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Matt Itelson writes...
How did L-Ron have access to the Krolotean database?
Why didn't Despero speak in "Corned?"
By the way, Keith David, the voice of Mongul here, previously voiced Despero in Justice League.
Greg responds...
1. I dunno. Does it matter?
2. It was beneath him to communicate directly with inferiors.
3. Keith's a talented guy!
Nick writes...
Did you hold auditions during the pandemic? If so, how did that work?
Greg responds...
We didn't hold in person auditions. We did have performers submit tapes of them performing the part for certain roles, e.g. Amistad Ervin. It's not as good a system - in theory - as you can't see how an actor takes direction. But fortunately, it all worked out for us remarkably well. Of course, we didn't hold a ton of auditions for roles this season. We mostly just cast new roles without auditioning. And some that we did audition for were done pre-pandemic. But again, I can't complain with the end results.
Nick writes...
Forgot to ask: how did you cast Logan Browning?
Greg responds...
I'm pretty sure Jamie suggested her for the role. Brandon and I listened to her voice in other things, and we agreed. I don't think we held auditions for Onyx. But it was pre-pandemic, and my memory is fairly fuzzy of those days.
Nick writes...
This season has some great new voice actors!
Can you tell us how you cast Carl Lumbly, Usman Ally, Erika Ishii, D.B. Woodside?
Greg responds...
1. Not that anyone was arguing with me over the choice, but I really wanted to cast Carl as M'gann's father. In part, as a tribute to his work on Justice League as J'onn J'onzz. But also cuz he's truly great, and I've been a fan of his going back all the way to Cagney & Lacey.
2. We held some auditions for someone who could play both Khalid AND Muhammed Nassour. And Khalid won the roles by being great at both.
3. We held auditions for someone who could play both Mary Bromfield and Child. Brandon and I had seen Erika perform an amazing stand-up routine about playing the violin and being frustrated by the ending of Game of Thrones, so she was one of the people we suggested as a possibility. And she killed it as both characters.
4. Brandon wanted to make Phantom Stranger Black, so he and Jamie Thomason and I began brainstorming who might be a good choice to play the role. I believe Jamie may have suggested D.B., and I was immediately enthusiastic based on his work in Lucifer and Buffy and 24 and other stuff that I've loved him in forever.
Zachary Zatara writes...
Does Zatanna watch Lacey Chabert Hallmark movies?
Greg responds...
Doesn't everybody?
Michael Broder writes...
Is Henchy an original character, based on someone from the comics, or both?
Have you ever thought of doing a motion comic where the actors read the whole comic?
Greg responds...
1. He's more-or-less original. He's based on a model created for the Green Arrow Showcase short and a specific voice that I love, which actor Steve Blum has used for me in multiple series: Raythor (W.I.T.C.H.), Blackie Gaxton (The Spectacular Spider-Man), Zeb (Star Wars Rebels).
2. Yes. I'd love to do that. But there's no budget for it, generally. The YJ Wiki did a few using volunteer labor and volunteer voice actors. Here's one: https://www.youtube.com/watch?v=42QKFkSy4DU
Oh, and what the heck, here's another: https://www.youtube.com/watch?v=8N3Z2b-UlTE
Jason R Carter writes...
Minor question: is there a particular reason you had Atlanteans speaking more formally (i.e. little to no use of contractions) after "Infiltrator"?
Greg responds...
We were really following the lead of Khary Payton, who created the voice of Aqualad.
Midori Tanaka writes...
Greg, first I wanted to thank you for continuing to explore Jade's character, love her bigger presence in Phantoms. Question: hpw fun is writing Artemis and Jade relationship?
Greg responds...
Very. Very, very.
They both have such distinct and complex personalities, scenes between them all but write themselves.
Plus, watching Kelly and Stephanie perform against each other - and we recorded their arc pre-pandemic when we were still recording the cast in groups - is always a treat. They really make great sisters!
The Greenman writes...
My Question is more logistical. I am curious of the process of V.A.s specifically of Star Trek association.
