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Kcops writes...

I'm guessing you're a fan of Star Trek? Anyways, you're the man. Gargoyles kicks butt.

Greg responds...

1. I am.

2. I like to think so.

3. Agreed.

;)

Response recorded on December 17, 2014

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Catherine B writes...

I just wanted to write and just give you some thanks for some of the great shows you have helped create, Greg.

Young Justice I enjoyed thoroughly, though I am more a fan of the first season than the second; I like fewer characters and more characterization as opposed to detailed plots just as a personal preference. I will also say I was not a fan of how Wally West was handled but I am sure you have heard your share of them. I will just say that the Wally of the comics and the Wally of Young Justice seemed to be entirely different characters which seemed a shame to me, given all that could have been done with him. He had such a rich comic book history that I really do not understand why more was not done with it but that is your creative decision. Just not my cup of tea.

I adored your version of Dick Grayson however. He was competent without being overly skilled; he suffered under pressure but learned from what he was exposed to. His relationship with Wally in Season 1 was one of my all time favorites. Thanks for the great run!

Secondly, I could not write you without mentioning Gargoyles. I mean, wow. I think I was in fifth or sixth grade when I first caught it on the air. I just remember being deeply enthralled with it. I thought Elisa was an awesome character, as I did not see a whole lot of strong female leads back then and she was definitely that. I also adored the interesting family background you gave her. So often, characters fall into the stereotypical white, black, etc and she brilliantly avoided those.

I also firmly owe you thanks for igniting my interest in Shakespeare. I remember that I saw "City of Stone" when we were having to pick plays and such to read/analyze for school and after seeing that awesome four parter, I went right to my English teacher and asked if I could read MacBeth. It is still my favorite of the Bard's works.

The characterization of Demona was incredible. Most villains are so one dimensional but all the villains of Gargoyles were so well fleshed out. I am a creative writer myself and working on my first work to aim towards publication and I definitely count Gargoyles among my top inspiration for how to do characterization. To this day, I will tell people if they want to see a well fleshed out villain, go watch Demona from Gargoyles. I honestly would rank her about equal to Gollum from "Lord of the Rings." She can be diabolical, sneaky, cruel and yet you can totally see why she would have turned out that way and I can switch very easily from feeling such anger at her to feeling overwhelming pity. Bravo, my good Sir!

Greg responds...

Thanks. Always nice to have the work thoughtfully appreciated.

Response recorded on October 07, 2014

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Giant Boy writes...

Since your famous show was on the blog, I figured I could watch the pilot episode of Gargoyles for the first time.

Enjoyed it. I had some questions about who was the hooded traitor, but I feel the twist with the Captain's betrayal will soon get resolved.

Keep up the good work, even though this episode was made 20 years ago. Wow, that's a long time ago...

Giant Boy

Greg responds...

Yes, yes it is. But we're always glad to have new viewers. Keep up the good watching.

Response recorded on April 18, 2014

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Charisma82 writes...

Greg Weisman: "I'd like to see a music video from Goliath's POV -- but featuring Elisa -- of "Amazing".

As per request:

http://www.youtube.com/watch?v=c6roY5udD8c&feature=c4-overview&list=UURD-80g-99JdhBskN6OXGGg

I hope it's the right "Amazing." Thank you for your time and the suggestion.

Greg responds...

WOW!

I'll be honest, I don't actually remember asking for this, so I'm not sure if it's the "Amazing" I was thinking of, but boy it's perfect, isn't it? Anyway, whether or not I was smart to suggest it, you did a fantastic job.

Response recorded on April 08, 2014

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Braylon Williams writes...

I don't really have a question, but I want to thank you...
I am currently 17, and some of the best memories of my childhood involve your shows. I pitty those who will never know the joys of shows like Gargoyles... I know you get hundreds of messages saying this, but thank you, and I miss your work. You are a genious!

Greg responds...

Thanks. (But I'm hoping you have no one to pity, because everyone's buying DVDs. Right? Right?)

Response recorded on January 21, 2014

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Masterdramon writes...

ASK GREG LIVE! - WONDERCON 2013 REPORT

First, a little background. I'm going to quote a section from the introduction I made to to Station 8 Comment Room, waaaaaay back in July 2010:

"Given that I was three when Season 1 of 'Gargoyles' first began airing, I was obviously quite outside the target audience at that point, and if I watched any of the episodes on first airing I definitely don't remember them. Rather, my first clear memories of 'Gargoyles' were watching it during the late 90s when Toon Disney was first starting up. This produced some interesting experiences; for example, I never saw and indeed never even had a clue that 'Deadly Force' existed until Toon Disney started airing it again in 2002 or so.

At the time that I first was watching this show voraciously it was amongst a litany of dozens of other cartoons, some well-written ('Batman: The Animated Series,' 'Darkwing Duck,' etc.) and some...well, not so much (here's looking at you, 'Captain Planet'). To an eight year-old, there was little differentiation between the relative qualities of these shows, and it was not until a few years on that I really began to appreciate what a true gem 'Gargoyles' was.

I'm not entirely sure when my perspective changed, though it might have had something to do with the aforementioned first viewing of 'Deadly Force.' By this point I was a pre-teen, and old enough to understand the basics of S+P...so to see one of the protagonists shoot another one in the chest accidentally, nearly causing her to die was an absolute revelation to me. Around this time I began watching the entire series with new eyes, and what I saw astounded me.

The depth, the complexity, the characterization was unlike anything else I had ever seen on the small screen, live-action or animated. The little things that escaped me on the first, second, or even tenth viewing (yes, I watched a LOT of Toon Disney) suddenly rared to life and showed me how amazing this show was, is, and always will be. Everything from the sheer emotion that Tony Shalhoub brought to the show's single greatest cameo role to the little nuances about Lexington that made me think, 'Oh, of course!' when I learned that Greg considered him to be homosexual all became clear to me, and clearer and clearer with each viewing.

'Gargoyles' did much for me over the years. To take a particular example, when I first began really reading Shakespeare during mandatory reading times in high school, I went with 'A Midsummer Night's Dream,' then 'Macbeth,' and then, after the obvious 'Hamlet,' moving to 'Othello.' It shouldn't take too many guesses to figure out what attracted me to those plays specifically.

I have many obsessions in my life, some that have faded and some that have stayed with me forever. 'Gargoyles' stayed with me forever, and by the time I was about 13 or so it overtook virtually all of my other obsessions to become forefront in my fiction-dominated mind. I began searching around the internet for various little tidbits and behind-the-scenes stuff, and was blown away when I first discovered Greg's Master Plan. That someone could have so intricately designed such a massive and complex fictional universe intrigued me to no end...particularly 'Bad Guys,' since Dingo was at the time my favorite character.

On one of my frequent revisitings of the Master Plan in 2004, I ended up clicking around some links that brought me to the FAQ...and consequently to AskGreg. If the Master Plan had blown me away, then this site caused my mind to spontaneously combust. So many hints and clues to what the future might hold for the series, should Disney allow it to somehow continue...straight from the mouth of the creator himself! In all the years since that I've been up and around the world wide web, never have I again seen such a direct, easy-to-access method of communication to the artist behind such a masterful work.

Over the years, I have read virtually every single post in the AskGreg archives, some of them several dozen times. It is one of the websites that I frequent several times a day without fail, and I have gained an uncountable amount of enrichment from reading it constantly. It was through this site that I first learned of the DVDs and comics, all of which I purchased as soon as I could possibly get my hands on them, and of the Gathering, the scope of which shocked and awed me.

One of my greatest regrets is that I was never able to attend one of these amazing events; convincing your parents to let you fly out of Hawaii to the mainland for a convention on a 90s cartoon isn't the easiest thing in the world. And although I WAS actually in town for the final one, Gathering 2009 happened to fall on the EXACT same weekend as my college orientation. If the Gathering had been just one week later, or my introduction to Pomona College just one week sooner...but I guess it's pointless to deal with hypotheticals.

In any event, my praise goes out to all of you unbelievably dedicated individuals who kept it alive for so long. If ever you are able to arrange some sort of smaller event in the future, you have my word that I will attend.

AskGreg also gave the chance to really get to know Greg Weisman (or at least, as much as this is possible without real-world contact), and he is currently one of my absolute greatest heroes in all of entertainment. I am not using hyperbole when I declare him to be the single most talented writer in animation history, and in my mind absolutely anything he touches turns to solid gold. I avidly watched 'W.I.T.C.H.,' 'The Spectacular Spider-Man,' and the various episodes he freelanced for favorite shows of mine like 'The Batman,' 'Kim Possible,' and 'Super Robot Monkey Team Hyperforce Go!'...many of which turned out to be some of the best in their respective series. And I wait with bated breath (and fanboyish panting) for 'Young Justice.' Spider-Man is my favorite Marvel superhero and DC is my favorite comic book universe...so to have Greg interpret both with his usual flair for complex, multi-layered story arcs and deeply involved character development has left me positively salivating."

Now, as you can probably tell from these words, this was a moment I've been waiting on for nearly 10 years. So as you might expect, I was...anxious. Despite my personal contact with Greg over the past couple years due to my moderating duties here, as well as friends who had met him previously who assured me that he was a really nice guy in-person, I was still a little worried I'd screw this up somehow.

Thankfully, ASK GREG LIVE! turned out to be a great experience, and truly the highlight of the weekend. There was somewhere between 15-20 guests in attendance, including myself, my girlfriend, and Blaise (whom it was awesome to meet in person). Kudos to Matthew for holding up the event sign for over an hour, and to whoever it was that cosplayed as Batgirl.

We pretty much just jumped straight into an hour-and-a-half of questions, which I hope I didn't hog too many of. A few highlights from the revelations presented therein:

- Following the Season 1 finale, Vandal immediately called up Hugo Strange and told him, "Open all the doors." Which explains a lot. Now, Greg W. ALSO said that by Team Year Five, Belle Reve was fairly full again...but at least it explains why so many imprisoned villains were walking the streets again in Season 2.

- The Joker was originally considered to appear in "Auld Acquaintance," controlling the Justice League. But for a variety of reasons (mainly budgetary; they needed Klarion anyway for the "magic stuff"), they switched him out for Klarion.

- Greg also responded to my question about whether the Joker of Earth-16 knows he's in a cartoon show by saying, "I think he's crazy enough to believe that, even if he's NOT."

- Lieutenant and Sergeant Marvel were originally considered to be on the Team in Season 2. But with only 20 episodes, several intended arcs were cut or reworked to have occurred during the Time Skip: a Marvel Family arc, a Red Tornado arc, and a Zatanna arc. With nothing to do anymore, Mary and Freddy were slotted into the Time Skip.

