San Diego Comic-Con 2011

San Diego Comic-Con 2011

Well, I'm here!

I've so much work backed up from Oregon, ConVergence and being sick that I may spend an unfortunate amount of time holed up in my hotel room, nose to grindstone (grindstone = laptop), but if YOU are here, there are a few places you can find me:

Thursday, Friday and Saturday from 11:30am - 12:30pm, I'll be signing Gargoyles TPBs at the SLG Booth (#1815 - across from the DC Comics booth). Stop by and say hello!

Sunday at 10 am, Brandon Vietti, character designer Phil Bourassa, Danica McKellar (the voice of Miss Martian) and myself will be appearing at a panel for YOUNG JUSTICE in Room 7AB. We'll be screening an episode, followed by a Q&A.

After that, from 11:15am until noon, the four of us will be signing some VERY cool and unique (and even spoilerish) YJ giveaways at the Warner Bros. Booth (#4545). So again, stop by and say hey!

SO WHERE HAVE I BEEN? Updates & Debunks

Hello everyone,

Haven't posted here in a while, and since I did a bit of message board lurking this morning, it seems to have led people to believe all sorts of odd things, so...

Where have I been?

Well, in early June, my family and I went to the Oregon Shakespeare Festival in Ashland, Oregon.
We saw seven plays in four days. Six of them (Henry IV, Part Two, The Language Archive, To Kill a Mockingbird, Julius Caesar, Love's Labours Lost and Measure for Measure) were just stellar productions. Everyone was great, but I'd like to particularly single out Susannah Flood in both Language Archive and Mockingbird, Dee Maaske in Mockingbird and Michael Winters as Falstaff in 2HenryIV.

Coming back from that, I was understandably swamped and didn't have time to post.

Next, I went to Minneapolis for the always great ConVergence convention. I did about thirteen panels. Some of which, like Gargoyles and Spider-Man and Young Justice, I felt qualified to be on. And some, like Dexter and Galaxy Quest, my only qualification was being a fan of whatever we were talking about. This was my third ConVergence, and it continues to be the best run convention I've ever attended. And now that the Gathering of the Gargoyles is no more, it has become my FAVORITE convention to attend.

Returning from ConVergence, I then got quite ill. In fact, I'm still home sick today. (Home sick as opposed to homesick, clear?)

So THOSE are the reasons I haven't posted. Nothing nefarious.

Next topic: YOUNG JUSTICE UPDATE.

We have aired episodes 101-109 (i.e. Season One, episodes 1-9).

(Yes, episode 110 accidentally was posted on Cartoon Network's website, but I'm going to pretend that never happened.)

Episodes 110-115 are in the can, i.e. they are completed and ready to air.

Episode 116 awaits only the final on-line, i.e. the final review of the episode. This has been delayed ONLY because I've been out sick this week.

Episode 117 will have it's sound mix on Friday. (I hope to be back at work by then.)

Episode 118 has been edited and work progresses on scoring and sound effects.

Episode 119 is ready to begin post-production.

Episodes 120-123 are being animated in Korea.

Episodes 124-126 are in layout in Korea, while we finish the final color models here in the States.

Episodes 201-202 (i.e. Season Two, Episodes one and two) - Are fully recorded and are in storyboard. (201 was written by me. 202 by Nicole Dubuc.)

Episode 203, written by Kevin Hopps, is almost fully recorded. We have one actor left to pick up, who has been out of town. It is also in storyboard.

Episode 204, written by me, will record this week. It is also in storyboard.

Episode 205 - Brandon Vietti, has turned in his draft of the script. I have to read and edit it.

Episode 206 - The outline, written by Peter David and edited by me, went out Monday for notes, which are due tomorrow.

Episode 207 - Kevin Hopps turned in his outline, which I need to read and edit.

Episode 208 - I'm writing this one. I'll start the outline, after I've edited the outline to 207.

Episode 209 - Jon Weisman turned in his outline, which I need to read and edit.

Episode 210 - Kevin Hopps is working on his outline.

We do NOT yet have a pick-up beyond episode 210, but our bosses have told us to start blocking out episodes 211-220 in anticipation of one.