I have been waiting on some actors to appear, but assume some are too expensive. For example I believe that you reached out to Patrick Stewart for a past project and that aforementioned issue left him unaffordable for your desire. I look at others who I haven't expected to see appearing animation projects i.e. K. Mulgrew reprising Captain Janeway.
As a Teekkie myself, I have been hoping more actors show up. One I've been hoping is Erick Avari who has such a unique voice. I also assume the legendary George Takei is practically off limits. Your thoughts, and are you open to the NEW series of Trek actors?
Greg responds...
Taking your last question first, absolutely.
I haven't priced anyone recently. I try not to think about that. Generally speaking, availability is a way bigger issue than cost, especially since the pandemic.
I worked with Kate Mulgrew, of course, on Gargoyles. Would love to work with her again with the right part. There are actually a ton of actors I've worked with before that I'd be thrilled to use again. But timing and role don't always sync up.
I voice directed George Takei on Team Atlantis. But I'm pretty sure that was on one of the episodes that never was completed or saw the light of day. I'm sure I have a cassette tape with his work on it in my storage room somewhere.
Haven't worked with Patrick Stewart, but it would be an honor. And I love Erick Avari. Saw him play King Lear once on stage. He was fantastic. But you have to be thinking of someone at the right time for the right role. It's more of a crapshoot than you'd probably guess.
Anonymous writes...
How were auditioned done for season four? Was any done during the lock down?
Who suggested Logan Browning for Onyx? She's so good!
Greg responds...
1. I'm trying to remember if we did auditions for any character for season four... I'm not sure we did. Oh, wait. Yes. But that character hasn't appeared in the first thirteen yet.
2. Yes. The one character I'm thinking of we auditioned by sending copy out to agents, etc., and getting readings back.
3. I'm fairly certain that was Jamie Thomason. And I agree, Logan was amazing in the role!
Verdragon writes...
So how exactly did you wind up doing additional voices for the Square Enix game "The Last Remnant"?
Greg responds...
I barely remember. But New Generation Pictures' Jonathan Klein, a former student of mine, has hired me on occasion, ever since I directed 3x3 Eyes for him.
Family writes...
How old are Don and Dawn Allen?
Why did Chad Lowe replace his brother as the voice of Captain Marvel?
Why did the Ocean-Master attack Aquaman in the flashback in Downtime and what happened to him after he was defeated?
When did Guy Gardner join the Justice League?
Greg responds...
1. They were born in September of Team Year Six.
2. Rob was no longer available. We offered the part to Chad. He got his brother's blessing and took over.
3. They were enemies.
3a. He got away.
4. Team Year Two.
Hazel writes...
1. Did Wendy Harris and Marvin White ever clue into the fact that the public hero Superboy was their old classmate?
2. As someone who absolutely adored Kelly Stables' work in W.I.T.C.H., I'm very happy that you roped her in to voice Cissie. Thanks.
3. I noticed that you gave Orphan a Z-designation, but not a B-designation. Was she even a formal member of the team when Season 3 started?
Greg responds...
1. No spoilers.
2. I was very happy, too! Kelly is always great!
3. Nope.
Verdragon writes...
1. What was the casting process behind Jesse McCartney as Dick Grayson, and did it have anything to do with his roles as Roxas and Ventus in Kingdom Hearts?
2. What was the casting process behind Alyson Stoner as Barbara Gordon?
Greg responds...
1. He auditioned. We cast him.
1a. Nope.
2. I honestly don't remember. I know we didn't hold auditions for the part. I'm trying to recall if perhaps she auditioned for Miss Martian, and whether we perhaps liked her and kept her in mind. I had also worked with Alyson previously (when she was barely a teenager) on W.I.T.C.H., in which she played Lilian Hale. So maybe I suggested her. Or maybe Jamie Thomason did. I just can't recall.
Anonymous writes...
Dear Mr Weisman i have some Young justice related questions for you 1. Does Mrs M'orzz watch hallmark movies on a frequent basis as she was more familiar with the purpose a wedding ring then Mr M'orzz was? 2 Are any of Miss Martian sibling's (Em'ree and M'comm aside) members of the yellow Martian order? 3. what does Black canary do for a living?
Greg responds...