- He hinted pretty damn strongly that we'll be hearing more about "poor, disgraced Ocean-Master." Presumably in "Legacy," which I am personally excited as all hell for.

- Clone!Roy, post-"Satisfaction," is a stay-at-home-dad. For the most part. He and Cheshire are "trying to make it work," to the degree that people like them can.

- I asked if working on YJ had made him give more thought to who the 16 Sixteens in the Illuminati are. He basically said, "not really," while adding that he's got most of the major players in the Illuminati pretty well figured out, and has for a while. Which isn't to say he doesn't leave a fair few slots open for moments of epiphany.

- Darkseid has been the Light's silent partner since Season 1. Which most of us had assumed, but it's nice to have firm confirmation.

- Victor Cook did a fly-by. No time for questions, just said hi and name-dropped "Mecha-Nation." But still...really cool.

- He described Jason Spisak's last recording with them. Jason came up afterward and said that it was rare for an actor to be able to end his role on such a great, final note, "instead of just flying off into the sunset, with no one having any idea if you survive or not." Having now seen "Dark Matter," Greg believes that may have been coded snark.

- Oh, and surprising no one with a head on their shoulders...Greg disproved the rumor that DC wanted Wally killed off because of the New 52. Though it WAS amusing to hear him call those rumors, and I quote: "Complete horse"...baloney.

- He said he's deliberately keeping mum on "Rain of the Ghosts" until he knows if his publisher is doing any advertising. If they don't, he may start teasing some plot tidbits on Ask Greg.

- He talked a bit about availability issues...about how it came to be that Wentworth, Kittie, and George were replaced toward the end of the season. Just a whole lot of REALLY bad luck regarding other projects. But he also revealed the replacement that almost was...if it wasn't for the fact that no one on Earth could do an impression that did justice to him.

That's right...they once almost lost Tim Curry.

He was shooting something or another toward the middle of the season. They simply could not get him before the episodes had to ship. So what they did...was Greg recorded the lines. Taaaaaaaaalking liiiiiiiiiiiiiiiiike thiiiiiiiiiiiiiiiiiiis sooooooooooo thaaaaaaaaat theeeeeeeey cooooooould AAAAAAADR iiiiiiiiiiiit aaaaaaaaafteeeeeeer theeeeeeey reeeeeetuuuuuuurned froooooooom ooooooverseeeeeeeeeeas.

Which they would NEVER do otherwise. For no one but Tim Curry. Greg had to do a bunch of takes, because Jamie kept having to stop him and shout, "SLOWER!" Needed the mouth movements SO exaggerated that no one would notice it was ADR'ed. Which I don't think anyone did.

- I think those are all the big revelations, but there was lots of real fun little stuff on Greg's writing process, the backroom thinking that went into Darkseid's cameo, and Greg's hopes for the future. As he said at one point, "I still haven't given up on Gargoyles, and that's going on 20 years at this point! Why would I give up on a series that ended THIS month?"

Beyond that, it was just an incredible experience to be in the presence of the guy - to hear him speak, to ask questions (even utterly silly ones) directly answered to our faces, to shake hands, and to be personally thanked for my years of hard work on Ask Greg...which, needless to say, was incredibly gratifying.

The atmosphere was great - casual, friendly, and with no pressure on either the askers or on Greg. We chatted, we laughed, and we got to hear Greg at his absolute "frankest." Which is to say, a little...off-color. And oh it was glorious.

At my request, we also did an impromptu signing at the end; I got my Clan-Building Volume 1 trade, my SpecSpidey Season 1 DVD, my Young Justice Volume 1 trade, a Captain Atom comic, and the essay I wrote for Contemporary Political Theory last semester (and submitted to Ask Greg afterward) signed, and pretty much geekgasmed into the floor. SOOOOO utterly wonderful.

[If you want to see pics of said signed stuff and/or other stuff I snagged at the Con, you can go here: http://www.flickr.com/photos/94547312@N04/sets/72157633137324644/with/8608204054/].

We also got to chat a bit privately, which was of course very good fun. And he even indulged my stupid, silly, obsessive request...to pose with my Fluttershy toy and say, "Fluttershy is best pony." His response was golden, too.

Greg: I have no idea what that means.

Me: I didn't expect you to.

Greg: Nah, what I mean is, am I saying something that will get a thousand angry bronies coming after me?

Me: No, most bronies tend to agree that Fluttershy is best pony, anyway.

Unfortunately, my girlfriend's phone appears to have recorded only the first second of the line. But I still posted it to YouTube because the image is gold:

http://www.youtube.com/watch?v=7qVVtIsNeb4

Overall, my first in-person meeting with Greg Weisman proved to be everything I was hoping for it to be, and more. He's a massively cool guy who doesn't operate on any pretense; he is what he is, and what he is is a genius at writing/interpreting fiction.

It was truly an honor to spend that time with him, and I very much hope it won't be the last.

Greg Weisman, you rock (woo-hoo!). Don't let anybody tell you different. Because this kind of treatment of your fans makes me truly proud to be involved with helping out here.

Thank you for ASK GREG LIVE!

Thank you for all the wonderful shows you've brought us over the years.

And thank you for never giving up hope. I await "Rain of the Ghosts" with bated breath, and I can't wait to here the announcement when you get your next television gig.

Because it's coming. And I look forward to watching the hell out of that show, whenever it comes.

Greg responds...

Wow. Dude, do you really want to stoke my ego THAT MUCH?

Anyway, it was great meeting you too. You're contribution to Ask Greg has been invaluable.

I hope you're thinking about coming to ConVergence this July for the Gargoyles Reunion convention within a convention. More details on that should be forthcoming this month.

Response recorded on January 06, 2014

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Demona's "White Flag"

Years ago in a long ramble (http://www.s8.org/gargoyles/askgreg/search.php?rid=225), I mentioned that: "I'd like to see a music video featuring Demona to Dido's'White Flag.'"

Well, NeillGargoyle found that obscure request and posted this:

http://www.youtube.com/watch?v=tNGrg5Wm12E

Pretty much exactly what I had in mind!

Thanks, Neill!

Now if someone would just do this one: "I'd like to see a music video from Goliath's POV -- but featuring Elisa -- of "Amazing". (I think that's the title. I'm not sure who the artist or band is.)"


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Kris W writes...

Hello Mr Weisman,

I just wanted to thank you for your amazing work. I really hate to see Young Justice over so soon but loved every minute of it as a huge comic fan.
I also loved Gargoyles. My mom and I used to watch it together all the time. We loved the series from start to finish. My mom died a few years back and when I really miss her, I watch Gargoyles. Even after all this time I can still remember her comments on her favorite episodes and it's very comforting to have that to fall back on. I don't think I'm explaining myself well, but thank you for giving us something we could enjoy so much together, and something to help me remember her with. I look forward to your next projects.
Kris W

Greg responds...

Kris, my condolences for the loss of your mother. And thank you for such kind words. You could hardly have paid me a nicer compliment, and I truly appreciate it.

Response recorded on December 06, 2013

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Barnabas Born writes...

An attempt at alliteration.

Alice asked "And aliens are attacking? "
"Aye." Articulated Andrew "Asia, America and Australia are annihilated."
Astounded, Alice approached an alcove as Andrew advanced.
"And?"
"Assaulted as an apparition approached." Andrew answered.
"Appearing as?" asked Alice annoyed.

"Ant's, antlers, and arms amalgamated."
"Absurd!"
"Aye, Alice. An abomination, absurd, appalling and approaching."

Angrily Alice answered, "As always Andrew, Anonymous' annoying artifice as absurd as…"
"Ain't artifice, Alice." Andrew answered, "Article's accredited and authority approved."
"Aha! All authorized article are a__" Alice added acidly "And another airhead against acknowledging actuality approves absurdity again!"

Annoyed, Andrew absconded.

As an affiliate, Andrew acquiesced an alternate angle and amusedly appraised another acclaimed article about an author annoying an audience at an auditorium, apparently articulating asinine abstractions abundantly as animatronics animated and artificially attempted an aria affronted an attendant.

"Alice's always abrogating and annulling aberrations." Andrew accounted ambulating amongst an alley, again approaching Alice's abode.

"AAAAAAAAAAAHHHHHHH"

Awakened and activated at Alice's anguished articulation; Andrew approached an alarming appearance and aspired. An aliens arm arrested Alice against an archway.

Attempting an assault at an abdomen as Andrew appraised, an appendage altered and abated Andrews advancing attack. Astounded at an accelerated adaptation, Andrew arsled away, aimed an armament and applied an alternate approach.

Appearing accomplished, Andrew articulated again. "Ain't artifice Alice."
Astonished Alice answered, "Well, do you freaking blame me?"

Greg responds...

Um.... okay....

(backs away slowly...)

Response recorded on August 26, 2013

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Anonymous writes...

Which fandom do you honestly appreciate the most:
1- Gargoyles fans
2- Spectacular Spider-Man fans
3- Young Justice fans
4- Greg Weisman fans

Greg responds...

See, now, the Hulk is more powerful because the madder he gets, the stronger he gets. But the Thing can still beat him if he keeps his wits about him.

Response recorded on April 16, 2013

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Masterdramon writes...

Hey Greg! Hope that you're doing well, and that the holiday season is treating/did treat (depending on when you read this) your family happily.

What follows is a paper I recently submitted to my Contemporary Political Theory class at Pomona College, interrelating several of the concepts from the book we discussed that week ("You Are Not a Gadget" by Jaron Lanier) with the notion of namelessness in traditional gargoyle culture.

My professor (unfamiliar with the show, but very intrigued when I explained it to her) really got a kick out of the piece, and I earned a more-or-less "A-" equivalent for it. But as long as I've got it sitting around, I figured you might enjoy giving it a read as well.

[NOTE: You may want to review this post you made on Ask Greg in 2004 beforehand, as it is cited frequently: http://www.s8.org/gargoyles/askgreg/search.php?rid=387].

Now, without further ado, the essay. It has been edited from the submitted version only by rearranging paragraph breaks...

The 1994 animated television series Gargoyles posits a highly intelligent species which dominated the Earth prior to human genesis and ascendance.

These gargoyles possess a unique culture which predates humanity's by a significant period, but the first on-screen depiction of the gargoyle species takes place in the 10th century, after millions of years of convergent evolution between the two cultures.

Indeed, the pilot episodes depict the essential death of one lingering component of gargoyle culture, at least for the series protagonists: that gargoyles lack personal names. This idea is first discussed in a conversation between two gargoyles and a human boy:

TOM: I'm Tom. What's your name?
GARGOYLE #1: Except for Goliath, we don't have names.
TOM: How do you tell each other apart?
GARGOYLE #1: We look different.
TOM: But what do you call each other?
GARGOYLE #2: (shrugs) Friend.

