn and Demona figthing when they are together but Who is more stronger?? I really think that Demona would kill him very easly if some one would give her the chance but...you know....
I really love when Demona and Macbeth start figthing is very cool. In the reckoning, Macbeth "lost" the figth,but Demona would shot him if Eliza would not stop her. She wanted die because wath had happened with Tailog or she was just angry at Macbeth and she really wanted to see HIM death.Besides it mas not posible.Allrigth, it is done. Chau
Demona vs. Brooklyn? It's all situational to me. Demona is without a doubt the WAY more experienced warrior, and as Brooklyn isn't yet, I feel, fully grown even, she may still be his equal or better physically. But motivation matters in battle as well. Both are pretty well-motivated at this point. I don't know... It's all situational to me.
And thanks for the kind words.