Episode 211 - We've broken this story. I still need to find time to write up the Beat Outline, though I have it all on index cards.

Episode 212 - We've got the basics of this one down, but we (i.e. myself, Brandon and Kevin) still need to finish breaking the story.

Episodes 213-220 - We've got a very clear sense of the arc and what things need to happen, but we haven't started on these yet.

NEXT TOPIC: DEBUNKING YJ RUMORS

False Rumor #1: YJ IS A GREG WEISMAN PRODUCTION
Everywhere on the Internet, all I see is that YJ is Greg Weisman's show. That's just blatantly false. This is a VIETTI/WEISMAN production. Just as Spectacular Spider-Man was a COOK/WEISMAN production and Gargoyles was a PAUR/WEISMAN production. I am not, nor have I ever been, a one-man show on ANY project I've EVER worked on. EVER. And in particular, on YJ, it's extremely unfair to Brandon to leave him out of consideration. Brandon is heavily involved in every aspect of production, INCLUDING SERIES DEVELOPMENT AND STORY. He's been right there with myself and Kevin Hopps breaking every single episode. It's been a team effort from day one. Many of the series' best ideas came/come from Brandon. And this is aside from the fact, that of course, Brandon can write - but I cannot draw, which arguably makes him MORE important to the production than I. I am exceedingly proud of this series and my own work on it - though certain very vocal fans seem to think I shouldn't be - but that doesn't change the fact that Brandon and I are a team.

False Rumor #2: YJ WAS RUSHED INTO PRODUCTION
Another blatant misconception. Look, Brandon and I are both perfectionists. Neither of us would deny that we'd LOVE to have more time on each and every episode. But that's not the same as being rushed. Let's make a comparison: on Spectacular Spider-Man, I basically had one week to develop both the series and the entire first season. Then Vic Cook came aboard, and we raced to get into production in less than two months. Brandon and I had seven months to develop the series, break the first season (which granted had twice as many episodes as the first season of Spidey) and head into production. The show isn't and never has been rushed. That's not to say the schedule isn't tight. But we haven't aired a single episode that wasn't ready to air. And we won't.

False Rumor #3: YJ ISN'T AIRING NOW BECAUSE WE'RE REWORKING EPISODES BASED ON INTERNET CRITICISM
This is my favorite. I love it the most because the first person I saw who posted this rumor also said that I'd deny it. So here I am denying it, which of course serves to PROVE that he or she was correct, see? Let's be clear: for better or worse, this series is COMPLETELY unaffected by internet criticism BECAUSE of schedule. Everything of any significance was set and DONE before even the pilot movie aired last November, so we couldn't address fan concerns even if we wanted to. And, honestly, we don't want to. We don't in part because there is way less consensus than some people seem to think. For example, for every post I see expressing hatred for "Hello, Megan!", I see a post that likes it. And personally, I like it. Brandon likes it. So why would we change it, even if we could? In fact, even Season Two is moving forward more or less disregarding "fan" criticism. Brandon and I always had very clear ideas for what we wanted to do in Season Two (and even Season Three, should we get one) and those ideas haven't changed. As with every series I've co-helmed, all we can ever do is write and produce to OUR OWN passions - and then just cross our fingers and hope enough people share our passions to make it a success. Anything else is doomed to failure, because if we're not passionate about it, it'll show in the work, and then no one will like it. And just to make it clear: WE LIKE OUR SHOW!! Doesn't mean you have to - but don't try to tell me I don't.

So why aren't we airing new episodes now? That's a fair question that I don't have an answer for. After all, we have six unaired episodes in the can, with four more on the verge of completion. It's a Cartoon Network decision. Some fans have argued that they shouldn't have started airing ANY episodes until ALL episodes were in the can. But that too is a decision above my pay grade.

My best guess - and that's all it is - is that CN will air new episodes - starting with 110 ("Targets") - in September. The good news is that the later they wait, the more weeks they can go uninterrupted by reruns. I do know that Season Two (i.e. "Young Justice: Invasion") will begin airing as part of DC NATION in March of 2012. And by then ALL of Season One will have aired. So do the math.