For context, "Goliath" is the leader of the clan of gargoyles to which the protagonists belong, and their liaison to the humans with whom they share an uneasy alliance; those humans felt incapable of dealing with a nameless entity, and Goliath did not bother to reject the name they selected for him.

Still, he does not use the name in communicating with his own clan until a betrayal by their human allies and a magical curse cause the protagonists to sleep as statues and then reawaken in 20th century Manhattan.

Here they meet and befriend Elisa Maza, a police detective who is both confused by and - for reasons she has trouble articulating - uncomfortable with this traditional lack of names. The following exchange takes place between Elisa and the clan's elderly mentor:

ELISA: Are you coming on the tour…uh, what do I call you, anyway?
GARGOYLE: Must you humans name everything? Nothing's real to you till you've named it, given it limits!
ELISA: It's not like that! It's just that…well, uh…things need names.
GARGOYLE: Does the sky need a name? Does the river?
ELISA: The river's called the Hudson.
GARGOYLE: (sighs) Fine, lass…then I will be 'the Hudson' as well.
ELISA: Great! Hudson it is.

From that point onward, that particular gargoyle is known as Hudson, and only Hudson.

The younger gargoyles who survived the centuries follow suit; the two who conversed with Tom become Lexington and Brooklyn, for example. And Goliath more-or-less fully accepts the moniker afforded him by the Dark Age humans.

As Gargoyles creator Greg Weisman points out, "naming is clearly addictive," and once they are established the convenience they offer makes doing away with them virtually impossible. Thus, for the Manhattan Clan of gargoyles, namelessness largely remains a thing of the past for the remainder of the series.

In "You Are Not a Gadget," Jaron Lanier describes the phenomenon experienced by these gargoyles using the term "lock-in."

As Lanier puts it, "lock-in…removes design options based on what is easiest to program, what is politically feasible, what is fashionable, or what is created by chance." Furthermore, the process "also reduces or narrows the ideas it immortalizes, by cutting away the unfathomable penumbra of meaning."

Despite originally referring to programming language, this is a perfect description of the process that "Hudson" has been subjected to in the previous scene.

Names are a method of defining identity, which necessarily must involve "giving it limits." But in traditional gargoyle culture, identity has greater meaning than that; it is amorphous, and changes with the circumstances.

The gargoyle who first made a compact with the humans at Castle Wyvern is the same gargoyle who mated three times and produced three progeny; he is the same gargoyle who fought the evil Archmage and received a wound that blinded him in one eye; he is the same gargoyle who slept for centuries and once awakened, found himself fascinated with the television show "Celebrity Hockey."

Does one name - Hudson - really encapsulate all of these aspects of his identity?

In-and-of-itself, all it signifies is that the place Hudson awoke in was modern-day New York (a cut line from the episode's script even has Elisa commenting, "Good thing we weren't facing Queens," emphasizing with humor how off-hand and esoteric the choice was).

That name was "locked-in" as the full and entire representation of the character from that point onward, solely because it was politically feasible (it makes dealing with Elisa and later human allies far more expedient), it was fashionable (every other intelligent being in 1994 New York has a name, so why not the gargoyles?), and it was created by chance (quite literally in this case, as the "Queens" quote illustrates).

And the result is that the very meaning of his identity is narrowed. He is no longer capable of being someone at a particular moment, and someone else in the next.

He is always Hudson.

There is an even greater story here, however, which Weisman's later musings have helped to illuminate. As he once observed, "Gargoyles don't seem to have a native language. They acquire human language, perhaps much the same way that they acquire names…And language, in many ways, is just sophisticated naming."

This is a compelling point. As he later notes, a different and arguably much more persuasive response that Elisa could have offered is that the river is called "the river."

Languages are systems for describing objects, concepts, actions, etc. using strict and uniform definitions, confining them to names that society calls words.

But does a name like "the sky" really fully encapsulate the meaning inherent within the depths that humans observe from below? Does it even begin to provoke a holistic understanding of its astronomical, religious, chemical, or poetic contexts?

And even more to the point, what of metaphysical concepts like "justice"? Can a single clear definition even exist for such a weighty and nebulous notion - and if not, does sticking the name "justice" to it not necessarily limit it?

Lanier certainly appears to believe so. As he conceives it, the system of symbology under which all current human languages operate is itself a lock-in; at best, a "middleman" between intent and "directly creating shared experience" that he wants to work to cut out.

His method for doing so is improvements on virtual reality, until researchers develop "the ability to morph at will, as fast as we can think."

Lanier envisions a world where the rather simplistic words "I'm hungry" will not be the only way to communicate the sensation which has brought them on - instead, he sees potential in the power of virtual reality technology to place us in the bodies of others, as a way to intimate the sensation itself.

Humanity would no longer have to be limited to extracting some piece of the concept it calls "hunger," giving it that name, and using it as code so that others who know the symbology of the English language will understand some approximation of that concept.

The concept would simply be understood, and communication would be a straightforward matter of imparting that understanding.

But perhaps there is an even better solution than this - although one that is, unfortunately, largely forgotten.

Presented with the puzzle that gargoyles are highly gregarious and intelligent by nature and yet appear to lack any notion of their own language, Weisman has mused that perhaps, long before human language evolved and became the locked-in method for communication, the gargoyle species possessed "mild psychic abilities that left them with no need to create language."

While emphasizing that he was only asserting a possibility, the communication he imagines - where it was not "words that they intuited (or transmitted or read or whatever) but emotions, maybe images or sensations" - sounds exceedingly similar to what Lanier hopes to achieve through virtual reality.

Such communication would be consistent with what audience knows about pre-human gargoyle culture, where definition and identity are situational as opposed to consistently codified.

But if that is the case, it leads to a rather lamentable conclusion. As Weisman puts it, "perhaps the very language skills that gargoyles learned from the human race dampened their psychic intuitiveness;" in other words, lock-in of a very particular method of communication (symbology) "locked-out" another method that presented communicative possibilities human technology can currently only dream of.

The initial insistence on not using personal names, then, can be considered a lingering hold-out of a bygone era where every concept was considered unlimited, and every sensation intimated in their full depth.

In dealing with nascent human cultures, gargoyles must have gradually accepted the limiting of concepts like "sky" or "river" because this made interspecies congress significantly more efficient, but they resisted the longest on the limiting of the very depths of the self.

But with the permanent instatement of "Hudson" and the rest, there does not appear to be room to return to the possibilities an unlimited identity presents. Human language has killed them.

Of course, both the gargoyle race and their culture are fantastical constructions, but that does not necessarily mean that humans cannot learn from their fictional example.

While humans do not seem to share these "mild psychic abilities" (although there are some who would vehemently disagree with that statement) that Weisman hypothesizes, that there are methods of sensation and communication which precede language skills is clearly documented.

As with gargoyles, members of the species Homo sapiens did exist well before the development of the earliest known language, and while current understanding of those early cultures is limited at best, there is also a much more immediate example to turn to.

Newborns spend a few years before they learn to define the world around them in the code of words - the sun is an experience to them long before the strictly defined, limiting name of "the sun" is ever applied to it.

The depths of what could be learned from observing children raised without learning language skills, interpreting sensations and intimating them to others via methods of their own device, are boundless; of course, the enormous ethical travesty presented by such experiments means they are not a viable avenue for inquiry.

So instead, humans turn to fiction - attempting to realize through others what that they have long since lost, and yearn to find again.

Greg Weisman has often described gargoyle culture, and pre-human gargoyle culture specifically, as something of a wish fulfillment for him. "I'm such a human," he laments with a written-out sigh, "But I aspire to gargoylosity."

Well, if the virtual reality morphing that so excites Jaron Lanier can indeed allow humans to experience sensation as a pre-human gargoyle (or a pre-language human, or a baby, or even a cephalopod) did/does - if it has the potential to turn the clock back as well as forward, and show what it is like for things simply to be, without the cumbersome and restrictive middleman of naming them - then perhaps that is an aspiration that more humans should share.

Greg responds...

At first, when you mentioned 'You Are Not a Gadget', I couldn't help thinking the follow-up statement would be 'You Are a Chip, a Dale or a Monterey Jack'. Talk about lock-in.

Anyway, is it immodest to say that your essay warmed my heart? I enjoyed reading it. And I found it quite insightful. I do believe my own thinking has evolved since I wrote that ramble on gargoyles' latent psychic abilities. My thinking now is less psychic and more intuitive based on sensory clues.

But it doesn't change my positive response to your thesis. And it also speaks to one of my goals - perhaps even needs (NEEDS) - as a writer. Using words, multiple, multiple words, in an attempt to reach beyond the lock-in that comes with words like river or sun or Hudson or, most especially, Greg. The original version of Hudson's line was something like: 'Nothing is real to you until you've named it, defined it, given it limits.' More words to more fully illustrate the concept. And often in my writing I find myself trying to paint pictures with more and more words in an almost poetic sense. That verbosity is often counterproductive when writing dialogue. But I LIKE to think it lends - even when cut back and cut down - a certain depth to the dialogue. But it's a constant push and pull in my writing between trying to find just the one right word and using many, many to paint that fuller picture.

Response recorded on December 30, 2012

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Tyler Reznik writes...

Hello once again, Mr. Weisman.
Fully expecting it to be months before you get to this question, but patience is a virtue, so...
1) Is the Brain gay? I suspect that you may not answer this one, but nothing ventured, nothing gained, so I thought I'd ask.
2) How did the Brain become a disembodied... well, brain?
3) Two previous posts had you give Wonder Woman's age as 90, then 85. Was the difference because you'd already started working on the post-timeskip timeline?
4) For your production bible, do you assign real names to characters who traditionally lack them (Bane, the Joker, the Brain, etc.)?
5) How does the Light recruit supervillains to work for them (apart from the League of Shadows and the member's own forces)?
Thank you for taking the time to answer my questions, and thank you for Gargoyles, a series I greatly enjoyed when I was younger (I've had the misfortune of not seeing an episode in several years). It meant a great deal to me, and helped inspire my interest in storytelling and Shakespeare (the former more than the latter, but Gargoyles introduced me to the Bard's work). It is very much appreciated, and I will remember Gargoyles for a very long time indeed. Have a good day, sir.

Greg responds...

1. He's still in the canister.

2. See Young Justice issue #19.

3. I dunno. The timeline is very long, and sometimes I misread it.

4. Generally, no. But I do - with the help of loremaster John Wells - reach back to find any name that might exist in the DCU canon.

