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Weisman, Greg

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Jason R. Carter writes...

1. What is Earth-16 Clark Kent like to the outside world? Judging by how relatively disheveled he looked in "Schooled", he seems the clumsy nerd from the Donner movies.

2. Besides you voicing Snapper Carr and Nicole Dubuc voicing Iris West-Allen, will any of the other writers be voicing characters on Young Justice?

3. If Earth-16 Ma and Pa Kent were really Jor-El and Lara, what stopped them from using their powers like Superman does?

Greg responds...

1. He seemed quite sheveled to me. I don't know why you even say that. He had a hat for heaven's sake.

2. No. Nicole and I are both in SAG. The rest of the writing staff is not. (Least not as far as I know.)

3. That was an APRIL FOOL'S DAY joke!

Response recorded on February 09, 2012

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Angie writes...

Hi, Greg! I just really wanted to say how much I love Young Justice (EHEM understatement) so far!! Honestly, I don't think there's anything you can do that could change that (I would seriously hope not, at least.) I also have been reading some of the archive, and my life is pretty much Tumblr haha, so I've seen much "fan" hate towards you as well as the show in general. Which I think is utter horse crap. Obviously no one is getting the whole "Earth-16" concept, 'cause I see complaints about you guys using different characters a lot. I'll admit I've never read the Young Justice comics, or many of the DC comics due to the fact that I'm mostly a Batman/Dick Grayson fan, but even if I had I still wouldn't mind the characters you guys decided on. I love all of them!! At first I definitely favored Robin, but since new episodes started airing again I've come to the realization that, for once, I have no least favorite character. I seriously can't think of anything that I strongly dislike about YJ. Except the fact that the episodes are only 30 minutes long haha!! I'm so stoked to see how things turn out with The Light!!! :O
Sorry for my ramble-[Halloween] candy does this to me. Any who, I apologize for the extremely rude people you've had to encounter. I really hope this fandom isn't completely ruining the fun of producing the show :[ And before I end this novel of an ASK, I do actually have a question that does not pertain whatsoever to any show you've worked on hahaha hope that's okay. What's your favorite color???
Alright I'm done. Can't wait to see more Young Justice-everything about it is amazing!! <3
Hope you have a good day/night/week/whatever! --Angie--

Greg responds...

Dark Blue.

Thanks for the kind words!

Response recorded on February 07, 2012

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hallofjustice writes...

Me again Greg just a quick question,

If Lucas "Snapper" Carr appears in another DC cartoon, would you want to voice him again?

Greg responds...

I'll take all the work I can get. ;)

Response recorded on December 28, 2011

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Richard Jackson writes...

Having watched the first 10 episodes and read the first 9 comics (I'm including #0 and FCBD), I can really see how the show is rewarding repeat viewings. I can go back and look how someone said something and see it another away. Also, with the show playing out in real time and cast of dozens of heroes reminds me a lot of one of my favorite series, Astro City. I don't know if you've read the comic, but I assure it's a compliment of the highest order.

When I rewatched "Welcome to Happy Harbor", I noticed Lucas Carr and "Schooled", I finally noticed the LexCorp truck. I love things like that.

Can you give the story on how you were cast as Lucas Carr? Obviously, you're the producer, but who suggested the role for you and why were you attracted to playing Lucas Carr? By the way, I like Lucas "Snapper" Carr.

Greg responds...

I read the first couple issues of Astro City and enjoyed them.

Actually, I wanted to play Red Tornado (and thus Red Torpedo and T.O. Morrow too). You can chalk that up to (a) greed, as they appear in way more episodes, so I'd get paid more and (b) arrogance, in that I figured I could handle the rolls, since Tornado's a robot and all. But that ogre Brandon didn't think I pulled it off in my audition. That's right, I faced rejection on a show I was one of the producers on! <sigh>

Anyway, it's hard to argue with the notion that Jeff Bennett would and did do a much better job in all three parts than I ever could. And Brandon suggested I play Carr, so it all worked out!

Response recorded on October 12, 2011

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geet writes...

what is impt. in your life family or money?

Greg responds...

Family is most important. Money is important in service to family and other things. But I don't make my life about money.

Response recorded on August 19, 2011

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Mike writes...

Fisrt off, I'd like to apologize for asking that Batman Beyond question that you responded with "No comment. NO COMMENT. NOOOOOOO COMMMMMMMENNNNNNNTTTTTT." and went on to say that you wanted people to stop asking spoiler questions. I'm really sorry and didn't mean to upset you or waste your time. I hope you can forgive me. Anywho, I just wanted to let you know that I love your show and your take on the characters. It just sucks that we'll only get to know them for 12 months (assuming every 26 episodes is 6 months and this show makes it to the 52 episode limit). I know this is a long way off, but is there any chance you intend or revamping it (like they keep on doing with the Ben10 series) of pitch other shows that happen to take place in the same universe (like the DCAU (We got to see that interpretation of Batman for 14 years!)), so we can occasionally see a YJ character or two every so often? If this question annoys you, I apologize in advance. Thank you for all the entertainment you've given me over the years. I really appreciate it, and hope you are able to continue for many more years to come.

All the best,
Mike

btw, I don't know if you celebrate it or not, but Purim is next week (and I assume with the last name 'Weisman' you are Jewish), so have a Happy Purim!

Greg responds...

I am Jewish. Kind of a secular pagan Jew, but a Jew nonetheless. I don't generally celebrate me much Purim, but my wife does. So thanks.

As for your question, <sigh>... IT'S JUST NOT UP TO ME. As with nearly every show I produce, I have enough ideas to keep doing it forever. BUT it's not up to me.

Response recorded on May 26, 2011

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Jamie writes...

Hey greg,first of all, you're awesome, i remember when i was only 5 and i would re enact your gargoyles haha good times.

If you were to compare Young Justice and your other works, would young justice be in the top 5?

How many views are you having on Young justice ?

Greg responds...

Wow, did you just make me feel old...

Yes, YJ would be in my top five, along with Gargoyles (of course) and in no particular order, Spectacular Spider-Man, W.I.T.C.H. and Captain Atom.

Response recorded on April 21, 2011

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Brandon writes...

Why aren't you on twitter? I wanted to congratulate you on your work with Young Justice, and was sent here by your brother. Join us -- we wanna know what you're thinking. I'm @brando432, by the way.

Greg responds...

I'm feeling a little ganged up on today.

My high school girlfriend responded to me e-mailing her happy birthday wishes by asking me to get on Facebook.

Now Twitter?

Look, it's just not my thing. I don't WANT to tweet. I don't want to follow the tweets of others. As it is, I barely keep up with my cellphone, e-mail and... I was about to say "and Ask Greg" - but let's face it, I'm answering month-old questions and have a current backlog of 172 more to respond to.

It's just not going to happen.

Response recorded on February 07, 2011

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Harlan Phoenix writes...

So what's the specific appeal of animation to you? Or rather, the appeal of writing it (and by extension, comic books) primarily over other mediums?

I could make guesses, but I'd be curious to know what exactly thrills you.

Greg responds...

Well, the MAIN appeal is that they'll hire me.

(Only semi-kidding there.)

Anyway, I love the semi-contradictory notions of the control I have over the final product and the collaboration I get while making my way there.

Response recorded on January 21, 2011

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Algernon writes...

Hey again Greg,
When Superboy speaks for the first time in "Independence Day", a surprised Kid Flash responds by blurting out "He can talk?", was this a deliberate nod to Elisa's similar line in "Awakening Part Three" or just a coincidence?

Greg responds...

Probably deliberate.

I mean wouldn't we all prefer to believe I'm deliberately shouting out to my old work, than to think that I'm just repeating myself, right?

Response recorded on January 17, 2011

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Kit Walker writes...

This is more of a personal question; rather, not directly related any specific work but more the creator and writer behind the works.

What is it like, as a storyteller, to have the Gargoyles universe still so loved by fans? Sixteen years after "The Awakening" debuted, fans are STILL curious about this or that bit of the universe, fans are STILL lamenting the show's end, the Gatherings went on for an insanely long time, fans still anxiously await the slightest hint of more Gargoyles stories, fan-works are still being made--what do you think of all that? What's it like to sit back and know that something you gave artistic birth to still grips viewers, and still draws fans?

Greg responds...

It is -- without a doubt -- f-in' cool!!

Response recorded on December 03, 2010

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Charlotte Rinderknecht writes...

Greg,
I just was interested in what you are doing now and what the future holds for you?

Greg responds...

LOL!!

Mostly, I seem to be refusing to comment on Young Justice.

Down the road, I see me refusing to comment on many other things!

(Actually, this may be a serious question. It's gotten hard for me to tell. So...

For those who don't know, I'm currently producing Season One of the new YOUNG JUSTICE animated television series for Warner Bros. Animation, DC Comics and Cartoon Network. The show will premiere in November. I'll be working on this series for the foreseeable future... hopefully for a good long time.)

Response recorded on September 16, 2010

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LIVE PODCAST

Meant to post this days ago at ASK GREG, but I forgot. I'm being interviewed for a live podcast at http://www.blogtalkradio.com/123-film TODAY at 4pm PDT, i.e. in less than half an hour. Sorry for the lack of warning...


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Laura 'ad astra' Sack writes...

This is touching on the type of theoretical questions you hate, but I’ll attempt it…

Are there any shows you watch that you wish you were involved in? Any shows you are glad you weren’t involved with because you wouldn’t want it any other different than it is? Any shows you didn’t enjoy, but think you could have made the concept shine? I don’t necessarily mean something you worked on and it didn’t work out, (like when you wrote the series bible to Roswell Conspiracies or the like), I mean even seeing a cartoon as an adult that you enjoyed as a child and thinking ‘if I were doing that…’. That creative itch that sometimes hits when watching a show and really wanting to play in that sandbox.

I figure either you'll hate this question or one or two examples will suddenly spring to mind.

Greg responds...

Yeah... I would have loved to work with Joss Whedon on Buffy or Angel or Firefly. Not that I think I would have improved on it, but I would just have loved to play in that world with the master.

There are cartoon series I was really jealous of, like the MTV Spider-Man series. But (no surprise) I'm over that now.

I haven't seen anything but a few clips of the upcoming series, so this isn't a comment on it per se, but I would have loved to do an Avengers series. Frankly, I would have loved to have taken what we did on SpecSpidey and widened it, building an entire Marvel Universe. It's one of the things that's so fun about Young Justice. We're not just adapting YJ or Teen Titans, but the entire DC Universe (or one of them (#16) anyway).

The Highlander TV series was one where I thought it had moments of greatness, but was also a bit of a mess at times. I would have loved the POWER (Bwahaha) to grab the reins of that one.

I'm sure there are plenty of other examples, as I have generally -- and I'm not proud of this -- lived a professional life filled with (and marred by) tremendous ENVY. I just can't think of any others at this time. At least not any others that wouldn't get me in some trouble. ;)

Response recorded on August 03, 2010

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Laura 'ad astra' Sack writes...

I had asked what age you thought is the youngest age to start watching Gargoyles and…
Greg responds...
Well, I may not be the best person to go to for this advice. Not like I'm some parental expert. Just a parent. But I started my kids on Gargoyles VERY YOUNG. And it held their interest, which was my main concern. There's stuff there for them to enjoy, and IF THEY ASK about any of the more mature aspects of the show, there are teachable moments. That is to say, I didn't sit them in front of the TV and walk away. I watched WITH them. We had fun. And we learned some stuff together. But I think they were each about two when they started watching Gargoyles.

That's right! TWO!!! <chuckle>

Okay, yeah, I'm a bad parent. I mean I watch Dexter with my fifteen-year-old daughter. So don't listen to me.

Me again…
I just couldn’t watch a show like Dexter with my little girl! It seems just wrong to tell a child, “Tell mommy when the gore is done so she can open her eyes.” Wait… you meant because she enjoys it, not just so you don’t have to watch ‘icky’ scenes? I suppose I can see myself doing that J

[Just in case you don’t have perfect recall- the rest of your answer was really good parental advice, ‘expert’ or no:
“But I do think the key is to watch Dexter WITH your kids and not let them watch it alone. Oh, and when Dexter's over, put on an episode of The Office or something light and funny before bedtime. ”]

Greg responds...

Thanks. I do love watching TV with my kids. But we stick to shows THEY want to see that I don't mind seeing too.

Response recorded on August 02, 2010

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Chris Krause writes...

Hey Greg!

I had a question. I'm currently a theatre student in college. However, I've always had my hand in multiple areas in the arts. It was only my love for writing and acting that had me not decide to go to a strict art college (I had wanted to be a comic book artist for a long time).

I plan to move to California eventually and try to make it in the show-biz, either through acting, my art ability (I'm currently doing a lot with prosthetics/mask making) or writing. My question was how exactly you got into your current field of work? It's something that interests me, what with my love for comics both in writing and art. So basically, I was just wondering how you got started.

Any advice would be greatly appreciated!

Thanks,

--Chris

Greg responds...

Chris,

For a fuller answer, check the archives here at ASK GREG under topics like "Weisman, Greg", "Animation", "Biz, The", etc. As I know I've answered this before.

But the short answer is that I started as a comic book writer for DC Comics, while I was still in college. I then became an editor there for a couple years after college. Then I went to graduate school to hone my skills as a writer, while interviewing at various studios. I was hired as a junior executive at Disney Television Animation, got promoted a couple times, developed Gargoyles and became a writer-producer.

Response recorded on June 25, 2010

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Pixie writes...

All too often in cartoons (specifically nowadays) female characters fall into the role of giggling love interest, counterpart to a male character to eliminate homosexual themes or are just there to fill a demographic. Writers don't seem to know what to do with them after that.

That is why I would like to sincerely thank you for your part in fostering strong female characters like Elisa, Demona and Fox.

Also, what influenced you to write those characters the way you did? Did you have specific females from your past in mind or did you choose character traits from literature and sort of mesh them for a well rounded feel?

Thank you.

Greg responds...

I honestly don't know. I've always liked writing female characters. Two of my first (unfortunately unpublished) projects for DC Comics were Black Canary and Supergirl.

I just try to write honestly for them -- removing as many of my biases as possible -- just as I would for any male character. And the result -- for better or for worse -- is what you have seen...

Response recorded on May 17, 2010

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DICK GIORDANO, R.I.P.

Just over a week ago, Dick Giordano passed away. I've been meaning to write this ever since but haven't felt equal to the task. But it's time...

