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1. Do you think Xanatos will ever form a club with Lex Luthor and Norman Osborn? I can't imagine he would find Bruce Wayne and Tony Stark fun for long :)
2. Regarding their wealth do you think Xanatos and Luthor are billionaires and Osborn was a multi millionaire in terms of wealth?
1. I think we touched on this in one or two of the RadioPlays. You can check 'em out on YouTube. There are links in the Gargoyles Wiki.
2. I haven't done the math.
This is hard.
It's been a bit of a stressful weekend, as my father went into the hospital with chest pains. A stint that had been replaced last year had failed and was replaced again Saturday morning during an angioplasty. I've been concerned, worried. But the procedure seemed to go well, and he was set to go home today. We seemed to have dodged a bullet.
But there was a second gun.
I slept in today. I woke up to two pieces of news:
1. My dad was good. Solid. My sister picked him up at the hospital and took him straight to breakfast. (My mother was annoyed at not being included - but that's a whole other story.) He's home now. I've talked to him. He sounded cheerful. All good.
2. Ed Asner had passed away.
I spent most of the day doing laundry and other mundane tasks. Life goes on, right? It has to. But it's been difficult getting my head around the whole thing. I've gotten many calls and texts today, offering condolences as if I were part of the Asner family. Folks seem to know how close I felt to Ed. But I don't want to exaggerate. Ed was my friend. I hope he knew I was his, as well. But I haven't talked to him in at least a couple of years. (You can partially blame that on the pandemic, I suppose. There are a lot of people I've lost touch with. If anything, this is a reminder to GET in touch. And I'm going to make an effort to do that.) In any case, there are many, many people who knew Ed better than I did, who were closer to Ed than I was.
Nevertheless, at the risk of turning this post into my own self-aggrandizement, I am going to spend a few paragraphs here on the subject of the Ed Asner that I knew and loved.
I was a fan of Ed's long before I met him. Like many, many people, he first entered my awareness playing Lou Grant on The Mary Tyler Moore Show. (Later, I got a kick out of picking him out of reruns, where he usually played the heavy in such series as The Wild Wild West and others.) But as Lou, Ed was simply brilliant. One of the truly classic scenes in all of television is the scene in the TMTMS pilot, where Lou interviews Mary for a job. Do yourself a favor and view it here: https://www.youtube.com/watch?v=zj286uBKCu0
That scene had a major effect on me, even seeing it as a kid.
Now, having just rewatched it, the genius of the writing and the two performances still knocks me out. But there was something else about Lou and Mary. Watching their interactions was a bit like watching my parents. The connection in my mind between Lou and my dad was especially strong.
Ed and my father were two Ashkenazi Jews from the midwest. My dad was from Chicago; Ed, from Kansas City. They were gruff AND loving. They even had mannerisms in common. There was much more, I'm sure, that they DIDN'T have in common. But something connected the two men in my mind. And, meanwhile, my admiration for Asner as a performer knew no bounds. When I saw him in the Lou Grant series, in Rich Man, Poor Man, in Roots, that admiration only increased. When I learned of his activism - and the price he paid for it - that admiration shot through the roof.
Years later, when we had begun pre-production on GARGOYLES, I thought of Ed Asner - or of Lou Grant, at least - as the inspiration for Hudson. In fact, when we held auditions for the role, I wrote at the bottom of the character description that "Hudson hates spunk." This was, of course, a variation on Lou's classic line from the above job interview scene. Now, to be clear, I never imagined we'd get Ed to play the role. I figured he was way too big a star for us to land. But low and behold, a few days later, Ed came in to audition for the part. Later, he told me that when he read the character description, he was initially thrilled. The "Hudson hates spunk" line made him feel like he was a lock to land the role. Then a couple minutes later, he thought that if he didn't land the role it would really be awful. But of course, he immediately understood the character and nailed his audition... only for Jamie Thomason and I to throw him a curveball, asking him to do it again in a Scottish accent. He nailed that, too.
Working with Ed was a joy. He was fun and funny and so supportive. In addition to playing Hudson (and Burbank and Jack Danforth/Dane) on Gargoyles, I also cast him as recurring characters on Max Steel (Chuck Marshak), 3x3 Eyes (Grandpa Ayanokoji), W.I.T.C.H. (Napoleon the talking cat), Young Justice (Kent Nelson) and Rain of the Ghosts (Joe Charone). When casting Peter Parker's late Uncle Ben in The Spectacular Spider-Man, Ed was the only person I ever considered. He always brought so much to each and every role.