5. It's all case-by-case.

Response recorded on September 20, 2012

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J&M writes...

Heya Greg! I know your focus has been on Young Justice lately (as it should be) but hopefully you won’t mind kicking it a little old-school and reading fans gush about Gargoyles. This is more of a ramble than a question but hopefully you won’t mind.

I have a good friend that lives in another state that is fairly arduous driving distance away so we only see each other in person every couple months. Naturally one of our main ways of staying in touch is talking via IM. And one thing we do is choose shows one of us has never seen (mostly her, but occasionally me) and watch episodes at the same time we talk to each other, so we’re watching ‘together’ even if we’re not actually together. We actually have a standing list of things we want to go through this way. And a short while ago my friend chose to start Gargoyles. We blew through all five parts of Awakening in one session and I thought you might get a kick out of seeing some choice bits of our conversation. (And yes my friend did give permission for me to share this with you.) There’s going to be more of what she has to say than me because I feel like reading me responding to her reactions with, “Why yes that IS awesome and part of the reason I love this show” would get old after awhile. The ‘choice bits’ are still pretty long, but hopefully you won’t mind too terribly.

Quick background. We are both of the female persuasion. I’m 24 and have a B.A. in English and am going back to school in the fall for a Library Science degree. She’s 20 and a Creative Writing major at a University that feels there is very clear divide between ’literature’ and ’entertainment’ and that all genre fiction falls into the latter category by default.

Needless to say, since both of us are fans of Fantasy, Science Fiction, and Animation…we disagree with that. A lot.

I’m going slightly out of order, starting with her reaction to seeing the theme song before getting into the actual episode stuff. I’ll use [] to indicate me making a comment or an edit after the fact. ‘J’ indicates my comments. ‘M’ is my friend.

J
Oh and THEME SONG OF EPICNESS
M
Preeeeetty
J
Awesome visuals are awesome
M
Hey wait a minute
I've totally heard this before
J
The interwebs loves Gargoyles
M
I've never seen the visuals to the theme song though
Heeeeee
J
So you probably have
M
As the interwebs should
J
I KNOW RIGHT!!??
M
IT'S EPIC

[Start of Episode 1]

J
What do you know about Gargoyles already?
M
There are charries named Puck and Oberon
That's all I know

[First battle between Vikings and Gargoyles]

M
Ooooh that was really good animation
J
1994
Damn straight
[Meaning that it‘s still impressive now, and considering that it‘s from 1994, is even more-so]

[The Banquet]

M
Hi hot lady
Hi fabulous Pegasus-like man

[Pegasus is a villain from season 1 of Yu-Gi-Oh with long white hair and a…distinctive personality]

M
Hey
I know your voice
Hi Jeff Bennet?

[Re Demona and Goliath‘s conversation with the Captain of the Guard after leaving the Banquet]

M
Redhead needs a haircut
I really like their relationship though so far
It seems rooted in a mutual respect
M
WHY AREN'T RELATIONSHIPS IN TV LIKE THIS ANYMORE
YES
M
THIS IS WHAT YOU'RE SUPPOSED TO DO
M
THANK YOU GREG WEISMAN
M
THIS IS HOW RELATIONSHIPS IN TV SHOULD WORK

[Goliath and Hudson falling into the Vikings trap]
M
Hi horsies!
Oooooh
Uh oh
Raaawwwwr
Ohhhhh
I see
They turn to stone in the sun
J
Yep.
And at night they're awake
M
That was a good bit of exposition
I just got back from seeing Puss in Boots yesterday and while it was good there was a *ton* of unnecessary exposition in dialogue
Ummmmmm

[The start of the Wyvern Massacre with the Hakon and the Captain arguing over smashing the Gargoyles]

M
Oh dear
Oh dear
Hello high [conflict]
NO
DON'T DO IT
DON'T
NO
YOU DIDN'T!
NO!
M
Holy [censored]
I feel bad
And I don't even know who that guy is
That gargoyle rather
[J] why didn't I watch this show as a kid?

[Episode 2]

M
I love the Magus
J
Can I marry Keith David's voice?
M
NO
GET IN LINE

M
Maaaguuuus
I love you already
J
"He's going to slay her!"
J
Like Buffy
M
Heeeeee
Wait is she really dead?
GO MAGUS!
J
*is behind you*
M
"You are the betrayer?"
"All of my kind are dead"
M
"YOU LYING SCUM!"
Uh o
DON'T
FALL OFF
NO
Oh okay
Awwww Goliath
Uh oh
"What sorcery is this?"
M
Can I marry the Magus?
J
Get in line :P
M
Oooooh nice twist

[1994]

M
Pretty grass
Hello long time in the future?
long time passed*
Who is this guy and when can I [censored] him?
And his tech guy?
J
Xanatos is dark hair and beard
Blonde glasses is Owen
And again get in line :P
M
Heeeeeeeeee
DAMN
J
"Pay a man enough and he'll walk barefoot into hell."
M
He has a HELICOPTER
M
I want him
He just needs to shave and clip the ponytail
J
I think the goatee and ponytail are sexy. So clearly I love him more than you do and should have him.
M
Heeeeeeeeeeeeee
I'll take his tech guy happily
J
Yeah you can't have him either :P
M
Awwwwww
No fair
J says
You're about eighteen years too late :P
M
Heeeeeee
M
WAIT
Do we get to see the Magus anymore?
J
I can't tell you :P
No spoilers remember
M
Heeeeeee
Because if I don't I will cry
M
This may be an off guess but are any of the present-charries descended from the past-charries?
But you can't answer that either
J
No spoilers LOL
This is fuuuun
M
:P
Seeing all my wild guesses

M
Ooooh
I love Xan
J
I know you do.
M
This show has been really good about engaging right from the pilot
So far it hasn't really been talk-heavy

[Episode 3]

M
Owen is totally Magus
J
I think they're both voiced by Jeff Bennet
M
They're totally related in some way

J
Elisa is quipping a la Buffy before Buffy
M
But Goliiath wil save her
I love the Gargoyles
It's a nice deviation from what you'd expect
J
How so?
M
They're very respectful
M
And not all grrrrr
They have morals and principles they go by and they're fairly peaceful

M
Heeeee hundreds of spells
On a floppy
M
My 1TB talisman can kick its ass
M
I really really like this show so far
M
AND IS THAT THE REDHEAD LADY?
I saw poof
I'm so confused
M
But it's *really* hard for me to get into most shows and I'm into this one
Honestly I didn't think I would.
J
Am I not awesome at showing you things you'd like?
M
I mean I didn’t think I'd hate it
Heeeeeee
You aaare

M
Detective lady is wearing mom jeans
M
I really like that concept
J
Which concept?
M
Of not having names for things
M
And they utilize a large cast very well by having a few characters around at a time and having their different reactions ot the same world
M
We get expositoon that way and viewers aren't bogged down or feel the need to spread their interest too thin
Just "oh hey going on a NY adventure"

[When the Trio fight off the gang after saving Brendan and Margot]

M
Oooh interesting
That the guys react with fear initially and then charge
This show is really well-crafted
M
I mean you could just classify this as 'low-brow kids' entertainment' but it's really more than that
It's a beautiful work of art and storytelling that's fun and fanciful
J
Exactly.
J
There's so much work put into it and it shows.
M
And it has layered, deep conflict
Oh yes
J
IMO it's art
M
It's wonderful
Yes.
Exactly.
Very good, show!
Tranqs take a while to take effect

M
But yeah [censored] 'high art.' This is art
J
It's got all the complexity of a Shakespearean drama. It just happens to be animated and feature fantastic elements.
M
Oh yeah. I agree 100%

[Episode 4]

M
This show handles exposition beautifully
J
It does
Seriously Greg Weisman is the MASTER of set-up and payoff.
M
It really works.
M
THIS IS WHAT I SHOULD BE LEARNING IN FICTION CLASS
DARNIT

[Re Elisa hiding from the goons]

M
Uhhhhho oh
Way to make the tension rise
That's beautiful
M
THAT'S HOW YOU DO PACING FICTION CLASS
M
I rather like the music for this show too
M
I'm still kind of enamored by the whole show
It does action sequences very well too
M
Greg Weisman is incredibly talented and I bet my fiction prof would hate his guts
J
Oh yeah. The physicality is great. Not overdone and very realistic.

[Re Demona and Goliath‘s reunion]
M
That's an evil smile
I don't like that
Awwww wing hug
M
That's so BEAUTIFUL
SEEE LITERARY FICTION?
SEE WHAT YOU CAN DO?
M
SEE THAT THIS IS NOT BULL[CRAP]?
J
I totally wrote a paper for a Shakespeare course that involved Gargoyles. I got an A in that class. :)
M
You are amazing

J
They said KILL
M
THEY DID
J
Whooooo!

[Episode 5]

J
Do not mess with old guys and dogs
Especially if they're Gargoyles
M
Hee
J
And hi G-rated version of Lethal Weapon line
M
TRAAAIN
M
And that is why you back up your files

[Re the Blimp being on fire and falling]

J
And that would not be a scene post 9-11
M
No it would not
J
I think there'd be a lot less stuff blowing up in general
M
Yeah

[Again re Demona and Goliath]
M
THIS NEEDS TO BE THE MODEL FOR FICTIONAL RELATIONSHIPS
GOD WHY IS THIS SO AMAZING
M
Awwwww Goliiiiath

J
Look at Lexington his laptop
M
Heeeeeeee
J
That has like 250 MB memory LOL
J
Hi Demona
You want to marry her too yes?
M
No
J
Really?
M
I don't like her hair :P
*is shallow*
J
Aside from the hair :P
M
Yes
J
I kneeeeeew it
You villain sluuuuut
M
I aaaaaaam
I can't heeeelp it
J
Heh Chinese food
J says
HEEeeeeGiants
GO GIANTS!
M says
That's a funny way to spell Patriots Jess

[This was soon after the Super-Bowl. She‘s based in New England and I’m from New York.]

J
:P
And that's it
Final thoughts?
M
GAHHHHHHHH
THIS IS WHAT ART IS SUPPOSED TO BE
M
THIS IS WHAT ENTERTAINMENT SHOULD STRIVE TO BE
M
SCREW THAT HIGH ART CRAP
J
Exactly. I have taught you well young Padawan.
M
*bows*

Hopefully that put a smile on your face. We will be watching the rest of Gargoyles, and eventually W.I.T.C.H, Spectacular Spidey, and Young Justice.

I did want to ask, would you be interested in reading more of what we say as we watch?

