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If you were to continue with a season 3 of spider-man, would you incorporate some of the more current Spider-Man storyline such as Dark Reign and the post-Brand New Day stories?
Guys, guys, I'm NOT going to start spoiling things for a season that doesn't yet exist - but might someday.
Hey Greg, to follow up on someone's question revolving around Beetle, he first fought the Fantastic Four in "Strange Tales" #123 before fighting Spider-Man in later issues. The Ultimate Marvel version of Beetle is depicted as a mercenary for the Latverians who had recently captured Venom to give to the Latverians. Though in the "Ultimate Spider-Man" video game, he was collecting "samples" to give to Doctor Doom (revealed in the special edition's concept art) for some Super-Soldier plot. The video game had Beetle already obtaining a vial of sand that came from the Ultimate Marvel version of Sandman.
As for Rose, the first one was Richard Fisk (you might know him as the Kingpin's son). The second one was a police officer named Sergeant Blume. The third one was a Daily Bugle reporter named Jacob Conover (who was loyal to Don Fortunado for saving his life earlier). If you plan Rose, how would you pull it off since you weren't able to afford the use of Richard's father for this series?
In a follow-up to my "Marvel Team-Up" comment, Spider-Man starred in most of the issues where he worked with heroes like the Fantastic Four, Namor, the X-Men, Captain America, Thor, Iron Man, Doctor Strange, Hulk, Daredevil, Black Widow, Nick Fury, Tigra, Ghost Rider, Paladin, Hank Pym, Wasp, Falcon, Hercules, Howard the Duck, Ka-Zar, and even Doctor Doom to name a few. Though in one issue, Spider-Man worked with the cast of "Saturday Night Live" to fight Silver Samurai. If "The Spectacular Spider-Man" is successful and there are other season, there should be a season based on it where Spider-Man meets other heroes. I had this brought up since an interview you were in stated that Captain America wasn't defrosted yet, Tony Stark never was captured by terrorists yet, the Fantastic Four never got exposed to the cosmic radiation in the Van Allen belt yet, Professor X never founded the X-Men yet, and Donald Blake hasn't stumbled on a disguised Mjolnir yet. If you'd like, you can brush up on Spider-Man's various Team-Ups through this link: http://en.wikipedia.org/wiki/Marvel_Team-Up
Who said we couldn't "afford" Kingpin? Money was never the issue. Rights and contracts were.
You're not telling me stuff I don't already know, Arthur. But it doesn't change the fact that in OUR continuity these are the early days of the Marvel Universe. Peter Parker is 16. Most of the heroes you named aren't around yet, and in any case are NOT a part of the Spider-Man license. The Beetle isn't part of the Spider-Man license either. I'm not sure about the Rose.
Whether or not we eventually get access to characters outside the license is still an open question. Whether or not we get more episodes is still an open question. But this show is not likely to become "Marvel Team-Up" under my watch. That just feels like a different show, the way The Brave and the Bold is different from The Batman or Batman the Animated Series. A different animal. I would like to do the occasional team-up. I think I've mentioned Spidey/Human Torch and Spidey/Hulk in the past, just to start with. But one or two per season is plenty for me. I've got more than enough to explore in Spidey's corner of the Marvel Universe.
I've become quite a fan of Spectacular Spider-Man recently, and would like to thank you for a great show. One thing that worries me though is it's future. If the show isn't picked up for a third season, would you consider continuing the story using the format of comic books, similar to what you have done with Gargoyles?
I'd be happy to, but obviously, it's not my decision.
Hudson has or had a biological child in Goliath's generation, the Trio's generation, and Bronx's generation. That means that Goliath and the Trio would have considered him one of their rookery fathers and Hudson regards them as his rookery children. (I'm guessing he regards Bronx somewhat differently, though correct me if I'm wrong.) So why do we never hear Goliath or any of the Trio calling Hudson "father" or him referring to any of them as "son"?
Their relationships are MORE specific than that. When you have a LOT of fathers (back in the day), many different varieties of relationships develop in addition to the paternal-filial. That doesn't mean they don't consider Hudson a rookery father, but it's not how they define him.
Today, I e-mailed Dan Vado at SLG, asking about the two trades. Here's his response:
I was going to be emailing you this week.
Gargoyles I have scheduled for July, and that looks good for Comic-Con. Bad Guys I have scheduled for August and it a possibility for comic-con, but not a lock.
The Gargoyles trade will be in the May issue of Previews, I cannot stress enough that the fans really need to come out of the wood work on this one (not that they were in the wood work, but you know). They need to be "annoying" (i.e. pushy with retailers) as they can be because with the economy what it is right now nothing short of a huge groundswell of apparent demand wll get some of these guys (comic retailers and regular booksellers alike) to even buy a single copy. I am not a fan of getting people to be annoying, but this is going to be a case where it is needed.
Likewise Bad Guys (June Previews) will need an even BIGGER boost. I separated them because I did not want them to cannibilize each other sales-wise.
There you go, hope all is well with you...
So that's the news, both the good and the scary. I know I sound like a broken record. I know the fans shouldn't HAVE to be responsible for this, but if the fans don't, who will? I'll do my part. And Dan will do his, relative to his limited economic resources. But we NEED the fans to really step up and do two things:
(1) SPREAD THE WORD!!!! Please make sure EVERYBODY knows about these trades (and Volume 1 too).