And more than that he was a great friend to me. After the first season of Max Steel, when I couldn't find a job for over a year and thought I might have to give up on my writing career, Ed was there, offering me support. We had lunch at Musso & Frank's. He looked at pictures of my kids out of my wallet and told me to laminate them. He introduced me to his son, Matt Asner, a producer. He didn't allow me to wallow in self-pity or to badmouth guys who I believed had done me wrong. He just reassured me that I had ability and would find my way through. He was, in essence, my work dad.
So today, as you might imagine, has been complicated. My dad is home and healthy. And Ed is gone. I'm grateful and sorrowful. And struggling. But life goes on. It has to, right?
Finally, I'm going to quote Hudson from Gargoyles. In "The Price," an episode that spotlighted the character, Ed as Hudson told Xanatos: "A friendly word of advice: True immortality isn't about living forever, man. It's about what you do with the time you have. When all your scheming's done, what will be your legacy, Xanatos?"
I think we all know that Ed Asner did amazing things with the time he had. And though we'll miss him dearly, his legacy is clear and shining.
Hey, thanks for hours of entertainment through your shows. I just recently finished watching the canon run of Gargoyles on DVD through the library (Me and a friend greatly enjoyed the journey, and had a lot of fun watching it!) after growing up on your other shows, like Young Justice and Spectacular Spider-Man. So, thank you, and as Iâm new here, Iâd figure Iâd try and put a question that isnât quite so... obvious.
Did Elizaâs palate change much after the Avalon World Tour?
I know you are not the biggest fan of hypothetical questions, but I have a question regarding Spectacular Spider-Man that can be considered one. We all know about the untimely demise of the show, and the fact that you and the team had an outline of where you wanted the series to go. If Sony were to do animated movies in Spectacular's universe (as that seems to be the only feasible outcome at this time), would you continue with your plans as they were back when the show was running? Or do you feel that you would include some ideas from comics in the past decade while the show was off the air?
Akeem, the reason I'm not a big fan of hypothetical questions is because there's no way for me to answer a hypothetical question like this. I DON'T CONTROL THIS STUFF. Given that simple fact (that fans don't seem to want to absorb), there are too many variables for me to answer. How do I know what I would do in the EXTREMELY unlikely event that this comes to pass? It depends on what my bosses want.
Let me start out by saying that I have enjoyed your work on Young Justice and Spectacular Spider-man and anything that I have seen of your work. But my question may be a bit long and/or complicated (probably). So I have watched Spectacular Spider-man for as long as I can remember and enjoy it for what it is, but the way it ended has always made me want more. I have thoroughly looked at the guidelines for the question I am about to ask and couldn't find anything, but I would like permission to make a comic series (if I do) of Spectacular Spider-man. I wouldn't want money for it as for me it would be a hobby, if I were to make it I wouldn't want to harm the fame and attraction that it has gotten in recent years. From what I have heard you say in your Spectacular spider-casts and your interviews that I can source back to you, I have written down in notes and will try to follow as best as I could (at least in a stort standpoint). I'm not trying to disrespect you in any way, in fact it is quite the opposite actually. In essence if there were a season 3 and however far along I am in this (if I go through with it) I wouldn't expect you to (no other way to word this) be inspired by me (I guess) let alone read any of the comic(s). But I would love an answer, if you feel uncomfortable answering here you can email me (firstname.lastname@example.org); in no way is this an endorsement, but I am young (19 yrs old) and am known to make decisions based on an idea
What you're describing sounds like fanfiction to me. And I'm all for you doing that. And I don't imagine Marvel or Sony would object as long as you're not making any money off it. But I'd never be able to look at it for legal liability issues. In essence, it's none of my business.
Since it's cancelation, you've shared a lot about what was planned for Spectacular Spider-Man. I was doing a rewatch of the series the other day and finally noticed Flash's sister during the hospital scene. I'm curious as to whether there was going to be some grand overarching narrative with her in later seasons, or if she was just in the scene to serve as window dressing?
We had plans for EVERYONE.
Do you think there is more hope of Spectacular Spiderman coming back after Tom Holland saved Spiderman in the Marvel Cinematic Universe. He convinced Disney and Sony to negotiate over the rights for a 2nd time after Spiderman was temporarily off of the Marvel Cinematic Universe after the 1st negotiation. I think Spectacular Spiderman can come back if you help Disney, Marvel, and Sony negotiate over Spiderman TV rights again. If they see the success of the series you've worked in like Young Justice maybe through a portfolio or something, they could give it another shot. Tom Holland showed me that rights issues can be solved if we take action though that might've been because of the big bucks of the movies. Times are different now, maybe if you can help propose those companies to make a deal over the TV rights, they can accept it because it can be financially better for both companies to run something like that. Times are different with revivals nowadays like with Young Justice, companies care a lot about money so maybe you and other people can convince that it will financially benefit both companies. I really believe one day, the series will be revived.
