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RIPOSTES 2006-09 (Sep)

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Ryan writes...

is there some reason we have to wait until the 7th to buy the DVD in order to create a buzz? I want to help as much as I can and personally plan on buying 3 or 4 copies on that date but, wouldn't it be cheaper if we preorder it from Amazon? Maybe we could all preorder on the 6th and still create a spike while saving a lot of money? Just a thought.

Greg responds...

This is a bit moot now. I only know what BVHE advised me, which was that buying on the day was the most helpful thing to do. Now, of course, assuming you've already bought both DVDs, the most helpful thing to do is SPREAD THE WORD.

Response recorded on September 14, 2006

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Todd Jensen writes...

I remember your mentioning at the Gathering 2001 about your idea for the odd little two-parter about Goliath and Co. getting trapped in a performance of Shakespeare's "Macbeth". Was this idea of yours at all influenced or inspired by the famous superstitions revolving around the "Scottish Play"?

Greg responds...

Not per se.

Response recorded on September 14, 2006

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Richard Von Heinz writes...

1-You've previously stated that in your version of Arthurian Lore that Morgana was really a member of the third race who for some reason was actually traded for the real child Duke Gorlois and Igraine and raised by them. So given the strange circumstances surrounding your version of Morgana, would she still be antagonistic towards the reawakened Arthur Pendragon, if by chance they met, considering that the people that Uther Pendragon wronged weren't her real biological parents and that Arthur has been gone and asleep on Avalon for more than a thousand years or would she stilll bear a grudge towards him even though Arthur's knights and kingdom are all but vanished.

2-On a related note to the first question why was Nimue, the person who supposedly trapped Merlin, made the actual biological child of Gorlois and Igraine when there wasn't any connection between her or Gorlois and Igraine in the actual legends. Was this whole plot twist set up in order to explain why Morgana had supernatural powers while Arthur was an ordinary mortal?

Greg responds...

1. The notion that adoptive relationships are less potent then biological makes no sense to me. But other than making that general statement, I'm not really going to answer your question, as it looks forward to Arthur and Morgana's next encounter, which I hope to someday show you ... most likely in comic book form.

2. It's WAY more complicated than that. But the cop out (and yet true) answer is that sometimes a story point just feels right. (cf. Puck is Owen. Owen is Puck.)

Response recorded on September 14, 2006

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Blaise writes...

THE NEW OLYMPIANS
(I had written a rather lengthy ramble on this last night, but due to some glitch or other, lost it. So, here I try to recreate that which was lost.)

This episode is always a little difficult for me to watch, mostly because of the unreasoning hatred and bigotry displayed by many of the New Olympians. It "angers the blood" in me, if you will. Things like Helios' "What a foul stench, it must be coming from the human!" just rankle me. I mean, I know that they have legitimate grievances (or, at least, their ancestors had them), and if they had only avoided Elisa, I might be a bit more tolerant. Despite the wrongness of his decision, I can like Boreas because he at least seems to try. Even Taurus, who has the seed of hatred inside him, does not always make decisions based on it, and even breaks up the riot. But the behavior of the rioters and their ringleaders--Ekidna, Kiron, and especially Helios (I don't know why I single him out, but if feels right)...it's just completely inexcusable (and loathsome).
Oddly enough, I don't feel the same way about Proteus, who is arguably more evil than any of the rioters. I mean, this is the guy who performs evil acts BECAUSE they're evil, right? And yet, I enjoy watching him. Why is that? Is it because Proteus does not make any excuses for his evil (at least, not here)? It's like...okay, you watch ANGEL, right Greg? You've seen that episode with that one guy, Billy (I think that was his name), the Hell-freed misogynist who could incite instant and violent hatred for women in any man he touched? (If you haven't, please skip to the next paragraph) It turned out that Angel was immune because he had worked past hate a long time ago, but he admitted that even as Angelus (his evil side) he was never motivated by hatred so much as a perverse sense of glee from inflicting suffering. And while I can actually kind of enjoy watching Angelus work (no matter what he does), I could feel only raw disgust and hatred at Billy, who tries to justify his bigotry. It's the same way with Proteus and the rioters, here.