Subsequent conversation snippets will probably be shorter, but I understand you’re very busy and that Ask Greg can get backlogged. I’d only want to continue sending this kind of ramble if it’s something that you would enjoy reading, as a small way to pay you back for the excellent entertainment you provide. I’d never want it to be a chore or something you feel you have to slog through.

So yeah. Hope you enjoyed! Please continue making awesome shows so we can keep watching. :)

Greg responds...

I would be interested - though even admitting that fact makes me sound conceited. It's like, "Hey, post praise!" But basically, what I mean to say is, "Hey, post praise!"

But of course, in the interest of accuracy, I should point out that in your responses to her you really give all the credit to me, and that's, well, silly. Michael Reaves wrote all five scripts that you were praising. Frank Paur supervised all the storyboards and editing. (And those two talented guys are just the TIP of the Gargoyles iceberg.) I'm not saying I didn't contribute. I like to think I contributed a lot to both script and picture, but it was NEVER a one man show.

Response recorded on April 28, 2012

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Briget writes...

Hi there! This isn't actually a question, but it's the only way I saw of contacting Greg. I just wanted to say thank you for creating Gargoyles and thank you for making such a rich, elaborate show. Your cartoon formed a big chunk of my childhood, and the storytelling introduced me to so many different aspects of the world of fantasy. It was my favorite thing to watch when I was little. I hope this gets passed along and you get to see it. This show just means a lot to me.

Greg responds...

Thank you for the kind words, Briget. It meant a lot to me to. Still does.

Response recorded on April 18, 2012

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Green Lantern's Nightlight writes...

I've mistakenly put typos in my name for my last two questions now & I'm terribly sorry for that especially since you put yourself out to answer all of our questions.

Greg responds...

Don't worry about it.

Response recorded on February 13, 2012

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Lurker writes...

As of writing this, it is the 17th anniversary of Gargoyles. Made a comment in the room but wanted to share here:

"Sorry about the double, I saw vinnie took two spots and decided THIS was a countdown I wanted to be a part of. My countdown number is especially fitting, as I was 10 when Gargoyles premiered.

17 years. My God. I remember seeing the preview commercial once or twice. Running home after school, literally running, so I could catch the premier and every episode thereafter. Enough to make me feel a little choked-up. Nearly getting a lump in the back of my throat.

Phoenician> I do believe I will join you in watching one episode of awakening everyday [this week]. It must be providence. I just received my season one back from a friend, to whom I lent my seasons so she could show her son.

She said that at first, he was watching the episodes alone. After a while, she remembered why she liked the show so much and they now watch them together. They are now somewhere in season 2.

It's nearly 1 AM. I believe I will put in the DVD, raise a toast, and enjoy the beginning chapter of a phenomenal series.

In the already spoken words of Vinnie, "And away we go on with the show."
Lurker - [!)]"

Greg, the show is something that has always stuck with me, as it has many others. In case you didnt know ;) I just wanted to thank you for continuing to work on the show, in the sense that you have never given up on it. Thank you for allowing fans to interact with you and ask you various things. Thank you for the contributions to my childhood and all the wonderful memories.

Greg responds...

You're very welcome. And thanks to all the Gargoyles fans who have kept the faith and stuck with me and the show for all these years.

Response recorded on January 30, 2012

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Harlan Phoenix writes...

Less a question, more of a comment. While visiting one of my dearest friends over in Long Island over the summer, one of the things we did together was watch Gargoyles (as part of a little trade of interests-her offering was showing me a documentary on the legacy and fandom of the Rock-a-Fire Explosion series of animatronics, which was fairly interesting and quite enjoyable in its own right). As we've mostly communicated online for our 9 or so year friendship, doing something like this isn't a common thing. Especially considering we've only been in person together for two visits, each lasting about a week.

I'm happy to report that after a viewing of The Mirror, Double Jeopardy, and Eye of the Beholder, she became quite fond of the series and has expressed interesting in indulging further. I was beyond happy that she did, as being able to share Gargoyles with her joins the rest of that week as one of many memories I feel lucky to have.

Thought you'd like to know.

Greg responds...

That's great. Thanks.

Response recorded on October 31, 2011

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Dan writes...

Not a question, more something you might like: http://nebezial.deviantart.com/art/gargoyles-goliath-3d-fun-200441030?q=sort%3Atime%20gallery%3Anebezial&qo=1

Greg responds...

It's great that folks are still doing fanart of the characters.

Response recorded on July 28, 2011

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Ozaline writes...

Not a question this time, just a comment I want to apologize I didn't think they'd send you both vesions of my initial questions cause I thought the first one was too leading and the second one was more civil.

I am still watching the series and not making too many judgements yet, my point wasn't to come off like I was attacking I was just wondering why you didn't do some things, you've got a good track record so I'm hoping things turn out.

I apologize if it seemed like I was attacking.

Greg responds...

Don't sweat it. I apologize if my response(s) got snippy.

Response recorded on March 17, 2011

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charles.wonsey writes...

also i know since i did not write a question it wont get posted but to the person that sends this to greg please let him get this. its real important to me. thank you again

Greg responds...

Everything comes to me, unless it breaks one of the rules. Doesn't have to be a question.

Response recorded on February 09, 2011

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Charles. wonsey writes...

Hello greg my name is charles and im currently in the navy. in about 4 months i will be a film student and i was interested in producing one of your works. i have a strong passion for film and i eat breath and sleep it. with that being said the school said i should contact you and maybe get to know you. so this is the only way i know that what i have to say will reach you. but i am very serious about my passion and when i finish school i have ideas of what i want to produce as far as film goes. so if you can please email me. im gonna put my email so you can contact me so i can have a better way to contact you. also the school i will be attending is full sail university. my email is charles.wonsey@med.navy.mil so i hope this reaches you . thank you for your time.

Greg responds...

Charles,

I'm afraid I have a policy not to contact folks directly. It's a fairness thing. If I did it for one, I'd have to do it for all, and that's just not practical.

Happy to answer your questions and/or communicate here at ASK GREG though.

Good luck in your last few months in the Navy and at film school.

Response recorded on February 09, 2011

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Jess writes...

Heya Greg! This isn't really a question. Rather a resounding "THANK YOU" for pretty much all of the work you've done over the years. Right now a few of my fandoms that are still on-going have come out with new installments that have, well, been disappointing me. I'm not going to name names because I don't want to put you in the position of having to bash a fellow professional's work and there's no guarantee you're familiar with the specific ones I'm speaking of anyway.

But to me it feels like the writer(s) have been failing, not because they're not talented, but rather because a) When they began their projects they failed to think far-forwardly to where they wanted their stories to go once the initial conflicts they set up have run their course. And B) Instead of letting plot-lines flow from characters that are complex and change over time, they fall back on comfortable clichés, simple black-and-white conflicts, and cookie-cutter romance. To put it simply, when given the opportunity they take the 'easy' dramatic choices.

Seeing this happen over and over has made me much more appreciative of the insane amount of world-building and planning that you must put into the things you undertake, and your skill as a storyteller to dig into the well of timeless archetypes and situations and do things that are new and exciting with them.

For me it's a relief to know that when Young Justice premieres as a series (I did see the pilot movie and loved it) I'll have something where I can sit down and be entertained, and trust that the people behind it are doing everything they can to ensure that it's the best it can possibly be. And even if at the end it hasn't matched my vision for what it could have been, I know it will definitely be just as good, and most likely a whole lot better. So, in conclusion: Thanks for being awesome! Please keep it up. :)

Greg responds...

Thanks for the kind words. One strives for awesomeness... and settles for "Hey, we did our best."

Response recorded on January 14, 2011

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Vaevictis Asmadi writes...

I just re-read The Moorchild by Eloise McGraw. It's a book I mentioned in a much earlier question to you, one about a changeling girl who is half human and half fae, and the weirdness and difficulty she has fitting in with either because she is different from both species. (It's even set in medieval Scotland.) It prompted me to ask you how different or similar, emotionally and psychologically, the Third Race are to humans, because the depiction in this book is of quite inhuman fae who really can't relate to humans. You have consistently answered that the Third Race are quite similar to humans, emotionally and psychologically -- that the main difference is that of great power without great responsibility, of never growing old or having to work, and of being able to look however they want on a whim. You've even said that a human could imagine what it is like to be such a being by imagining what life for one of us would be like with those benefits.

Reading The Moorchild again got me to wondering about what it is like growing up as a hybrid (in a family of non-hybrids), or as a non-hybrid changeling raised by another species, in the Gargoyles universe. The personality differences don't seem nearly as pronounced between humans and Third Race as they are between humans and fae in The Moorchild, so it seems like fewer problems should arise, although physically there seems to be quite a lot of difference between mortals and the Children even when they look human. Clearly a half-mortal child like Fox can grow up without ever figuring it out, or learning magic. But did she ever feel different from the mortal children around her? Did other humans notice anything different about her? Or was there nothing really out of the ordinary, no noticeable outward signs of her magical heritage?

And what about Morgan le Fay, who according to what you have revealed is a purely Third Race changeling. Was it strange for her to grow up among humans? I assume she looked human, but did she feel human, or did she feel different from those around her? Did she seem unusual to her human parents and siblings, or did they never really notice anything out of the ordinary, personality-wise or physically? Did she just seem like a regular human being to them?

As for Nimue, well, she can't have helped but notice she was different, not having the same nearly-effortless magical abilities and shapechanging that the Third Race have. That and not being made of pure magic, along with whatever that entails.

I imagine a slightly different dynamic for the Avalon Clan, since there was no human society around them and they actually outnumbered their foster parents 11-to-1, but I'm sure that was at least somewhat weird, especially for the humans.

Greg responds...

I guess if the question is: "Did they feel different?" then the answer is a resounding "YES!". Because, I'm pretty sure I'm not a magical hybrid and I felt different. Doesn't everyone?

Response recorded on December 22, 2010

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Greg Bishansky writes...

I originally wrote this for my blog, and decided to paste it in here.

Young Justice

Well, what do you know? This is my one hundredth entry. Appropriate that it is about Greg Weisman's newest TV series.

Anyone who knows me knows I am a huge fan of Greg Weisman's work. "Gargoyles" is my all time favorite TV series; I adored "The Spectacular Spider-Man;" I was quite fond of the second season of "W.I.T.C.H.;" and the freelance scripts he wrote for shows like "Men In Black" and "Buzz Lightyear of Star Command" were always fun.

Okay, I really hated "Max Steel" and couldn't watch more than one episode, but that show had all sorts of behind the scenes problems that were not his fault. And sadly, "Roughnecks: Star Ship Troopers Chronicles" never aired in my area, so I've never really seen it. But, overall, Greg Weisman is responsible for high quality television. So, I was greatly anticipating his newest series, "Young Justice."