Dick was one of the all time great comic book inkers, but he was also the single individual most responsible for bringing me into the comic book business, which directly lead to me working in animation.

It's a story I've told many times, so feel free to skip down if you've heard it.

I was a nineteen-year-old college sophomore when Marvel Comics announced a New Talent Search. I was excited, but reasoned (correctly) that Marvel would be inundated with submissions. I also reasoned (rather cleverly) that if Marvel began a New Talent Search, DC Comics would too. So instead of preparing submissions based on Marvel characters, I immediately set to work, prepping stuff based on DC characters. Sure enough, DC announced it's search, and I immediately sent in my stuff. YEARS LATER, I saw the logbook that was used to log in each submission as it arrived. Mine was literally the second submission received.

It was duly logged in -- and then lost. (Likewise, years later, I found it in the DC offices in the back of a file cabinet.) DC still had my address in the log book. But not the submission itself. Because 70% of all submissions were artist submissions and only 30% were writer submissions, the person in charge of the talent search at the time took a chance and sent me a packet for new ARTISTS. I was OUTRAGED!!! Outraged, of course, in the way only a 19-year-old know-nothing can get outraged. So I sent a LETTER to DC Comics expressing my outrage. I said (lying) that I was a professional, and if they lost my submission, a simple admission of this fact would have resulted in me sending copies. There was no need to GUESS (incorrectly) that I was an artist and hope for the best. I stated that this was no way to run a business.

Somehow this letter found it's way to Dick Giordano's desk. Dick was at the time the EXECUTIVE EDITOR and head creative muckymuck at DC. Most guys in that position would have found a nice round file for my letter, but Dick was amused by it... and maybe a little impressed with (not the content) but the writing of it itself.

So sometime later, the phone in my dormroom rings. My roommate answers and says it's for me. "Who is it?" "Some guy named Dick Giordano." Now, I knew EXACTLY who Dick Giordano was and figured there was no way I was getting a call from him. So I got on the phone assuming it was one of my geek friends playing a prank. Nope. It was Dick. He wanted to meet me and asked if I had any plans to be in New York City. I (lied again and) told him that coincidentally, I was planning to be there over spring break. He invited me up to the DC Comics offices, and we set a date and time.

So I scraped the money together to buy a plane ticket, crashed at my cousin's apartment, put on a SUIT (what did I know, it was a job interview, right?) and headed out during a torrential Manhattan rainstorm to FIND A CAB to take me to DC. (Somewhere out there New Yorkers are laughing at the thought of me trying to find a cab in the rain.)

Ultimately, I found one, but not before I was (despite an umbrella) soaked to the bone in my stupid suit. I arrive at DC looking more like a drowned rat than a professional writer (which, of course, I was not), and met with Dick. And we hit it off. He was great. From Day One, he believed in me and tried to get me freelance work. He eventually gave me a job as an Editorial Assistant (read Xerox boy) and quickly promoted me twice over twenty-one months to Assistant Editor and then Associate Editor.

I was impatient, of course. I couldn't stick it out, and moved back to Los Angeles to go to grad school and eventually start a career in animation. I remember how disappointed Dick was. How he tried to get me to reconsider, but how he also supported my decision, when I made it clear it was final.

After that, every time Dick and his right-hand woman and good friend Pat Bastienne came to Los Angeles, they would take time out to meet with me. They met my fiancee Beth long before she became my wife. They were both always cheering me on. Eventually, Dick retired from DC and moved to Florida, and we lost touch. Which is on me. And I regret it.

When I heard/saw that he had passed at age 77 from complications from Leukemia (over the same weekend when my Grandmother turned 100), it was a real blow.

Dick was a terrific and extremely talented guy, and I owe him just... TONS.

Thank you, Dick. You will be missed.

Greg Weisman
April 2010


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HAPPY CENTENNIAL GRANDMA SUE

Hey guys,

I've been on vacation (SPRING BREAK!) and busy with a bunch of stuff, so haven't been able to stop by recently, but I didn't want this major event to go by without notice. Last week, my Grandmother turned 100.

Of course, my brother beat me to it, writing more eloquently than I'd be able to, so I'm going to link to his website, which has neat pictures too!

http://bit.ly/b4GAI2

As my cousin pointed out at the LARGE family dinner we had this past weekend, when Sue Weisman was born, the Ottomans had an empire, as did the British and the Russian Czars, and Sue-Baby has outlast them all. The changes she's seen... living through World War I, the Depression, Prohibition, World War II, the invention of radio, television, computers, etc. It's a completely different world. And she's still sharp and funny and a joy to be around.

So happy birthday, Grandma Sue! Here's to 100 more!


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Balron writes...

Hello Mr. Weisman
I just wonder do you take time to draw as well as write? With the free time you have, have you ever thought of returning to your artist roots and just letting it take you over to relax your spirit? I am a painter, and I always find landscapes to be the most relaxing works of art to practice. Do you have a favorite fine-art style you like to work on?

Greg responds...

It's not a matter of time but of talent. And when it comes to drawing... I have none. And I have NO "artist roots" unless you're counting the one basic drawing class I took in college. I'm not sure where you got the impression that I'm any kind of artist.

And by the way, I have free time? It is to laugh.

Response recorded on February 24, 2010

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Bazell writes...

I hope this isn't too personal, but I see online that you went to Stanford and U.S.C.
What were your specific degree with which you graduated?

Greg responds...

I received a Bachelor of Arts degree (B.A.) from Stanford in English with an emphasis in Fiction Writing.

I received a Master of Professional Writing degree (M.P.W.) from U.S.C. with an emphasis in Playwriting.

Response recorded on November 12, 2009

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Hermione R.I.P.

Our basset hound Hermione passed away in her sleep yesterday. She had a large inoperable malignant cancer tumor, so it wasn't a shock.

I know it must seem like we go through these dogs rapidly, but that's because my wife and kids always choose elderly dogs from the Basset Rescue Ranch, because they feel that everyone always wants the puppies and young dogs, and the old ones never find a home. So we get dogs. They're old. They die. My family grieves. And we start the process again... all too often, I guess.

We still have one basset left, Murray. Plus our cat Emmy. I'd like to put off getting any more pets for the time being, but it's never up to curmudgeonly me.

Hermione was a handsome girl, definitely the Alpha Female of our pets. Very common sense. We'll miss her.


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Count Orlok writes...

Just wanted to thank you for answering my last question... :) ... and ask you another.
Throughout the run of Gargoyles there were numerous references to various works of literature in its many forms (classic literature, Shakespearean works, philosophy and politics, comic books and graphic novels, horror, gothic romance, science fiction, fantasy, world mythologies, etc.). I recall being an avid fan of all of these literary genres or categories when I was very young, but Gargoyles certainly helped to further interest me in them. Other than the obvious works that you've made allusions to in the series, what do you like to read?

Greg responds...

Lots of stuff. I'm listening to Charles Dickens' "Great Expectations" on CD in my car these days, and LOVING IT! (Of course, I've read it at least twice before.)

Generally, I read a lot of detective fiction, with my favorite author being Ross MacDonald. And as I've stated before, I'm a huge William Faulkner fan.

Response recorded on July 28, 2009

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Antiyonder writes...

An aspect that often attributed to Spider-Man's success is that the audience can, has or had related to him. With that said:

1. As far as Spidey's civilian life (because I have serious doubts that you have superhuman strength or can stick to walls or have a spider sense) goes, do you or have you related to him in any way?

1a. If yes, then how?

Greg responds...

1. I think Pete's an everyman in the classic archetypal sense. He has money troubles, girl troubles, family troubles, job troubles, etc. So sure, I can relate.

1a. What, you want personal details from my life? Sorry.

Response recorded on July 27, 2009

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Bazell writes...

Personal question:
Do you read nonfiction? I enjoy the polar opposition memoirs and essays provide to the wonderful fantasy that you are known for which is my other love.

Asking as one writer to another, do you keep a journal?

Greg responds...

I do keep a journal, though I'm inconsistent about writing in it.

I do read non-fiction sometimes.

Response recorded on July 14, 2009

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Anonymous writes...

Does the real Gisela have that great spirit and did she ever live in Mexico?

Greg responds...

Actually, I knew a Gisela from Mexico. She and her brother Alex went to the same summer camp, Bear Pole Ranch, as my siblings and I did.

Of course, I have no idea what YOU are talking about here.

Weird, though, huh?

Response recorded on July 06, 2009

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Harlan Phoenix writes...

So, what's Midtown High student Greg Weisman like?

Greg responds...

I know you're kidding, but I'm not quite getting the joke.

Response recorded on July 03, 2009

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David B. Jacobs writes...

Hey, Greg!
I've got for you a very in-depth question: How did you get to where you are today? What kinds of steps did you take? If you could give specifics, I'd be quite happy.
You see, I myself would love to go into the business of TV and film, and I frequently identify myself with you (in a non-creepy way - I mean regarding style and that kind of stuff).
Thanks!

Greg responds...

I've answered this in depth and with specifics before. Check the archives for a more detailed answer.

Generally, I'd say the first things you need to do, if you haven't already are...

1. Finish your formal education.

2. Move to Los Angeles.

3. Read, write and proofread a lot. Practice. Learn that your first draft may suck, and that even your second draft may need shelving.

As for my specifics...

*Bachelors from Stanford in English with a Fiction Writing emphasis.
*Started working as a writer for DC Comics as a 19-year-old while still in college.
*Moved to New York to work in comics, cuz that's where THAT action was.
*Masters from U.S.C in Professional Writing with an emphasis in playwriting.
*Staff Assistant at Disney Television Animation.
*Eventually promoted to Director of Series Development.
*Developed Gargoyles and moved sideways to produce it.

Etc.

Response recorded on June 29, 2009

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Last Gathering

The announcement has been made that the current Gathering of the Gargoyles (the thirteenth annual) will be the last in this form. I'm saddened by this of course, but even more saddened by some of the vitriol I've seen toward the constaff. So I posted this at Station 8:

Hey folks,

Thought I should speak up. In part to defend my friends, I suppose, but also just to make my position on all this clear.

I'm the person who suggested we end the thing. Me. Frankly, I was simply horrified to discover how much of their own MONEY the con staff was putting toward the convention year after year... with it costing them increasingly more with each succeeding convention and with attendance falling at a steady clip. And that's on top of the incredible amount of hard work that these people put in. There have been other individuals and groups who have run individual Gatherings here and there, but most burn out after one year and don't do it again. This group volunteered their time year after year. Stuck with it when others wouldn't. They deserve praise, not scorn.

Are they my friends? Of course. Are they loyal to me? I think so. I like to think I'm just as loyal to them. Are they cliquish at times. Yeah. I've noticed that too. It happens with any group of people who work very hard together to do something and, frankly, feel largely unappreciated for their efforts. They get tight.

But I don't buy the notion that this is an impenetrable clique -- especially since new members join the group all the time. I've known some of these folks for over a decade. Others, just for a couple years. And even if you aren't admitted to this so-called "Inner Circle", what difference should that make? The Gathering is big enough for multiple cliques. Big enough for you to bring your own clique. The Gathering has interesting and informative events whether or not you're in ANY clique.

When someone asks "Why would I want to give any money to hang out with people who have no interest in including me?" I think the question itself is off point. They're throwing you a convention! They're including you! Does that mean they have to personally enjoy your company? Personally, spend time with you? That's unreasonable. You may be great. You may be annoying. I don't know. But they don't have an obligation to coddle you. Just to put on a great show, which I think they've done year after year.

And you're not paying to spend time with them anyway, you're paying to attend the con. Or not. No one's holding a gun to your head, but then don't complain if the thing isn't somehow able to continue indefinitely on SOMEONE ELSE'S DIME.

Don't get me wrong. No one is going to miss the Gathering more than I. I think there's some real truth to the accusation that the thing became Greg Weisman's annual ego boost. Because without a doubt it is a HUGE ego boost for me personally. Year in and year out, I have a blast. I'm treated VERY well, and I enjoy that treatment. I'd be lying if I said otherwise.

But it's not as simple as that. For starters, the reason that the con has consistently featured me and the various series that I've worked on is because I'm willing to do the work to help put the convention together. Frank Paur, just as an example, is ALWAYS welcome, but he doesn't always choose to come. I ALWAYS want to be there. So it's something of a not-so-vicious circle. I provide the convention with contacts -- and the convention uses those contacts to hold panels on Starship Troopers or WITCH or, this year, The Spectacular Spider-Man. All of which is an attempt to INCREASE the attendance by bringing in other fandoms and exposing them to Gargoyles. It's worked to some degree, but not enough.

I've also provided contacts for shows like Darkwing Duck and TaleSpin and Kim Possible, and we've had panels on those that I wasn't a part of because my involvement on those series was nearly non-existent. But I knew those guys, so I got 'em to come. I'm sure everyone would have loved it if I had gotten, uh, say, the Avatar/Last Air Bender guys to do a panel on that show. Trouble is, I don't know those guys. So no luck.

And, hey, I did create the show that we're theoretically celebrating. I am the guy who's fought to get the DVDs and the comics, etc. It's because of the fandom that I never gave up. But it doesn't change the fact that I'm the guy who never gave up. So maybe it's not SUCH a bad thing that I've been the primary beneficiary of the con. Or maybe it is. I'm not going to worry about it.

What I am going to do is enjoy the last convention. I really think we'll be going out with a bang with a ton of special guests. And, ironically, because of the low attendance the BEST FAN-TO-PRO RATIO you'll find at any convention EVER!!! If you can't afford to come this year, we're very sorry. We'll miss you. Really. But if you can, you should try, because once again, I think it'll be a great show.

But of course I'm biased. ;)

And as Jennifer pointed out, if anyone else wants to have a Gargoyles convention in 2010 or 2011 or 2198, no one's stopping you. I'm still willing to attend, still willing to help. Or willing to stay away, if that would be best. But I'd advise thinking long and hard about both the time commitment and the financial aspect of it before jumping in. Cuz it's tough. Not for me. It's easy for me. But for whomever happens to be the constaff in any given year, it's a lot of work and not cheap.

Now, I suppose for some people, all I've done in this post is prove their point. I'm tight with the constaff. They're tight with me. All true. But they've still put out an open invitation year after year to friends and so-called-foes alike. All they're really saying is that they're done. You think you can do better? Go for it!