I don't help with negotiations. EVER. That's way above my paygrade.
(I don't even handle my own negotiations, frankly. My agent does that.)
And by the way, plenty of people have seen my successes on one show or another - and felt very, very free to ignore them. I am FAR from having the kind of clout that you're implying I have.
Thank you for your time and all the great series over the years.
Like other Spider-Man fans I feel it's unfortunate that it's unlikely for Spectacular Spider-Man to return due to legalities (would love to be proven wrong though).
However would you be willing to helm a new animated Spider-Man series for Marvel?
Hi, Greg Weisman! I was rewatching Spectacular Spider-Man, great show, and I was rewatching Intervention specifically. One thing that caught my eyes was the manager, Sullivan Edwards I believe, and I tried looking for a comic book or movie counterpart for him since in Amazing Fantasy #15 the manager is called Maxwell Shiffman. I found a Mr. Sullivan from Spider-Man 1, and a famous promoter in real life named Edward Sullivan, was the manager based on the SM1 character as a homage to the latter? Thanks!
The name was an homage to Ed Sullivan, the newspaper and television personality.
Were you involved with the creation of The Spectacular Spider-Man intro, and if so what involvement?
That was mostly Vic Cook and Phil Weinstein, as I recall. Plus The Tender Box, who wrote and produced the show's theme song. But I did have input.
Hey greg I got one question for spectacular spiderman.
This is something I've always wondered in every version of Venom.
Why did the symbiote covered Peter's face like a "normal mask", but then started to show the scary teeth and the jaw when he became bonded with Eddy?
Thank you, Greg!
Each relationship was symbiotic. Take from that what you will.
1. Is there an in-universe reason that Peter Parker doesn't try to join the Fantastic Four or really think about them at all? I understand they're celebrities who deal with unspecified "cosmic threats," but assuming the Baxter Building exists and is in New York I can't imagine why Peter wouldn't think himself at least worthy of their time. Reed Richards has a nearly god-level intellect and Sue Storm's force manipulation abilities have near-unlimited potential, but Spider-Man is at least in the same league as Johnny Storm and Ben Grimm, right?
2. Why is Kraven working with Doctor Octopus in "Gangland," as evidenced by Doc Ock trying to call him on his comm?
1. We had a definite plan (before scripts were written) to introduce Johnny Storm as Spidey's frenemy in Season One. And then move their story forward from there. But we weren't allowed to use Johnny or any of the FF, so we abandoned that.
2. They seemed sympatico.
Like many people, I watched Spider-Man Into the Spider-Verse recently and found it delightful (don't worry though, SpecSpidey will always be my favourite rendition of the character).
Into the Spiderverse was very clearly a Sony production and not a Disney one, which I take to mean that while Sony gave Disney back the rights to making animated Spider-Man shows, that clearly does not apply to animated Spider-Man films, at least not at the moment.
1) Does that mean that the SpecSpidey art/story assets would be usable by Sony in a film?
2) Could this realistically mean that if a future "Into The Spiderverse" sequel or spin were made and more "Spider-verses" were introduced (which seems like an obvious next step for them), that we could see SpecSpidey as one of those spider-verses?
Given that they brought spider-man noir into 3D space and somehow made that work, I don't imagine they'd struggle with SpecSpidey's art style, if it came to that.
After all, they were willing to bring in the 1967 cartoon as one of their alternate universes, though hopefully in the case of SpecSpidey they'd take it a bit more seriously, perhaps by bringing in Josh Keaton and a writer or two from the original show...?
1. I don't know, but I doubt it's that simple.
2. I don't know, but I tend to think it unlikely.
One can dream...
Hey Greg, rewatched Spectacular Spiderman on Blu-Ray and it was great! Two questions:
1. In the episode when the Sinister Six first appear, Toomes wipes some stuff on the prison walls before they escape while bringing Sandman and Rhino their food. What is he doing?
2. In the episode where Norman auctions off his specs for Rhino mercs, there's a moment where Hammerhead headbutts Rhino a couple of times and I think I only noticed it this time because of the blu ray quality, but there's specks of red that appear where Hammerhead hits Rhino in the face. Is that blood??
1. I honestly don't remember. I'd have to watch it again.
2. Might be. Again, it's been a lot of years. I don't remember. Sorry.
did you know that your show is awesome?
