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Greg Bishansky writes...

So, quick question.

Did Peter kick Sally's dog or something? I understand the whole clique thing, but this full blown hatred.

Greg responds...

Seen Mean Girls?

Response recorded on June 10, 2008

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Todd Jensen writes...

My comments on the latest "Spectacular Spider-Man" episode.

I'd been looking forward to this one, since I'd noticed how meek and timid Dr. Octavius (now Dr. Octopus) had been up until now. Since I'd recognized him as a future "Spider-Man" villain (I'm not a big Spider-Man expert, but I still know about Dr. Octopus), I was eagerly awaiting the revelation of how he'd change into a super-villain (and the mental change more than the physical change).

What I got didn't disappoint me. Octavius has finally had enough of Norman Osborn pushing him around (I liked the moment where he's fantasizing about getting back at Norman even before the accident), and the worm finally turns. And how!

Norman is as cool as ever at the end, when Hammerhead's bringing up Green Goblin's actions and the problems they're causing for his boss. (I assume that it's Norman rather than his son who's the Goblin - though Harry's doing a good job of leading the audience astray. I'm looking forward to how that plays out in future episodes, especially since Gwen's getting suspicious.)

Wouldn't you know that Peter would win a stuffed octopus at Coney Island?

And I've got a suspicion that John Jameson's space flight will lead to further trouble for our friendly neighborhood web-slinger, especially since I vaguely remember it featuring in other "Spider-Man" adaptations, with big consequences.

Greg responds...

Yep.

Response recorded on June 10, 2008

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Greg Bishansky writes...

"Reactions"
Well, my reaction is that was certainly an awesome episode.

Let's see, where to begin. I've been waiting to see Otto's transformation and it was well done. Gone is the meek, subservient Otto "Yes, Mr. Osborn. Whatever you say, Mr. Osborn" Octavius, and now we have the the ruthless and psychotic Dr. Octopus. I need to extend my compliments to Peter MacNicol for the contrast in both versions of the good doctor.

The Spider-Man/Dr. Octopus battles were great. From their first encounter at OsCorp, where Ock in his paranoia believed that Spidey discovered he created supervillains to the attack on Tri Corp and their battle at Coney Island (Enjoy Coney Island while it's there, it's being torn down). And damn, not too long ago, Otto could probably never bring himself to put a girl like Liz in harm's way. How he's changed. I look forward to him leading the Sinister Six.

"My fans expect a certain amount of quipage in every battle." You tell him, Spidey! That was one of the many reasons the movies were a disappointment.

But, Peter Parker's civilian life is always just as interesting as his superhero life. Poor sap, thought he and Mary Jane had something going. Not yet, Pete. Your time will come, be patient... but be warned, Joe Quesada... er, I mean, Mephisto will conspire to take it away from you. In the mean time, enjoy your time with Liz. And with Liz and Flash now broken up, he might have a shot there.

Let's see. Peter wins an octopus for Liz. Ock is defeated on the octopus ride. And this is the eighth episode. Cute. Very cute.

Harry Osborn is now a junkie. Just like in the original comics, only instead of acid, he's been raiding his dad's medicine cabinet for Globulin Green #994. It's a good way to do Stan Lee's drug story without using a real drug that would make S&P balk. It explains why he's good at football all of a sudden. It's a steroid story without steroids. Cool.

But not to go unmentioned, the Green Goblin plot line is advanced. Norman Osborn is such an asshole, first berating Otto, then feigning concern when he's the one who tried to kill him. While the Harry red herring is being done well, I just can't believe that he's the Goblin. If he were, he'd have attacked the Fall Formal and gone after Kenny in the previous episode. He has no reason to go after the Big Man, and the only place we heard Norman call the Big Man "Lincoln" was in the subterranean lab. Norman knows Otto is a liability. This all fits in with Norman's modus operandi. Not to mention having two close friends of Peter go arch villain on us this season would be redundant. We still have Eddie Brock becoming Venom in a few more episodes.

Still a terrific episode, and I look forward to the mystery being resolved next week.

Greg responds...

You're awfully confident.

Response recorded on June 10, 2008

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Aldrius writes...

I'm starting this early because I had a thought while watching the Rhino rerun.

Jameson saves Peter from the Rhino, then Spider-man saves Jameson from the Rhino, would he have if he hadn't saved him? Or has been as determined to do it?

All right, and now for the episode, which ironically, I'm starting late now...

I didn't know Spider-man could fly.

I love Peter McNichol. I can hear the X the Eliminator in his voice, and that's one of my favourite roles of his. I wonder what caused Otto's change in personality? The arms or did he just go crazy?

Who does Spider-man think his fans are? Furthermore does he know he's being watched? Does he think Norman is his fan?

Otto sure took to being a super-villain pretty quickly.

And the mystery continues. Harry's passed out, but Norman was obviously at the Oscorp... so is it the father or the son. Kinda parallels the Big Man mystery that at least the fans seem to have going.