People have asked me if I'm bummed about losing momentum by this delay. But the thing is we've ALREADY lost all momentum. So as long as they PROMOTE us whenever they finally do start airing us again, then pragmatically I'm good. Yes, I'll admit to a certain level of frustration in that I want our stuff to get out there, but if CN has a plan to make the most of the episodes, then more power to them.

Anyway, I think that's it for now. I'll get back to answering questions on ASK GREG as soon as I can find the time. (But keep in mind that San Diego Comic-Con is fast approaching. Note: Young Justice has a panel scheduled for Sunday, July 24th at 10am, with a signing to follow. I'll also be signing Gargoyles comics (and whatever else anyone might want) at the SLG Booth from 11:30am to 12:30pm on Thursday, Friday and Saturday (July 21, 22, 23).

ALL CAUGHT UP

Hey gang,

I'm finally all caught up on the ASK GREG queue. Gonna take a short break, but we'll open the queue again on September 27th, 2010 in preparation for the release of Superman/Batman: Apocalypse which also contains the DC Showcase Green Arrow short that I wrote.

As always, I urge you guys NOT to flood ASK GREG with questions. Check the archives. Check the FAQs. Ask questions of the loyal fans in the Station 8 comment room.

AND, please, THINK BEFORE YOU POST. I am NOT, for example, going to SPOIL "Young Justice" before it airs. I'm not going to SPOIL "Gargoyles" either since I still have hopes of bringing that back. I'm not even going to "SPOIL" Spectacular Spider-Man, because I don't see any real point in revealing future plans and ideas independent of their execution.

Happy to talk process. Happy to talk about what's ALREADY aired or been published. Happy to talk about Mecha-Nation and many other things. But. NOT. GONNA. SPOIL.

Thanks,

gdw

SAN DIEGO COMIC-CON 2010 and ASK GREG

Hey gang,

Well, I've finally caught up with the backlog here at ASK GREG. I'm going to take a short Ask Greg vacation, and then we'll be reopening the site soon... i.e. on the Monday (July 26th) AFTER San Diego Comic-Con 2010.

As always, I ask that before you post a question you do your best to make sure it's not a question that's been answered in the archives already AND that it's not a question that someone posted just before you. You can also try asking your question first in the Station 8 Comment Room, as the fans know a LOT of answers already.

We're just trying to avoid flooding the site with so many questions, that I'm immediately backlogged again.

Meanwhile, I will be at Comic-Con next week. Subject to change, here's my current schedule:

THURSDAY, JULY 22, 2010
10 - 11:30am - Mecha-Nation signing at the Kizoic Booth. (We'll be premiering the first issue.)

FRIDAY, JULY 23, 2010
10:30-11:30 am - Brave and the Bold/Young Justice Panel. (We'll be premiering our first Young Justice footage in a mini-panel jam-packed with revelations!)

2 - 4 pm -Mecha-Nation signing at the Kizoic Booth.

SATURDAY, JULY 24, 2010
11:30am - 1pm - Gargoyles signing at the SLG Booth.

3 - 4 pm - DC Showcase panel. (We'll be previewing some footage from the Green Arrow DVD short that I wrote.)

5:30 - 6:30pm - DC Showcase signing. (Location TBD).

SUNDAY, JULY 25, 2010
10-11am - Mecha-Nation signing at the Kizoic Booth.

11am - 12:30pm - Gargoyles signing at the SLG Booth.

Please stop by and say hello!

ACCESSIBILITY

So I've been lurking a bit, and I see folks are questioning the accessibility of the Gargoyles comics.

And I know I shouldn't do this, but I'm going to defend my own work here instead of just letting it stand on its own.

I totally reject the notion that the comics aren't accessible to new readers, unfamiliar with the GARGOYLES property. Now, granted Clan-Building, Volume II is pretty inaccessible IF you haven't read Clan-Building, Volume I. But in fairness to me, the Clan-Building arc is published in two volumes for commercial reasons, not creative ones. It's not two six-issue arcs; it's one twelve issue arc. So if you read Clan-Building in it's entirety OR if you read Bad Guys in it's entirety, I think both these arcs are extremely ACCESSIBLE.