Anyway, on with the episode.
I loved the music that played when the skiff passed through the "shimmering" area and New Olympus was first revealed.
Also, the designs for this episode were great--I love the many and varied character designs of the New Olympians themselves, especially Boreas and Helios.
And I echo Erin's assessment of the city: "Wow."

As soon as Elisa shoved the gargs off to the side and said, "No telling how they'll react to gargoyles," I immidiately put two and two together and figured out where this episode was going. I mean, whenever anyone says something so obvious like that it's almost like asking for the reverse to happen.

Interesting restraint system the N.O.s have. There's not much more I can say about it, but I did find it rather peculiar.

I agree with you about the Senate House walla, Greg. I must have heard that one guy say, "Humans can't live with us! They're dangerous! They're animals," or something like it, about two, maybe three times.
Also, theres a moment here that I always find a bit odd. When Taurus removes his helmet/mask, the way it's staged--the camera angles, and Goliath's spreading his wings--seems to indicate that this is some sizeable revelation. And yet, it was rather anticlimactic. Taurus, if anything, looked exactly as I expected him to look.
I like it that the "Leader" of the New Olympians holds a "lightning staff"--sort of harkens back to Zeus. Or is that thing particular to the Boreas of New Olympus?
And there's a moment towards the end of the Senate House scene that I missed until the third or fourth viewing: Goliath and Elisa embrace.

I do have to wonder about Boreas' decision here. What did he expect to happen? Did he have too high an opinion about the behavior of his people or did he suspect what would happen (which would make his decision somewhat malevolent)? I'd like to believe the former, but if that's the case, then he may be just a bit too optimistic.

And then we have the riot, which I've already touched on. Helios gets things rolling with his "stench" comment (kind of a racial slur), but Kiron throws the first punch. Like Todd, I find these two particularly reprehensible because they're supposed to be peace-keepers. Ekidna I actually find myself being more tolerant towards (maybe she reminds me of Demona). It's odd, but the way she talks about how the human's treated the N.O.s in the past sounds almost as if she experienced it personally. Then again, maybe I'm reading too much into that.

While Taurus' arresting Elisa is unjust, it did probably save her life in the immediate moment.

Actually, I find Taurus very interesting here as he's walking Elisa towards her cell. Whatever hatred he may have for humans, it doesn't stop him from telling Elisa about his father's murder by Proteus. He even manages to sound a little nice when he says "Make yourself comfortable, you could be here awhile." He also breaks up the riot, threatening to arrest everyone, and fire Helios (I love Helios' meek, "Y-yes, sir!"). Of course, I think a little of Taurus' own bias still shows through when he says "If you've got a problem, take it up with Boreas." It almost sounds as if he has a few things he'd like to say to the winged-one. Of course, I may again be reading too much into this.
Like I said, Taurus strikes me as someone who, while subject to prejudice, TRIES to act in spite of it. He's not always successful (he arrests Elisa instead of just moving her out of harm's way), but I'd like to think his effort counts for something.

And now we come to Proteus. I have to admit, my interest in him increased when you mentioned in a previous response that he was probably the closest thing to "pure evil," "evil incarnate," what-have-you that we have yet encountered in the GARGOYLES universe. There are many reasons I would have wanted to see the New Olympians spin-off, and a further exploration of Proteus' character was one of them. I would have loved seeing him in action beyond the scope of this one episode. And the late Roddy McDowell...what a great voice and performance.
I love how Proteus immediately begins quizzing Elisa about her mode of transportation. You can tell he's already thinking of escape.
Admittidly, Proteus may not be the best actor--"Who's that guy?" is probably the worst Goliath impression I've ever heard--but then again, he didn't have a heck-of-a-lot of time to study his subjects. I mean, if any of us had shape-shifting powers we could probably pull off a decent impression of the characters because we've watched and studied them so much. For what little time he had, Proteus' acting got the job done (up to a point--I'm not sure how convincingly he can turn to stone).
I find it interesting that Proteus' voice doesn't change when he becomes the Cyclops (is that a sort of secondary, "preferred form" for him?). I also find it interesting just how easily he seems to be hurt in that form. His fist connects with a collumn and he's in pain, and immediately after this he is felled by one punch from Taurus (granted it's to his EYE, but...).