"Where do you hide the muscles". Jeez. If he's not the green goblin he's definitely on the green goblin juice at least. Maybe they're both the green goblin. Weird... extra... dimensional...? personality stuff. That would be quite the twist.

Gwen sure forgave Peter pretty fast. That's actually another good thing about the show, be pretty unrealistic if she held a grudge against him just for lying to her once... that wasn't even really a lie, he just changed his mind.

Ah, Octapus has got the movie coat. That's cool. I like the movie coat. And another Gargoyles line, eh?

"Stop that Ms. Brant I'm a married man" that one made me crack up. I'm not exaggerating.

Flash likes Spider-man. I like that. There's that 3-dimensional Flash-ness.

And a girl gets kidnapped. At least it's not Mary Jane I suppose.

...I missed what happened with Liz and Flash... and how it was Peter's fault, I guess I'll find out. And it looks like we're getting another Green Goblin episode next weekend. Cool. I'm guessing we'll finally find out who he is. Harry or Norman. Or maybe even a third party.

This one seemed short to me, but maybe that means I enjoyed it all the more... felt like there were more questions asked than answered. Definitely superior to last weeks anyway.

Greg responds...

Of course, Pete/Spidey would have saved Jonah. He LIKES Jonah.

If the episode didn't explain why Otto changed, then it's pointless for me to do it, I'd think.

Response recorded on June 09, 2008

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The Spectacular Spider-Man #112

___________________________________________________________________________

The Spectacular Spider-Man
Ep 112: "INTERVENTION"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
GREG WEISMAN

Card #5
Directed By
DAVE BULLOCK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

ED ASNER as BEN PARKER
LACEY CHABERT as GWEN STACY
ROBERT COSTANZO as SULLIVAN EDWARDS
JIM CUMMINGS as CRUSHER HOGAN
BEN DISKIN as EDDIE BROCK / VENOM
DORIAN HAREWOOD as DOC BROMWELL
_______________________________________________________________________
Card #8
Also Starring

JOSH LEBAR as FLASH THOMPSON
VANESSA MARSHALL as MARY JANE WATSON
KEVIN MICHAEL RICHARDSON as TOMBSTONE
KATH SOUCIE as MARTHA CONNORS
DEBORAH STRANG as MAY PARKER
ALANNA UBACH as LIZ ALLAN

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL MCCUISTION

___________________________________________________________________________
Card #11
Associate Producers
ERIC VESBIT
WADE WISINSKI

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
IRINEO MARAMBA JR.
RICK MORALES
KI HYUN RYU
ADAM VAN WYK

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
DANA LANDSBERG
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RICK LEON
SWINTON SCOTT
JUNGJA KIM WOLF

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Coordinator GEORGE COX III

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION


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The Spectacular Spider-Man #111

___________________________________________________________________________

The Spectacular Spider-Man
Ep 111: "Group Therapy"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
ANDREW ROBINSON

Card #5
Directed By
JENNIFER COYLE
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

IRENE BEDARD as JEAN DeWOLFF
JEFF BENNETT as SHOCKER , ST. JOHN DEVEREAUX
STEVE BLUM as DILBERT TRILBY
CLANCY BROWN as RHINO, GEORGE STACY
GREY DELISLE as BETTY BRANT
JOHN DIMAGGIO as SANDMAN, HAMMERHEAD
BEN DISKIN as EDDIE BROCK
ROBERT ENGLUND as VULTURE

_______________________________________________________________________
Card #8
Also Starring

CRISPIN FREEMAN as ELECTRO
ELISA GABRIELLI as ASHLEY KAFKA
PHIL LAMARR as ROBBIE ROBERTSON, FANCY DAN
PETER MACNICOL as DOCTOR OCTOPUS
VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON
KATH SOUCIE as ANNA WATSON
DEBORAH STRANG as MAY PARKER

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producers
ERIC VESBIT
WADE WISINSKI

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
KEVIN ALTIERI
NATE CLESOWICH
JOAQUIM DOS SANTOS
CHARLES DROST
DAVE SCHWARTZ

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RICK LEON
RANDY LUDENSKY
JUNGJA KIM WOLF

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Coordinator GEORGE COX III

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
MOI ANIMATION CO. LTD

___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION


Bookmark Link

Man Mountain writes...

Hey Greg. I was listening to Howard Stern this morning (4/28/08) and he just gave a quick, but rave review of your Spiderman series. He said he is embarrassed to be his age and watching Saturday morning cartoons, but said he loved it and would be watching. Just thought I'd let you know. Keep up the good work and thanks!

Greg responds...

That's very cool!

Response recorded on May 30, 2008

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Algernon writes...