I kinda feel like it's awesome. It is to me, at least. It's the kinda show I would like to watch. But I'm happy to have you and others confirm that. Very happy.
Um... which show are we talking about?
In https://www.s8.org/gargoyles/askgreg/search.php?qid=22687, where Mo asked "I just rewatched spectacular spiderman and I feel there were a few bits inspired by the Rami trilogy, is that true?" and you said "Since I don't know what the Rami trilogy is, I'm gonna say no.", they must have been referring to the original trilogy of Spider-Man films starring Tobey Maguire and directed by Sam Raimi. The Raimi trilogy.
Oh, I get it. In that case, the answer is definitely yes. Sorry I misunderstood.
Congrats on your amazing work on Spectacular Spider-Man, Garoyles, and upcoming season of YJ.
In Spectacular Spider-Man, Uncle Ben dies in the late spring/early summer. Since Season 3 would have taken place during that time period, were there plans either to acknowledge or have an episode centered around the one-year anniversary of Uncle Ben's death.
Thanks again for creating a fantastic series that will hopefully return someday and best of luck with Young Justice.
Dear Greg Weisman,
This is Christopher Rosa again. I sent you a message before, and like I said before I'm a big fan of the shows you work on and write for, in particular The Spectacular Spider-Man cartoon. But a part of me feels that you handle Flash Thompson wrong, a part of me feels to that Flash was becoming nice and befriend Peter too fast. I dislike it in the comics that Peter had to accept Flash's bullying because if he tried to fight back he could really hurt him. Though in the cartoon Flash never physically attacks Peter and instead mostly calls him names and pranks him, I feel by Peter easily forgiving Flash like that it was saying that it was ok for Flash to bully Peter. I just wish you show Peter standing up to Flash more, maybe Peter didn't have to fight Flash but he could have stood up to him and told him "I'm not letting you push me around anymore" or he could have told a teacher. But then again, each season only has 13 episodes and there may have not been enough time with that with Peter's life as Spider-Man and social life. That is what I feel, and also me and a friend talk and he told me of an idea of someone telling off Flash and telling him how hypocritical it is for Flash to worship a hero whose example he doesn't have the character to follow in his own life. What do you think of that idea and what I just said?
I think you have a good point, but our version of the Flash/Peter relationship was more complex than what you're suggesting. They have a history that goes back long before any bullying. Their friendship as little kids was altered by the death of Peter's parents, which scared Flash. Had we had more episodes, we would have explored this in more detail.
So it's been like almost 10 years and I just watched season 1 and 2 of The spectacular Spider-Man and well you probably know where i'm going with this but this would mean a lot to so many people. I was heartbroken by the ending wich wasn't an ending and I'm 17 and this is a kids show sort of and I just had so many feelings. So much was planned for season 3 and 4 just thinking about it... So as there been anything new? Please tell us.
There has not. Wish I could say otherwise, but there's not likely to be.
I was wondering about Jean Dewolff's change from captain to patrolman and Italian American (I think) to Native American. I like the changes but am curious about the thought process behind them.
Also, what people was Jean from?
Also, does she know Elisa Maza? I'm guessing that Native American NYC cops are a small sorority.
Also, Jean and a few other characters (EG Gwen, Captain Stacy) die in the comics. I won't ask names because of spoilers, but were you planning on some character deaths if the series had continued?
Thanks, and i hope you get to follow up on SSM and Gargoyles someday. I really mss those shows. At least YJ is coming back!
1. We had long-term plans for Jean, which necessitated her starting as a patrolwoman.
2. We were looking to increase diversity in the show, and the name DeWolff suggested a nice fit with Native American.
3. Never worked it out. Guess I'd lean toward Inupiat and French Canadian/Cree (Metis) ancestry, which matches her voice actor, Irene Bedard. (Or so Wikipedia tells me.)
4. Let's assume that in the Gargoyles Meets The Spectacular Spider-Man Meets Young Justice Universe that they do.
5. No spoilers.
Hey, Greg. If you could do your own personal take on the Spider-Man mythos as a TV series (not like Spectacular. I mean a wholly original concept built from scratch.), what would it be like? With new origins for the villains and all that...
Sorry, but I've done that, and it IS Spectacular. I'm not looking to reinvent the wheel with an existing property. I'm looking to do the best version of that property that I can manage.
What can we do to have Disney marvel and Sonyâs attention to bring back spectacular spider-man
Request that they air the show on Disney+, maybe? But honestly, I think it's a virtual contractual impossibility for it to come back. So don't get your hopes up.