And, yes, I've seen the reviews that claim that they're not. But I notice that those reviews are written by people who ARE passingly familiar with the cartoon and are making the ASSUMPTION that the books would be inaccessible to new readers. But I don't buy it. I've been doing this for a LONG time. And I know how to fill in my reader and/or viewer, introduce new concepts, etc.

Every issue in sequence introduces all the necessary information to a new reader that said reader would need. Does a reader benefit if they know all the backstory? Of course. But they don't have to know that backstory to enjoy the comic.

Let me take a specific example -- one that a reviewer specifically brought up. At the very end of issue #2 of Bad Guys, Sevarius appears. The reviewer (who knew exactly who Sevarius was) thought that I was blowing off new readers, because I gave NO backstory or introduction to Sevarius in that issue. But I'd argue that no introduction was necessary at that point. We've seen a mysterious figure descend into the Labyrinth, taser a guard, shed a disguise and confront Fang, claiming to know his real name and stating that he is Fang's "maker". That's ALL you need to know at that point as a new reader. It's perfectly okay if you DON'T know who this guy is. It's intriguing enough on that level. And in the very next issue (or chapter if you're reading the trade) Hunter gives all the backstory on Sevarius that you need to appreciate his role in issues/chapters #3 and #4. Yes, a hardcore fan is going to get extra juice when Sevarius pulls off his disguise because they'll recognize him. But even if Sevarius had been a brand new character, I wouldn't have handled his introduction any differently.

Look at Tasmanian Tiger. He is a new character. I hope he's at least a little bit intriguing. But is a new reader lost because they DON'T know that this is his first appearance? Readers, whether they are hardcore Garg fans or complete newbies, know as much about TT as they need to know -- and no more.

Yes, there are resources on the web -- BUT I don't count on those AT ALL, with one exception. And that exception is if people wonder why I'm ignoring Goliath Chronicles. And a new reader isn't even going to KNOW about Goliath Chronicles, so it's NOT an exception to him or her.

Otherwise, I use the tools I have within the book to explain what an audience needs to know. Someone familiar with the property may THINK the reader needs to know more, but I flat-out think they're wrong. My proof is anecdotal but it exists. I know people who've read the books and enjoyed them even though they never saw the show. Has it interested them in finding out more about the original series? Yes. And that's good and fine. But there's a difference between a new reader being intrigued and WANTING to learn more and a new reader being confused and NEEDING to know more to get what's going on.

You don't need to KNOW Brooklyn's entire history to know he's hurting because he can't get a date, to know he's pining for Angela and to know he's trying to get away from Angela and Broadway before chapter 10 of Clan-Building comes along -- and he's thrust into the past. Everything you NEED to know about him is present in issues 1-9. One benefits from knowing more, but that doesn't make it necessary to know more.

Of course, the greatest blockade to accessibility is the non-linear structure of chapters 7-9. But that's not property-based or familiarity-based, that's me using a non-traditional structure, which I might have done on an issue of, say, Captain Atom or Spider-Man or whatever. Hopefully, if a reader has read the first six chapters, they're intrigued enough to want to follow along despite the difficult structure.

Remember, issues 1 & 2 are designed to introduce you to the world of Gargoyles and any relevant information about said world. I got slammed by one reviewer for opening the comic book series with that adaptation of "The Journey", but I thought it was essential for new readers. One could argue fairly that each succeeding issue isn't as accessible as those first two, but complications and characters were added gradually through those first six issues. Anyone reading the book in order would not have been lost for a minute. If we hadn't been plagued by delays and late deliveries (which I had no control over and did not anticipate) it wouldn't have been the same kind of problem.

Any comic book or animated series that employs serialization and continuity is subject to these difficulties. And the middle chapter of any story (including a twelve-part story like Clan-Building or a six-part story like Redemption) can be tough to follow without having read the first few chapters. But just as I feel you can enjoy, say, "Leader of the Pack" without ever having seen any episodes from Season One of Gargoyles, I think Clan-Building can be enjoyed without having seen ANY of the Gargoyles TV series. Is the same true for "Avalon, Part Two" or "Avalon, Part Three"? No. But I think it IS true for "Avalon, Part One" and/or the three-part "Avalon" series when considered as a single unit.