One of my favorite sequences is in this episode. Proteus-as-Taurus, heads up to the Collinadium (however that's spelled) and begins to overload it. As he's doing this, Talos is explaining why this is a bad idea, and asking him to stop (while displaying missles) in such a frustratingly calm voice! I find it hilarious! Maybe that's why I feel sad when I see Talos' inert body hanging from Proteus' fist--I like the robot.

Angela does real well at dodging the restraints. If the sun hadn't rose, she probably could have kept it up for a while.
I always wince when Kiron tips over Bronx. It looks like something might have broken off.

Back to Proteus really quick--I love his transformations in this episode. The way he just sort of liquifies. The change from Goliath to Cyclops (with the two eyes becoming one) was especially well-done.

Taurus has his "I don't understand" moment, which is kind of required for episodes tackling subject matter like this. When the character actually says those words, I usually find it a bit too on the head, but Michael Dorn's acting helps make it work. And I love the wink Taurus gives Elisa.

One thing that I think many viewers may miss the first time is that Elisa DID NOT change the whole island--which is what would happen in another, more standard series (kind of like what TGC did with ANGELS IN THE NIGHT). Only Taurus and Boreas have really come to trust Elisa (Taurus even waves to her).

"The time may soon come when the world will have to face the New Olympians." When I first watched this, way back when it first aired, my mother watched it with me. As soon as Boreas said this, she turned to me with a smile and said, "I smell a spin-off." If we only knew how right we almost were.
(Then there's my brother, who thought that line sounded more like a threat...).

A little note on voices here. Having been an admirer of Rob Paulsen's work, I was glad to see him finally show up on GARGOYLES. I only wished I'd gotten to see more of him as Helios.
Overall, the voices were all well done (especially when the actors played Proteus-as-their character).
Yes, Taurus and Coldstone do sound a little too much alike, but Taurus has a slightly different speaking style than Coldstone, so that helps somewhat.
Of course, now that you've mentioned that Taurus, Talos and Proteus each had different voices originally, I'm going to be going crazy trying to figure out who they were!

This is a nice episode, with some rather difficult subject matter for me, but I like it. And I know I would have loved to see the NEW OLYMPIANS series.

Greg responds...

Someday... someday...

Response recorded on September 14, 2006

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Conventions in October

October Conventions:

Hey gang,

I've been invited to attend two more conventions (my eighth and ninth of the year >whew<) in October.

The first is "CON-Sequential" in Memphis, TN, October 14-15th.

http://www.Con-Sequential.com/

The second is the "Mo-Kan Comics CONspiracy" in Kansas City, MO,
October 28-29th.

http://mo-kancomicsconspiracy.com/

If you're in the neighborhood of either or both, please stop by and say hello.

Greg


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Paladin writes...

Dear Mr. Weisman-

I was wondering if you could clarify how William Shakespeare fits into the Gargoyle universe. Was he aware of the Third Race in some regard, or was he just a very talented writer whose stories were closer to truth than fiction?

Thank you for your time, and for your creation.

Greg responds...

Will's place in our world is a story I've yet to tell, but want to tell -- eventually in the comic book. So I'm not going to spell it out here, other than to reiterate what I've already revealed: i.e. that Macbeth was a friend to Will, though Will never knew that Macbeth was MACBETH.

And, oh, yes, Will wrote his plays.

Response recorded on September 13, 2006

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Entity writes...