Just want to say first I fell in love with spectacular spiderman when it aired on teletoon years ago, and recently I rewatched season 1 and 2. Now that I've rewatched it I've become more invested in the characters and I want to know why gwen and peter never had a true relationship, every episode I was wishing for it to happen and it never did. I just want to know if peter and gwen ever did have a relationship in this universe or not after season 3. Thank you for making my childhood great.
No spoilers. Sorry.
Hay greg big fan of your work I was wondering if you could explain to me why you used a mouthlay format for young justice and spectacular spider man.
I'm assuming "mouthlay" is a typo, but I can't quite figure out what it's replacing. The closest I can come up with is "monthly," but I don't understand what "monthly format" might mean. Sorry.
As another question , have you heard about the new Spider-Man PS4 video game coming out, what are your thoughts on it? Thank you very much for your time.
I don't know anything about it.
Hey, Congratulations with Young Justice Season 3! I wanted to ask you a question and how that would have affected the Spectacular Spider-man world. There has been a lot of debate over what kind of scientist Peter Parker is in the comics. In the original Ditko run clearly studied Chemistry, Until ASM #22, when he says: âI wonder if I should specialize in Biochemistry or Physicsâ. After Ditko left the title, Romita came in and according to the Marvel Handbook, he studied Biophysics. After that, it became a mess, he became Biochemistry researcher, a Chemistry Teacher, Engineer for Horizon Labs, CEO of Parker Industries (with a PHD in Physics) and more recently, the Daily Bugleâs Science Editor. So my question is, what kind of Science he would have studied while in college in the show and what is your opinion about what kind of science major he is in the comics?
At the high school level, Peter was interested in everything science.
At the Conners' lab, he was studying bio-chemistry.
What he would have ultimately majored in, in college, is a spoiler.
Hey, I want to know, what is Tombstone origin story? Is he just albino, like in the comics, or is there something that happened to him, like in Spider-Man Animated Series?
It would be something that would be explored in the future?
No spoilers. Sorry.
How do you plan out a story Spider-Man?
I'm not Spider-Man.
But basically, there's no difference in planning a Spidey story than planning a story for any show. It involves a lot of index cards, moving beats around until it gels.
Hello again Mr. Weisman!
I know you've made Radio Plays of Cross overs with Gargoyles, Spider-Man, and Young Justice! Which leads me to this Question if you don't mind!
Is There by chance any Other Particular Disney Animated Series, Like The ones from Disney Channel or any other the other Disney Afternoon shows, That you would like to Cross Over with 'Gargoyles'?
Hey, Greg. Love the Spectacular Spiderman and I've noticed some visual references to the Raimi films(quite a few actaully) but I'm sure there are many more that i missed. Can you point them out besides those?:
Pic in the bugle of spidey stiking to a wall like he does in Spiderman 1 festival parade, Him swinging in the like in, landing on the train and jumping on the building twards the train like in Sm2, the arms binding to doc ock's back, spidey throwing a piece from the highscool fountain like he throws that piece of clock at doc ock in 2, falling airfight with venom in the highscool like the one at the building site in 3.
There's no way I remember all the references. Not even sure if I'M aware of all the references, since our board artists and directors may have also slipped some stuff in there.
Greetings Greg, as a fan you and your shows I have to ask.
If you could combine Spectacular Spider-Man with Young Justice (or just Marvel and DC in general), what do you think Spider-Man's relationship with each member of The Team and Justice League would be like?
1) Who would be his best friend on the team?
2) Who would be his Love interest?
3) Who would be his Justice League Mentor?
4) Which YJ villain would be his rival?
Check out our Gargoyles meets the Spectacular Spider-Man meets Young Justice convention Radio Plays on Youtube:
I know you don't work for Disney, but regarding their upcoming streaming service and Spectacular Spider-man, I am curious about something. Assuming they would want to add the show, could they or would they be unable to since Sony still holds the show's rights.
I don't know. But to my knowledge, they haven't added it.
What has it been like to work on so many different show that so many people remember fondly?
What was your favorite show to work on out of all of them?
1. It's very cool, honestly. Though, if I'm being even more honest, I do wish that I'd been able to make more of fewer series than so many different series.
2. Choosing between my "children" is not something I tend to do. Ultimately, I truly enjoyed working on Gargoyles, WITCH, The Spectacular Spider-Man and Young Justice as a writer-producer. And although it was never "my" show, the writing team on Shimmer & Shine were such great people, that I truly loved working with them on it.