My point is, I'm very familiar with the dilemma, and I know how to compensate. Or in any case, I'm VERY aware of the need to compensate. One can argue that I failed, I suppose. It does become subjective at some point. But nothing I did was done without very conscious thought on my part vis-a-vis the needs of a new reader. So any reviewer who claims that I didn't care or didn't try to make the book accessible is just -- well, wrong. And I think they are making assumptions based on THEIR knowledge of the richness of the property. They get all these resonances and call-backs, etc., and ASSUME a new reader would be lost without them. But you know what they say about the word "ASSUME". The resonances and call-backs are gravy. (And if you don't know they exist you won't know you're missing anything.) The meat, in my opinion, is all right there on the page.

A few thoughts...

Got easily a hundred calls, texts, e-mails yesterday about the big Marvel/Disney news and a few about the Sony/Marvel/Spidey news, so here are a few random thoughts to go with what I posted yesterday...

1. SPEC SPIDEY: The main thing that's changed about the Spec Spidey situation is that Sony is now out of the loop/decision making process about whether or not there's a third season. Before Sony was waiting to see if Disney picked up the series. Then they'd decide on its economic feasibility for Sony. Now Sony isn't part of that equation, leaving the whole thing in Marvel and Disney's hands. Of course, now that Marvel and Disney are kinda one hand, so-to-speak, I don't know what that means for us. Other than the obvious, which is that I'm sure we're not exactly Disney/Marvel's highest priority at the moment. How and when this decision gets made is really up in the air, but a former negative does feel good -- now -- that our last six episodes won't start airing on Disney XD until late October. That means our last episode won't air until early December, which may be a better time for Disney/Marvel to focus on the show. (Or not.) Of course even a positive decision in December or (more likely) January means a HUGE gap between Seasons Two and Three, but I'd take that over no new episodes.

2. FLASHBACKS:I can't help but be reminded of events in the mid-nineties, when Michael Eisner (then CEO of Disney) wanted to buy Marvel, so that he'd have super-heroes to compete with Warner Bros' DC Universe heroes (including Superman and Batman). Back then, however, Marvel was, or so I was told, a corporate mess. And it wasn't just that -- as now -- various studios already had the rights to individual characters, but that the rights had been double sold all over the place, and that every character pretty much represented a lawsuit in the making if not already in the works. Eisner was advised NOT to buy Marvel, and of course he didn't. But he REALLY wanted to be competing in the boys action/super-hero market. That was when the Gargoyles Universe was raised as a possible alternative. We pointed out that the Marvel Universe began with the Fantastic Four, and that we could use Gargoyles as a springboard to more properties and to an entire Universe. We were encouraged by Michael to create spin-off properties, backdoor pilots, etc. And that was THE major impetus for us to work on things like New Olympians, Bad Guys, Pendragon and Dark Ages. (Gargoyles Future Tense -- which became Gargoyles 2198 and TimeDancer came later.) It was also a reason to be expansive with the World Tour and introduce more and more new characters, etc. Of course, by the time all this stuff was actually made, the world had changed again. Frank Wells died. Michael and Jeffry Katzenberg went to war, with Jeffry eventually leaving to found DreamWorks, and taking two of my immediate superiors, Gary Krisel and Bruce Cranston, with him. Rich Frank (another of my bosses up the chain) also left. Dean Valentine was placed in charge of Walt Disney Television Animation and he had no affinity for Gargoyles or its spin-offs. And Michael, who had initiated the whole thing, had way bigger concerns on his plate. I was more or less forced out. But for one bright, shining moment...

