Greg responds...

I barely remember. But New Generation Pictures' Jonathan Klein, a former student of mine, has hired me on occasion, ever since I directed 3x3 Eyes for him.

Greg responds...

1. They were born in September of Team Year Six.

2. Rob was no longer available. We offered the part to Chad. He got his brother's blessing and took over.

3. They were enemies.

3a. He got away.

4. Team Year Two.

Greg responds...

1. No spoilers.

2. I was very happy, too! Kelly is always great!

3. Nope.

Greg responds...

1. He auditioned. We cast him.

1a. Nope.

2. I honestly don't remember. I know we didn't hold auditions for the part. I'm trying to recall if perhaps she auditioned for Miss Martian, and whether we perhaps liked her and kept her in mind. I had also worked with Alyson previously (when she was barely a teenager) on W.I.T.C.H., in which she played Lilian Hale. So maybe I suggested her. Or maybe Jamie Thomason did. I just can't recall.

Greg responds...

1. Only ones starring Danica McKellar or Lacey Chabert.

2. No spoilers.

3. She's a therapist, and she also owns a flower shop.

Greg responds...

1. Green Arrow only appeared with a speaking role in one episode in Season Three.

2. They were definitely in the studio together pre-pandemic. They seemed friendly to me.

Greg responds...

1. I'm going to hold off answering which other organizations we've worked with for now, as I think revealing the organizations would by default reveal content. I'd be happy to answer this after the season's over. But I've already stated that we've been working with GLAAD and OUT and MPAC (Hollywood Division). Plus, we've run every single outline and script by Dr. Janina Scarlet (superhero-therapy.com and @shadowQuill on Twitter). She's helped us with psychological and therapeutic details, while also generally acting as a sensitivity reader for our work. And there's also Warner Bros' own DEI department, who've been very helpful. There are more organizations, but the rest will have to wait for now. As for process, it can differ slightly. But generally, we discuss the stuff we were thinking about doing with them and get their feedback. Then we show them our outlines. Then our scripts. Sometimes even animatics or animation. At each step, we listen, take their notes and make sure everyone feels good about what we're doing before we take the next step in the process. We don't do anything that doesn't work for our story and characters. But we admit to ignorance on many fronts and many levels, and we like educating ourselves and allowing that education to be reflected in the work.

2. Well, it is fun! (Or, you know, most of the time. Nothing's perfect.) But pre-pandemic, we'd bring a majority of any episode's cast in together. (Although our casts are SO big, that sometimes we might split that cast into two shifts, trying to get folks who have scenes together to record together.) Jamie usually has them do a first run through without much direction. Then he might dive in and nuance an exchange or a line. Or even a certain phrase. We like to have options, but we want to make sure we get at least one version that hits the nail on the head. And we also make sure that we have at least two versions of every line. Post-pandemic, everyone was recording alone. Which is still great but not quite as much fun. There's a lot of playing back what one actor did for the other actor. (Whomever went first, kinda gets to set the tone for any scene, in these cases.) As for when we'll get back to recording in person, I don't know. Not on Season Four. That's all fully recorded.

3. See above.

4. After an episode or two, we definitely begin to incorporate their performances into their characters. With regulars or our long time recurring actors, we often sit down and talk to the actors about their characters, and I'm not at all adverse to listening to their takes on their own characters and importing those ideas into future episodes.

5. We wanted to fully bring their culture and milleu to life. To see Posiedonis - which is all you've seen of Atlantis so far - as its inhabitants see it.

Thank you for watching!

Greg responds...

They don't exist. These were brief pieces produced by the YJ Wiki (https://youngjustice.fandom.com/wiki/Young_Justice_Wiki) with the voluntary (and unpaid) participation of members of our wonderful cast done to promote our companion (and fully canonical) comics to get more of our fans to read them.

Greg responds...

The first half - or nearly half - of the season was done the way we always have, with group recordings predominantly, while picking up the occasional actor at a different time, based on availability.

About halfway through the season, we temporarily stopped recording because of the pandemic.

So in order to keep our board artists supplied with vocal tracks and working (from home), we began recording scratch tracks, using myself, Brandon, voice director Jamie Thomason, Talent coordinator Laura Lopez, editor Cris Mertens, and my wife and kids.

Then we began recording actors individually from home. Some of these actors have fantastic home studio set-ups. Others, well... not so much. We weren't video-conferencing with them, but we were audio-conferencing.

Then we switched from BangZoom Studios for our records to Atlas Oceanic Picture & Sound, which had a booth with a door that opened right into their parking lot. That way an actor could drive up and stay in their car until called for. Then they could walk right into the studio without any contact with any other human being. The engineer was in the control room, and the rest of us - including Jamie - were all listening in from our homes. Then when that actor was done, the booth would be sanitized before the next actor entered. Some of our performers still worked from home, but about half came to Atlas. It was always the choice of the actor.

And every actor always gets the entire script.

Greg responds...

I'd heard about both, though I haven't seen them myself.

It tickles me.