Mr. Greg Weisman. I just wanna say that I loved spectacular spiderman, gargoyles (as a very young kid) and young justice. Spectacular and young justice have become my favorite cartoons of all time! You sir are awesome and so are your shows
Thank you so much for your kind words. I'm thrilled you like our stuff!
Hello Greg. I am curious about Spectacular Spiderman. I know that you have other upcoming projects to focus on, but if Sony were to completely reliquensh all rights for the Webhead including the series and Marvel acquired them, do you believe there would be a chance for you to conclude the series as you planned?
That's such a huge hypothetical, that I don't know how to respond... beyond saying that I personally would be willing to continue the series in the EXTREMELY UNLIKELY event that all the stars aligned to give me the chance.
But it doesn't conclude. It never concludes.
First of all, I wanted to say I'm a huge fan of your work on the shows Rebels and Spectacular Spider-Man. Now, I wanted to ask what was the reason behind Eddie Brock's look in Spectacular? I always thought he stood out from the rest of characters somehow. I'd greatly appreciate if you could go as in depth as possible. Thanks for giving us such masterpieces and have a merry christmas.
I'm really not sure what you mean. He was designed by Cheeks Galloway, just like all the major characters. What seems different to you?
I hope all is well~ <3
I just finished The Spectacular Spider man and I can't sleep anymore, my heart aches because of how the show was left off, especially when I enjoyed it so much. It just fills me with negative emotions every time I look at one of Disneys Spiderman cartoon shows knowing well enough that it won't ever be as good as Spectacular Spiderman. I know I won't get any closure no matter what I do. But I do have questions.
My few questions are:
1) How much of Spectacular Spiderman did you write after the end of season 2?
2) Were any of season 3 of Spectacular Spiderman episodes animated?
3) Will you ever work on another Spiderman animated series? Or any other marvel super hero cartoon show?
I just want to add that the way Spectacular Spiderman was created, it was amazing. The character development, the fight scenes, the drama, and of course, the theme song. They were all just perfect. I enjoyed the series greatly but anxiety kept getting stronger every time an episode ended.
Thank you so much for The Spectacular Spiderman, it was great~ <3
1. None. We had plans. But we wrote no scripts. Did no real work.
2. There were no Season Three episodes.
3a. I'd love to, but it's not up to me.
Thanks for your kind words.
Lately I've been thinking of a villain trope that is decades (if not centuries) old. The maniacal laugh or the evil laugh. When used properly, I love it. When not, it can be hammy, over the top, and out of character.
Several of the villains you've written over the years have used it, and many haven't.
Off the top of my head, Thailog comes to mind first. And I wouldn't want Thailog without it. Granted, I sometimes wonder where he picked it up. It definitely wasn't from Xanatos. And while Sevarius might be hammy, I don't recall him doing it.
Hyena also has a maniacal laugh, and given her name (and personality) it definitely suits her.
The Archmage had a maniacal laugh.
Demona laughed maniacally three or four times. But it's not a trait we normally associate with her.
And let us not forget the Green Goblin in "Spectacular Spider-Man". I think he was the only villain on the show to have one. Likewise, I recall Nerissa doing it on "W.I.T.C.H." at least once.
The Joker aside, I do not recall any of the villains on "Young Justice" doing it. Any of them. Maybe I'm misremembering, it's been a while since I watched through the show, but I am struggling to remember and coming up blank.
Which leads to me to ask. Is the maniacal laugh a dated relic? Especially as we expect supervillains to be more sophisticated in our dramatic fiction, superhero or otherwise.
For example, in "Transformers", the classic Megatron used to laugh maniacally all the time. All the time. More modern takes on Megatron have done away with the maniacal laugh.
I love it, don't get me wrong, but should villains still be doing it. If we ever get more "Gargoyles", I definitely want Thailog to continue doing it. But, had Thailog made his debut in the year 2017, would I still want him doing it?
You have gotten the chance to create your own great supervillains as well as write many of the classic and iconic supervillains. Right now, what are your thoughts on the villainous laugh?
I haven't exactly studied this issue.
I use it when it feels right in terms of character and situation. Obviously, some characters have more of a sense of humor about what they do than others.
Not all villainous laughs qualify as "maniacal" in my book either.
I would never outlaw the practice, but I think I do use it sparingly, both to avoid silliness and to make it special if and when we do use it.
Regarding Spectacular Spider-Man (I don't know if you still take these questions but I'm gonna try), I've seen reviewers talk about how season one talks about Consequences, while season two is about Change and maturity, I would only like to know if there is some sort of pattern to these themes, like if both of them are part of stages of some sort of human development or anything, and also what themes would you like to have incorporated in the following seasons.