3. GARGOYLES: I'm sure a lot of people are wondering what this means for our favorite winged warriors, but in the short term, I'm sure the answer is "Not much." Gargoyles is pretty much under Disney's radar right now, and really doesn't exist on Marvel's radar at all, as far as I can tell. We'll be an extremely low priority. Our best bet is still SLG, which HOPEFULLY will be motivated by the sales of the Trades to want to make more content with me. Having read Dan "Mr. SLG" Vado's recent reaction to the Disney/Marvel merger, I'm hoping he isn't too discouraged by being in bed with his competition. But I have no doubt that the best way to get Dan fully on board is to make it worth his while by having those trades sell VERY well. So again, buy the trades and/or SPREAD THE WORD!!!!

SUCH BIG NEWS

Okay, in the period of just a few days, I have been rocked by two incredible pieces of news.

1. Last Thursday (8/27/09), Vic Cook and I were informed that in exchange for some concession vis-a-vis the live action Spider-Man features, Sony returned the television rights (including the animated television rights) for Spider-Man to Marvel. This took place the day before ComicCon, I'm told. But I was only informed of it this past week.

2. Today (8/31/09) comes the news that Disney has purchased Marvel outright.

NOW, before you ask -- before you post a thousand duplicate and/or overlapping questions to ASK GREG -- let me be clear: I have NO IDEA what this means for either Gargoyles or The Spectacular Spider-Man. Neither of these developments are by definition good news or bad news. Shocking news, sure. But how it will play out for either or both properties is a complete mystery to me. As soon as I have ANY information on either property, I will post it here at ASK GREG. Until then, don't ask. Seriously. Just don't. There's just no point in bogging down the queue with questions I have no answer to. Thank you for your cooperation.

GATHERING 2009 - Monday, August 24th

GATHERING 2009 - Monday, August 24th

Midnight - The goodbyes begin for folks who are leaving first thing Monday morning or right now. Said goodbye to Marina, Zehra, Sarah, Michael McAdam and probably quite a few others...

1:30am - The party downstairs finally breaks up and I head up to my room.

4am - Went to bed. But I just couldn't sleep at all.

8am - Finally gave up and got up.

9am - Brought my luggage to my car and then went to the staff breakfast: crepe, ham, potatoes, OJ.

10am - Comic book panel with Karine Charlebois and Greg Guler. I'll just repeat the main message I gave. I have no info on the future of Gargoyles comics beyond this: SLG's Dan Vado is sincerely interested in doing more. His ability to make an offer for the license to Disney will depend on the sales of the three trade paperbacks. Beyond that, we had some really interesting discussions about the books.

11:30am - Gargoyles Biology and Culture panel with Jade Griffin and Matt Parker. I love this panel. Always full of interesting discussions, that influence how I handle things in the Gargoyles Universe.

1pm - Closing Ceremonies. Okay, I admit it. I pretty much lost it more than once. It was VERY emotional. A number of us told stories of past Gatherings and how they changed our lives. It was warm and all too fuzzy, but wonderful. I love all you guys. Thank you.

2:30pm - We finally closed the Closing Ceremonies. I helped Patrick and a bunch of other volunteers carry things down to Patrick's rented van. Then we headed up to the Constaff Suite for a dead dog party. Christopher bought pizza for everyone, which was very generous. I had a coke and a virgin jello shot. And we just hung out.

5:45pm - Time to go, to return to real life. I hugged EVERYONE. Jennifer Anderson walked me to the elevator. I was pretty wrecked. It felt a bit like it felt to end a long job. You walk away. What else can you do? You take your memories with you, but you also know you're leaving a piece behind.

But it's been a FANTASTIC THIRTEEN YEARS. Thanks to everyone who ever attended a Gathering. You really changed my life!

TRADE PAPERBACKS!

Hey gang,

I know -- and share -- the frustrations over the vague release dates of the two remaining trades. Both are DONE. So it's just an issue of getting them from the printers, through customs, out to Diamond and then into stores, etc.

BUT, Dan Vado has ASSURED me that all three trades (GARGOYLES, CLAN-BUILDING, VOLUME ONE; GARGOYLES, CLAN-BUILDING, VOLUME TWO; GARGOYLES: BAD GUYS, REDEMPTION) will be available for purchase at the Gathering. Hopefully, they'll be available everywhere sooner or at least shortly thereafter, but at the very least -- if you come to the con, you can get the books!