Greg Weisman


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Animation Fiend writes...

Hello. Does Greg have a MySpace page?

Greg responds...

Nope.

Response recorded on June 03, 2009

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Greg Bishansky writes...

Just a comment on an archetype that seems to be a theme in your shows. I can't help but notice that the series you produce are populated by tricksters.

Puck is an obvious and classic example, the original trickster. Also, "Gargoyles" has Raven, Anansi, and Coyote who were also literal tricksters.

Beyond that, one of the lead villains, Xanatos, was a trickster... he even said so himself. That's an interesting choice of archetypes for the primary antagonist.

Thailog, while you've cited the bastard archetype often enough, outside of that, he seems like a trickster as well. Which makes sense since he was programmed by one. Granted, he's a more malevolent trickster than Xanatos, but he still displays those characteristics.

Meanwhile, over in in "Spectacular," you have Spider-Man as, perhaps, the most benevolent trickster you have yet to write. Fitting, he is the hero after all, and the people he acts like a trickster towards usually have it coming.

And, of course, you have a more sinister trickster in Green Goblin, hie arch-nemesis.

I know from personal experience how difficult tricksters can be to write, as I've often had to jump through hoops to do it right,

I haven't seen WITCH so I have no idea if this archetype shows up there or not. But it seems to me like the trickster archetype is a favorite of yours to write, and you do it so well.

So, does it just come naturally? Is Greg Weisman a trickster himself, or do you ever find yourself jumping through hoops as I sometimes do to create schemes worthy of the trickster you're writing?

Greg responds...

There's some definite hoop-jumping going on. Personally, I'm more of a bastard than a trickster. But I do enjoy both archetypes, so I do the work to make them worthy.

You'll notice, however, that each of the tricksters you named, with the exception of Xanatos, were based on existing sources, which helps. As for Xanatos, he was a variation on General Eiling (from Captain Atom), who was more of a bastard. And Eiling, in turn, was loosely based on Captain Kirk, or rather a dark mirror of Kirk (and, no, that's not a reference to the "Mirror, Mirror," as the Mirror Kirk in that episode couldn't fool anyone).

Thailog is more in the classic bastard mode than the trickster mode -- at least in my mind -- though I'll admit there's definite overlap between the two archetypes.

Response recorded on May 28, 2009

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Malinda writes...

I was wondering if you or someone else illustrated this show?

Greg responds...

I'm not sure which show you're referring to, but in any case, I don't draw.

Response recorded on May 26, 2009

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RTS writes...

*SPIDEY SPOILERS*

Hi Greg.

Great work on Season 2, I might not know exactly how the system works, but I see no reason why it shouldn't be renewed. Hopefully by the time you answer this you will have good news to tell about that, but for now, a few questions regarding what's been done so far.

1) In season 2 episode 8, "Accomplices", we see Black Cat spray something onto a window before going through it, we then see the window wobble around or something after she goes into the vent. What did she do to the window, exactly?

2) Was the lead into Hobie Brown first speaking in the role of Puck something you planned well ahead of time, or did Hobie's silence become a running joke before you made that decision?

3) On the subject, any chance that you tried to get Brent Spiner to do the role?

4) In "Growing Pains", I couldn't help noticing that a certain "Greg Weisman" is named on the cast list shown at the end. I was just wondering whether you have ever performed any role in "A Midsummer Night's Dream", since it is mentioned in one of the FAQs that you've taken acting classes in the past.

5) You're the best. (This isn't a question)

Greg responds...

SPIDEY SPOILERS!!!!!!

1. First she melted the real glass with acid. Then she replaced it with a reflective "paper" that mimicked the look of the glass. Sorry if that wasn't clear.

2. The former.

3. The role of Hobie? No.

4. Yes, I've been in "Midsummer" as Theseus and in another production as Philostrate.

5. Right back at ya.

Response recorded on May 20, 2009

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Steven writes...

Hi Greg, just want to say that the job you guys did on Spectacular Spider-Man( I remembered the hyphen ) was awesome. I've seen all the 26 episodes so I have one question.

I thought you were pretty good as Donald Menken. Definitely your best voice over work since "Nice Mask." But how did it come about that you were cast as Donald? Was it a budget thing or were you just messing around in the booth and someone thought you'd be perfect for it?

Greg responds...

SPIDEY SPOILERS!!!!!

Uh... yeah, someone thought I'd be perfect for it. Me. Well, maybe not perfect, but I decided I wanted to do it. (It helps to be the boss.) Definitely wasn't a budget thing. It cost MORE for me to do it.

Response recorded on April 08, 2009

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Derek R. writes...

Have you ever considered writing for video games? You're really good at creating unique worlds within the shows you've worked on... everything and everyone seems connected and intertwined in the new spiderman and gargoyles series. I think you could write a killer game franchise.
PS maybe pitch a gargoyles game or spectacular spiderman game... ;)

Greg responds...

I'd love to, but nobody has hired me to write one.

Response recorded on April 01, 2009

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Masterdramon writes...

Hi! Nice to see you back from your "AskGreg" break; I hope that things are going well for you.

Like many fans I have seen "The Spectacular Spider-Man" Season 2 via YouTube already (though I'll still be watching the series as much as possible on television in order to support the ratings). One of the coolest extras (without getting into too much spoiler territory) of the season was hearing you voicing Donald Menken, Norman Osborn's right-hand suit. You did a very admirable job at portraying a very flat, all-business character, which is exactly what I would expect from Menken (even though most Spidey fans probably have no idea who he is).

Given that (as far as I know) your only previous foray into voice acting was the commando who says "Nice mask!" in "Awakening Part II," how did you end up being selected for this voice role (which was obviously a lot more significant than the commando; in episodes 21 and 26 in particular the character played a vital role)? Did voice director Jamie Thomason ask you to play Menken, or did you volunteer? Or was there some other circumstance altogether?

Thank you for your time, and good luck with your work!

Greg responds...

SPIDEY SPOILERS!!!!!!!!

I've done a bit more voice acting than just "Nice mask!" Some work in video games and anime, for example.

As for how I got Menken. Um... the Supervising Producer and Story Editor pulled rank and pretty much just stated that I'd be playing the part. That meant Jamie was stuck with me. He did the best he could with what he had to work with.

Response recorded on March 31, 2009

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Geoff writes...

I know people have been asking about whether or not an animated continuation of the Gargoyles show will happen, but I wanted to ask something more specific:

Have you ever thought of turning Gargoyles into an anime (possibly done by my favorite producers, Madhouse)?

And, a personal question:

Do you like anime, Greg?

Greg responds...

I like some anime.

Response recorded on October 22, 2008

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Todd Jensen writes...

You mentioned that one of your new dogs is named Hermione. Was she named after the Hermione of Greek mythology (the daughter of Menelaus and Helen of Troy), of "The Winter's Tale", or of the Harry Potter series?

Greg responds...

I don't know. She came with the name Hermione from Daphneyland, the basset hound rescue ranch.

See http://www.daphneyland.com/

Response recorded on October 14, 2008

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James Lipton writes...

I would like to thank Greg Weisman for being here today and to share with us. Many of us know Greg's work as a writer in the comic medium and his endeavours into animation. I myself am particularliy fond of his forays into the world of self expression through the form of facial hair combined with hawaiin shirts. And now the questionnaire used by Bernard Pivot:

What is your favorite word?

What is your least favorite word?

What turns you on creatively, spiritually or emotionally?

What turns you off creatively, spiritually or emotionally?

What sound or noise do you love?

What sound or noise do you hate?

What is your favorite curse word?

What profession other than your own would you like to attempt?

What profession would you not like to do?

If Heaven exists, what would you like to hear God say when you arrive?

Greg responds...

Sorry James and/or Bernard... but I can't even summon up the energy to make smartass responses to these questions. They just don't interest me.

Response recorded on October 09, 2008

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TheRedOne writes...

Personal question about your taste in music: what's your favorite kind of music to listen to? Im a country fan meself

Also, related to music, I know that youre not a fan of Gargoyles fanfiction (which makes perfect sense since its an ongoing story) but what do you think of fan-made music videos (or even fanart for that matter)? While listening to a country station today, one of my favorite songs came on. Its called 'Put A Girl In It' by Brooks and Dunn. Since I had Gargoyles on my brain at the time, I thought it would be a perfect song to describe the Trio before Angela arrived on scene. But do you also ignore AMV's like you ignore fanfiction?

Greg responds...

I have somewhat eclectic and perhaps old-fashioned tastes. I find myself listening to standards at work online at the Lounge.

Check out: http://webclust1.liquidcompass.cc/sos4cust/SMCM/audio_player.php or http://www.martiniinthemorning.com/page.php?9

Response recorded on October 03, 2008

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Movie-Brat writes...

You went to college with Heather Langenkamp and dated her? That's cool, I never knew that. But I guess you learn something everyday, right? :)

Anyway, how was she? Did you had a good experience with her?

Greg responds...

She was a very nice person. I like to think we had a good time. I know I did. But I don't want to make it sound like more than it was. For all intents and purposes, we only really went on one real date. We hung out a bit -- did a couple scenes together in drama class -- but we were never exactly an item.

Response recorded on September 29, 2008

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IT WAS TWENTY YEARS AGO TODAY...

IT WAS TWENTY YEARS AGO TODAY...

On September 4th, 1988, I went on a first date with this amazing woman. We went to an apartment warming party for my friend Mike Ryan. My car -- actually my sister's car -- had it's horn literally hanging from the bottom of the engine by a wire, so I had to ask her out AND ask her to drive. (Who knew she'd like that?) At the party -- where she knew no one and I knew everyone -- she fit right in. My friend Cameron had just purchased a new camcorder and was practicing with it. Years later, he would give me a copy of the tape -- a tape of our first date -- full of fades and truck ins and other first-timer camera tricks. After the party, we dropped me off at my place, and I invited her upstairs. We talked for hours and hours. I did EVERYTHING they tell you not to do, including talking about multiple past relationships. And yet somehow as morning came, she still liked me.

Beth and I have been together for twenty years now, and... thank God... she still still likes me. After two apartments, we're on our second house, our third cat and our fourth and fifth dog. Plus, you know, the two amazing, amazing kids.

We have many anniversaries in my date book. Engagement. Finding out she was pregnant with Erin. Finding out she was pregnant with Benny. Our wedding, of course.

But this is still my favorite anniversary. This is where it all began.

I love you, Beth. Happy Anniversary.


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Anonymous writes...

did you ever get bored of cartoons and stuff and thought of doing something scientific?

like having stuff with a chick?

Greg responds...

I can't tell if I'm being dissed here. "...something scientific"? "having stuff with a chick"? What does that mean?

As to whether or not I get bored with "cartoons and stuff", the answer is no, though I'll confess that I'd love to be doing live action -- for the money.

Response recorded on August 22, 2008

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Jon writes...

I have heard that season three of Spectacular Spider-Man is running trouble, and you might have to leave if season 3 dosen't start production. I'm starting to worry. Please tell me, on a scale of one to ten (ten being you're staying, one being you're leaving)ehat are the odds of you staying? I know season 3 will probably come at some point (I hope) but you and the crew aren't there, it won't be the same.
thanks alot,
Jon

Greg responds...

I can't give you numbers. They still haven't picked us up for Season Three, and today we had a farewell party for the majority of the crew (that is the majority that still remains -- many have already been laid off). This includes our character designer Sean "Cheeks" Galloway. After a few more weeks, we'll be down to myself, Vic Cook and our post-production team. We're hoping when we get a pick-up that we'll be able to bring the whole crew back more or less intact, but we already know that a few individuals on our staff already have new jobs and probably will not be coming back. Vic and I and our post-team are on until early January. One would hope we'd get the pick-up by then, but if it doesn't come soon I'll HAVE to look for a new job. Preferably a new job that will allow me to come back and do Spidey if/when (probably WHEN not if) it's picked up. But beggars can't be choosers, you know, and I have a mortgage to pay and kids, dogs and a cat to feed.

By the way, after losing all our pets over the last year, we have two new (not young but new) Basset Hounds, Murray and Hermione, and a new cat (Emmy).

Response recorded on August 21, 2008

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Rose92 writes...

I hope there's going to be a live-action movie of Gargoyles, question for you, Greg. Are you a director or something?

Greg responds...

Not in the sense you're suggesting. I've voice directed, but mostly I'm a writer-producer-story editor-development guy.

Response recorded on June 17, 2008

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alex and Jemaa writes...

wats your name >?

Greg responds...

Gregory David Weisman

Response recorded on May 28, 2008

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Darren writes...

Which cartoons did YOU watch when you were younger? Did any of these inspire you?

Greg responds...

I'm SURE I've answered this before, but...

I watched TONS of cartoons when I was a kid. And I'm sure MANY influenced me. The ones that seemed to most spark my imagination included...

SPACE GHOST
JONNY QUEST
HERCULOIDS
THUNDERBIRDS (does Supermarionation count?)
SPIDER-MAN
SUPERMAN-BATMAN-AQUAMAN HOUR
SPEED RACER
SCOOBY DOO
FRACTURED FAIRY TALES
ROCKY & BULWINKLE
THE FLINTSTONES

That's really just a partial list.

Response recorded on May 07, 2008

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Anthony Tini writes...

Greg,

I don't know if it gets said enough, but I just wanted to say thank you for being you.

Greg responds...

Whom else would I be? ;)

Response recorded on March 31, 2008

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R.I.P. SAMMI

Our basset hound Sammi went into complete renal failure and had to be put to sleep today. We didn't get her or Abraham until both were senior citizens but they both gave us some wonderful years, and Sammi will be missed. She was a very, very sweet girl. Smart too -- most of the time. This is the first time that we've had no pets at all since Beth and I got Bigtime as a kitten in 1991.


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Todd Jensen writes...

I'd also like to give you my condolences over the recent passing of your dog Abraham.

Greg responds...

Thank you. It was very sudden, though he was very old for a Basset.

Response recorded on December 04, 2007

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RIP Abraham

He was a sweet old dog. We'll miss him.


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Charisma82 writes...

Hey! Do you ever miss teaching in a classroom setting, like at a school? I seem to remember you saying that you taught English at a college. I am in the process of becoming a high school English teacher (though most people think I'm crazy to do so), & I was wondering what your favorite part was about teaching English, & what you might have done differently.

Thank you for your time and all that you do.

-Charisma82

Greg responds...