Spectacular Spider-Man

S
P
O
I
L
E
R
S

Catalyst

You know what I love about this show? It's the consistency, seven episodes in and we've yet to get anything less the great TV. Even the best shows don't usually get this far without at least one mediocre outing, yet the Spectacular Spider-Man continues to go from strength to strength. This episode stands out in particular as we are introduced to two of the most important figures in the Spidey-mythos.

First up I absolutely love this version of the Green Goblin, cunning, creepy and completely insane. Steven Blum has already solidified himself in my mind as the definitive voice of the Goblin. I especially like his banter, it's cool to have a villain who can go toe to toe with Spidey on the quip front. Credit goes to Sean Galloway for the design of Gobby's glider, darn thing looks like it could bite somebody's face off.

This episode also marks our first real look at Mary Jane Watson. I really like MJ, she's a babe and she knows it but doesn't let it go to her head.

Tombstone comes across very well in this episode, calm and calculating even when facing down a super-powered psychopath. He also had a neat xanatosian moment near the end. God do I pithy those poor goons when Tombstone tracks them down. A few questions though…

1) It's interesting that your going with the whole mystery angle with GG identity, aren't you worried about your audience being already spoiled by the Spidey movies or previous cartoons?

2) Not so much a question as minor observation. I noticed a lot of glass breaking in this episode, which I understand is something of a S&P no no. your S&P people must be fairy laid back.

Anyway looking forward to the next episode with Doc Ock.

Greg responds...

Actually, I think the Glider was designed by Tae Soo, our prop designer.

1. Sure. But I'm a worrier.

2. They seem pretty understanding.

Response recorded on May 30, 2008

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Aldrius writes...

All right, starting this ramble about halfway through the episode. Don't have much to say about the first half anyway... and what I do...

That thing with Harry taking some sort of goblin formula strikes me as a bit of a red herring. But it might not be. (I think it is). But the fact that it might not be keeps me guessing!

Anyway, I guess that shows why Harry was grinning like the laughing fish in the last episode. But what makes me think it's Normy is the Big Man connection. Why would Harry care about the Big Man?

I'm gonna assume there won't be a relevation as to who it is by the end of the episode.

And poor Harry too. That was rude of that girl to take back her boyfriend on the night of the prom when she was with another guy...

I don't like how I can tell that the Green Goblin and his thug are voiced by the same guy. Oh well, not that big a deal.

Kevin Michael Richardsons PERFECT Keith David (wouldn't be able to tell if I didn't know) impression makes up for it.

'And Maybe call the Police' That was hilarious. Because I could see another show completely forgetting about even mentioning that.

Wow, Peter way to completely sacrifice the element of surprise. For someone who can't be surprised you sure don't value it very much.

Huh, that cut between the fighting with Green Goblin and Spider-man wasn't in the opening scene!

That little screech whenever a bomb goes off.

I think the goblin's 'bomb' is a bluff. Or not...

I think it's sweet that Jonah went back up with his son.

And it looks like the Mary Jane/Peter romance gets it's first step. But I'm still hoping we get to explore other avenues first. And of course, there's nothing saying that we can't.

Still think Harry's green vial is a big red herring, though. We'll see if I'm right soon. And of course Tombstone's 'you just did what I was gonna pay you for, for free' was great, and has me thinking. If Tombstone's just going to pay him for doing what he was already doing for free, why would he be surprised that he continued to do it? And why doesn't Peter just accept it? He'd be getting paid for doing what he's doing already. Obviously he doesn't, because well, you don't accept favours from 'the mob' and not expect to have to do something in return, at least that's what the Simpsons has always taught me.

But it intrigues me, because I could see Peter accepting Lincoln's offer down the road. And that interests me. That interests me greatly, and now I'm interesting in watching more, and seeing if that actually DOES happen, because I think it COULD happen.

In short, I'm hooked.

Greg responds...

Good. Hooked is what we were going for!

Response recorded on May 30, 2008

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Todd Jensen writes...

A brief review of "Catalysts".

I enjoyed this one a lot (like the other episodes I've seen so far). A few things that stood out to me most:

We got to see J. Jonah Jameson's better side, for a side. He's clearly proud of his son - and I think it's justified. (I was particularly impressed with the younger Jameson figuring out that the Green Goblin had planted his bomb on the chandelier, and promptly alerting Spidey.)

Did Keith David go back to doing the Big Man/Tombstone's voice? I thought it sounded more like his this time around, but I might be wrong. (And I liked his performance - especially when he's commenting that Spidey wound up helping him after all. I also enjoyed Spidey's disgust at having to help Tombstone, but doing it because he doesn't want all the bystanders to get blown up.)

I'm looking forward to the next episode, introducing Dr. Octopus. I'm especially eager to find out how he goes from the meek, timid little fellow he's been so far to a fearsome super-villain (and I don't just mean the physical changes).

Thanks for another good one, Greg.

Greg responds...

It's still Kevin Michael Richardson as Tombstone.

Response recorded on May 29, 2008


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