"Young Justice" is loosely based on a DC Comics title by the same name, but draws from many other sources. It focuses on a group of sidekicks (but don't call them that) who band together to become a covert ops team connected to the Justice League. The stars of the show are Robin, Kid Flash, Aqualad, Superboy, Miss Martian, and Artemis. Although, we have yet to meet Artemis and only briefly met Miss Martian.

The theme of the first season is "secrets and lies" and this is very apparent within the pilot already. The Justice League is keeping secrets from the members of Young Justice... which was enough to piss off Speedy, and get him to storm off. And Project Cadmus was keeping secrets from the rest of the world.

I love a good mystery, and we've got one set up with a shadowy organization called The Light, who were behind Project Cadmus. Although, I am somewhat reminded of the Illuminati from "Gargoyles" (Hmm... Light - illuminated - Illuminati) and the Council of Thirteen of the Guild of Calamitous Intent in "The Venture Bros." although, I highly doubt Davie Bowie is L-1.

The writing and dialogue are very sharp, and considering the pilot was penned by Mr. Weisman himself, that was to be expected. The animation is very strong, and I kept wondering what their budget was, because it looks great. The voice acting was also phenomenal, which is to be expected from any series voice directed by Jamie Thomason.

This series has just about everything going for it, and already, in my mind, blew the competition out of the water. Yes, I enjoy "The Avengers - Earth's Mightiest Heroes" quite a bit, but the quality of that show just doesn't compare to the quality of "Young Justice." The funny thing about that is that outside of Batman, and some Vertigo comics, I have no attachment to DC Comics at all. I've always been a Marvel reader. But Marvel has never had animated series as good as DC's, with the exception of "The Spectacular Spider-Man" which was just as great as "Batman the Animated Series." But then, look at who the mastermind behind Spidey was.

I give the pilot of "Young Justice" a solid five stars. It also left me intrigued enough to come back for more when the series really gets going in January.

Greg responds...

Glad you liked it!

Response recorded on December 21, 2010

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Todd Jensen writes...

Another comment, rather than a question. I've mentioned before about how well Goliath's statement in "M.I.A.", "Human problems become gargoyle problems" had been borne out so often in the series (especially when we saw how the struggles over the Scottish throne between 971 to 1057 - definitely a human problem - affected the gargoyles in Scotland, not to mention the Quarrymen being ultimately about a human unwilling to face his responsibility for seriously injuring his brother). Recently it occurred to me that the Humility Spell, though not actually a *problem* for the gargoyles (except maybe the occasion when it prevented Brooklyn from recovering Goliath's half of the Phoenix Gate in 997), is also an example of this at work.

We know from your statements (canon-in-training, of course) that the Humility Spell stemmed from Caesar Augustus' wish to improve the morals of the early Roman Empire, which extended to his disapproval of gargoyles awakening in the nude because their clothes were torn apart with their stone skin shells at nightfall. Thus, it's the result of another human problem which came to affect gargoyles worldwide (even gargoyle clans that presumably never even suspected that the Roman Empire existed).

Greg responds...

That's one way to look at it, certainly.

Response recorded on November 19, 2010

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Trevor Doyle writes...

Hello Greg

I just want to say thank you for creating such a wonderful world. Filled with complex, multi layered characters. I am nearly twenty three now, but I can still remember watching the premier of episode one just two days after my seventh birthday. The show definitely affected my childhood both conscioussly and subconsciously. Anyway I digress. I recently learned about the annual Gargoyles Gathering. I was disappointed to find out that it has been cancelled. So my question is why it was cancelled, and if there is any chance that it will start up again in the future?

-Trevor Doyle

Greg responds...

Check the archives.

Nothing stops fans from starting up a new or another Gargoyles convention. But I'd read the archives carefully before I tried. Keep in mind, I'm always happy to attend. But I don't want to see fans go into debt just so that I can have a fun weekend.

Response recorded on November 09, 2010

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Justin writes...

Dear Greg,

Recently watched "Long Way Til Morning"

And this is hopefully the first question that leads to what I hope to complete soon as a long essay on how fascinating Demona is as a character as well as her impact on her estranged clan "family".

In this we see three characters. All with relatively strong familial bonds. First we have the Father, Hudson. Then of course the rookery children Goliath and Demona.

My actual question is this:

What had to be going through Hudson's mind during all of this? I know he acknowledged the two as a mated pair, but in essence he had to save his son from his daughter. That could not have made him all too plussed.

Secondly, the dialogue in this last scene really shows how even now, they still have latent feelings of being family...

Hudson: "Give it up girl, you can't win.." Which even as a boy, first watching this I always received as a Father being parental in some way to his daughter.

Then there is Demona, who is as bananas as it gets. She, even in her tirade tips her hand. She, through raw, volatile emotion expresses she still has love for Hudson.

"I would have ended this quickly! Your pride will cost you your life!" Even though I know at this point in her life she is past redemption, I still feel that the way she exclaims these sentiments is a tell she doesn't want to HAVE to say them. She loves her rookery father. And in a way, still NEEDS him. As all grown children do once we reach adulthood. But nothing can stand in the way of her vengeance. The vengeance for her murdered family. Not even surviving FAMILY.

All too fascinating Greg, and thank you!

Justin

Greg responds...

You're welcome...

Response recorded on November 03, 2010

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Greg Bishansky writes...

1. Who is Demona's great love?
2. When was Gwen gonna die?
3. Will you spoil your entire series plan for "Young Justice story beat by story beat?
5. Why does the Monarch hate Rusty Venture so much?

LOL, I'm just kidding. Instead here's a comment.

I recently put the entire timeline from the GargWiki into my word processor, and it came out to about fifty-four pages. Obviously, about 98% of that timeline is directly quoted from ASK GREG's "This Day in Gargoyles Universe History" and since you last said that your timeline hit three hundred page mark, well, I am in awe.

In awe mostly because, I knew you were holding out on us... but damn. Sixty-five episodes and eighteen comics, and we still have not scratched the surface of what you have in your head for this world.

I am impressed, sir. Impressed. And, I hope you consider bringing "This Day in Gargoyles Universe History" back sometime soon.

Greg responds...

I'm a little to swamped to do that right now. And besides, I don't think that much has changed.

My timeline is currently 330 pages long. But it also has a lot of math.

Response recorded on October 14, 2010

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Todd Jensen writes...

A comment this time, rather than a question. One of my favorite details in the "Stone of Destiny" story was Macbeth's presence at the Battle of Bannockburn. It recently occurred to me that this might be an example, if a subtle one, of the time-honored motif of a legendary hero from long ago who returns to his country to aid it in a time of need.

The concept has attached itself to King Arthur, of course, and his return has featured in "Gargoyles" (if with a premature re-awakening). The returns of the Golem and Cu Chullain, elsewhere in the Avalon World Tour, also evoke it. For that matter, I remember your once saying that the Avalon gargoyles looked upon Goliath (from what they had learned of him through their human guardians) as a great sleeping hero who would one day awaken and return if ever they needed him - and he did indeed return in their hour of need, when the Archmage attacked Avalon.

I also recall, outside of "Gargoyles", the legend that Theseus returned to aid his fellow Athenians against the Persians at the Battle of Marathon (and Mary Renault including it in her Theseus novels) - which forms a great parallel here to Macbeth's presence at Bannockburn, both cases of a desperate struggle against an invading army.

At the same time, your use of the "return of the king" motif for Macbeth's participation at Bannockburn (assuming you had it in mind at the time) came with a twist. Macbeth returns incognito; so far as we know, none of the other Scotsmen taking part in the battle know that he's fighting alongside them. Robert the Bruce is the Scottish king who will be associated with the victory (deservedly, of course, from what I've read about the battle). No chronicle or legend even hints at his presence there. As far as we know, only he knows that he was there (we don't know if Shari knows or not; the panel depicting him at the battle is in one of her stories, but she does not mention him in the text itself). The king returned to aid his country in need, but in secret, his presence unremarked on.

Greg responds...

Very cogent analysis.

Response recorded on September 29, 2010

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Lorranon of Oberon writes...

Mr. Weisman, I read your response on my question about the novel I wrote. I can't say I was thrilled with the response_ but I think that maybe it was because you didn't understand my motivation behined it. I posted a comment on your blog about the "Gargoyles" movie Disney wants to release. I was hoping you would read it and then perhaps we could discuss my motivation and reasons in more detail.

Greg responds...

A few things...

1. I apologize, but I get so many questions here, I can't remember either what you wrote here about your novel or how I responded. So I can't tell you whether or not I understood your motivation.

2. I don't have a blog. Just ASK GREG here. So I don't know where you posted your "comment" about the Gargoyles movie or how that would effect my mindset about your novel.

3. You're welcome to post your motivation here, but if your novel is in any way based on Gargoyles (and if it's not why are we having this discussion?), I can't see WHAT motivation would make me excited about it.

4. I'm sorry if all this isn't "thrilling" but I really don't understand what you expect from me. Why would I be happy about someone else doing a Gargoyles-based property, either as a movie or a novel?

But perhaps I'm completely off-base (see response #1 above) so I'll stop now.

Response recorded on September 17, 2010

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Anonymous writes...

Man, every Spidey question you answer that ends with some form of "it's moot now" or "we'll never see it" is depressing. I miss the show so much, miss anticipating what great new direction you guys were going to take it in, miss the awesome surprise of each new design by Cheeks, the great voice acting and sharp writing, the structure of the seasons and the way you were organically growing Spidey's world, etc. I'm really excited for Young Justice and think it looks great, but at heart, I'm mostly a Marvel, and specifically Spider-Man, fan. So basically, just thanks for the show. I loved it, it's a credit to your great talent in the field, and it was unquestionably the best animated Marvel adaptation ever made, series, movie, or otherwise.

Greg responds...

Thank you.

Response recorded on August 30, 2010

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Vaevictis Asmadi writes...

Bad Guys #5 & 6: I wanted to post my Bad Guys reactions all at once, but I wrote my #4 reaction long before this one. So here's the rest, in no particular order.

I just noticed that nobody is willing to sit next to Fang. I wouldn't either!