I do sometimes miss the classroom itself. But I hated reading papers. Once in a blue moon I'd read something that really... sang... but otherwise, it wasn't too fun. Even the good papers weren't exactly my idea of fun reading. Grading just isn't fun in general. But I like the classroom (most of the time). I guess it's the performer in me, maybe. But I liked imparting stuff too.

What might I have done differently? I don't know.

But I admire what you're doing. I had a number of great and very inspirational high school English teachers (Mrs. Diskin, Mrs. Wardlaw, Mr. West, Mr. Holmes, Mr. McGrew and Mrs. Wardlaw again) without whom, we would not be sharing this forum.

Response recorded on November 01, 2007

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Todd Jensen writes...

I should probably have mentioned this much earlier, too, but I'm sorry about the passing of your cat Bigtime. Especially since I remember what it's like to lose a cat whom you've lived with for a long time.

Greg responds...

Thank you, Todd. Bigtime was a great cat and the first pet that Beth and I got together as a couple after we were married.

Response recorded on October 18, 2007

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RIP BIGTIME

Skittle Skattle Kittle Kattle Bigtime Bitey Kitty Purrmobile Boy...

Great darn cat.


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Antiyonder writes...

Given that you've read and wrote some comics, just thought I'd ask:

1. Do you still hold onto some of the older comics you've collected?

2. If no, then do you still have copies of the comics you've wrote and/or edited?

Greg responds...

1. Yes.

2. Yes, most of them.

Response recorded on July 03, 2007

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Gathering 2007 - Insta-Journal, Part Eight

SUNDAY, JUNE 23rd, 2007

Despite going to bed at 4am, I woke up for no good reason at 5:30am. Stayed in bed for 45 minutes, hoping I'd get back to sleep. No go. So I got up and worked. Checked my e-mail, did an Insta-Journal and worked on the outline for Spider-Man episode #7. Jamie Thomason, Gargoyles & Spider-Man voice director, called, and we reviewed the recording script for Spidey ep. #4. Then at noon I went to my first panel of the day: Gargoyles Physiology & Culture with Lynati and Jade. It was truly a fascinating panel for me. I love hearing and talking about this stuff. At 2pm, Karine and I had the Gargoyles & Bad Guy Comic Book panel. Since, I'm reluctant to reveal too much beyond issue #5 (since everyone at the Gathering saw #5 the night before), the panel turned into a fan marketing seminar. But I guess that's okay. At 3:30, I met with Ted, a Cartoon Network writer to discuss a project we're working on together. Then at 5pm came the Banquet. I sat with Karine, Samuel, Thom and Nikki. The food was very good. I really liked the Apple Pie. We had one more Q&A, led by Abbie, mostly, who is VERY enthusiastic and fun. After that, Thom and I played Air Hockey. People began to gather, and I beat all comers (Thom twice, Ed, Yami Raven) -- except Flanker, who beat me twice. Our last game, I was winning at one point 6-2 and I just lost all energy, like someone flipped a switch. I only needed one more goal, and he still beat me 7-6. Next came the Masquerade. The big winner -- best in show -- was Aaron as Hal the Gargoyle Halloween King. AMAZING costume. There was some dancing and singing and lip synching. After that, Mike and Tracy helped Thom, Susan and I record a You Tube promo for G2008. I went back down to the Masq, but I was pretty tired. Stopped by Jennifer, Gore & Karine's room and then went to bed. Slept for SEVEN hours, which for me is just great!


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TiniTinyTony writes...

You mentioned in your Gathering 2007 - Insta-Journals, that you had the opportunity to see Ocean's 13 and Knocked Up with your wife Beth? I'd love to hear your reviews of them and any other movies you happen to see or plan on seeing this summer in a "Ramble" if you find the time.

Speaking of your wife Beth, is Elisa's sister named after her? Does that make her your favorite character?

Speaking of going out and seeing movies, have people on the street ever stopped you and said, "Hey, are you Greg Weisman?" and asked for your autograph?

Greg responds...

Rambles on movies when I have time... not opposed, but I don't know when I'll have time. Basically, I enjoyed Waitress the most. But I also enjoyed Ocean's 13 and Knocked Up. Didn't think they were great films, but I enjoyed 'em.

Beth Maza is named after my wife. But I love all the Gargoyles characters. Beth is my favorite wife though.

And, no. That has never happened.

Response recorded on June 25, 2007

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Matthew writes...

I know you read the Buffy season 8 comics. Are you following any other series?

Greg responds...

At the moment, I'm following Buffy, Justice League of America and Aquaman (or whatever it's called), but mostly I'm reading the Marvel Essentials -- when I have the time.

Response recorded on June 25, 2007

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Gathering 2007 - Insta-Journal, Part Five

THURSDAY, JUNE 21st, 2007

Travel day. Beth and I got up early, packed, checked out and finally had a breakfast at our bed and breakfast. (Eggs Benedict.) Then we drove to Boston, where Beth dropped me off at Logan Airport before heading back to Nantucket to join the kids and her folks. I bought a Dunkin Donut at the airport, reviewed the outline for the 11th episode of Spidey, listened to audio for the second and third episodes, began the Kandell book and flew to Washington Dulles, where I ate a bag of my Cape Cod chips. Got on the plane to Knoxville, and slept uncomfortably through most of the flight. Landed in Knoxville, where I was picked up by Kathy Pogge, who drove me to Pigeon Forge. Got to the Grand Hotel and into my room. NO INTERNET SIGNAL in the room. Crap. (I'm currently down in the lobby typing this.) Had to spend a lot of time on the phone long distance to Spidey folk, which held up the staff dinner. (Apologies.) Finally, I made it downstairs, and fifteen of us... (me, Kathy, Jennifer, Nikki, Karine, Thom, Samuel, Susan, Patrick, Tony, Andrea, Jenn, Lynati and... and... ugh, forgetting, sorry) went across the street to the Japanese (bennihana-esque) restaurant. Great food. Sushi, steak, shrimp, lobster, veggies, salad, soup.) Fun. Yep, the Gathering has *un*officially started! Back to the hotel. I'd love to just hang out, but I have so much work still to do this week.

MORE TO COME...


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Gathering 2007 - Insta-Journal, Part FourQ. .

WEDNESDAY, JUNE 20th, 2007

Went to bed late after finishing an edit on the sixth outline of the Spectacular Spider-Man -- and then woke up early again for no good reason. Beth and I drove to Hyannis to tour the Cape Cod Potato Chip Factory. On the way, I finally got that haircut I've been desperately needing. Today it rained, the first lousy weather day since we arrived in New England. The weather's been universally great. After the Potato Chip factory, we went to a mall so that I could buy a book. Bought a couple mysteries, the latest Cece Caruso by our friend Susan Kandell, and what I think is the first Michael Connelly Hieronymous Bosch mystery, which I've heard is great. We had lunch, and then went to see Knocked Up. Then back to Eastham. Relaxed for a bit, then went out to dinner at the Marconi Beach Bar-B-Q. Some good pulled pork.

More to come...


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Gathering 2007 - Insta-Journal, Part Three

TUESDAY, JUNE 19th, 2007
Beth and I slept through the "Breakfast part of "Bed & Breakfast". Got up at a leisurely pace and went to Dunkin Donuts instead. Then we drove down to Provincetown. We parked and walked up the hill to the Provincetown Museum and to the Pilgrim Monument, which we climbed. Then we walked back into town, had really bad pizza, and walked around Commercial Street, which is aptly named. Drove back to the room, and I worked a bit. Then we went out to dinner -- good food at the Wellfleet Restaurant & Bookstore (though I was disappointed to find the bookstore part closed), clam chowder, steamed mussles. We went to see Ocean's 13 and then Ben & Jerry'd our evening away.

More to come...


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Gathering 2007 - Insta-Journal, Part Two

MONDAY, JUNE 17th, 2007
Worked on episode six of Spidey, then went to bed about 2am (which is good for me). But I WOKE up for some reason at 6am. Had bacon and eggs for breakfast. And read the outline for episode ten of Spidey. (I've been working up a storm. Joe Dedicated, that's me.) Later, Beth and I went for a walk and met my father-in-law and my kids at a bike store, where bikes were rented for the kids. Erin, Benny, Beth and I had pizza and smoothies for lunch, then we returned to the house.

Beth and I picked up our luggage, and -- after saying goodbye to my kids and mother-in-law -- my father-in-law dropped us off at the ferry to Hyanis for a few days of husband/wife time. We took the ferry to the Cape, rented our car and drove to Eastham, where we checked into a lovely room at the Penny House Inn. We napped a bit, and then went out to dinner at the Lobster Pool, where we had excellent and cheap lobsters. Then Ben & Jerry's. Then mini-golf. Then we saw the movie Waitress, which I enjoyed. (Beth, not so much.) Then back to the room...

More later...


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Gathering 2007 - Insta-Journal

As always, I'm hoping that all of you who attend the Gathering this coming week in Pigeon Forge, TN, will post Gathering Journals (of any length) here at ASK GREG. This is useful, as it provides one location for me to refer various PTB types when they want to learn more about the Gathering. The more journals we get here, the more FAN PRESENCE we seem to have. One of these days, I'd like to see 100% journalling, but then again one of these days I'd like to see a Gathering attended by thousands of people...

Anyway, can't ask you to do what I'm not willing to do myself. ASK GREG will open for submissions the day before the Gathering and stay open at minimum through the end of July. But in the meantime, I'll be posting about my own trip...

FRIDAY, JUNE 15th, 2007
Got up early, because I had a VERY busy day ahead of me. First off, a "The Spectacular Spider-Man" voice recording. We had to quickly finish off Spidey's lines for our second episode (which had largely recorded the week before), because we had an editing session that afternoon. When that was done, we had to record nearly all of our third episode with most of our cast. We started out by getting the actors who only had a few lines each (less than ten) out of the way. Then we brought in the rest of the cast for the bulk of the episode. We had done a couple of the actors the day before, and nevertheless we still nearly ran out of time. ARRGGHH. We just made it in under the wire. But I'm hoping that starting with our fourth episode (after I get back) things'll be less crazy, and we'll start recording one complete episode at one session and NOT run out of time.

After the recording, Supervising Director and Producer Vic Cook -- a former Gathering attendee -- and I crossed the street for our edit session. Terry, our editor, had quickly cut in the lines we had recorded that morning, and we completed our natural pause edit with him, often tightening and overlapping lines to make the dialogue play both more naturally -- thus NATURAL pause -- and punchier.

All this took much longer than I had hoped. I was really hoping to get a haircut on Friday, but didn't get the chance. I might try to get one on Cape Cod, but if not, I may be looking pretty scruffy at the Gathering.

I also got a bit of scheduling news on the project that meant that I basically will have to work through my entire vacation. It's a bit of a bummer, as only a day before I was told I didn't have to. But that's life, when you're the"boss" on a show that has a lot of bosses over the "boss". I'm thrilled to have the gig, but it can definitely be exhausting sometimes.

Went home. Checked e-mail as quickly as I could, as I had been at the recording studio all day and not at the office. Packed. Had a grilled cheese sandwich. Raced to Larchmont Village to deposit my paycheck and throw some bills in a mailbox. Raced home. Got in the car with Beth, Erin and Benny and headed for the airport.

We arrived in plenty of time, which is a relief. We all had carry-on baggage only, so that saved us a step too. The kids and I got smoothies, and we waited.

Red-Eye to Boston. Slept some -- through Wild Hogs apparently. Read the revised writer's outline to the seventh episode of Spider-Man. Watched what seemed to be a heavily edited version of "Shooter" and a very funny "The Office" episode. Landed in Boston.

SATURDAY, JUNE 16th, 2007
Ate breakfast at Johnny Rockets. Boarded our flight to Nantucket. Read the revised writer's outline to the eight episode of Spider-Man. Landed in Nantucket. Beth's father picked us up at the airport and drove us to my in-laws' home. Unpacked. Went for a little walk with Beth, the kids and Beth's mom. Had lunch. And took a six hour nap. Got up for dinner. Skirt steak, salad, corn, homemade Banana ice cream (made by my father-in-law and the kids while I slept). Then went to work, checking e-mail again... and editing the Record Draft for the fourth episode of Spidey. Was going to start editing the outline to the sixth episode, but I was sleepy, so I went to bed at midnight, which is stunning for me --- even if you DON'T take into account that by L.A. standards it was really only 9pm. Since I've routinely been going to bed over the last few weeks between 4 and 6 am, this was amazing.

SUNDAY, JUNE 17th, 2007
Woke up early -- also amazing for me -- had a bit of breakfast. Read the outline for the ninth episode of Spidey. So far all these outlines have been in pretty darn good shape, which is always nice. Benny and I went for a walk into town. Came back, and I napped for about an hour. Got up for a Father's day brunch, with Beth, the kids and my in-laws. Had a wonderful Lobster Salad and Lobster Bisque. (Can you tell I'm in New England?) Came back to the house and opened father's day cards. Also called my own dad to wish him a happy father's day. He and my mom had only just returned from the Oregon Shakespeare Festival. I'm jealous, but there's no time this year. Hope to take the kids next year. Took ANOTHER nap. I think weeks of averaging three hours of sleep a night, plus all the walking and the fresh air -- the weather is gorgeous -- are wiping me out. But this is a good time to sleep.

We got up for a 4pm concert -- a choral performance by the Nantucket Choir. It was lovely. I was familiar with quite a few of the songs, as my son's choir sang them... at Carnegie Hall last month. From there, Beth and the kids and I went to dinner at the Brotherhood of Thieves. Burger and Clam Chowder. Then Ice Cream at the Juice Bar: one scoop of Crantucket with hot fudge. We walked some more and then went home.

More to come...


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Dustin writes...

Hey Greg
I have really been enjoying the comic and am very impressed with how you have stuck with the Gargoyles and also the fans all this time. I recently got a dvr and have been enjoying episodes I never saw from the latter part of season 2 (what isn't out on DVD) on toon Disney. You probably know this by now but they do air Lethal Force these days. I have also caught a couple episodes of The Goliath Chronicles (The Journey, Runaways, and the last episode), but not enough to form a real opinion on the overall quality. It seems to me though that animation as a medium gets a lot more viewers than comics attracts readers so I guess it feels sort of odd to discount those episodes when more people will watch those than read the comics I am guessing. I mean I am not saying you have to pick up where they left off, but it is sort of like in other comics continuity, you can ignore events without contradicting them. They are your creation and I trust your judgement, it just goes against my geeky continuity obsessed mind. It also makes me wonder what people who actually worked on that season think of the negativity surrounding their work. Maybe it was just a pay check to them, but maybe they actually did try to do right by what you had set up. They were also probably under more pressure with BS+P that year which may have affected what they could do. It also seems like it puts you at risk of burning certain bridges, but I do not know about animation so maybe it is a big enough world where it doesn't matter too much to express opinions like that. Alright questions.
1) I couldn't find it anywhere in the archive and maybe its none of my business but since you clearly love the universe you created so much, why did you leave Disney in the 1st place assuming you could have stayed and run season 3 the way you had wanted?

