A Station Eight Fan Web Site
I was just wondering...I have a very general question. How is it you or any of us know how well a cartoon does. I mean, is there a website that shows a show's ratings? I was interested in knowing how spectacular Spiderman, or any show for that matter, is doing in popularity and there seems to be little out there when I search. Great work on spectacular spiderman by the way. Best cartoon ever.
I learn about the ratings from my bosses. I would think they're published SOMEWHERE, but I couldn't tell you where.
Hello, Greg. I'm familiar with the guidelines and I clearly understand why you dont want any original ideas or fanfic. But I got this ideas for season 3 (I know its not even picked yet), its really only the major plot for the episodes, not getting into any depth. All I'm asking is if I can post them or somehow send them to you, just to take a look and tell me is it good, bad, what do you think of it. Just this. I dont wanna make your life miserable. I know that you, Vic Cook and everybody else can and will come up with something way better. I just want your opinion. If this question/request doesnt get approved, I'll understand.
I appreciate you asking so nicely, but there's no way Sony would allow me to read what you're offering, even on an educational "tell me if it's good" basis. Spidey is a LIVE property. I can't risk the lawsuits, and Sony wouldn't let me risk the lawsuits even if I was inclined to take the risk. Policy. Sorry.
I'm loving the effort and detail put into Spectacular Spider-Man! It's incredible how this show stays close to the comics, and somehow does its own thing! I can't find anything negative to say, and I'm accustomed to always finding something bad to say.
But I am curious...what was the reasons behind putting this show (in the USA) on Disney XD? The show started on CW, and it was doing well (wasn't it?) on that network, then BAM...Disney has the show...and their decisions to torment us with how long we have to wait for the season 2 episodes seem so...stupid. What happened? Why Disney?
(We are talking about the same company that screwed us all on Gargoyles after season 2 aftreall, Mr. Weisman...)
Wow... where to start.
First, thank you for the compliments.
Second, Disney did NOT "screw us all" after season 2 of Gargoyles. That's patently false. One could argue about how good a job they did or didn't do with the show, but no screwing was involved. For more information, read this: http://www.s8.org/gargoyles/askgreg/faq.php?s=realworld
Third, as for Spidey, the show aired originally on KidsWB, which was a programming block on the CW. Halfway through our season, we learned that CW was dissolving the KidsWB block and selling (renting?) the space to 4KidsTV. So KidsWB became CW4Kids. Sounds like nothing more than a minor name change, but that's not true. CW4Kids was a totally different business entity. I had ZERO involvement in or direct knowledge of the negotiations that followed with either CW4Kids or with DisneyXD (or with Cartoon Network or any other channel Sony might have talked to), but I think it's safe to assume that DisneyXD offered Sony the best OVERALL financial deal, which doesn't necessarily mean the biggest episodic license fee. There are other FINANCIAL factors too that I'm sure were considered. But... and I hope this doesn't shock you... it is ultimately all about money.
I read your guidelines, and I am curious how to 'break into the business' Not necisarily starting my own comic book, but working for a smaller, more independent company such as Creature Comics. I have purused job sites, having recently graduated with a Bachelor of Animation, but am not having luck finding any such companies or positions.
As a side note (coming from the fan side of me) thank you for keeping the Gargoyle universe alive for your fans!! I am so excited to read the new comics, and see the Gargoyles making a comback!
Creature Comics isn't really a company. It's more of a partnership -- between myself, Greg Guler and Marty Lund (and not really that anymore either) -- formed to get the license to the Gargoyles comic. That didn't happen, and we wound up at SLG instead.
But in any case, my first question is "Where do you live?" You have to go where there's work. Do some research into companies you might want to work for in your area. And if there are none in your area (or if the concentration is too slim to get employed) -- move.
I think spectacular spider-man is great and probably one of the best animated series in the past 5 years. The only other series that I can think of that have equally strong plotlines, acting, and sense of continuity are those in the DCAU (DC Animated Universe) created by Bruce Timm and Paul Dini. That whole shebang spun off of what was originally the standalone Batman: The Animated Series because of the commercial and critical success of that show. I already know that you're considering doing DVD movies after Spectacular Spider-Man ends it's run, but would you ever consider doing other shows set in the same self-contained Marvel Universe like that of the DCAU? Just wondering b/c I see how strong a series Spectacular Spider-Man is and can only imagine the potential for adapting other characters.
And once again, the DCAU was not "created" by Timm & Dini. For starters, of course, it was not CREATED by any of these people, it was DEVELOPED. An important distinction in this business. Secondly, it was developed by a number of people, but certainly the two most important were Timm & ALAN BURNETT (who was Paul Dini's boss). I feel bad about constantly doing this, because I think it leaves the (false) impression that I've got an axe to grind against the very talented Mr. Dini, and I absolutely do NOT. Paul is phenomenal and deserves major props for his work on the DCAU. But I'm really tired of Alan not getting the credit he deserves for (a) RESCUING Batman the Animated Series from mediocre writing and (b) being the Executive Producer (alongside Bruce) of the entire DCAU (including THE BATMAN).