I continue to wonder about the (constrained) choices made by the members of the squad -- there's lots of tension in Losers about this. They don't know any more about their boss than they do about the Illuminati. Less, in fact, and it's the revelation that Oldcastle and Thailog work for the Illuminati that persuades the Squad not to join. But they still know so little about their own boss... for all they (and I) know, he's could be just as bad. If Robyn knows more she isn't telling, and the rest know basically nothing. They've been given very little choice, of course. They know the Illuminati are untrustworthy... but they can only hope that their mysterious boss is any better. Dingo finally asks, but somehow I doubt Interpol is the truth!
Of course I know the Illuminati are bad news. But I don't know any more about the Director than the Squad do. From what I've seen, they take an "ends justify the means" attitude just like the Illuminati does.
I was seriously worried that Matrix would join the Illuminati and spell Bad Things for basically the whole planet. The Redemption Squad is composed of criminals on the run from the law, and if anyone pointed out to Matrix that the Australian shaman's logic in Issue #1 wasn't actually logical (Dingo can't fight for law and order if he's breaking the law!) then the Illuminati might have looked more attractive to Matrix than its current situation. Fortunately the Matrix isn't bright enough to figure that out. At this point, Matrix is largely at the mercy of whoever controls its access to information about how laws actually work!

Humorous moments: Yama falling asleep mid-sentence, Matrix eating a fork, Yama freaking out over his broken sword, and Doll calling Matrix "that thing."

Yama being impaled on a sword and continuing to fight with no noticeable weakness is hard to believe, especially since Goliath was so much worse off after a much less serious wound in Long Way Till Morning, and completely incapacitated in Bash by a knife wound that definitely did not impale him. It shows how tough a warrior Yama is, but... makes him look literally immortal, Highlander style. This is one place where gargoyle healing abilities are not believable to me without magic.

And Dingo's childhood was finally revealed ... the creep who raised him is the same guy who murdered his mother! That's creepy, ick. The look on John's face is suspicious from the start, but I did not expect that. No wonder Dingo became a criminal.

Yama continues to be impressive. And the scene with Matrix holding up the light under the huge Illuminati banner just looks cool.

I have to wonder why the Illuminati is hoarding priceless art objects, and not even using them for anything. I'm impressed but surprised that Dingo cares enough to prevent their destruction.

Overall, Bad Guys is a good comic, but it leans heavily towards the superhero genre (Oldcastle's gang even seems to include super powers) and as with the Pack, that doesn't appeal to me nearly as much as the other elements of Gargoyles. (Fortunately, nobody except Tasmanian Tiger has a goofy supervillain costume). Not that I wouldn't buy more Bad Guys, if more were published and I could afford it.

Thanks for the stories.

Greg responds...

I'd argue that BOTH of Goliath's wounds that you mentioned were WAY MORE serious. Yama intentionally guided that blade to go through organ-free tissue -- a through and through cut that did minimal damage to his side -- which wasn't the case with either of Goliath's injuries: he had internal damage/internal organ injuries both times.

Just look at the visuals again, and it should be clearer. There's nothing magical or Highlander about what Yama does. He's just a tough s.o.b.

Response recorded on August 17, 2010

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Vaevictis Asmadi writes...

Bad Guys #4: Finally I am going to write my reactions to this, many months after I finally got a hold of my copy. It's difficult to come up with my reactions since I first read it a while ago.

I think the "cliched villainy" of Sevarius and Fang would be more horrific if I wasn't already used to mutates, and if was more plausible as a real-life event. Now Sevarius has extended his atrocities to children. It's hard to imagine what kind of life these people can possibly have... and on top of everything else, I guess that Sevarius probably had to wreck their immune systems just to mutate them at all.

Art nitpick: the new mutates look very good and are well drawn, but there's no way that Tasha's shirt and pants can go _under_ her shell, which is part of her skin.

Robyn is trying too hard to sound angry and tough, and she can't pull it off. A little hard to, when it's too late and she's in a cage. Her reaction to Sevarius wanting to mutate her implies that she's more horrified by gargoyle DNA, than by the mutation itself. That, along with other behaviors and statements throughout the six issues, make me think that she is still deeply prejudiced against gargoyles, and is playing nice partly to obey the Director's orders. She doesn't want to kill them all anymore, and her (private?) conversation with Jon shows how far she's already changed her attitudes, but she doesn't seem to regard gargoyles as equals. A lifetime of hatred and ignorance cannot be unlearned quickly or easily.

The big shock in issue 4 is the suicide of Tasha. I did not expect that such an event would be depicted in the comic books. Sadly, it's very believable. Sevarius utterly ruined her life, in what was surely an extremely traumatic experience. For one moment, Fang almost looks like this suicide upset him, but the he starts making repugnant jokes. If some of his _other_ jokes weren't still funny, I think this is one character I would completely hate. I certainly don't blame everyone else for hating him.

The ending, where Robyn's mysterious superior (presumably the Director who got her out of jail and created the squad) put Fang on the team, is confusing. I assume there must be some passage of time that I missed, but it appears as though Fang instantaneously acquires a tailored uniform.

An finally, now I can re-read the bits and pieces at the beginnings of the first 4 issues and make sense of them.

Dingo is angry that they "barely survived the last time" and I wonder what he's even referring to -- to the battle against Fang? Was that really a suicide mission? The reason Dingo barely survived is because Matrix decided to drop him in mid-air off a skyscraper. On the other hand, I have to wonder why they swallow these "missions" when they have no clue who is ordering them around, and no reason to know if they're being told the truth. OK, they've all been threatened with Bad Things, but they don't even ask who they're working for. (Maybe they already asked and Robyn just isn't telling). I also wonder how anyone, including the Director, thinks that Fang is remotely trustworthy, and isn't going to betray the others.
The entire helicopter gets blown up by missiles, but of course the characters aren't going to die just like that. Matrix saves them. The Illuminati possesses combat robots, like the Cybots and Steel Clan. Robyn's combat skills and acrobatics are amazing, when I think about it.

Yama looks great in these issues. I'm liking him. I also like Fang yelling at Yama.

Greg responds...

Glad generally you seemed to like the stuff!

Response recorded on August 17, 2010

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Jurgan writes...

Not a question so much as a comment. You've said several times you think you missed a bet in "Grief-" namely, that Coyote should have killed the travelers, to show that death was impossible with Anubis locked up. I may be in the minority on this, but I prefer the story we got to this alternate version.

First of all, it would reopen the Highlander-esque questions that you get regarding Demona and Macbeth. So, Angela's shot through the heart but doesn't die- when Anubis is freed, is the wound still there? If so, would the wound then kill her? If Goliath were decapitated, would the head still talk, or would it sprout spider legs and walk back to him (sorry, I just watched The Thing the other night- incidentally, Keith making a surprise appearance in a movie is something that always makes me smile)? I imagine that, if only for S&P reasons, the death would simply be through bloodless laser beams (sorry, "particle beams") and the issue wouldn't have come up, but it's still confusing.

The bigger point, though, is that it cheapens the characters' abilities. I've read most of the Lee/Ditko and Lee/Romita Spider-Man comics, and while they're great stories, one thing that always bothered me was how supervillains always let Spidey live. Typically, a new villain would dominate the wallcrawler and then arrogantly announce "I don't need to kill Spider-Man- I can beat him any time I want!" I don't have a count, but I really think this happened dozens of times in the Silver Age. I could understand if the villain had a reason to run, like Doc Ock's power running low in your show, but most of the time they just seemed stupid, since of course Spidey trounced them next time. The point is that it seemed like he was surviving more through luck than any particular skill. Likewise, our gargoyles have survived countless battles because of their own abilities. To say that they finally lose- but it doesn't count because, for this one day, they can't die, seems to cheapen their earlier successes. It feels like the only reason they're winning is because the writers want them to win, and if they get in big trouble, a deus ex machina twist will save them. The show starts to feel artificial, and I wonder if these characters are really that special, or if they're just the designated heroes.

Now, of course, this is hypothetical. It's possible that, if I'd seen the episode the way you envision, I would have loved it. As it is, it's kind of hard for me to imagine it working. Just something to chew on.

Greg responds...

I guess I wouldn't agree about one lucky break cheapening earlier victories... I guess I wouldn't agree with that at all.

I'm also not big on deus ex machina saves myself, but when an ENTIRE episode is ABOUT arresting death, having them live because death has been arrested doesn't feel like deus ex machina at all to me, even with a deus (Anubis) present.

And, as you noted, the beheading (et al) issue just wouldn't have come up.

I know you're arguing for the success of what we made, and I'm in the odd (very odd) position of arguing that we could have done better, but I still think a bet was missed...

Response recorded on August 17, 2010

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Richard Jackson writes...

Hi Greg,

I'm a big fan. I work in South Korea teaching English and I thought you would be interested in your creations' progress over here.

I did some research on the internet and Gargoyles: The Movie and some season 1 episodes were released on VHS over here. What a collector's item those would be? The official translated name of the show is "Champion Goliath", but happily enough online Korean fans just call it "Gargoyles."

Channel surfing, I did see The Spectacular Spider-Man on the cartoon channel, 5:30, Saturday morning. That's actually a good time, since Korean children have Saturday school and 5:30am would be just the right time they're waking up.

Keep up the good work and hopefully I'll see Young Justice in Korea.

Greg responds...

Very cool! Thanks, Richard.

Response recorded on August 13, 2010

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Todd Jensen writes...

Some time ago, I mentioned a book by Eleanor Prosser called "Hamlet and Revenge", which argued that Hamlet's goal to avenge his father on Claudius was not a righteous duty, but a misguided and dangerous quest. Recently, I thought about a passage in it in connection to "Clan-Building: Volume Two".

In one of the early chapters, the author discusses Kyd's "The Spanish Tragedy", one of the leading revenge-plays before "Hamlet". The protagonist, Hieronimo, is out to avenge the murder of his son Horatio. After discovering his son's body near the start of the play, he decides not to bury it until he can achieve his revenge, an act which, Prosser comments, would have unsettled the audience.

This reminded me of the scene in "Clan-Building" where, after Demona reports the slaughter of the Sruighlea cell by Constantine and Gillecomgain, True suggests that they hold a Wind Ceremony for the dead gargoyles, and Demona rejects it in favor of pursuing revenge on the humans who did the deed. I just thought I'd share it with you.

Greg responds...

Thanks. I like the parallel a lot. And I agree with what it reveals about character... though I've never read "The Spanish Tragedy" unfortunately. At least not yet.

Response recorded on July 29, 2010

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W. C. Reaf writes...

Hi Greg.

A fan from England here.

Not so much a question but I just wanted to let you know that thanks to my lovely University I’ve managed to book a lecture theatre once a week to show Gargoyles on a big screen to my friends, and watch it again myself on said glorious big screen. We should be finished at the end of summer.

Currently they’re enjoying it, some more than others, and it feels great to expose people to a real classic of western animation. We’ve even got a running joke about how Xanatos is behind everything. They’re not liking the rather varied Scottish accents, or takes on them at least, but I understand there’s only so much an American production can do to get proper accents right.