(2) HARASS YOUR RETAILERS!! Make sure they KNOW how much you want these books. Pre-order them!! Put them on your pull lists!! Talk them up to every employee of every store!
Remember, if these trades do well, we might be back with more original stories sooner than later. If they don't, it'll make it MUCH harder for SLG to justify risking more on the property, much harder to convince Disney that the property is viable and much harder to convince any other publisher to give us a shot.
In the "City of Stone" Part 1. How does Demona restrain Owen into a chair when shes speaking the "Stone By Night" spell?
This has been answered before. I'll refer you to the ASK GREG archives and to my ramble on that episode.
Question about "Accomplies" and Roderick Kingsley. Is this realy him or his brother? Because during the bidding, he acts like Roderick, but then, when he arrives to take the chip he's more like Daniel (I mean scared and stuff). Not to mention that in the closing credits it says only KINGSLEY. So which Kingsley we saw, Mr. Weisman?
Hi! One of the greatest pleasures of visiting AskGreg when you were rambling about each episode of "Gargoyles" individually was seeing the production memos and other behind-the-scenes documents that gave us all a long peek at exactly what went into producing the episodes that eventually aired.
Given this, I was wondering if you would be willing to post any of the memos that you might have with regards to the production of "W.I.T.C.H." and "The Spectacular Spider-Man." I have greatly enjoyed both shows, and I would absolutely love to see some of the thinking that went into them.
On a related note, since a third season of "W.I.T.C.H." is apparently (and unfortunately) never going to see the light of day, are there any ideas that you would be willing to share as to how Season 3 would have been if you had worked on it? Evidently Raphael Sylla would have been involved, but what other characters/storylines did you have planned?
Thank you for your time, and good luck with your work!
I'm not going to put up any internal documentation on Spidey while the show is still alive.
Which suggests, I might be willing to do it on WITCH, since it's not. I'll think about it.
I have to admit that my memory on WITCH's never-happened third season are a bit vague now. But Sylla and Riddle were very important, and Taranee and I think Martin and Cornelia would transfer to Riddle's school. The Guardians would take on a temporary new member, as in the comics. There were other elements from the comic, including characters I can now picture in my head -- but whose names I can't immediately call to mind. But Irma's mom would have been very important.
I haven't seen "The Spectacular Spiderman" on the WB network on Saturdays. Is the show still running on TV? Is teh character design for the show done in the US? And is the show animated in the US or overseas? And if oveseas, where is each episode animated? How long does it take to completely do one episode for "Spiderman?"
The Spectacular Spider-Man airs in the U.S. on Disney XD, formerly ToonDisney a.k.a. Jetix.
All character designs were done in Los Angeles, most by Supervising Character Designer Sean "Cheeks" Galloway.
All animation was done in Seoul, Korea.
It takes eight to ten months to complete an episode of Spidey from start to finish.
The second season of "The Spectacular Spider-Man" continues as the Master Planner story arc continues to unfold.
I liked the prologue, with Spidey casing out Blackie Glaxton, and yes, I remember him from the comics. I just love how this show mines the comics for even the most obscure characters. Oh, and there's Patch. I remember him too, and he's someone else who it's nice to see. I think I'll keep my lips sealed on him for the benefit of those who don't know the old comics as well.
Right now, allow me a little tangent on Steve Blum. I've been a fan of his since I first watched "Cowboy Bebop" on DVD back in 2002. I knew this guy was going to become a star voice actor. His performance as Spike was nothing short of terrific. He's also a terrific Wolverine. But, he has often been criticized of using just one voice, since that Spike voice is quite popular. So, I am glad that this show has allowed him to show off his range. His Green Goblin is terrific. I liked his Chameleon. He's done other incidental voices here and there, but I didn't recognize him as Blackie until the end credits. He's terrific.
I do like how there wasn't another elaborate escape scene this time. It was fun last time we saw the Six, but we didn't need a repeat. Although I am curious as to how Toomes, Rhino and Sandman managed to escape without anyone being the wiser.
While this was mostly one long fight sequence, what a fight sequence. It was all over the place, and fun. The villains aren't feeling like they're old hat yet, but I do hope the Six find a better strategy than two at a time the next time we see them.
And now we have Peter and his girl troubles. He wouldn't be Peter Parker without them. Here's hoping he makes some more progress with one of them next week.
Okay, the soundtrack this time was terrific. Yeah, it was Christmas music, but it added to the atmosphere.
Ock, you brilliant bastard. I am pretty sure he's the Master Planner, and he was operating from inside Ravencroft. I look forward to seeing what his master plan is. Looking forward to seeing him lead the Sinister Six next week.
As a long time fan, I would have preferred to see Rhino get arrested, and not Mysterio, so we could have the original Sinister Six next week. But no big. It's the end of the Master Planner arc, I know it's going to be good.
Not as much to say this week. But it was a very enjoyable episode.
Oh, I almost forgot. Cletus Kasady? For the love of all that is holy, why? I am hoping that easter egg remains an easter egg.
Just to make something clear -- not that you were asking for Spoilers, Greg -- but I have NO intention of spoiling my very tentative plans for Season Three beyond what I've already stated, which is that they include Hobgoblin and Scorpion. I'm of course still hoping there will be a Season Three, so I'm gonna say "No comment" to any questions that ask for spoilers.
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