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Todd Jensen writes...

A little comment-ramble-reply to your latest ramble (on whether your ideas for the Master Plan count as fanfic or not).

I certainly agree with you that it isn't really official or canon until it reaches the television screen (or whatever Disney's official medium for "Gargoyles" becomes next, when and if it returns). In fact, we've seen evidence enough already that things may get changed in the process of actually creating the stories (witness the exec who suggested that Goliath ask the Magus to place the "sleep until the castle rises above the clouds" spell upon him, rather than having the Magus make the offer first). But all the same, I do find myself leaning more towards your version of things - not just because you said them, but often because they simply make the most amount of sense to me.

One example that I will give here is the "Jon Canmore = Castaway" idea, which you had in mind in writing "The Journey", but which "The Goliath Chronicles" didn't pick up on, making Castaway just some villainous businessman after the gargoyles for no apparent reason other than "motiveless malignity". I believe in Castaway and Jon Canmore being the same, not just because you said so, but because it makes more sense to me that way. For one thing, it gives a good explanation for why Castaway acts the way that he does in "The Journey", his reason for hating the gargoyles so much and wanting to ruthlessly kill Goliath; take away the "He's really Jon Canmore" bit, as your successors at The Goliath Chronicles did, and he becomes more of an unsolvable mystery. Also, I noticed a few clues to that in "The Journey" - his name, for example (the moment that I heard the name "Castaway" the first time that I watched "The Journey", I automatically thought of the Canmores, since they'd used surnames beginning with hard C's throughout "Hunter's Moon" for their aliases), and also the fact that, if you look closely enough at his Quarryman badge, you can see the three red scratches of the Hunter protruding from beneath it. But at any rate, I do feel that, even without your own words, the notion that Castaway is really Jon makes the most convincing explanation for him.

Greg responds...

Plus there's his last line: "Dream of me, Goliath! Dream of me!" said with a Scotish accent ala Canmore as opposed to Castaway's (phony) English accent.

Response recorded on September 14, 2000

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Todd Jensen writes...

In "Hunter's Moon", when Demona's looking over Robyn Canmore/Correy's references, she mentions that they come from Florence, Edinburgh, and the Sorbonne. What I found interesting about this part is that the three flashbacks in "Hunter's Moon" take place in Scotland (where Edinburgh is - although the flashback in question did not actually take place in Edinburgh, of course), Florence, and Paris (and the Sorbonne is in Paris). Was this deliberate?

Greg responds...

Yes.

Response recorded on September 14, 2000

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Todd Jensen writes...

In your opinion, was there a streak of cowardice in the Canmores? I've wondered about that for several reasons. For one thing, there's their habit of wearing masks or hoods in their "Hunter" role, which Goliath definitely views as cowardice in "The Journey". Also, I noticed some definite marks of it in the behavior of Duncan, Canmore, and Jon Canmore/Castaway. Duncan plots against the lives of the members of Clan Moray purely on his own unbased fears that they may attempt to overthrow him and seize the Scottish throne for themselves and the words of three old hags, and uses a hired assassin (Gillecomgain) to do his dirty work. He attempts to destroy Demona's clan in their stone sleep in 1040 while they are helpless and defenceless. When he goes up against Macbeth in battle, he tries to win through having his sidekick Macduff stab him in the back. Canmore, similarly, when he "slays" Macbeth, doesn't do so in fair combat, but by stabbing him in the back as well while Macbeth is arguing with Demona. Jon Canmore keeps on backing down whenever he has the opportunity to stand up for the gargoyles, and takes the final step of becoming Castaway after placing the blame of his maiming his brother on the gargoyles rather than taking the responsibility on his own shoulders. So, to repeat my question, does cowardice run in the Canmore family?

Greg responds...

Yep. And I wouldn't necessarily leave out Jason or Robyn either, though perhaps the cowardice takes a different form with them.

