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Hi Greg. I've been a long time reader of your responses and I figured after reading through 100's of responses (for my own purposes), I'd find the courage in me to ask you a question. When it comes to planning for a show like "Young Justice" that's episodic in nature (like many of your other works) yet geared for all ages (see previous statement in parenthesis), how do you and your collaborators approach something as daunting like weaving together multiple plot threads, showing character growth, and create story arcs? What are some of the advantages and constraints to writing in the way that you do? I'm currently studying television production as my major in college (a career path I've been told that is faced with rejection, hard work, and passion) and I'm asking this question (well, now it's questions) because I've been fascinated with well organized/structured series. Being the well accomplished writer that you are, I thought I'd ask you on the subject since you have a lot of experience writing/creating/producing shows like "Gargoyles", "The Spectacular Spider-Man", and "Young Justice". If you don't feel like answering this question, I understand that you're a very busy person (you don't need to tell me how busy, I've read the rambles) who takes the time from work to answer the many questions people send to you and I for one certainly appreciate all the hard work you (and of course, the many people you've worked with) put into your each of your projects. Anyways, thanks so much for giving me the opportunity to ramble and I look forward to whatever stories you have planned next (INVASION! WOOT!).
I've written quite a bit on this subject already - even recently (like today). So take a look at the archives, and if you have specific questions after reading what I wrote, feel free to post again.
Hey Greg. I wanted to let you know that I, and a large portion of the internet community, absolutely loved Spectacular Spider-Man. The show accurately portrayed who Peter Parker was, his troubles, his difficult choices, and his life as Spider-Man. Me, being a teen in high school, thought Peter was someone I could relate to, even though he had these extraordinary powers. Being able to relate to Peter Parker is something that should be constant (and for the most part, has been constant) in every Spider-Man story. I know I'm not the only one who thinks that the series should have went on for much longer. However, I know that the series' ending had to do with Disney/Marvel purchasing the animated series rights from Sony. Since this was pretty much out of your hands, I'm here to propose an idea.
Since the rights to the theme song, character designs, etc. for The Spectacular Spider-Man are locked by Sony, and you couldn't possibly resume the show even if you wanted to at Disney/Marvel, I suggest making, if you'd be fine with doing so, an INDEPENDENT episode (about 45 min. or an hour long)of The Spectacular Spider-Man and release it online. Sean Galloway could come back to do the designs, and you could get the voice actors who would agree to it back if the scheduling works in the favor of both parties. This is more than a scheduling thing than anything, when you're not busy with Young Justice and they're not busy with anything, but it may be able to work. And since it wouldn't be
released under the Sony or Marvel banner, and if you make it perfectly clear that it's a "fan film", no breach-in-contract would occur at all.
I'm sorry if I'm sounding selfish, but the show had a HUGE, HUGE fan base, and most of this HUGE fan base, when tuned in to watch Ultimate Spider-Man on Sunday, all cringed in unison (no offense to Marvel or anyone who likes the show). It just doesn't match the charm that your interpretation of Spider-Man had. So I would definitely like for you to take this into consideration. Would you be able to make an independent "final" episode of Spectacular Spider-Man exclusively for online, one that is a "fan film" of sorts? Thank you for your time.
Justin, it's just not up to me. I can't create a "fan film" with someone else's property.
For starters, who would pay for it? Even if I and everyone else involved were willing to donate services for free - which honestly I'm not - who would pay for the materials? None of us have the hundreds of thousands of dollars that it would take to do even one episode at the quality level you'd expect. And why would we want to produce something at a lower quality level? Why would you want to watch it at a lower quality level?
And that's aside from the fact, that I'd never be allowed to work for Marvel, Disney, Sony or probably any other studio again ever. I'm a pro. They know that. I can't make a fan film, stealing someone else's characters, and just get away with it.
For this to happen, Sony would have to make a deal with Marvel/Disney to do this - and then they'd have to reassemble the key players from the original cast and crew. I'd LOVE for this to happen, but I don't see that as realistic.
I mean, don't get me wrong. I'd love to do more SpecSpideys. But it's less likely than me doing more Gargoyles, even.
Hello Mr. Weisman,
I am a teenage aspiring writer and I love to think of story ideas to write about. But whenever I actually sit down and try writing, I don't know how to start or I have second thoughts about my characters, plot, etc. So, I was just wondering if you could give me any tips on writing a story. Thanks!