I don't know if this is a previous answered question but after searching through the archives I wasn't able to find one.
Thank you, love all your work and hope you have a good day.
The fact that reviewers talk about something doesn't mean it matches with our intent.
I'd say Consequences, Change and Maturity are themes of both seasons, and would have been themes of any other seasons, had we gotten to make them.
The major theme of the entire series was "The Education of Peter Parker". Individual arcs had their own themes, too. Biology, Economics, etc.
Hi Greg. When Uncle Ben appeared in Peter's mind to help him fight the symbiote, was that Peter's mind manifesting as someone he loved, or was Uncle Ben really helping Peter from beyond the grave?
(Or so we've been led to believe!!!!)
Hey there it's me again. Sorry for asking so many things, but I admire your writing and love your shows.
I have two questions regarding your storytelling techniques.
First How do you manage to always see up us guessing? I know you're very protective on spoilers. But I mean, how do you plan these seeds of questions in our minds?
I have a lot of questions you won't answer because they are spoilers. But how do you manage to make us want to know in the first place.
Your questions are like Hydra. Whenever you answer a question we have as fans (like who are the members of the light) two more questions take their place.
I've heard you mention that you would do series forever if you could. But how would you do that with licensed properties?
Specially after you said you do like characters growing.
Sure with Gargoyles you said you could keep the story after Goliath dies and sure you could make a lot of villains and plots. We already got Alexander Xanatos in the future for one.
But what about Spectacular Spiderman? by season 2 you had already introduced like 90% of his most famous villains. How could you've kept things fresh without creating original characters?
And with Young justice, not complaining about time skips, but eventually all of them will become adults right? Wouldn't you be running out of teenage superheros by time skipping?
I know you're skilled writer. But it seems like theres no way on making these lost longer and keep character growing without creating new characters that aren't part of the franchise.
I'm very curious. Thank you greg!
1. Planning, I guess. (If I'm understanding your question correctly.) We block out our stories beat by beat over an entire season. Some of it's instinct, I suppose. A lot of it is experience. But our rule of thumb is if it intrigues us, it might just intrigue our audience.
2. The DC Universe has been going for over 80 years. The Spider-Man corner of the Marvel Universe has been going for almost 60. No one's run out of characters yet. And as I believe YJ proves, you can age your original leads and still constantly intro new young leads as you go. (We're not even vaguely close to running out of young heroes that are canon to DC.) If anything, I think our audience is sometimes annoyed that we don't focus enough on existing characters and keep introducing more.
Hello Mr. Weisman,
I just watched Spiderman Homecoming, and many incidents within the movie reminded me A LOT of your beautiful work of the Spectacular Spiderman. I re-watched the entire series again! I love the action, comedy, irony, romance implemented in the series! Needless to say all of us fans of spidey are disappointed of the circumstances, but I want to how will us fans of your work move on from it since we want to see this series revive again? Literally all I see on YouTube are clips from the series and viewers commenting how much they want it back ( and so do I..I am even cried). And also how are your colleagues ( crew members) from Spectacular Spiderman series are doing?
I just want to thank you for creating such an amazing show back in 2008 as many more writers are inspired from your work, and I hope and I hope there will many more work from you
Hey, Adam, thanks for all the kind words. I think, universally, most of the SpecSpidey cast and crew misses the series. We recently did a reunion podcast you might enjoy:
1: Does Peter Parker ever grab fast food/something from a convenience store/food stand/whatever, while in costume?
2: What are the eyepieces of his suit made of? Are they lenses like in all the pre-MCU movies? Mechanical irises like the MCU? Just cloth?
2. Spectacularum. Or is it Spectacularite? I always mix up those two.
Hi Greg, big fan of your work and excited for the new season of Young Justice after quite a break.
Now for the questions:
If you could magically pick another one of the shows you've worked on to bring back, but could only pick one, which would it be?
2. Why this one? Unfinished stories, fond memories of working in it, etc?
3. Realistically, considering factors such as all the politics, the fan base, etc, in your opinion which show would you say would be most likely to come back (even if it's a one in a million chance) and which is the least likely?
1. Gargoyles would be my first choice.
2. All of the above. It's still my baby.
3. Gargoyles is most likely, especially with it appearing soon on the new Disney+ streaming service. Spectacular Spider-Man is the least likely, as the contractual problems between Disney, Marvel and Sony make it nearly impossible.
Hey Greg. I have a few questions.
1) I've read somewhere that you stopped reading comics all together in the mid 90s. Not asking why as you've already abetted that but rather did that ever stop. The abstaining from comics that is for lack of a better word. I assume that you've picked up a read a comic every now and then since you quit obviously but was there a time where you went back consistently?
