A Station Eight Fan Web Site
So how exactly did you wind up doing additional voices for the Square Enix game "The Last Remnant"?
I barely remember. But New Generation Pictures' Jonathan Klein, a former student of mine, has hired me on occasion, ever since I directed 3x3 Eyes for him.
How old are Don and Dawn Allen?
Why did Chad Lowe replace his brother as the voice of Captain Marvel?
Why did the Ocean-Master attack Aquaman in the flashback in Downtime and what happened to him after he was defeated?
When did Guy Gardner join the Justice League?
1. They were born in September of Team Year Six.
2. Rob was no longer available. We offered the part to Chad. He got his brother's blessing and took over.
3. They were enemies.
3a. He got away.
4. Team Year Two.
1. Did Wendy Harris and Marvin White ever clue into the fact that the public hero Superboy was their old classmate?
2. As someone who absolutely adored Kelly Stables' work in W.I.T.C.H., I'm very happy that you roped her in to voice Cissie. Thanks.
3. I noticed that you gave Orphan a Z-designation, but not a B-designation. Was she even a formal member of the team when Season 3 started?
1. No spoilers.
2. I was very happy, too! Kelly is always great!
1. What was the casting process behind Jesse McCartney as Dick Grayson, and did it have anything to do with his roles as Roxas and Ventus in Kingdom Hearts?
2. What was the casting process behind Alyson Stoner as Barbara Gordon?
1. He auditioned. We cast him.
2. I honestly don't remember. I know we didn't hold auditions for the part. I'm trying to recall if perhaps she auditioned for Miss Martian, and whether we perhaps liked her and kept her in mind. I had also worked with Alyson previously (when she was barely a teenager) on W.I.T.C.H., in which she played Lilian Hale. So maybe I suggested her. Or maybe Jamie Thomason did. I just can't recall.
Dear Mr Weisman i have some Young justice related questions for you 1. Does Mrs M'orzz watch hallmark movies on a frequent basis as she was more familiar with the purpose a wedding ring then Mr M'orzz was? 2 Are any of Miss Martian sibling's (Em'ree and M'comm aside) members of the yellow Martian order? 3. what does Black canary do for a living?
1. Only ones starring Danica McKellar or Lacey Chabert.
2. No spoilers.
3. She's a therapist, and she also owns a flower shop.
Why did Alan Tudyk only voiced on episode of season 3? Did he become unavailable because heâs becoming more high profile?
Were Troy Baker and Nolan North together in the studio for season 4? They broke off their partnership on YouTube. Are they still friendly?
1. Green Arrow only appeared with a speaking role in one episode in Season Three.
2. They were definitely in the studio together pre-pandemic. They seemed friendly to me.
This is my first time writing in, so I just wanted to say thanks for having this website up! I can't imagine the amount of time it takes to answer everything. It's truly appreciated. I picked up YJ not long after the third season wrapped up, and I'm delighted I got into it when I did.
I especially have to thank you (and the rest of the YJ crew, of course) for Artemis. I was in a bit of a rough patch when I watched it first, and I saw a lot of myself in her. Watching her overcome her fears, especially in the first season, was a reassuring inspiration. There's been more than a few times when I found myself thinking of her as I braved through things. She means a lot to me, and I'm thrilled to see her still working things out now, even though she's been through so much. (I was beyond excited when we found out she's leading the Team now! I can't wait to see that!)
Anyway, I've had these lying around for a bit, so here we go.
1) You recently mentioned some of the organizations youâve reached out to for help with YJâs characters of color, cultures youâre unfamiliar with, and the LGBTQ+ community. Itâs wonderful to hear that youâre working with them! Which other groups have you worked with (both today and during the first and second seasons) and how does that relationship work?
2) What does a day in the life look like in the YJ acting booth? (I have to imagine itâs pretty fun with that particular group of actors and directors!) Any idea when youâll be able to record in person again?
3) From what I understand about acting (both voice and âregularâ), itâs incredibly important for actors to be able to play off of each other. How does that work with recording during the pandemic? Do actors record lines individually and then play off those recordings, or are Zoom meetings used to imitate the booth as much as possible?
4) One last question about voice acting: how much influence do your actors have over the characters' personalities? Are their ideas about the characters integrated into the writing?
5) Iâve always loved the glimpses weâve seen of YJâs interpretation of Atlantis. Many of the versions Iâve seen are basically just a very large underwater city with little oceanic inspiration. YJâs version seems to have been created with a lot of thought toward how the structure of the seafloor and plant life interact with it, as well as the intense influence of magic. The colors also often feel particularly vibrant and ocean-like. Given that youâre not one of the artists, Iâd guess you may not know much about how it was designed, but is there any insight you could give to choices made regarding Atlantisâs design and culture?