Well I guess thats all I have for questions. No further questions. Other things....you mentioned #6 is a stand alone issue, which sounds like a great idea to me. Comics is different medium than animation/television. Sometimes storytelling has to be compressed a bit. If each 3 issues=1 episode that is like $10 bucks an episode (that is like 3-4 episodes for the price of the entire Sedason 2 Vol.1 DVD, not that its not worth it ). There are a lot of great comics that tell complete stories in one issue. Especially with a bi-monthly schedule it is nice when each issue packs a lot of story (not at the sacrifice of character or pace or anything). I also sort of dislike the decision to use to 1st 2 issues to retell a story that has already been in the series. I understand why it was probably a necessary evil for bringing back a 10 year old world, but it just feels like it had the potential to kill the excitment and momentum of a new series for the loyal fans who will be the primary audience of the series most likely. And I thought if you were doing it anyway it would have been nice to have Vinnie decide not to go to Japan in the end since there is all this talk of him being your surrogate and now you are back with the characters. Seems like a missed opportunity for a nice little wink towards the die hard fans. Maybe you have plans for him in Japan? I am looking forward to having a consistent artist in the upcoming issues. Fill-ins really do have a negative effect on a series in my mind, but weighed against huge delays I suppose they are a better option in this case. Overall I am very excited to have new Gargoyles stories around and I hope the run ends up being very successful because I feel like once you guys get into the groove, it could end up being pretty fantastic and I would hate to see it get cancelled before you even really get into it. And at the end of an arc if time is an issue it seems like it would be pretty easy to skip ahead a few years to catch us up to the present. I personally do not mind it being set in the 90's and I think just not mentioning the year works just fine for casual readers and the loyal fanbase. I guess skipping ahead might ruin your whole timeline you have mapped out as well. I sort of wish a bigger publisher had teamed up with Disney because the issues seem to get shoved in the independent and or kids sections in some shops, when they would probably do much better just mixed in on the shelf with all the other titles.

How about a Northwest Gathering. Portland, Seattle? Maybe even somewhere in Montana.

I think your post about "second base" was probably one of the most entertaining read on this whole page. If you want an example of tv broaching the topic the OC comes to mind 1st when Seth has a hilariously awkward conversation with his father about "preheating the oven".

And you are one episode away from finishing your ramblings on your seasons of the series. Let's get that done. I really enjoy the commentary like feel to those. It might even be interesting to do The Goliath Chronicles to hear what you had to say about those, or at least The Journey.

Well thanks a lot for sticking with these characters and indulging the fans. I was planning just write something as a letter to the comic but my thoughts kind of spilled over into all things Gargoyle. Sorry to go on so long. Hope I didn't come off really critical, the show has been one of my favorites since I was a kid and one of the few shows from then that still holds up to regular viewings. Thanks for your time.
The letters page is called written in stone right? I do not have an issue with me, but if its not it should be. How is that for a ramble...
Dustin

Greg responds...

Friends of mine worked on Goliath Chronicles. Including Cary Bates, one of my best friends. I know -- and have ALWAYS said -- that they were working very hard under nearly impossible constraints. They did not have the time to LEARN the show; they just had to hit the ground running -- and running very fast. In addition, TPTB changed nearly the ENTIRE crew. So there was nobody around -- or nearly nobody -- in any kind of position of authority to provide any continuity (to the production, let alone to the storyline). I have great sympathy for the people involved... but it just doesn't change how personally painful it was for me to watch those episodes. You're right of course, that the worst rated episode of Goliath Chronicles has been seen by WAY, WAY, WAY more people than have read all the issues of the comic book put together. But at the end of the day, I'm the goofball who has to write the darn thing. And it just would have been too painful to have to include Goliath Chronicles in the continuity. And simply ignoring it wouldn't work, as I think is obvious from issues 3 & 4. Think about it. No clones. No THAILOG?!! Sorry, couldn't do it.

1. This has been answered elsewhere in greater detail, but suffice it to say, I was being pushed out the door and back then -- as much as I appreciated what a unique and great thing Gargoyles was -- I didn't appreciate it enough, and allowed myself to be pushed. I could see the writing on the wall that resources would have been reduced on the show, and didn't want to preside over its demise. I myself was offered a demotion from Supervising Producer to Story Editor. And even before I said yes or no, my replacement was hired. Having said all that, I should have fought to stay. Really. It is the single biggest professional regret of my career. But BIG PICTURE, I can't regret it, because a million things effect each other, and my son was born (specific egg/specific sperm) while I was at DreamWorks. So it's really not even a contest, from a LIFE standpoint.

As for Vinnie, don't overplay the surrogate thing. Vinnie has a life of his own and a destiny to fulfill and if I didn't send him to Japan it would screw up all sorts of future plans. I am also not going to continue to defend my reasons for starting off the comic as I did. I've stated my case. You buy it or you don't.

If you want a Gathering in any specific area, put together a group of fans and submit a bid. It's not a magic process, but it is a lot of hard work.

And the letters page is called "Etched in Stone".

Response recorded on June 13, 2007

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Purplegoldfish writes...

My review for number four!...it's another long one.

Awesome story!! My favorite issue so far.

The interior art: well I have to say that Paniry(?) is a better comic artist than Hedgecock (though Hedgcock does do more detailed backgrounds.) From an artist's standpoint, the art is very good. Good fluid action sequences and nice facial and body expressions. Paniry has a better grasp on anatomy than Hedgecock as well. I don't mind the thick outlines. The one gripe I have is that Goliath looks a little too "Incredible Hulk" in some scenes-and Elisa, well she looks more like the REAL Princess Jasmine than Elisa in a Jasmine costume. I have some more thoughts on her costume later. Thailog and Angela look great throughout the book, as do the clones and mutates.
Evan's coloring is pretty decent. One thing though, why are Elisa's eyes blue?? And I could do without all the lens flares-and what's with the shiny white streaks in Goliath's hair?
Okay, sorry for that long babble-I'm an artist, so I'm anal about this stuff.

On to the story-(finally). So we start the book off with Yo' Mama jokes. I couldn't help groaning-oh it's the 90's! I like the kids' banter, though they look a little too "Mickey Mouse" cutesy to me. Also isn't Billy's hair blonde? Okay, I'll stop with the art, I promise :P I thought those Quarrymen were kids in costumes at first. Seriously though, I'de be more scared of those guys than of the gargoyles.

I really like the Hudson/Robbins scene. How awesome would it be to get halloween candy from a gargoyle? I love the panel with Bronx and Gilly sleeping by the fire. A dog is a dog no matter what it looks like! I have a feeling Robbins suspects Hudson is a gargoyle and is waiting for him to admit. I wonder why Hudson doesn't tell him though? Surely he's been in his company enough to know by now that Robbins wouldn't chase him out simply for what he is. Is that what Hudson is afraid of? I like his "mask" line though. It's so true-and it seems to be the theme of this issue (Where's the title?). Everyone wears masks-not just to hide their physical features-but also to hide their inner thoughts and feelings-to others and to themselves.

Ah, Margot and Brendan. I had always assumed for some reason that Brendan's last name was Yale. I guess they are not married. Love the Wizard of Oz costumes-particularly Angela's. Though Lex's choice is a bit creepy. Margot gets close and personal with Lex. For someone who's "seen these beasts up close" she can't tell he's a gargoyle when she's mere inches from his face. Which brings me to this thought; how dense are the people at the party that none of them seem to notice they have *real* gargoyles in their midst? I can understand the random party guests that don't get a good look at them--but those who go up to them like Margot and Morgan? No costume is THAT good. The wings, the tails, the feet. Morgan even *touches* Goliath. Does he suspect? It just seems odd particularly with the rumors that Xanatos harbors the gargoyles. Maybe I'm just being anal...

back to the story...Elisa shows up as Jasmine. We've got a theme here with the Disney Princesses. But is it really in Elisa's character to be dressed in such a skimpy outfit in public like that? I mean we hardly even saw her bare arms throughout the series. I see this as being much more out of character for her than when she breaks up with Goliath. Angela shows she has a bitchy side-it's great-she's not the sweet little angel so many people make her out to be. She's right to be annoyed at Elisa-I am too- but isn't Angela being a bit of hypocrite considering the way she and Broadway are around Brooklyn? She even seems to be flirting with him later on. I like how our heroines are showing flaws in their characters though-makes them more real.

I just love Judge Roebling here. I like how Greg takes all these bit characters we assume we'll only see once and brings them back and gives them personality. Robeling seems to have gotten in the bubbly a bit. His speech patterns remind me of Foghorn Leghorn lol. I love how he just comes up to Goliath and talks to him as if he's just like any other normal guy in the room. And I love the "wink wink nudge nudge" line. A reference to Monty Python? I have a friend who says that a lot and he likes both Monty Python and Gargoyles. This guy reminds me of him I guess. I like Goliath's terse "No!" when Roebling asks if Delilah is Demona. Goliath's in such a talky mood...One thing that is really missing from the comic books is tone of voice. I would like to hear how Goliath said "No!", how Brentwood said "free...will?" Oh well, I guess we just have to use our imaginations.

I love the akward moment when delilah talks about her genetic sources. She's so direct hehe, and then Elisa and Morgan show up. I think the term we are searching for during the party scenes is "Awkward." I love that long dark panel with just the four of them in the spotlight staring at each other. It's just them in the room...

I think drooling broadway and Lex is a bit much. We're trying to get away from the idea that Broadway is just a big eatint machine. I'm glad that Lex is drooling right along with him though. At least they're enjoying themselves-even Lex who doesn't have a signifiant other. Unlike Brooklyn who's moping and feeling sorry for himself again...he's getting on my nerves.

I got the connection with the Chungs. Ambassador Chung and Terry, the kid from the first few panels. Not too big of a deal for me since I've never been interested in the New Olympian spinoff in the least-don't really know why, I'm just not. Maybe if I went to the Gathering and learned more about it--though unfortunately I can't go this year. (I do intend to get to at least one). Though I wonder if we'll see more of these two in the current gargoyle universe.
Interesting bit of information about Alex's growth spurt. I haven't noticed. I'm also a bit surprised that only four months has passed since "The Gathering." Probably because we haven't gotten new material in ten years.
I'm not surprised that a high up Illuminati guy would be working in the white house-as a server no less! I can't even make any speculation on what they want to talk to Xanatos about.

Back to the labyrinth- Claw and Maggie come into their own here. Claw tackles Thailog-must have taken a lot of guts considering his timid personality. But I gotta hand it to maggie. She stands up to Thailog-a homicidal gargoyle armed to the teeth who had just subdued both Talon and Claw. I don't think a lot of people give her enough credit-she has a lot of courage-and she's buried for it...I hope she's okay. Didn't get the Norma Rae line until some people said it was a Sally Field movie. How old is the target audience again? ;)
I like the free will theme going on with the clones. Do they have a choice in following Thailog? Or maybe they just don't realize that they do. Brentwood stands out from the other clones here. He's even listening in the background when Goliath and Owen discuss Delilah's free will later on. I think he's going to break off from Thailog.

So labyrinth girl volunteers to go warn Goliath. She's a bit too late though- if she even went at all. I'm curious as to her motives. Back at the party Morgan is an idiot and reminds Elisa that she broke up with Goliath...dude, that's not the best way to romance a girl. He's perseptive, but Elisa and Goliath must have tension radiating from them that you can cut with a knife when they're next to each other. It can't be THAT hard to figure it out.

Elisa and Goliath are so kind to their dates hehe. I actually feel bad for them. Elisa just kinda ignores Morgan and stares into space, and Goliath just kinda ignores Delilah and stares at Elisa. Goliath just orders Delilah to "stay here" while he runs after Elisa. Yeah, real nice Goliath, treat Delilah like Thailog does. I love how morgan attempts to break the tension with his "having fun yet" line. I think they both realize they're being used.

I really like the Goliath/Elisa moment. It's so frustrating- Elisa is trying to run away from her feelings. Does she honestly believe that she can go on without Goliath? It's so pathetically obvious that she can't, yet she keeps trying. I love Goliath's speech. He actually uses the word "love" in reference to Demona and Elisa. Pretty strong admissin I think. This is the closest he has ever come to telling her he loves her...I get the feeling he was about to-but Elisa cuts him off, again. Maybe Elisa realized what he was about to say and that's why she ran off. ARGHH! DAMNIT ELISA! I'm surprised Goliath hasn't completely lost it with her by now-just grab her by the shoulders, tell her to "shut the hell up" and listen to him!

Thailog is true to his word and crashes the party. Poor Goliath, it's just going from bad to worse. I love Owen's response. So very "Owen." He had that goon squad ready relatively quickly-so maybe Labyrinth girl did give word? Hmmm...I love Owen's line about constantly repairing the castle. A little nod to all the times the castle is damaged because of all the craziness that goes on there. Owen makes the best possible choice he can and offers up Delilah. Poor Delilah, just a pawn in all this mess. I hope she eventually rips Thailog a new one. I really like the split panel with the halves of Goliath's and Thailog's faces. And then the cliffhanger...Wow, Thailog is one nasty SOB! First he buries Maggie alive for talking to the clones, then he stabs Goliath in the gut, who's just standing there!! I wasn't too surprised that this happened, since I seen the cover to #5 when it got out accidentally. Oh well. The look on Goliath's face while he's being stabbed is a bit comical. I'm not sure if that was the intention. But oh man, Greg really leaves us hanging! I can't wait for number five! I'm intrigued by Greg saying "Elisa makes a choice" on the back page. Maybe seeing Goliath nearly dying will convince that she's being an idiot and that her place is with him. I'm also curious as to what Delilah will choose to do.

All in all, an awesome chapter to this great story! My one major gripe is that it's too short! Great job to everyone who worked on it!