1. Only ones starring Danica McKellar or Lacey Chabert.
2. No spoilers.
3. She's a therapist, and she also owns a flower shop.
Anonymous writes...
Why did Alan Tudyk only voiced on episode of season 3? Did he become unavailable because he’s becoming more high profile?
Were Troy Baker and Nolan North together in the studio for season 4? They broke off their partnership on YouTube. Are they still friendly?
Greg responds...
1. Green Arrow only appeared with a speaking role in one episode in Season Three.
2. They were definitely in the studio together pre-pandemic. They seemed friendly to me.
ruby writes...
This is my first time writing in, so I just wanted to say thanks for having this website up! I can't imagine the amount of time it takes to answer everything. It's truly appreciated. I picked up YJ not long after the third season wrapped up, and I'm delighted I got into it when I did.
I especially have to thank you (and the rest of the YJ crew, of course) for Artemis. I was in a bit of a rough patch when I watched it first, and I saw a lot of myself in her. Watching her overcome her fears, especially in the first season, was a reassuring inspiration. There's been more than a few times when I found myself thinking of her as I braved through things. She means a lot to me, and I'm thrilled to see her still working things out now, even though she's been through so much. (I was beyond excited when we found out she's leading the Team now! I can't wait to see that!)
Anyway, I've had these lying around for a bit, so here we go.
1) You recently mentioned some of the organizations you’ve reached out to for help with YJ’s characters of color, cultures you’re unfamiliar with, and the LGBTQ+ community. It’s wonderful to hear that you’re working with them! Which other groups have you worked with (both today and during the first and second seasons) and how does that relationship work?
2) What does a day in the life look like in the YJ acting booth? (I have to imagine it’s pretty fun with that particular group of actors and directors!) Any idea when you’ll be able to record in person again?
3) From what I understand about acting (both voice and “regularâ€), it’s incredibly important for actors to be able to play off of each other. How does that work with recording during the pandemic? Do actors record lines individually and then play off those recordings, or are Zoom meetings used to imitate the booth as much as possible?
4) One last question about voice acting: how much influence do your actors have over the characters' personalities? Are their ideas about the characters integrated into the writing?
5) I’ve always loved the glimpses we’ve seen of YJ’s interpretation of Atlantis. Many of the versions I’ve seen are basically just a very large underwater city with little oceanic inspiration. YJ’s version seems to have been created with a lot of thought toward how the structure of the seafloor and plant life interact with it, as well as the intense influence of magic. The colors also often feel particularly vibrant and ocean-like. Given that you’re not one of the artists, I’d guess you may not know much about how it was designed, but is there any insight you could give to choices made regarding Atlantis’s design and culture?
I've just seen the first episode of Phantoms, and it's looking spectacular so far. Good luck with finishing up post-production, and thank you again for your hard work!
Greg responds...
1. I'm going to hold off answering which other organizations we've worked with for now, as I think revealing the organizations would by default reveal content. I'd be happy to answer this after the season's over. But I've already stated that we've been working with GLAAD and OUT and MPAC (Hollywood Division). Plus, we've run every single outline and script by Dr. Janina Scarlet (superhero-therapy.com and @shadowQuill on Twitter). She's helped us with psychological and therapeutic details, while also generally acting as a sensitivity reader for our work. And there's also Warner Bros' own DEI department, who've been very helpful. There are more organizations, but the rest will have to wait for now. As for process, it can differ slightly. But generally, we discuss the stuff we were thinking about doing with them and get their feedback. Then we show them our outlines. Then our scripts. Sometimes even animatics or animation. At each step, we listen, take their notes and make sure everyone feels good about what we're doing before we take the next step in the process. We don't do anything that doesn't work for our story and characters. But we admit to ignorance on many fronts and many levels, and we like educating ourselves and allowing that education to be reflected in the work.