Just spit it out onto the page, and worry about quality later. You need to get past the self-imposed barriers you're creating. So just get it out.
Hey greg what's up I love your work and I am big fan of how awesome you are as a writter so I would like to ask you the following?
1.-What would you advice to aspring storytellers?
2.-In your opinion wht makes/how do you create an interesting character?
3.- What in your opinon makes a good villain
4.- What in your opinion makes a good plot?
5.-If you could advice something to your ast self regarding stprytelling what would you do?
Thanks for your time. You are a big inspiration
1. I'm going to direct you to the archives, as I've answered this many times before, and nothing's changed about the kind of advice I'd give.
2. I believe they exist as fully as possible. I create backstories for them, whether or not those backstories will be revealed on screen or on the page. I make them real to me.
3. See the answer to question 2 and add one factor: Opposition to the villain. Again, check the archives, as I've discussed my theories of opposition before, particularly with regard to the villains of Gargoyles and Batman.
4. Characters make a good plot.
5. I'm not sure I understand the question.
If this double posts I'm sorry, whoever the admin is can remove this only if it is a double post.
I saw your answers to my questions, or one of them anyway, but I also noticed that I left out the second question.
The companion comics have a date of say April '12 on them (issue 12) but that comic came out in January '12. Was this intentional or were the comics finished sooner than expected? I was waiting for the questions to open back up to ask this, and when asked, I messed up and left out my question.
I've noticed this trend when looking at the page on the comic website I order from. I may be wrong, I don't know.
One added thing, I noticed looking at the comic site, that Issue 14 has a different look than 1-13, any reason why the change in the way you display the issue number.
I've never really understood why comics' cover dates don't ACTUALLY reflect the dates they come out. (For example, it's currently July as I write this but our "September" issue just hit the shops, stands, etc.) But it's a fairly universal thing. Not at all specific to YJ.
First, I just want to say that Gargoyles is one of my all-time favorite shows, and I often return to it when I'm lonely and I'm always pleased by how fresh episodes like "Vows" remain after many viewings many years later. I'm also a big fan of Young Justice--to be honest, it took a while for the show to win me over 100% (of course, very high expectations were in place, both because it's a DC animated property and because you were working on it), but, I'll admit I've watched the Brazilian "leaks" up through "Unusual Suspects" and those episodes are pitch perfect, so, great job, and many thanks. I'm VERY excited for what's next.
Now, on to my questions:
As several people have pointed out, Brazil and Turkey are ahead of the US in terms of airing schedule. I don't know if you're aware, but fans have undertaken to sub the broadcast episodes back into English. I know you have mixed feelings on the subject of fanfiction, but I wonder if you have feelings on the practice of fans sub titling your work, originally created in English, back into English with their own translations? (And if you do have feelings/ideas on the subject, would you care to share?)
And while we're on the subject of fanfiction--I know a lot of authors who engage their fans have a public policy of not reading fanfiction, and you're among these. IIRC, the reason is because you don't want to incur the risk of being sued by a fan who claims you stole their work. I'm a law student and something of a nerd/geek, so I'm intensely curious to know where you picked this idea up. I'm taking copyright right now, and two of the doctrines we've learned seem to be in contradiction with the viability of this fear: (A) The idea/expression distinction (ideas are not protected under copyright, only their expression, so the idea of having Prospero on Gargoyles, even if you got it from another source, would probably not be considered infringement since the idea of having Prospero on Gargoyles is probably too abstract, whereas if there were a specific fanfic which predated a Gargoyles comic by five years and the Gargoyles comic carefully followed the plot of the fanfic, that could be a case of copyright infringement). And, (B) Infringing works are deprived of copyright protection, so if a fanfic infringes on a copyright (which, presumably almost all fanfic does, unless fanfic is fair use), it would have no copyright protection. (Here a critical question is whether fanfiction is fair use, which is an odd little quirk of the law, in that it's a well-known black hole in the law of copyright that seems unlikely to be adjudicated, and therefore, unlikely to ever be resolved.)
Of course, I'm not a lawyer (yet) and this is by no means intended to be legal advice, and I'm also not suggesting that you read fanfiction (personally, I'd rather you produce your awesome original stuff than spend time reading fanfic). But as a law nerd, I'm intensely interested in the relationship between perceptions of the law and the law on the books, and to what extent the law (and perceptions thereof) impact professional practice.