Greg responds...

Foghorn Leghorn and Monty Python -- who says I don't have widespread influences?

As for the target audience, it's basically me. Just me. Only me. Me. Me alone. No one else. Just me. Me. Did I say "me"? Me. (The rest of you are just along for the ride. Hope you like the scenery.) Me.

[Oh, come on, like you haven't suspected it all along!]

Response recorded on June 12, 2007

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Robbie Bishop writes...

Wow! Max Steel ruined your career for several years!! How?? http://www.youtube.com/watch?v=jNK5Fli0JAE it says so on youtube but the camera guy keeps laughing and I can't hear you!

Greg responds...

Man, I've got to remember that anything I say these days can wind up on You Tube.

And, yeah, it did. I believe, and I have had many more objective people than I confirm it, that I was both scapegoated and blackballed for the perceived failures of that series, the main irony being that the show was a minor hit -- not a failure at all.

Response recorded on June 11, 2007

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Charisma82 writes...

Hey! I was wondering about the way you named the 2 new detectives in the 3rd comic book. I heard that you named them after your college roommates. What I want to know is did you give them a heads up that their names would be in the comic book? Or did you just hope they'd find out on their own? In fact, do you even know if they read the comic book? If they haven't, and if you never told them, will you ever let them know that their names were used for your 2 new characters? I'm curious because if I had my name in a comic book (or any kind of writing) because someone I knew wrote it, I'd like to know about it.

Thanks for your time and all that you do.

-Charisma82

Greg responds...

I'm not in touch with either any more, sad to say.

Response recorded on May 24, 2007

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Shannon 'Shan' Muir writes...

Greg, you mentioned in a recent post that the writings of Stephen J. Gould may have influenced you on GARGOYLES? How did you come to be exposed to his writings? For me, they were required reading in my Advanced Stats class for my MA in Communications (prof was a Gould fan). Thanks.

Greg responds...

I was teaching Freshman Composition at U.S.C. and some of his stuff was in the textbook.

Response recorded on April 13, 2007

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Charisma82 writes...

I read somewhere that you've been to Disneyland many times. What is your favorite ride there?

Thank you in advance for your answer and for your time.

-Charisma82

Greg responds...

I'm not sure I have one favorite. (Today's questions don't seem to be provoking much in the way of definitive response.) I enjoy a bunch of rides, including but not limited to Pirates, Matterhorn, Haunted Mansion, Peter Pan, Small World (yeah, you heard me!), Space Mountain. There are rides that are gone now that I used to love, like that Innerspace one where they shrunk you down into a snowflake, etc. I'm probably forgetting some...

Response recorded on April 13, 2007

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Ylm writes...

Aside from your gargoyles related comics work such as the new Gargoyles sequel and the upcoming Bad Guys mini, will we be seeing any more comics written by you?

Greg responds...

I hope so. Tell your favorite comic company to contact me.

Response recorded on April 06, 2007

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Twiggess writes...

Just wondering (cause you make them sound so-well, they'll be at least pre-teens by the time you read this, so for their sake I'll refrain from using the word "adorable") if there were any pictures of your kids posted on any websites in those Fox/David Gathering outfits? Or any pics at all, for that matter? I understand if not, if I had kids I wouldn't want any photos of them on the internet either, just thought I'd ask.

Greg responds...

I'm not aware of any.

Response recorded on March 09, 2007

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Twiggess writes...

So if the Canmore's are named after your sibblings, does that mean that Elisa's sister Beth is named after your wife? Or is that just a coinsidence? (Like there's such a thing as coinscidence on "Gargoyles"....

Greg responds...

It's not a coincidence.

Response recorded on February 15, 2007

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Charisma82 writes...

Monday, June 26, 2006: 4TH AND LAST DAY OF THE GATHERING OF THE GARGOYLES

First off, I was looking through questions and comments that you've answered on this website last night and I noticed that a few people mentioned that you don't like to get questions about different subjects all in one writing, but to post them seperately. When I read through the rules on the first page, I didn't see this mentioned, but if you did say something about this in the rules and I'm missing it somewhere, I appologize for my last journals that I wrote. They had different subjects asked about in them, and I didn't know that you prefer not to get them that way. I hope that it didn't complicate your answering questions, I certainly didn't want to do that. Again, I'm sorry. I won't do it again, and I'll understand if you don't answer some of my questions on those posts.

Today is Monday so I had school again. It's half way over, so I'm glad. Today in class, one of the other students (one of the louder ones I might add) kept going on about how she got to go to the premier for the Pirates of the Carribbean 2 movie at Disneyland. She had pictures and autographs for anyone who would pay attention to see. It's funny, she said she waited 11 hours on Main Street to see the stars of the movie. I was thinking how cool it would be to go to the one for the 3rd movie, but then I realized that they had this last movie the same weekend as the gathering this year. I really hope that they don't have it at the same time as 2007's gathering, because I'd really love to go to both.

Since I'm talking about Disneyland, and you work for disney and all, I think I'll end this journal with questions about Disney for you (because I don't want to detour to other topics and make it longer than it needs to be). Have you been to Disneyland? It's a great place, I think. My family and I have obtained family passes for the place a couple of times in the past. I'm Disneyland sick right now because we haven't been in a year or so (I know it sounds stupid that I should complain about this, because other people only get to go once in their lives). One memory I like best of Disneyland was the year they were building California Adventure next door to it. We had season passes that year, so we got to see California Adventure being built from the ground up as we went to Disneyland over the year. I've heard from people before who work at Disneyland and they say they hate it. One must wonder why? I guess you'll never know unless you work there. Is it the same for people who don't work at Disneyland, but still work for Disney? I mean, do you ever get tired of working for Disney? I think that is why the others hate the place now, they had too much of what is supposed to be a good thing.

I also want to say that I saw your name at the end of the WITCH credits tonight. My sister saw it and pointed it out and said that I over react to seeing names that I am familiar with. I always get excited when I see a name or hear a voice that had to do with gargoyles. You all did a great job with that show, and I hope you continue your ideas on through this new show (and into other new gargoyle developments).

Well, I guess this is it. The Gathering of the Gargoyles is officially over with today. No more me rambling on and on about.... well, nothing really. I did enjoy taking the time out to put up these posts. I hope that next year I get to put up posts of what happened at the 2007 gathering and not what is happening in my normal life.

I hope you and everyone else had a great time at the gathering and has a safe trip back to your homes. Thank you for listening (actually reading), and letting me, and everyone else who puts up posts, take up some of your time. It is appreciated.

It has been a pleasure and a privelege to write to you.

-Charisma82

Greg responds...

I do not work for Disney right now. Used to. But not at the moment. I have been to Disneyland. I'm a born and bred Angelino, so I've been going there since I was a kid.

Response recorded on January 23, 2007

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Susan Leonard writes...

I am a longtime collector of original production art cells. I have a room in my home that contains cells of favorite moments from both the Batman and Superman animated series highlighting the romantic moments between Superman and Lois Lane as well as Batman and Catwoman and favorite villains like The Joker and Lex Luthor. I am a huge fan of Gargoyles as well and would like to purchase some original production from the series if it is at all possible. I am particularly interested in moments between Goliath and Elisa. Please let me know if this can be done, and how I can go about it. Thank you for your time Greg!

Greg responds...

Hey Susan,

I'm guessing you posted this before we met and before you attended your first Gathering.

I'm thinking that by now you've had the opportunity to get some cells. I feel like they were on sale in Las Vegas in 2005. E-bay's another possibility, or contact the fans via Station Eight.

But I'm afraid that I'm not a resource for finding or purchasing Garg cells.

I own four cells myself (which I have no intention of ever selling):

1. Goliath in the castle corridor from "Awakening, Part One"

2. Goliath holding what he believes to be Demona's remains from "Awakening, Part One"

3. Goliath, Elisa, Lexington, Broadway, Brooklyn, Hudson, Bronx watching t.v. from "The Edge".

4. Goliath and La Belle Elisa dancing from "Eye of the Beholder".

Response recorded on November 15, 2006

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Bob writes...

Hey Greg,

I was wondering could you please tell us more about these prosed animated projects,
Steven Spielberg's Cliffhangers, Sword of the Shogun, The Avenger, Blackhawk, Madison & MON-Ro, Rain of the Ghosts, Tai-Fu The Series, Treasure Hunters, Inc., & Small Soldiers: The Animated Series?

Greg responds...

Avenger is based on the old pulp character.
Blackhawk on the DC Comics property.

Both were proposed for Cliffhanger's which was Steven's idea to run a different five-episode action miniseries (with each ep ending in a cliffhanger) every week. We were never able to sell a network on Cliffhangers, so neither Avenger nor Blackhawk ended up being optioned.

Tai-Fu was going to be a video game that DreamWorks Interactive was working on. Don't know if they ever made it.

Small Soldiers was based on the movie of the same name.

Sword of the Shogun, Madison & MON-Ro, Rain of the Ghosts and Treasure Hunters, Inc. were all original ideas that I proposed and developed.

Sword of the Shogun was also going to be in Cliffhangers.

Garg fans who came to the 1997 Gathering saw the Rain of the Ghosts pilot as a radio play. That's the one that got the furthest. Nick optioned it, but passed ultimately.

Nick also optioned Madison, but Steven killed it.

Response recorded on October 01, 2006

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I'm POD-CASTING...

Believe it or not...

I'm pod-casting at http://www.catchdacraze.com/

Tried to listen to it myself, but couldn't make it work. But theoretically one of you might be able to manage it.

Can't hurt to try, right...


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Laura (Ackerman) Sack writes...

Just read the resume you posted- two things caught my curiosity: One was in reference to the Disney Afternoon block, "Developed animated feature length idea, The Tempest", and the other was "1999: Macbeth, DREAMWORKS FEATURE ANIMATION. Writer". I hope my memory isn't failing me, but I don't remember either being discussed on Ask Greg. Were these straight adaptations of the Shakespeare, inspired by, reminiscent of...?

Thanks in advance for answering.

Greg responds...

At Disney, the Tempest idea I had was inspired by the play. Followed the basic outline of the story, but wasn't the play itself.

At DreamWorks, I developed TWO versions of Macbeth. One dead on, i.e. the actual play. And one that was inspired by the play, but told from a different point of view.

Of course, none of this stuff was for the Disney Afternoon block.

Response recorded on September 20, 2006

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Richard writes...

In your resume you mentioned a Robotech Mars Force, how does this fit within the bounds of the Robotech series in relation to the other series (Macross, Southern Cross, New Generation and Sentinels)?

Greg responds...

Well, the short answer is that it doesn't. I developed a new Robotech series for Harmony Gold. We went down the road together a little ways, and then they ultimately passed. (I liked it. So it's too bad, I think.)

I'm afraid I can't say anything else about it, because I signed a N.D.A. (i.e. a Non-Disclosure Agreement).

Response recorded on September 20, 2006

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Siren writes...

I was reading your resume and first may I saw WOW! So many great things you have given to people around the world. And second, I'd like to thank you both for your resume and all your wonderful ideas.

I noticed you mentioned you worked on Ducktales. I remember an episode when Scrooge and the nephews go to Scotland. I forget the exact details, but it had to do with Shakespeare and his play "MacDuck". This particular episodes reminds me of you heavily, for obvious reasons.
1.)Were you involved in writing this particular episode?
2.)If so, was it your idea to bring "MacBeth" into the Ducktales Universe?
3.)Any other thoughts on this episode?

Greg responds...

1. Nope.

2. See above.

3. I honestly can't remember it. Which may mean that I never saw it. Or may mean that I just can't remember it.

Sorry if all that disappoints, but it's nice to know I'm not the only one trying to bring the Bard to the masses.

The thing to remember is that I only worked on the very tail end of that series. A tiny bit of work on one sequence of the feature film. And then the last five episodes, including a Valentine's Special and a two-parter about a golden goose.

Response recorded on September 19, 2006

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Todd Jensen writes...

Just looked over the resume that you included in one of your most recent answers, and thought that I'd tell you that I found it amusing and very appropriate that two projects that you'd worked on were feature-length animated versions (which apparently wound up being scrapped before completed) of "The Tempest" and "Macbeth". I certainly can't say that I'm too surprised that you'd be working on them.

Greg responds...

No, it's not particularly surprising, just a bit depressing. I also spent some time working on a Midsummer Night's Dream animated feature. But that never got off the ground either.

Response recorded on September 19, 2006

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Conventions in October

October Conventions:

Hey gang,

I've been invited to attend two more conventions (my eighth and ninth of the year >whew<) in October.

The first is "CON-Sequential" in Memphis, TN, October 14-15th.

http://www.Con-Sequential.com/

The second is the "Mo-Kan Comics CONspiracy" in Kansas City, MO,
October 28-29th.

http://mo-kancomicsconspiracy.com/

If you're in the neighborhood of either or both, please stop by and say hello.

Greg


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Todd Jensen writes...

Thanks for the ramble on "Mark of the Panther". (Boy, we're really coming along well with the rambles now! Isn't it great?) Here are my thoughts on it.

One of the moments that still most stands out to me is the legend of the Panther Queen that was incorporated into the story; the change of animation to set the old tale apart from the present-day action was a particular delight for me. (Although I hadn't even thought until you mentioned it that somebody tuning into "Gargoyles" during this story could have mistakenly believed that they were watching a different television program.)

I've read a little about Anansi before the series came out, though I'm no expert upon him. One thing that I had learned about him, which I think that the episode captures accurately, is that his tricks and schemes had a tendency to backfire upon him - and this is what happens in both the Panther Queen story and the main action. In the Panther Queen story, Anansi, indignant about having to turn the Panther Queen's son into a panther, banishes all the humans from Karadigi - and then realizes too late that he's just sacked his entire hunting force, so who's going to bring him food now? And in the present day, Anansi's getting Fara Maku to hunt for him worked too well - he gorged himself to such an extent that, once out of his web, he was too fat and unwieldy to fight the gargoyles effectively.

Diane's helping to resolve satisfactorally the problem of Goliath's difficulty in acknowledging Angela as his daughter reminds me of something that you once said about why they generally leave mothers out of Disney movies: the mother, if she was there, could have found a solution to the problem so quickly that there'd be barely any story. And once Elisa's mother shows up, she does indeed help solve the Goliath-Angela problem (though without preventing there from being a story).