2. Well, it is fun! (Or, you know, most of the time. Nothing's perfect.) But pre-pandemic, we'd bring a majority of any episode's cast in together. (Although our casts are SO big, that sometimes we might split that cast into two shifts, trying to get folks who have scenes together to record together.) Jamie usually has them do a first run through without much direction. Then he might dive in and nuance an exchange or a line. Or even a certain phrase. We like to have options, but we want to make sure we get at least one version that hits the nail on the head. And we also make sure that we have at least two versions of every line. Post-pandemic, everyone was recording alone. Which is still great but not quite as much fun. There's a lot of playing back what one actor did for the other actor. (Whomever went first, kinda gets to set the tone for any scene, in these cases.) As for when we'll get back to recording in person, I don't know. Not on Season Four. That's all fully recorded.
3. See above.
4. After an episode or two, we definitely begin to incorporate their performances into their characters. With regulars or our long time recurring actors, we often sit down and talk to the actors about their characters, and I'm not at all adverse to listening to their takes on their own characters and importing those ideas into future episodes.
5. We wanted to fully bring their culture and milleu to life. To see Posiedonis - which is all you've seen of Atlantis so far - as its inhabitants see it.
Thank you for watching!
Anonymous writes...
I saw some short videos with panels of young justice comis on youtube narrated by voice actors of the show
https://youtu.be/42QKFkSy4DU
where can are the complete videos?
Greg responds...
They don't exist. These were brief pieces produced by the YJ Wiki (https://youngjustice.fandom.com/wiki/Young_Justice_Wiki) with the voluntary (and unpaid) participation of members of our wonderful cast done to promote our companion (and fully canonical) comics to get more of our fans to read them.
Max Scream writes...
Can you describe the recording process of Young Justice: Phantoms? Was it ENTIRELY done separately? Was it done via video-conferencing? Did each actor get the entire script or just their lines?
Greg responds...
The first half - or nearly half - of the season was done the way we always have, with group recordings predominantly, while picking up the occasional actor at a different time, based on availability.
About halfway through the season, we temporarily stopped recording because of the pandemic.
So in order to keep our board artists supplied with vocal tracks and working (from home), we began recording scratch tracks, using myself, Brandon, voice director Jamie Thomason, Talent coordinator Laura Lopez, editor Cris Mertens, and my wife and kids.
Then we began recording actors individually from home. Some of these actors have fantastic home studio set-ups. Others, well... not so much. We weren't video-conferencing with them, but we were audio-conferencing.
Then we switched from BangZoom Studios for our records to Atlas Oceanic Picture & Sound, which had a booth with a door that opened right into their parking lot. That way an actor could drive up and stay in their car until called for. Then they could walk right into the studio without any contact with any other human being. The engineer was in the control room, and the rest of us - including Jamie - were all listening in from our homes. Then when that actor was done, the booth would be sanitized before the next actor entered. Some of our performers still worked from home, but about half came to Atlas. It was always the choice of the actor.
And every actor always gets the entire script.
Todd Jensen writes...
Earlier this year, two of Disney's television animated series included allusions to "Gargoyles". The first was the series finale of "Duck Tales", which had an already-established character, a headless horse named Manny, become a Goliath-counterpart (including a scene where he grows a head and wings while the theme music of "Gargoyles" plays, then cries - voiced by Keith David - "I live again, again!" - it makes sense in context). The second was in the Season Two finale of "Amphibia", where one of the characters is seen looking through a book on legends, which had a picture of Goliath drawn in the style of Leonardo da Vinci's "Vitruvian Man".
I was wondering if you'd heard of these two nods to the show, and if so, what you thought of them.
Greg responds...
I'd heard about both, though I haven't seen them myself.
It tickles me.
RIP Peter Scolari
I only met Peter Scolari on the handful of occasions that he came in to play Preston Vogel for us on Gargoyles. But he was wry and funny and thoroughly professional. He had most of his scenes with the late Robert Culp, who was a ton of fun bur a challenge in the booth. But Peter played off Culp wonderfully and kept the sessions flowing. Outside, the booth Peter had great stories that kept us laughing and fascinated.
And, man, was he talented. Gargoyles and Vogel aside, I ADORED Scolari in Bosom Buddies, and treasured his performances in Newhart.
He will be missed.
How I Spent My Weekend...
So... I had a LOT going on this past weekend.
On Saturday, DC FanDome premiered trailers for both CATWOMAN: HUNTED and YOUNG JUSTICE: PHANTOMS, and revealed that the first two episodes of the latter were dropping THAT DAY!