Thank you both for your wonderful works, and for your time.
1. I am HORRIFIED that people are watching episodes for the first time on YouTube - and in a different language no less. Given that those episodes were due to air in the U.S. in a matter of mere weeks, I think it's appalling that anyone would choose to watch them that way. So then having someone sub or dub it back into English seems beyond preposterous - and again mildly HORRIFYING. Just be patient and watch the shows as they were meant to be watched. Don't spoil them for yourselves.
2. I learned this fear from corporate attorneys at EVERY entertainment company that's ever employed me. And I've also learned this fear from personal experience from fans and others who have filed lawsuits or threatened to. And that's the key. It's not about who has a valid case, it's about who can make me miserable by filing suit - and how I can protect myself (as much as possible) from exposing myself to that misery.
Hey Greg why your not consulted on Scheduling
I'm not important enough in the grand scheme, I guess.
Loving Young Justice up here in Canada!!! We are expecting our first son in April and I have all the episodes taped for when he is old enough to watch them.
My question is how often do you receive feedback from the Cartoon Network? When would you know whether to begin on season 3? Keep up the awesome work!
We receive feedback from Cartoon Network all the time, but 'feedback' and a 'pick-up' are two different things. In theory, they could pick the show up at any time, but I don't expect any definitive answer for weeks, if not months.
Hello Greg.i would like to ask a few questions about your job because i am interested in going into the directing business.
1. What exactly is your job(the name of your job)?
2. Do you enjoy it?Do you ever get bored?
3. What did you have to study in college for this job?
4. What would you say are the most useful school subjects that should be learnt for this job?
I appreciate if you could answer these questions. And you are also a role model for me and i really love Young Justice.
1. My title is Producer. And sometimes I'm also the Writer. And even, on occasion, an Actor. I'm also the Story Editor - but that's pretty much covered by my Producer credit.
2. I do enjoy it, and I NEVER get bored, but I do get very, very tired sometimes. Exhausted even. Our schedules can be brutal.
3. I don't know if I "had" to study this, but my B.A. is in English with an emphasis in Creative Writing. My Masters is in Professional Writing, with an emphasis on Play Writing. Plus I studied a bunch of other things too, including history, languages, a little bit of physics and math, etc. And a lot of literature - and Shakespeare, in particular.
4. Learn to read critically. Learn to write. Learn to PROOFREAD!!! Learn to rewrite and revise. Etc.
Hello, Mr. Weisman.
My questions today are more closely related to television programming. So here goes.
1. Have you viewed the new ThunderCats on Cartoon Network that debuted last year? Assuming so, what did you think of it?
2. Have you viewed any of the original episodes of the ThunderCats cartoon? Assuming so, what is your opinion of the old show, and how do you think it compares to the latest incarnation?
3.The original ThunderCats cartoon met the 65 mark episode needed to go into syndication, and produced episodes beyond it. While many of the new episodes were entertaining, I could not help but notice, in my opinion, a decline in certain qualities of the show. One of the areas hit hardest, in my opinion, was the writing in the episodes. This seemed to manifest itself in terms of more predictable scenarios occurring, less creative solutions to the problems that arose and eventually lackluster storylines. ThunderCats wasnât the only show to suffer from this though. Cartoons like Captain Planets, which also surpassed the 65-episode mark, began to experience a bit of a lag, and lost many of the original voice actors/actresses who made their characters so exceptional.
4. So my question is what exactly happens to a show behind the scenes after moving beyond syndication? Is a showâs storyline only plotted out for 65 episodes and not expected to pass it? Or does the writing team have to brainstorm an entirely new set of ideas for episodes beyond? Are new writers assigned to the program or the old ones retained? Are the initial voice actors/actresses replaced with new people, choose not to renew their contract or different causes altogether?
Thanks for the time.
1. I haven't had time to see it, but I really like the people involved with it.
2. I did a long time ago, when I was working on a single script for a different reboot that didn't see the light of day. But you need to understand that I never saw it when it first came on, so I have no nostalgia for it.
3. I just have no opinion on this. I only saw a handful of episodes.
4. Every case is different. And obviously, I have no idea what went on with ThunderCats.