And I picked up (by the last time that I saw this episode, a few months ago - I regularly watch my "Gargoyles" tapes every summer) on the link between Diane telling Fara Maku about his desire to keep Tea by his side "That's not love; that's selfishness" and her telling Elisa at the end that love is about letting go.

The moment that you mentioned about Diane telling Goliath with a certain indignant dignity "I don't need protection" and Goliath saying "Of course" always amused me - and I found myself also thinking of "mother-in-law" towards Diane at that moment.

The first time that I saw this episode, I thought that Anansi had indeed been slain at the end, though "The Gathering Part One" proved me wrong on that. And, truth to tell, I'm kind of glad that the Children of Oberon are so difficult to kill and that we haven't had any genuine deaths among them as yet in the series. After all, they are (or the bulk of them are) traditional figures in humanity's own myths and legends, part of our cultural heritage. Obviously, a genuine death for Anansi wouldn't result in everyone forgetting the tales about him, but still, his passing, or the passing of any other member of the Third Race, would somehow (to me, at least) diminish the "tapestry of story" that we have gained from them. (When we get to "The Gathering Part Two", I'll mention how Oberon's sentence upon Puck has a similar, if not as strong, impact upon me.)

Thanks also for telling us about how Bronx somehow reminded you and your family of Norman again. (I wonder now how the Cagney scenes in "Gargoyles" would have affected me if I'd seen any of them between the time that my old cat Merlin passed on, two months ago, and the time that I adopted my new kitten Obie.) Norman sounds like he must truly have been quite a dog.

Greg responds...

Norman was indeed quite a dog. I miss him still. We have two new old dogs now, Sammi & Abraham and we still have our cat Bigtime, but we recently lost our cat Iggy during a power outage. And when I say "lost" I mean that literally. Heat wave. Power outage. Open windows. He must have run off. But he hasn't come back.

Kinda know how Hudson felt about Bronx during the World Tour. So I'm hoping Iggy's having fun in his own personal Avalon.

Response recorded on August 23, 2006

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Pheobe writes...

Dear Greg,

What is next for you?

Greg responds...

I'm currently unemployed. Have a few maybes on the horizon, but nothing definite.

However, in January 2006, the second season of WITCH should begin airing. That's what I've been working on most of the last year. I'm very proud of our work on that show. I wasn't involved with the first season at all, but you might want to start checking that out now, so that you're up to speed for what I really think is a kick-ass second season.

I had a great writing staff and a great cast and voice director working under me. Not to mention a terrific boss, Justine Cheynette at SIP Animation. Love her. And I don't often say that about my bosses.

Response recorded on October 31, 2005

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Drew Lung writes...

Hello, I'm a long time fan of the show, 'Gargoyles', and have a few questions.

What inspired 'Gargoyles' in the first place?
How did you get such a unusual idea for a tv series noticed by producers?
Were any of the characters replacements for original concepts you may have had early on?
Do you remember any ideas that didn't soar? (no pun)
And what other tv shows have you taken part in?

Sorry to ask so many questions, but I'm curious.

Greg responds...

1. Actual Gargoyles. Also Hill Street Blues. Gummi Bears. Etc. Check out the Archives here at ASK GREG.

2. You've got it backwards. I was an executive at the time. I hire the producers. This time I hired myself. As for how I sold the idea, that took some effort, three pitches, two years and a lot of help from my development team, my colleagues and my bosses, Bruce Cranston, Gary Krisel and Jeffrey Katzenberg. Michael Eisner finally approved us to series.

3. I'm not sure what you mean. As many fans know, the show was originally pitched as a comedy, and every major character except Goliath and Angela (and maybe Bronx), had an antecedent in the comedy development. Demona was Dakota. Xanatos was Xavier. Brooklyn was Amp. Broadway was Coco. Lexington was Lassie. Owen was Mr. Owen. Hudson was Ralph, etc. In later pitches, we did add addtional characters that went through a few changes before they actually hit the screen. Catscan became Talon. C.Y.O.T.E. (or some such acronym) became Coyote, etc. The New Olympians were added in from their own development. And so on...

4. Yes.

5. Lots. Some much more than others, but an incomplete off-the-top-of-my-head list would include: Gummi Bears, Winnie the Pooh, DuckTales the Movie, DuckTales, Talespin, Rescue Rangers, Marsupilami, Bonkers, Goof Troop, Raw Toonage, Aladdin, Little Mermaid, Return of Jafar, A Goofy Movie, Bionicle Mask of Light, Atlantis: Milo's Return, Men in Black, The Batman, Hercules, Buzz Lightyear, Max Steel, Gargoyles, Alien Racers, W.I.T.C.H., Invasion America, A.T.O.M., Mighty Ducks, Kim Possible, Quack Pack, Goliath Chronicles, Roughnecks: Starship Troopers, 3X3 Eyes, Ikkei Tossen, Jem and the Holograms, etc.

Response recorded on October 21, 2005

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IKKI TOUSEN

For those of you who have worn out your GARGOYLES first season DVD playing the words "Nice Mask" over and over and over again...

For those of you who have waited and watched for that Panda-La episode of Talespin, just so that you can hear: "Father, the rockets aren't working!"...

For those of you who just can't get enough of the homeless guy in 3x3 Eyes humming the Gargoyles' theme...

I'd recommend you rush out and purchase the four volume DVD set of IKKI TOUSEN (Strength of a Thousand).

Heck, I'd recommend it anyway. I've watched the first three volumes and plan to watch the fourth volume tonight. They're all a lot of fun. The interview with the director is worth the price of admission alone. Loads of action and sexy stuff. (NOT FOR KIDS, BTW! ADULTS ONLY!)

Ikki Tousen.


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Chris Robbins writes...

Do you plan on doing a new series for Disney or any other channel like Cartoon Network.

Greg responds...

Well, I do plan to keep working and earning a living. So... Yep.

Right now, as I've mentioned before, I'm working on the second season of W.I.T.C.H.

The first season (which I was not involved with) is currently airing in ABC Family's Jetix Block and ABC (Broadcast) Saturday Morning. There's some really fun stuff there, so I'd recommend it -- particularly if you want to be prepped for the very cool stuff we have planned for Season Two.

Response recorded on March 03, 2005

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Mike Cohen CKayote@worldnet.att.net writes...

Topic: Weisman, Greg

As a result of watching 'too much' TV as a kid, I find myself wanting to work in writng TV and movies. I'm starting my freshman year of college in August, and I have no idea about how to get into my chosen profession. I tried asking my school's advisors and the film department people and looking on the internet,etc. but nobody knows anything about it.
So I figured that ask someone who's been there is doing that.

So how did you end up with a job writing all those Disney shows? Where did you go school? What did you major in? Who did you have to meet to get where you are?

Thank You Very Much,
Mike Cohen
CKayote@worldnet.att.net

Greg responds...

Well, let's see. By now, you must be almost done with your Sophomore year, and I hope you haven't been waiting that long to hear back from me.

My bio in brief:

B.A. Stanford University in English with an emphasis in Fiction Writing.
M.P.W. University of Southern California. M.P.W. stands for Masters of Professional Writing and my emphasis was in playwrighting.

In between, I worked on staff at DC Comics for two years. And I freelanced for them for about eight years -- beginning during my Junior Year at Stanford and ending after I was well-ensconced at Disney.

Before I left USC, I interviewed at numerous places... and hit it off with Gary Krisel, who was putting together Disney's TV Animation unit. A year later I started there as a VERY junior creative executive. It was supposed to be my day job while I wrote at night. But I didn't do much writing over those five years. Instead, I got steadily promoted, eventually rising to Director of Series Development. I developed numerous shows including Gargoyles, and then moved over laterally to produce that show.

Eventually left for some unfulfilling years at DreamWorks, and then went Freelance.

My first recommendation to anyone who's interested in the biz is to find something else to do... unless you just feel like NOTHING ELSE could do it for you. It's a brutal business full of rejection, so unless you have the passion to carry you through, over and/or around all that brutality and rejection, I'd go elsewhere.

Second rec is to move to L.A. That's where all the action is.

Third rec is to write, write, write.

Fourth is to read, read, read.

Fifth is to learn how to proofread, and practice the art religiously.

Response recorded on February 28, 2005

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Billy Kerfoot writes...

1) Oh Greg, one more thing I forgot! I've heard you were an English teacher once before. Who was your most memorable student and why? Where did you teach? And how come I wasn't selected to be in your class?

Greg responds...

I was a Shakespeare T.A. at Stanford. I also taught a literature class there, "The Mythic Hero in Modern Literature".

At U.S.C., I taught Freshmen Composition.

And through U.C.L.A. Extension I've taught a course on Writing for Television Animation.

Response recorded on January 11, 2005

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Gerald Smith writes...

what else have you written? before and after gargoyles.

Greg responds...

My complete resume as of October, 2004:

GREGORY DAVID WEISMAN

EMPLOYMENT HISTORY:

4/83 - present: Emmy Nominated Freelance Writer / Producer / Story Editor / Voice Director / Development Guy. See credits below.

1/02 - present: Voice Instructor, SPECIAL DATA PROCESSING CORPORATION, Clearwater, Florida. Developed and gave seminars to telemarketers on how to increase sales by using their voice and acting skills as tools.

1/98 - present: Writing Instructor, UCLA EXTENSION PROGRAM. Introduction to Animation Writing, From Script to Cell: The Complete Writer's Guide to Television Animation. Designed and taught course on animation writing. Evaluated exercises and spec teleplays for both format and ability.

6/96 - 9/98: Writer / Developer / Producer, DREAMWORKS SKG TELEVISION ANIMATION. Developing series and video projects including Invasion: America, Steven Spielberg's Cliffhangers, Sword of the Shogun, The Avenger, Blackhawk, Madison & MON-Ro, Rain of the Ghosts, Tai-Fu The Series, Treasure Hunters, Inc., Small Soldiers: The Animated Series.

10/94 - 5/96: Creator / Supervising Producer / Supervising Story Editor, Gargoyles animated television series, WALT DISNEY TELEVISION ANIMATION. Created and developed series and characters. Writer/Producer on 66 half-hour episodes. Came up with overall story arc, and all 66 springboards. Managed four story editors; oversaw all premises, outlines, scripts and voice recordings. Voice directed an episode. Gave notes on storyboards, design work and timing direction. Supervised editing, sound mixes and video on-lines. Nominated for "Golden Reel," "EMA" and "Annie" Awards. Created and developed sequel series, Bad Guys, Pendragon, The New Olympians, TimeDancer, Dark Ages, Gargoyles 2198.

2/93 - 10/94: Director of Series Development, DISNEY TV ANIMATION. Developed new series for afternoon syndication and network Saturday morning. Including Marsupilami (CBS), Bonkers (syn), Aladdin (CBS & syn), Schnookums & Meat (syn), Timon & Pumbaa (CBS & syn), Quack Pack (syn), Mighty Ducks (syn), Gargoyles (syn) and Gargoyles: The Goliath Chronicles (ABC). Developed animated feature length idea, The Tempest.

2/90 - 2/93: Creative Executive, Current Programming and Series Development, DISNEY TV ANIMATION. Current Programming (including Talespin syndicated series, among others): managed staff of over fifty writers, story editors, development artists and script coordinators. Negotiated contracts. Gave notes on scripts, outlines, premises & storyboards. Supervised voice-recording sessions. Story Edited episodes of Duck Tales syndicated series. Series Development: developed new series for afternoon syndication and network Saturday morning, including Darkwing Duck (ABC & syn), Raw Toonage (CBS), Little Mermaid (CBS) and Goof Troop (ABC & syn).

7/89 - 2/90: Staff Assistant, DISNEY TV ANIMATION. Covered outside submissions. Read current programming; gave notes. Worked in development. Acting Creative Executive on New Adventures of Winnie the Pooh (ABC), Gummi Bears (NBC, ABC & syn), Chip N' Dale Rescue Rangers (syn) and DuckTales the Movie: Secret of the Lost Lamp (feature film).

8/88 - 5/98: Assistant Lecturer, UNIVERSITY OF SOUTHERN CALIFORNIA. Taught courses in Composition. Designed curricula and assignments; evaluated papers and examinations.

2/88 - 8/88: Food Server, Cashier & Soda Jerk, JOHNNY ROCKETS, Melrose Avenue, CA. Waited on counter; worked computerized cash register; made great shakes & malts.

3/87 - 7/87: Associate Editor, DC COMICS, New York, NY. Edited and developed new comic book series, including Young All-Stars.

3/86 - 3/87: Assistant Editor, DC COMICS. Trafficked comic art and stories; maintained schedules on over five monthly titles, including Teen Titans.

10/85 - 3/86: Editorial Assistant, DC COMICS, Distributed mail, photocopied, etc.

2/85 - 6/85: Teaching Assistant and Preceptor, STANFORD UNIVERSITY. Led discussions and evaluated student work including fiction, essays and quizzes for two courses. Shakespeare: Organized discussion sections for class of 140 students. Personally responsible for section of 15 students. The Mythic Hero in Modern Literature: Proposed, designed and taught accredited seminar of 11 students.

WRITING / PRODUCING / STORY EDITING / VOICE DIRECTING / DEVELOPMENT CREDITS:

2004 - Present: W.I.T.C.H., SIP Animation/Disney Channel. Supervising Producer & Story Editor of Second Season of Animated Series.

2004 - Present: Robotech: Mars Force, Harmony Gold. Developed new Animated Spin-off Series. Wrote Bible.

2003 - Present: Kidd/Hero, DAG. Developed Animated Series, writing bible and voice directing sales reel.

2002 - Present: The Bible for the Platinum Megaverse!, PLATINUM STUDIOS. Developed multiple series, characters, movies and stories for comic books, television and features. Writing Bible for their entire comic book universe, including encyclopedia, biographies, mini-bibles and timeline.

1997 - Present: Ask Greg, Maintained website at http://s8.org/gargoyles/askgreg/. Designed to keep fan interest in the Gargoyles television series alive.

2004: Alien Racers, MGA Entertainment. Wrote an episode of Animated Series.

2004: Robo-Sapiens, WARNER BROS. Co-created and developed original Animated Series. Wrote bible and pilot treatment.

2004: Mechromancers, DISNEY. Voice directed pilot for Animated Series.

2004: Super Robot Monkey Team Hyperforce Go!, DISNEY. Writer for multiple episodes of Animated Series.