I spent considerable time online - and I don't usually do the online thing over the weekend; in fact, I don't even check my email most weekends - trying to #SpreadTheWord.
But to sum up, here's the news...
CATWOMAN: HUNTED, an anime movie based on my original script, is being released in early 2022. You can see the trailer here: https://www.youtube.com/watch?v=PYPqTLS_g9c. It stars Elizabeth Gilles as Catwoman and Stephanie Beatriz as Batwoman. Voice directed by our old friend Jamie Thomason, it also features Jonathan Banks, Lauren Cohan, Kirby Howell-Baptiste, Ron Yuan and my peeps, Steve Blum, Keith David, Zehra Fazal, Jonathan Frakes, Kelly Hu, Andrew Kishino, Eric Lopez and Jacqueline Obradors. Folks have asked me if it's in continuity with Young Justice. My answer: it's YJ-adjacent, much like that old Green Arrow/DC Showcase short I wrote years ago. A version of these events happened on Earth-16. If you're a completist, you're going to want to watch. (Also, I really think it turned out great!)
Meanwhile, the fourth season of YOUNG JUSTICE, i.e. YOUNG JUSTICE PHANTOMS, dropped its first two episodes this past Saturday on HBOMax. Episode 403 will drop this coming Thursday, 10/21. With another episode (through 413) dropping every Thursday through December 30th. The back half of the season (i.e. 414-426) will drop weekly in Spring, 2022. I'm truly excited for the fans to see the season - and evil creator that I am - also glad that the show isn't all dropping at once. I firmly believe television - especially a show like YJ - is a better experience if you have time to savor and sort and absorb and predict for a week in between episodes.
As for the fourth season's production, we have 21 episodes in the can and ready to air. The last five have all been animated and are currently in post-production. And since there was no IATSE strike today, we're still hard at work. (And to be clear, I'm a member of IATSE as part of the Animation Guild, and I was 100% supportive of the union.) We should be done with all 26 episodes by the end of November.
IMPORTANT ADDENDUM: YOUNG JUSTICE has NOT yet been picked up for a fifth season. So if fans want more of Earth-16, the answer is simple: #KeepBingingYJ (all four seasons) over and over. And over and over. And help us #SpreadTheWord. We want to #SaveEarth16.
So use the following hashtags ad nauseam - just as I'm doing in this post:
#CatwomanHunted
#YoungJustice
#YoungJusticePhantoms
#KeepBingingYJ
#SaveEarth16
#SpreadTheWord
And watch the show on HBO Max!!! Please...
For international fans, I wish I could give you info on when any or all of the above will be available in your countries. But unfortunately, TPTB do not keep us folks in the trenches well-informed. Asking me over and over won't magically reveal that information to me so that I can reveal it to you.
Finally, by the time all my work was done on Saturday, I was completely exhausted and took a nap. In the nap, I dreamed I wrote a hit song. Seriously. Now, normally, my dreams slip away entirely upon waking. And even when I do remember the gist of a dream, the details are lost within seconds. But I actually woke up with a clear memory of the song - both the lyrics AND the tune. Here are the lyrics:
I'm taking my pants off,
Cuz it's that kind of party!
I'm walking a straight line,
And it's luminous!
That's the whole song. You can see why it was such a big hit in Dreamland. I'm expecting the Dream-Royalties to roll in any minute.
STAY WHELMED, everyone!
EDWARD ASNER
So...
This is hard.
It's been a bit of a stressful weekend, as my father went into the hospital with chest pains. A stint that had been replaced last year had failed and was replaced again Saturday morning during an angioplasty. I've been concerned, worried. But the procedure seemed to go well, and he was set to go home today. We seemed to have dodged a bullet.
But there was a second gun.
I slept in today. I woke up to two pieces of news:
1. My dad was good. Solid. My sister picked him up at the hospital and took him straight to breakfast. (My mother was annoyed at not being included - but that's a whole other story.) He's home now. I've talked to him. He sounded cheerful. All good.