Response recorded on September 06, 2000

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Vasy writes...

okay greg here is a question that you might find intelligent...
in the hunters moon part 2. we are in italy in 1492...THE HUNTER HAS A FLYING CONTRAPTION. THE ONLY ONE I KNOW THAT MADE A FLIGHT VEICHLE EVEN CLOSE TO THE IDEA OF FLIGHT WAS LEONARDO DA VINCI.
1. is leonardo da vinci the hunter in that flashback
2. if not, does leonardo know the hunters, or did the hunter steal his idea or what not.
3. if i am off the track on this can you explain where the hunter got that flight thing

thanks

Greg responds...

1. No.
2. There must be some connection.
3. You're not off track.

Response recorded on August 23, 2000

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Alex "Cyclonus" Bishansky writes...

Me again. Why did Duncan choose to become the Hunter?

Greg responds...

It gave him a psychological edge against his enemies.

Response recorded on August 23, 2000

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Chris writes...

I couldn't find this question anywhere but if I just missed it and it's there in the archives, feel free to ignore, so here it is....

In all the centuries that the Canmores were hunting Demona, did it ever occur to any of them that there was something strange about the fact that they were hunting the same gargoyle for centuries when gargoyles only have twice the lifespan of a human?(That's around 200 years right?)I know i'd think there was something odd going on.I mean, did they know she was immortal, or was this hunter thing something they followed blindly just because their ancestors did?

Thanks for your time, and the show.

Greg responds...

They thought she (and all gargoyles) were demons. They didn't know about the half-speed aging thing.

Response recorded on August 23, 2000

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abbadon_13 writes...

someone told me that jon canmore and jon castaway are the same person, and it makes alot of sense, but i just want to know....is it true???
i know you didnt have a large hand in the Goliath Chronicles, ( Youre probably still having nightmares over the way they screwed up your master plan) but you probably know, or perhaps influenced this....

Greg responds...

Yes, in my head. I did write and edit "The Journey", where Castaway is introduced.

Response recorded on August 22, 2000

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Sapphire writes...

You said that the Gargoyles living in the year 2158 are barley tolarated and evils like the Illuminati society and he Quarrymen would still be around. For example the Klu Klux Klan is still around today but KKK attacks on visible minorities is extremly rare or almost never happen. would Quarrymen attacks on Gargoyles be rare or common in 2158?

Greg responds...

Rarer.

Response recorded on August 22, 2000

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Todd Jensen writes...

Before Gillecomgain's murder of Findlaech in 1020, had he carried out other assassinations with human (as opposed to gargoyle) victims? I ask this because of Findlaech's line, "You are the Hunter... but who sent you to hunt me?", which suggests that the Hunter had gained a reputation for that sort of thing.

Greg responds...

Probably.

Bodhe's son (Gruoch's brother) MacBodhe died somewhere in there. But I don't have my references here at home, so I can't remember when in the chronology MacBodhe's murder occured.

But perhaps it explains a little bit about Bodhe's behaviour.

Response recorded on August 22, 2000

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Emmlei writes...

I was thinking recently about Demona and the Canmores/Hunters, and it dawned on me that it's a lot like the Montagues and Caputlets of 'Romeo and Juliet'. Both involve two 'families' battling each other over a past greivance, one whose cause unfortunately became lost in the past (for Gargoyles, it's some kid getting slashed in the face, and we never learn the cause in 'R&J'). In both, the drive for revenge becomes the driving force for keeping the feud going. It's kind of tragic that in both stories, something as low as vengence causes so much pain on both sides. So, was that intentional or did I just come across one of those universal themes?

Greg responds...

Largely the universal theme thing. The obvious piece that's missing to make it truly parallel R&J is the young lovers. And I don't think that Jason & Elisa really fill those rolls, wouldn't you agree?

I was going to do a much more dead-on R&J riff in NEW OLYMPIANS with Terry Chung and Sphinx.

Response recorded on August 21, 2000


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