Mr. Weisman, I watched "The Edge" today and found myself amazed by how well you and the writers (in this case, Michael Reeves) pulled off your surprise endings. They were always shocking without feeling 'cheap.' This is because they always make perfect sense in the context of the episode, once you know what's really up. I think the way you accomplished this, without resorting to manipulative or dishonest tactics, was to make the viewer feel like he was in control. For instance, in "The Edge," the viewer is happy to believe Xanatos has created a new, more advanced Steel Clan robot. That would have been a cool plot development in and of itself, and something the viewer felt he grasped better than the gargoyles did. In "The Price," the viewer knows that Macbeth is immortal, while the gargoyles do not, so he feels more in control than the gargoyles. Perhaps this even results in a sort of gracious laze-of-mind in the viewer, by which you and the writers used the gargoyles' naivete, both of the modern world and of the show's arching plot, as a way of lulling us into a false sense of security. Was this a conscious tactic? Is it something you and the show's writers saw yourselves pulling off or was it business-as-usual? Is such stuff taught in television writing classrooms? I've never seen another show pull off its surprise endings quite as remarkably as Gargoyles. The very first time you pull one off is "The Thrill of the Hunt," an episode that could well have ended, just as "The Edge," after the gargoyles turned to stone. But like "The Sixth Sense," you kept going, and in the process, turned what would have been merely "good" stories into great ones. These episodes and the others like them were not created for the sole purpose of their surprise endings. They were flesh-and-blood stories that you and the writers ended with surprises nonetheless. Most of the praise for Gargoyles goes to its multiethnicity, its voice cast, its music, its gothic atmosphere, the dialogue (which you claim was sixth-grade level, but I've never read a newspaper article as verbose as Goliath), and all deservedly so, but one of the most enduring aspects of all were the shock endings.

Greg responds...

I'm glad that stuff works for you. It worked for us.

The main drive behind endings like that was a desire not to undercut our lead villains. Villains get tiresome when they lose all the time. And heroes are pointless if they lose all the time. (It's fun and dramatic and right to have both sides lose occasionally. But if either side loses ALL the time... well then where's the drama?)

But if a hero wins the battle and then we secretly reveal (in our patented Xanatos tags) that he may still be losing the war, then that keeps both sides interesting.

So it's not shock value for shock value's sake. But it lead us down a path that gave you the surprises you enjoyed. It forced us to always look BEHIND the obvious. Forced us to work harder. Then, I think the trick is to play fair. We may not reveal all, and -- your right -- our characters (human and gargoyle alike) may make incorrect assumptions about the situation, but all the clues are there from the moment the "PREVIOUSLY ON GARGOYLES..." starts to roll. (In fact, sometimes I feared that too many clues were planted.) By playing fair you get that double whammy at the end... both the surprise but also the "Of course..." That feeling that it's right. That it's not cheating. That in fact nothing else could possibly make sense.

Perhaps the ultimate example of that was the Owen/Puck revelation.

As for whether that's taught in writing classes? None specifically that I've taken. I've touched on it, here and there, in a couple of the classes that I've taught over the years. But I don't think I've ever focused a lesson plan on this point either. It's very much at the fine tuning end of the spectrum. Not something you'd get into in a survey course.

Response recorded on September 13, 2006

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Joshua writes...

What is the highest point in North America

Greg responds...

I give up. What is the highest point in North America?

Response recorded on September 12, 2006

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Anonymous writes...

Will the DVD of Gargoyles be released in Canada on December 7th also?

Greg responds...

I don't know. Was it? It certainly could not have been too hard to get in Canada, I would think.

And again, both the SEASON ONE DVD and the SEASON TWO VOLUME ONE DVD are currently available. Because of mediocre sales on the latter, there are no current plans to release SEASON TWO VOLUME TWO at this time. So we need to SPREAD THE WORD to people. Let them know that the DVDs are out there and available and raise the sales figures so that we can get that next release.

Response recorded on September 12, 2006

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Patricia Lovelady writes...

While utilizing the nifty SEARCH function, I decided to look up responses for "the whisper". I came up with this:

Question received on Mon, August 07, 2000 03:01:14 AM
Vasy writes...
1.What did titania whisper into fox's ear at he end of the gathering part2

Greg responds...
1. Do you think they'll be wondering about this in Ask Greg four years from now?
Response recorded on August 23, 2000

And given the most recent Q&A on that subject was recently posted.... 4+ years after that Q&A was done.... I think your answer holds true.. heh :) We were still wondering that in Ask Greg.. in 2004 :)

The fandom that you didn't anticipate has bugged you about something that you didn't think you would have been bugged about.

Keep it up, it's fun being confused, etc. :D

Greg responds...

My pleasure. (Most of the time.)

Response recorded on September 12, 2006


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