2. Ed Asner had passed away.
I spent most of the day doing laundry and other mundane tasks. Life goes on, right? It has to. But it's been difficult getting my head around the whole thing. I've gotten many calls and texts today, offering condolences as if I were part of the Asner family. Folks seem to know how close I felt to Ed. But I don't want to exaggerate. Ed was my friend. I hope he knew I was his, as well. But I haven't talked to him in at least a couple of years. (You can partially blame that on the pandemic, I suppose. There are a lot of people I've lost touch with. If anything, this is a reminder to GET in touch. And I'm going to make an effort to do that.) In any case, there are many, many people who knew Ed better than I did, who were closer to Ed than I was.
Nevertheless, at the risk of turning this post into my own self-aggrandizement, I am going to spend a few paragraphs here on the subject of the Ed Asner that I knew and loved.
I was a fan of Ed's long before I met him. Like many, many people, he first entered my awareness playing Lou Grant on The Mary Tyler Moore Show. (Later, I got a kick out of picking him out of reruns, where he usually played the heavy in such series as The Wild Wild West and others.) But as Lou, Ed was simply brilliant. One of the truly classic scenes in all of television is the scene in the TMTMS pilot, where Lou interviews Mary for a job. Do yourself a favor and view it here: https://www.youtube.com/watch?v=zj286uBKCu0
That scene had a major effect on me, even seeing it as a kid.
Now, having just rewatched it, the genius of the writing and the two performances still knocks me out. But there was something else about Lou and Mary. Watching their interactions was a bit like watching my parents. The connection in my mind between Lou and my dad was especially strong.
Ed and my father were two Ashkenazi Jews from the midwest. My dad was from Chicago; Ed, from Kansas City. They were gruff AND loving. They even had mannerisms in common. There was much more, I'm sure, that they DIDN'T have in common. But something connected the two men in my mind. And, meanwhile, my admiration for Asner as a performer knew no bounds. When I saw him in the Lou Grant series, in Rich Man, Poor Man, in Roots, that admiration only increased. When I learned of his activism - and the price he paid for it - that admiration shot through the roof.
Years later, when we had begun pre-production on GARGOYLES, I thought of Ed Asner - or of Lou Grant, at least - as the inspiration for Hudson. In fact, when we held auditions for the role, I wrote at the bottom of the character description that "Hudson hates spunk." This was, of course, a variation on Lou's classic line from the above job interview scene. Now, to be clear, I never imagined we'd get Ed to play the role. I figured he was way too big a star for us to land. But low and behold, a few days later, Ed came in to audition for the part. Later, he told me that when he read the character description, he was initially thrilled. The "Hudson hates spunk" line made him feel like he was a lock to land the role. Then a couple minutes later, he thought that if he didn't land the role it would really be awful. But of course, he immediately understood the character and nailed his audition... only for Jamie Thomason and I to throw him a curveball, asking him to do it again in a Scottish accent. He nailed that, too.
Working with Ed was a joy. He was fun and funny and so supportive. In addition to playing Hudson (and Burbank and Jack Danforth/Dane) on Gargoyles, I also cast him as recurring characters on Max Steel (Chuck Marshak), 3x3 Eyes (Grandpa Ayanokoji), W.I.T.C.H. (Napoleon the talking cat), Young Justice (Kent Nelson) and Rain of the Ghosts (Joe Charone). When casting Peter Parker's late Uncle Ben in The Spectacular Spider-Man, Ed was the only person I ever considered. He always brought so much to each and every role.
And more than that he was a great friend to me. After the first season of Max Steel, when I couldn't find a job for over a year and thought I might have to give up on my writing career, Ed was there, offering me support. We had lunch at Musso & Frank's. He looked at pictures of my kids out of my wallet and told me to laminate them. He introduced me to his son, Matt Asner, a producer. He didn't allow me to wallow in self-pity or to badmouth guys who I believed had done me wrong. He just reassured me that I had ability and would find my way through. He was, in essence, my work dad.
So today, as you might imagine, has been complicated. My dad is home and healthy. And Ed is gone. I'm grateful and sorrowful. And struggling. But life goes on. It has to, right?