I've just seen the first episode of Phantoms, and it's looking spectacular so far. Good luck with finishing up post-production, and thank you again for your hard work!
1. I'm going to hold off answering which other organizations we've worked with for now, as I think revealing the organizations would by default reveal content. I'd be happy to answer this after the season's over. But I've already stated that we've been working with GLAAD and OUT and MPAC (Hollywood Division). Plus, we've run every single outline and script by Dr. Janina Scarlet (superhero-therapy.com and @shadowQuill on Twitter). She's helped us with psychological and therapeutic details, while also generally acting as a sensitivity reader for our work. And there's also Warner Bros' own DEI department, who've been very helpful. There are more organizations, but the rest will have to wait for now. As for process, it can differ slightly. But generally, we discuss the stuff we were thinking about doing with them and get their feedback. Then we show them our outlines. Then our scripts. Sometimes even animatics or animation. At each step, we listen, take their notes and make sure everyone feels good about what we're doing before we take the next step in the process. We don't do anything that doesn't work for our story and characters. But we admit to ignorance on many fronts and many levels, and we like educating ourselves and allowing that education to be reflected in the work.
2. Well, it is fun! (Or, you know, most of the time. Nothing's perfect.) But pre-pandemic, we'd bring a majority of any episode's cast in together. (Although our casts are SO big, that sometimes we might split that cast into two shifts, trying to get folks who have scenes together to record together.) Jamie usually has them do a first run through without much direction. Then he might dive in and nuance an exchange or a line. Or even a certain phrase. We like to have options, but we want to make sure we get at least one version that hits the nail on the head. And we also make sure that we have at least two versions of every line. Post-pandemic, everyone was recording alone. Which is still great but not quite as much fun. There's a lot of playing back what one actor did for the other actor. (Whomever went first, kinda gets to set the tone for any scene, in these cases.) As for when we'll get back to recording in person, I don't know. Not on Season Four. That's all fully recorded.
3. See above.
4. After an episode or two, we definitely begin to incorporate their performances into their characters. With regulars or our long time recurring actors, we often sit down and talk to the actors about their characters, and I'm not at all adverse to listening to their takes on their own characters and importing those ideas into future episodes.
5. We wanted to fully bring their culture and milleu to life. To see Posiedonis - which is all you've seen of Atlantis so far - as its inhabitants see it.
Thank you for watching!
I saw some short videos with panels of young justice comis on youtube narrated by voice actors of the show
where can are the complete videos?
They don't exist. These were brief pieces produced by the YJ Wiki (https://youngjustice.fandom.com/wiki/Young_Justice_Wiki) with the voluntary (and unpaid) participation of members of our wonderful cast done to promote our companion (and fully canonical) comics to get more of our fans to read them.
Can you describe the recording process of Young Justice: Phantoms? Was it ENTIRELY done separately? Was it done via video-conferencing? Did each actor get the entire script or just their lines?
The first half - or nearly half - of the season was done the way we always have, with group recordings predominantly, while picking up the occasional actor at a different time, based on availability.
About halfway through the season, we temporarily stopped recording because of the pandemic.
So in order to keep our board artists supplied with vocal tracks and working (from home), we began recording scratch tracks, using myself, Brandon, voice director Jamie Thomason, Talent coordinator Laura Lopez, editor Cris Mertens, and my wife and kids.
Then we began recording actors individually from home. Some of these actors have fantastic home studio set-ups. Others, well... not so much. We weren't video-conferencing with them, but we were audio-conferencing.
Then we switched from BangZoom Studios for our records to Atlas Oceanic Picture & Sound, which had a booth with a door that opened right into their parking lot. That way an actor could drive up and stay in their car until called for. Then they could walk right into the studio without any contact with any other human being. The engineer was in the control room, and the rest of us - including Jamie - were all listening in from our homes. Then when that actor was done, the booth would be sanitized before the next actor entered. Some of our performers still worked from home, but about half came to Atlas. It was always the choice of the actor.
And every actor always gets the entire script.
Earlier this year, two of Disney's television animated series included allusions to "Gargoyles". The first was the series finale of "Duck Tales", which had an already-established character, a headless horse named Manny, become a Goliath-counterpart (including a scene where he grows a head and wings while the theme music of "Gargoyles" plays, then cries - voiced by Keith David - "I live again, again!" - it makes sense in context). The second was in the Season Two finale of "Amphibia", where one of the characters is seen looking through a book on legends, which had a picture of Goliath drawn in the style of Leonardo da Vinci's "Vitruvian Man".
I was wondering if you'd heard of these two nods to the show, and if so, what you thought of them.
I'd heard about both, though I haven't seen them myself.
It tickles me.