2003 - 2004: The Batman, WARNER BROS. Writer for multiple episodes of Animated Series.

2002: Phoenix Force, HASBRO. Developed animated series based on the Action Man toy property.

2002: Kim Possible, DISNEY. Writer for Animated Series.

2002: Creature Force, DISNEY. Developed Animated Series. Wrote Series Bible.

2002: Spider-Man, SONY. Writer for Animated Series.

2002: Bionicle, LEGO. Story Editor / Consultant for Animated Direct to Video Feature. Shared Story Credit.

2002: The Mummy, UNIVERSAL. Writer for Animated Series.

2000 - 2002: Team Atlantis, DISNEY. Writer / Story Editor / Voice Director for Animated Series and Direct-to-Video Feature.

2000: 3 x 3 Eyes, NEW GENERATION PICTURES / PIONEER. Voice Director for Direct-to-Video Anime Series.

1999 - 2000: Max Steel, SONY. Developed Series. Producer / Story Editor for first season. Writer, multiple episodes.

1999: Macbeth, DREAMWORKS FEATURE ANIMATION. Writer.

1998 - 99: Roughnecks: The Starship Troopers Chronicles, SONY. Story Editor (10 episodes), writer (2 episodes), assisted on Post-Production (7 episodes). Series and Writer nominated for Best Animated Series Special Class Emmy.

1998: Justice League Giant, DC COMICS. Writer.

1998: Buzz Lightyear of Star Command, DISNEY. Writer (multiple episodes) for Animated Series.

1998: Big Guy and Rusty the Boy Robot, SONY. Writer for Animated Series.

1998: Roswell Conspiracies: Aliens, Myths and Legends, BKN. Developed Series. Writer / Story Editor on Bible and Pilot.

1998: Disney's Hercules, DISNEY. Writer for Animated Series.

1997 - 1998: Stargate: The Hunted, MGM. Developed Animated Series, wrote Bible.

1997 - 1998: Men In Black: The Series, SONY. Writer for Animated Series, multiple episodes.

1996: Gargoyles: The Goliath Chronicles, DISNEY. Developed series. Writer / Story Editor of pilot episode.

1994 - 1996: Gargoyles, DISNEY. Creator / Supervising Producer / Supervising Story Editor on 66 half-hour episodes. Nominated for "Golden Reel," "EMA" and "Annie" Awards.

1995: Gargoyles Comic Book, MARVEL COMICS, New York, NY. Writer. Supervised writing on all issues.

1986-1991: Captain Atom, DC COMICS. Reconceived and revamped character of "Captain Atom" with partner. Co-wrote 33 issues of comic book series, plus two annuals. As an individual, wrote 16 issues. Samples available upon request.

1990: Duck Tales, DISNEY. Story Editor on multiple episodes.

1983-1990: Secret Origins, among others, DC COMICS. Proposed, plotted and scripted many comic book stories. Also wrote text pieces published in Who's Who in the DC Universe, among others.

1989: The Artemis Choice, U.S.C. Two-act stage-play.

1988: Valley of the Vampire, INTERVISUAL COMMUNICATIONS, L.A. CA. Writer on Pop-Up Book.

1987: Jem and the Holograms, SUNBOW PRODUCTIONS, NYC, NY. Writer (with partner) for Animated Series.

* Multiple short stories also *

EDUCATION:

9/87-10/89: University of Southern California, Los Angeles, CA. Masters of Professional Writing (M.P.W.). Course work included fiction and screenwriting, with emphasis on playwriting. Produced and directed my own play, The Artemis Choice.

9/81-6/85: Stanford University, Stanford, CA. B.A. in English and Creative Writing. Course work included a broad Liberal Arts background specializing in Shakespeare, Faulkner and fiction writing.

9/84-12/84: Stanford-in-Oxford, Oxford, England. Studied Shakespeare and the English Novel. Wrote short story published in New Oxford Magazine.

MEMBERSHIPS:
3/92-present: Academy of Television Arts & Sciences.
2/95-present: N.A.T.P.E. International.
3/95-present: Museum of Television & Radio.
9/98-present: Motion Picture Screen Cartoonists a.k.a. The Animation Guild

NOMINATIONS:
1994: Golden Reel Award Nomination for Outstanding Achievement in the Motion Picture And Television Industries for GARGOYLES, "Awakening, Part Five".
1995: Annie Award Nomination for Individual Achievement for Creative Supervision in the Field of Animation for GARGOYLES.
1996: Environmental Media Award Nomination for Children's Animated Television Program for GARGOYLES, "The Green".
1996: Annie Award Nomination for Outstanding Achievement in an Animated Television Program for GARGOYLES.
2001: Emmy Award Nomination for Best Animated Series - Special Class for ROUGHNECKS: THE STARSHIP TROOPER CHRONICLES.

10/11/04

Response recorded on December 08, 2004

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Haleigh Costantino writes...

I am a digital imagery student and freelance artist in Arizona. I wanted to know how you got started working and if you can tell me about any companies that accept freelance artists for concept art, etc. And please keep the idea of that Gargoyles movie going!

Greg responds...

All the animation companies go through phases of hiring and not hiring. You posted your question in early 2003, and I'm answering in late 2004, so I assume you haven't been waiting on me to pursue your goals.

My oft-repeated story is elsewhere in the ASK GREG archives under "Weisman, Greg". But the short version is that I've wanted to be a writer since grade school. I eventually got professional work as a freelancer at DC Comics. From DC, I transitioned to graduate school. While at graduate school, I interviewed at Disney and eventually got a junior executive position at Disney TV Animation. I developed and supervised numerous series for TVA, including, finally, GARGOYLES, which I then moved over to produce.

Response recorded on November 30, 2004

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Frank White writes...

i am a great fan of your work. i know that gargoyles finished along time ago, but i was wondering if there was anything you will be working on in 2003 for disney or anybody else. also could you please give a brief description

Greg responds...

Thanks, Frank.

Of course, it's 2004 now. Here's a sample of how I've been keeping busy:

I worked a bit on "Bionicle: Mask of Light"

I wrote a number of episodes for "The Batman" and a couple for "Super Robot Monkey Team Hyperforce Go!", plus one for "Alien Racers".

Right now, I'm working on the second season of W.I.T.C.H. (But I had nothing to do with the first season.)

Response recorded on November 19, 2004

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Little things...

It's amazing how nothing major has changed in my life.

It's also amazing how many little things have changed.

I'm up VERY late. I generally work until midnight and then try to wind down from 12am to 2am. I try to go to bed around 2, but often I'm up until 3am or later.

All of this was time I used to spend with Norman. Beth and the kids were long asleep. Sure the cats stopped by occasionally, but Norman was my constant companion. He'd be on the floor or on his old recliner chai (the one he commandeered when Beth wouldn't let him on the new couch). I'd pet him some, but mostly it was just his presence.

Now his hair-covered blanket is off the chair. It makes it available for human seatage -- but I'm not that big a fan of humans, and in any case there are none around at those hours. So I'm just alone at my desk. Or alone on the couch. And it's just strange. And very lonely.

Erin and I walked into Larchmont yesterday. (Saw Matt Dillon, by the way.) It was weird not having Norman on the leash, our walking smile-magnet. And every dog we did see on someone else's leash kinda broke our hearts.

Beth said she's been hearing him at the back door, crying to get in. So I open the door occassionally.

We see Bassetts on tv ALL the time. Two just on the "er" episode I recorded the other night. (One on a commercial and one in the actual show.)

We can now leave chalah out on the kitchen table. Cause he's not there to swipe it.

And I can leave the front door open when I bring the groceries in from Beth's car, because he's not there to bolt out into the middle of the street.

And when the doorbell rings, he doesn't bark and howl like a lunatic.

But mostly, he's not waiting in the living room window when we get home anymore.

No. Mostly, he's just not there on his chair at night.

It's the little things. Not the big things. There are no big things, frankly. Our lives haven't changed. (Less pooper-scooping, I suppose, but I'd be lying if I said we missed that.) School, work, etc. Life goes on, of course.

Nothing has changed.

But nothing is quite the same either.

I really miss my dog.


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Air Commander Bentley Norman

Our Basset Hound, Norman, died today. Beth and I were with him as he was put to sleep.

He had lymphoma, which came on quickly and was only discovered while he was recuperating (or rather failing to recuperate) from his last ear surgery. He was completely deaf and nearly blind. He couldn't eat, couldn't drink, couldn't walk or even stand. I carried him out to the yard -- which only a few weeks ago would have been impossible, but he's lost so much weight that it was depressingly easy -- but he couldn't even go to the bathroom. His stomach was hard as a rock. He was having a lot of trouble breathing. He had stopped barking and howling completely. He could barely wag his tail.

So it was time. But it was very hard.

He was truly a joy of a dog. And dashingly handsome. I'm really going to miss him.


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The Nique writes...

Happy Birthday Greg. Did you get the $1000 check I sent in the mail?

Greg responds...

Uh, no. But it's the thought that counts, darn it.

Response recorded on September 15, 2004

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TakariFreak writes...

Gee, it's already 9/28 AGAIN? well then, Happy B-day Greg!
*Bows down before Greg's greatness*

Greg responds...

Thank you, but please. Get up. Get up!

Response recorded on September 15, 2004

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Lynati writes...

September 28th again already?
Happy Birthday, Greg!

Greg responds...

Hey, it's only September 14th.

Oh, wait, you meant 2002....

I can't believe I'm still TWO YEARS BEHIND.

But thanks for the well-wishes! Much appreciated!

Response recorded on September 14, 2004

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puck 2000 writes...

Dear Mr. Weisman
You said in a ramble that you went to Stanford University. I wanted to know, what kind of high school grades are needed to get accepted. I looked at many internet sites, but couldn't find anything.
Thanks for your time.

Greg responds...

Well, I had an A- average way back in 1980 when I applied. But obviously that was over twenty years ago. I can't possibly be the best source of information on this subject.

Response recorded on July 30, 2004

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Allexander writes...

As the creator of Gargoyles, what exactly did you do, did you write stories? Draw pictures?

Greg responds...

Isn't this old news? Anyway, to toot my own horn yet again:

I headed the development team that created the series and came up with many of the characters and concepts myself.

I came up with all 66 original springboards (i.e. the story ideas for the first two seasons + "The Journey"), though many people contributed nuggets of ideas.

I supervised all the writing. In essence, I story edited the story editors.

I also wrote and story edited one episode myself ("The Journey").

I supervised all the voice recordings. And I voice directed one episode ("Vendettas"), plus a few pick-up and phone patch sessions. I even performed the voice for one of Xanatos' Goon Squad (the guy who says "Nice Mask!").

I had input on all aspects of design and direction

I co-supervised all post-production, except the tele-cine process, which involves aspects of color too subtle for my color-deficient eyes.

I was the one person involved with the show from it's inception through the end of the third season, though my involvement in the third season (after "The Journey" was voice recorded) was limited to consulting work. And much of my consultations were ignored.

I have no credit on the television version of the pilot 5-parter because I was still an executive when those were posted, and at the time executives did not receive credit. I do have a Co-Producer credit on the Movie/VHS version of the pilot, because I supervised the post-production on that.

My official credit on the rest of the first season was "Co-Producer".

My official credit on the second season began as "Producer". Later it became "Supervising Producer" when two of our directors were promoted to Producer.

I'm also the credited "Writer" and "Story Editor" on "The Journey" and the credited "Voice Director" on "Vendettas".

I was supposed to receive a credit on the third season, but I waved it because it seemed dishonest as much of my advice wasn't taken.

Having said ALL THAT, Gargoyles was the work of literally hundreds of talented people, all of whom contributed to making it the success that it was. I think of it as my baby, and I'm often credited as it's creator. But I never lose track of the fact that it was a team effort.

Response recorded on April 29, 2004

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The Cat writes...

Subject Make-A-Wish, Nov. 1999
Hey Greg.

Okay I this isn't exactically the best place to ask this but I'm not going to see you at The Gathering this year and by the time the next Gathering rolls around I'll probably have forgotten the question.

Anyway, my mother was telling me that _you_ asked her whether or not what was said about the road kill in Texas was true when we met ya'll back in November of 1999 through Make-A-Wish. However, I don't seem to remember you asking that. Then again my memory has gotten rather faulty lately.

What I want to know is were you the one that asked that or was it someone else?

Okay, another thing(more like a personal ramble on what was said that day) after we got finished taping the mock episode of Turf ya'll are all signing pictures and my script. Thom says something about his character Lexington and about Sheena Easton(I had no idea who she was then, but not long after that day I saw her on the Home Shopping Channel.)
Thom: Sheena Easton always said "The wee one is playing with his...weewee." I can't think of the word that she used though.(Something to that effect.)
Jeff(quickly supplies the word): Willyad!
All the while I'm thinking:'Tippickle men. Obsessed with that part of their anatomy! Well,I'm tired I'm not going to say anything. I just want to get to the hotel and fall into bed.' (That wasn't exactly what I was thinking, but there might be little kids out there that their parents do not wish them to know such things just yet.)

Anyhow, you get the idea. By the way in case you were wondering how I was capable of remembering that little chat between Jeff and Thom. It's because my mother accidently filmed it. If those two were a little more conservitive I might be tempted to use that darn tape as blackmail.

Well as they say down here, Adios Amigo. The Cat.
Hmm, curiousity is suppose to kill The Cat, I wonder how many of my nine lives I've wasted this time around.

Greg responds...

I don't even know what this Road Kill comment is in reference to. It doesn't sound like even the kind of topic I'd raise.

And I doubt you could blackmail Thom with something THAT tame.

Response recorded on April 26, 2004

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Lord Sloth writes...

Do you know what your son Benny meant 2 years ago, when he said:

"I want to say that Mama likes Bigtime and Iggy and I like them, but I shoo them. And I'm sorry about that."

I don't believe this riddle had anything to do with the post it came with, which was asking about a connection between Owen's role as an assistant compared to Robin Goodfellow's role as housekeeper, but you never know. Perhaps you could ask him if he's around at the moment.
And is he perchance, referring to Iggy Pop, or to Iggy the lovable power generating rat?

I'm sure there's some profound meaning here, but I just can't comprehend it.

Greg responds...

He's referring to our two cats, Iggy and Bigtime. When you have that piece of information, I think his comments make more sense. I don't know how profound they are, but they do speak to a profound (or at least momentary) sense of regret.

Response recorded on April 23, 2004


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