2) How do you determine when you will answer questions. I tend to check this site maybe once a month and sometimes I'll be back and you've answered dozens of questions, a lot of the times in one day. Other times you'll haven't answered a question in weeks. Is it just as simple as whenever you have free time and want to our is there some uniquely complicated schedule that you follow. (The question sounded more silly as I continued.)
3) Do you consider yourself to have a dry sense of humor. I've been told I do and I find some of your replies downright hilarious that to others might seem to come off as blunt. Or on the contrary are you just more of very blunt person.
4) Can you explain the little joke you do every time someone asks you who would win what fight and you reply with that quote about the hulk and the thing.
1. I started reading comics again when I started working on The Spectacular Spider-Man (around 2007, I think) after about a decade break. By the time Marvel did a soft reboot after Secret Wars in 2015, I was reading nearly everything in their line, in part because I was also writing Starbrand & Nightmask for Marvel. Plus I was reading all their Star Wars Books, in part because I was also writing Star Wars Kanan for Marvel and Lucasfilm. Both those books were cancelled, and Marvel no longer had any work for me. And then the third season of Young Justice began, right about the same time as DC did its own soft reboot with Rebirth. I started reading everything in the DC line at that point, edging out any free time I had for Marvel for the time being. I've continued to read the entire DC line (with very few exceptions) ever since. I'm about three or four months behind in my reading, but I'm still purchasing everything and reading as fast as I can manage.
2. It's just when I have time. Ideally, I try to answer five questions every weekday, but there are some days (many days, really) when even that is impossible. And then there are some (rare) days when I find myself with free time, and I just go to town on the queue.
3. I like to think I have a dry sense of humor. Certainly when I write. My verbal humor may be goofier or more sarcastic or whatever. I may also be blunt. The two things aren't mutually exclusive.
4. I think it's fairly self-explanatory. "Hulk vs. Thing, who would win?" is one of the oldest fan questions in comics. It's all situational, and the question - and those like it (including most hypotheticals) - just doesn't interest me. Fans can decide that sort of thing for themselves. They don't need me to weigh in.
The Spectacular Spider-Man is my favourite TV series of all time because I liked how it focused on Spider-Man and Peter Parker's early years as a teenager trying to learn how to balance his dual life and also deal with the usual things that teenagers go though.
1. Have you seen Spider-Man:Homecoming?
2. I wanted to know when you were making TSSM did you want people to fall in love with the original Stan Lee/Ditko and John Romita Snr run?
3.What is your favourite run of Spider-Man comics?.
3. Lee/Ditko and Lee/Romita Sr.
Why don't you have Spectacular Spider-Man in your Twitter Bio? I'm sorry I'm such of fan of the show, And I know you had something to do with it's success being behind the scene s
I was a showrunner, story editor, writer, producer and voice actor on the series, and I'm very proud of it. You'll see an image from it on my profile page, fully as large as Young Justice, Gargoyles and Star Wars Rebels. So I'm hardly shying away from promoting my involvement in it. As for the bio, "The Spectacular Spider-Man" just takes SO many characters to type, there wasn't room for it.
I just rewatched spectacular spiderman and I feel there were a few bits inspired by the Rami trilogy, is that true?
Since I don't know what the Rami trilogy is, I'm gonna say no.
I have a question regarding Spectacular Spider-Man:
Were there ideas you had that you couldn't do for the show or had originally planned but ended up changing? And no, I'm not asking a "what would you have done for season 3" kind of question. It's more of wondering what original ideas you had for seasons 1 and 2, if those ideas ended up changing or pretty much stayed the same from development to screen, and what they were.
I've talked about this before. We had plans to use Kingpin and Johnny Storm - and weren't allowed to use either for legal reasons. We reordered a couple things, i.e. saved Kraven for Season Two and moved up Electro. But otherwise, we pretty much did what we set out to do.
In Spectacular 201, who were those... two... random guys with the tire iron on the bridge who tried to attack Mysterio? I didn't really think about it before, but in hindsight, they seem kind of random. Just... two guys, on a bridge, with a tire iron, and a loudmouth dude in a flashy costume shows up, if I recall hasn't actually done anything YET that they've seen, and they just decide to have a go at him.
I though maybe they were the security detail for the TriCorp shipment, but they have neither guard uniforms nor guns.
This is obviously a really tiny, unimportant thing, but... I don't know, it really stood out to me.
I think it's just clear to these guys that Mysterio is the one who's held up traffic. They're New Yorkers. It ticked them off.