Finally, I'm going to quote Hudson from Gargoyles. In "The Price," an episode that spotlighted the character, Ed as Hudson told Xanatos: "A friendly word of advice: True immortality isn't about living forever, man. It's about what you do with the time you have. When all your scheming's done, what will be your legacy, Xanatos?"
I think we all know that Ed Asner did amazing things with the time he had. And though we'll miss him dearly, his legacy is clear and shining.
M. writes...
Hi Greg. I have a few questions:
1) Why was Jade so absent in season 3?
2) Was there any problem with Kelly Hu?
And since in episode 325 Lian said something like "we need to find Cheshire for Daddy" (if I'm not mistaken):
3) Does Lian know that Cheshire is her mom?
4) In fact, does she even know or remember who her mom is?
And last but not least:
5) Did Will actually believe what Jade said about being a soccer mom and all that?
Greg responds...
1. Was she? Did she get significantly more time in Seasons One and Two? If so, I guess the answer is that story drives the use of our characters, as always.
2. No. She was great, as always.
3. Yep.
4. Yep.
5. Believe? I don't understand.
Abdullah Khan writes...
Hey Greg,
Q1)I wanted to ask regarding the castings for Young Justice Outsiders, How did you and the crew decide to give the roles of Geo-Force, Terra, Halo, Forager,Cyborg and Darkseid to Troy Baker,Tara Strong,Zehra Fazal,Jason Spisak, Zeno Robinson and Michael Leon Wooley?
Q2)And for replacments decide on David Kaye and Greg Cipes to be Vandal Savage and Beast Boy, i know regarding Greg as Beast Boy u did not cast him in the initially because u did not want any Teen Titans reprisals at the time so what change your mind instead of picking another actor because Logan Grove was unavailable for S3?
Greg responds...
Geo-Force - Brandon had worked with Troy Baker before and knew he was a good candidate to play Geo-Force/Brion Markov. We did have him audition (against no competition) just to confirm he could do the Eastern European accent without it sliding into Boris Badenov territory. He could. So we cast him. And he's been great as Brion and other characters ever since.
Terra - We held auditions for Terra/Tara Markov, and Tara Strong just nailed it.
Halo - I knew I wanted to cast Zehra Fazal as Halo / Violet Harper / Gabrielle Daou, and basically wrote the part with her in mind. Brandon and Jamie and I went to see her in a stage play, where she played multiple roles, so that they could confirm just how great and versatile she was.
Forager - With Wally West largely out of the picture, we knew we wanted to find something else to keep Jason Spisak in our cast. Brandon thought Forager would be a good bet and talked about the character with Jason, who loved the idea. We hired him without any try-out, and he was instantly great.
Cyborg - We held auditions for Victor Stone/Cyborg under the false flag of a pretend show with a fake character name. Zeno Robinson was our clear favorite for the role. We brought him in for a callback (with no competition), mostly to see if he had the versatility to play any other roles (such as Steel). We decided then and there that he was our Vic, and seeing Brandon and I in the Control Room, he had already begun to suspect whom he might be playing. We told him he had the role and confirmed he was playing Cyborg, and he practically BURST right in front of us. It was great fun.
Darkseid - We had already discussed a number of potential people to find YJ's version of Darkseid, when Brandon remembered Michael Leon Wooley's performance of the character from Batman: The Brave and the Bold. Jamie and I listened, and immediately Michael had the job.
Vandal Savage - We held auditions to see who could do the best job performing in the giant shoes that the late, great Miguel Ferrer had left behind. David Kaye was the clear favorite.
Beast Boy - When it became clear that Logan Grove was not going to be available to us, we talked with Jamie about who might be able to take his place. After we described the character's journey in Season Three, Jamie suggested Greg Cipes, knowing that we might not go for it, but feeling like Greg'd be perfect for the part. I'd worked with Greg on W.I.T.C.H. and agreed, but our upper management had been pretty adamant about us not using Titans' lead actors to play the same roles they had played on Titans. (Other Titans' actors were kiboshed for certain parts for that reason.) It was something Brandon and I initially agreed with way back in Season One, but by this time, we felt YJ had established itself as its own thing, and we were less afraid of comparisons. And for whatever reason, TPTB were fine with us casting Greg as Beast Boy.
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