As for Spidey launching a "MCAU"... it isn't likely. Marvel's doing that on their own. Sony has the rights to ONLY Spidey and Ghost Rider. And before you ask, Vic and I have asked Sony about doing an animated Ghost Rider, but they are currently uninterested.
I'll start off with my question, but please forgive me for including some praise which I feel you are due.
My question: With Disney's recent decision to raise their licensing fee (effectively ending production of the Gargoyles comic) as well as their now seemingly permanent decision to not release Season 2, Volume 2 on DVD - do you ever get the feeling Disney thinks of you as the bastard child they never wanted and would do anything to make go away forever?
On a personal note - I would like to thank you for making my childhood better. "Gargoyles" was always a major part of my childhood - I had the toys, I had the VHS "The Heroes Awaken" with the game, I had everything. I even remember getting yelled at for putting TV above family when I commented to my mom one day that I couldn't go anywhere with her because the new "Gargoyles" episode was about to come on. After recently finding the two DVD collections currently available, I watched every single episode - and was once again amazed at how great they were.
Thanks for all that you do - I'm currently trying to buy all the comics that I can. I hope that, one day, we'll see the rest of your creation available on DVD, because I would love for my children to see it one day.
No, I don't feel that way. For starters, they did WANT us originally. They just never quite knew what to do with us. How to help us be as successful as possible. Now, we're simply a low, low, low priority. A corporation with literally hundreds of IPs needs to prioritize certainly, and we're low... largely because we have never made them quite ENOUGH money to be a high priority.
Are you the maker of Gargoyles? and if I want to make a book what should I do?
Please tell me how to make a good story.
I'm the creator (or at least co-creator) of the GARGOYLES television series. I was one of the writers, supervising producers and supervising story editor, and I'm currently writing the GARGOYLES and GARGOYLES: BAD GUYS comics.
I'm not sure what kind of book you have in mind. Generally, I advise would-be writers to get a great liberal arts education. Read... a lot. Write... a lot. And proofread.
Hello greg, I just wanted to say season 1 of SSM was very good and i cant wait to see many many more seasons come for the series. I loved it alot besides a few changes here and there i didnt like at first but grew on me over time and it works for the show itself. I just had a question i was wondering on the production side of things for the show. How long does it take to animate a single episode for the series?
It takes eight to ten months - give or take.
This is question in regards to censorship in Spectacular Spider-Man. Back in the 90s series, there was an obnoxious amount of censorship (Spidey couldn't throw a punch?!) that sometimes hindered the story in obvious ways. Now, Spectacular Spidey is obviously a bit of a lighter tone, so I don't expect to see people dying all over the place or anything, but I am curious about how the censorship from the studios of this series differs from other shows you've worked on, like Gargoyles--which I think was great about being delightfully edgy whilst still obeying the censors. Gargoyles was much darker that Spider-Man currently is, obviously; I'm just curious as to how similar the rules regarding the amount of death and violence and such are and if it has changed a lot since your work in the 90s.
And just to be clear, I'm not complaining or asking for Spider-Man to be darker or more violent or anything, I'm very happy with how everything has been handled and balanced without getting too "gritty" thus far (and I'm usually a sucker for dark stories). I'm just curious, you know?.
I'm hinky about the way you throw the word "censor" around. The biggest rule is, was and always has been our own personal standards of what's right and wrong, what is and isn't appropriate. After that, both Gargoyles and Spectacular Spider-Man benefited from having smart, intelligent and understanding S&P executives (Adrienne Bello for Gargoyles, Patricia Dennis for Spidey). As I've mentioned before, there wasn't much we wanted to do on Spidey that was disallowed. The realistic sound of gunshots comes to mind... and those are being restored on the DVDs. I think it has less to do with the era, and more to do with the individual looking over your shoulder.
I just wanted to say thanks Greg for the fantastic story you've created here. I went on a nostalgic kick awhile back and revisited some series from my childhood.. most did not stand up so well, but I actually appreciate what you were doing with Gargoyles more now than I ever did back then and, in hindsight, recognize just how far ahead of its time it actually was.
The world you have crafted here is so vivid and interesting, it got me to thinking, have you ever thought about writing a novel about the Gargoyles? Or do you see Gargoyles always existing in a more visual medium, like animation or comic books?
Just to go a little further afield, what are your thoughts on "opening it up," Stars Wars style, so other authors can write the stories while you maintain tight control over canon? I think I know what your answer will be, but I have quite the appetite for more Gargoyles stories than exist at the moment, so I have to ask.
As I've said (here) many times before, I'd LOVE to write a Gargoyles' novel.
As for your second question, that's pretty much how I ran the series in the first place.