We’re just starting the Avalon World Tour and I’m curious to see what they make of the revelations in the Gathering. Specifically Puck’s role but also Fox’s heritage and Xanatos’ shift into not quite being such a bad guy.

Just thought to tell you that the Gargoyles love is being spread to people across the pond that never saw it the first time ‘round.

Greg responds...

Wow, W.C., that's really cool! Thanks!

Sorry, about those accents. We do have a range of actors playing Scots. (Americans. Englishmen. And even the occasional Scot, like Sheena Easton, who's lived in America so long, she admits to having trouble summoning it up.) And since, Jamie and I aren't British, it can be tough for us to know whether we're getting it right. So generally we settle for being in the ballpark.)

gdw

Response recorded on July 28, 2010

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Jack-Pumpkinhead writes...

Dear Greg,
This is more of a commendation than a question. I just want to say thank you for your patience and honesty with the fans. I notice that if something gets mentioned that could remotely relate to Gargoyles (ex: the whole Marvel/Disney thing), twenty people will ask the same question that day without seeing if someone else has already asked it. But do you shut those people out? No, you answer the same question twenty times, and I'm impressed by that. I can guess at some authors who would stop answering questions after giving the same answer 20 times, but you continue to allow fans this amazing connection to you and your work. And I really like that.

Thank you.

Greg responds...

I think you're giving me more credit for patience than I deserve, but I do try. Thank you.

Response recorded on July 13, 2010

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Lance writes...

Not a question just a quick apology. When I asked my question about the Marvel/Disney thing there wasn't much if anything about it in the archives as I could find anyhow. Since then I've read the responses and understand you being to the point of "nauseum" as you put it. I'm probably almost as tired of seeing people ask that same question as you are so I do apologize for the monotony. Its such a lingering hope for all of us die hard fans that something wonderful will happen to allow Gargoyles to continue. I want my children to enjoy it the way i have, I want there to be new wonderful stories. There are few people I talk to that aren't aware of the show and fewer still that have a negative thing to say about it. Just the other day I had a lovely young lady nearly swoon when I told her that there was a Gargoyles comic book series, almost got myself a date actually (small matter of me already being engaged, lol).

Sorry for being another bother but we're all just clinging to hope and rooting for you :)

Cheers!

Lance

Greg responds...

Thanks, Lance.

Response recorded on July 07, 2010

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Brenda W writes...

Hi Greg, this is not a question but a statement: I have been a gargoyles fan for many years and I think your work is one of the greatest animated legend in history.
We the fans will not stop until the remaining 26 episodes are released on DVD. Your ability to capture the attention of adults as well as kids are outstanding. By the way, I do have Season One and Two. Thanks

Thank you...........

Greg responds...

No, thank YOU!

Response recorded on June 10, 2010

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David Siegrist writes...

Dear Greg, I join the army three years ago. I recently returned From a fifteen month tour in Afghanistan.I didn't have much to do (besides working in the motor pool all the time)I've watched gargoyles for the last two months of my tour. When the show stopped at 3-13-3(you tube)I was a little disappointed. I couldn't understand why Disney would do such a thing. I was going through some hard times, watching the show really help get through my endeavors. I know this isn't a question, more like a thank you note.so I say, Thank you. Sincerely a BIG fan David.

Greg responds...

And thank you, David!

Response recorded on May 20, 2010

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Anonymous writes...

hi love your work. i just want to ask if you read any fanfics of yore work.

An Ask Greg Helper responds...

I've already answered this question. Please check the archives.

Response recorded on May 19, 2010

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Pixie writes...

All too often in cartoons (specifically nowadays) female characters fall into the role of giggling love interest, counterpart to a male character to eliminate homosexual themes or are just there to fill a demographic. Writers don't seem to know what to do with them after that.

That is why I would like to sincerely thank you for your part in fostering strong female characters like Elisa, Demona and Fox.

Also, what influenced you to write those characters the way you did? Did you have specific females from your past in mind or did you choose character traits from literature and sort of mesh them for a well rounded feel?

Thank you.

Greg responds...

I honestly don't know. I've always liked writing female characters. Two of my first (unfortunately unpublished) projects for DC Comics were Black Canary and Supergirl.

I just try to write honestly for them -- removing as many of my biases as possible -- just as I would for any male character. And the result -- for better or for worse -- is what you have seen...

Response recorded on May 17, 2010

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TZ writes...

Tana writes...
You Asked:
"Does anyone know if "Maza" means "iron" in any Native American language or dialect?"

According to my book of names (it's got like 20,000 names and their meanings, which is totally cool, especially the Athurian names) Maza blaska, which is a Dakota name means "flat iron." So if it's one of those languages where the adjective comes after the subject, then Maza does infact mean Iron in Dakota. Which interestingly enough adds more irony since Dakota was an early choice for Demona's name. ^_^

And you know that J.R.R. Tolkien claimed that all of his novels were fact...you seen to have the same symptom with the Gargoyles.

Greg responds...
I'm not claiming they're fact so much as acknowledging that sometimes storytelling on this show just seems to click with history, existing legend and with dramatic necessity. It's a rare feeling, and I'm humbled by it. All I'm saying is it sometimes feels like the stories are true somehow somewhere, and all I'm doing is (imperfectly) tapping into them.

But I'm not actually delusional.

Ok, this is TZ now......

I was looking over the archives and was simply amazed by this response of yours, Greg. I have always felt that art (in all forms, from literature to sculptures to music) is discovered, not created. I subscribe to that theory because there are such famous examples of great work that endure for years, sometimes even centuries. Why would something like Michelangelo's David or Beethoven's 9th remain so popular through the ages? I think it's because those pieces already existed and were "discovered" by those artists, because certain works like theirs touch us so deeply. When one of us "finds" that piece of art, and shares it, it seems to strike something in all of us. I think creativity is God's alone, but I think He gives some of us a gift to find or tap into (as you've put it) something He's already created that reveals a great truth or lesson or feeling. Anyway, just a ramble of mine to share based on something I was amazed to see here. I'm not sure if I got my point across to others (I found it really hard to put this into words) but I think you get it. Thanks for "discovering" more great art for us all!

Greg responds...

You're welcome. Glad you get what I'm getting at, more or less.

Response recorded on May 13, 2010

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Aeschylus writes...

Greg,

Just wanted to comment on the brilliance of the show, and you and your team being able to successfully weave different mythologies together to create a whole new mythology. It's works like that that inspire so many others to continue in the arts, whether it be writing, designing, or performing arts alike- myself included. So thank you for that and for continuing to share this amazing experience with us over a decade later. Whether or not we ever see the rest of the show released on DVD (or the next big media software), it is my belief that Gargoyles will continue to inspire all who have the privilege of watching.

Greg responds...

Thanks. And I really liked your Oresteia too.

Response recorded on March 12, 2010

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Todd Jensen writes...

One of the big changes you made from canon-in-training to canon, in "Clan-Building", was having the Phoenix rather than the Phoenix Gate be the cause of Brooklyn's timedancing. I thought about it recently, and think that it was a good change.

Aside from it providing a good explanation for why it took so long for Brooklyn to get back (it would probably have seem far-fetched if each time the Phoenix Gate appeared during those forty years, he always failed to grab it before it disappeared again), I think it added something to his journey. While we don't know exactly what the Phoenix is as yet, or what its agenda is, the way it was depicted (and Brooklyn's own comments) made it clear that it deliberately took Brooklyn to Scotland in 997, that this was not just some accidental fluke, that the Phoenix has a purpose and intentions like those of any sentient being. Brooklyn isn't being battened about the time-stream by an out of control magical talisman, but is being sent places to fulfill a mission, like Goliath and his companions on the Avalon World Tour. His adventures up and down history, past and future, are the product of a plan, not just the whims of chance. I think it made for a much better story.

Greg responds...

Thanks.

Response recorded on March 12, 2010

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Matt writes...

My Review For Bad Guys #6, "Losers"...

- Alright! I'm glad we are ending this mini-series with a pretty strong cover. And I'm really pleased that this cover is what made the cover for the trade. I had kinda figured we'd be getting a group shot for this final cover and it looks great. Matrix is very cool here and Hunter and Dingo look awesome here. My only complaints is that Fang looks a bit too cat-like and Yama looks like Goliath. But I can get over it.

- So, here we go. We don't pick up where we left off at Eastcheap Island, but back in Paris where the Mr. Director is chatting with Dolores and later Monsieur Le Maire. A bunch of characters we don't know anything about really, aside from the fact that they are part of the organization that formed the Redemption Squad. Hunter at one point claims this group is Interpol, but I'm not sure if I'm supposed to believe her or not. I hope (and suspect) these three unknown characters will be expanded down the road, particularly the Director. On a related note, I was expecting to see the story of Hunter's recruitment in this chapter, but it was not to be. A story for another day, I suppose. This issue has a lot to work with already.

- Back at Eastcheap, everybody chills out (except Hunter) and sits down to a nice meal. Falstaff couldn't be more right when he called this lot a motley crew. Something that has always appealed to me about the Redemption Squad is that they seem like they'd be perfect for and a lot of fun fighting another group. I've been looking forward to a Redemption Squad versus The Ultra-Pack battle for years, but Falstaff's Band of Thieves seems like they'd make a great group antagonist also, and I'm sure we'll see more of them in the Bad Guys series.

- We continue on with a lively discussion at the dinner table. Falstaff, Dingo and Hunter all have this great dynamic with each other. It is like none of them really like each other, but are trying to get along. Dingo in particular plays the middle-man so well here. Mediating between these two groups. And it is funny because he doesn't have much reason to trust either Falstaff or Hunter. He doesn't know or understand what Falstaff is doing here, but Hunter won't even tell him who he is supposed to be working for. And on top of that, he has this past relationship with Falstaff and this blooming future relationship with Hunter, so he really is stuck in the middle here, and it seems to me now that Dingo has always been the middle-man. Balanced. Not good or bad. Anyway, a fun scene. We also get a cool bit where Fang is chowing down... and Matrix is eating a fork! Funny.

- And speaking of Matrix. I find him to be very interesting is this chapter. What strikes me most is his non-direct interplay with Falstaff. Falstaff really seems to be bothered by Matrix a lot. Looking at him funny, thinking over the things Matrix says. I can't put my finger on it, but I suspect something is going on in Falstaff's mind concerning Matrix. And Matrix continues to be an incredibly resourceful and useful teammate. In that aspect, he is sorta the R2-D2 of the group. Maybe not the main hero, but consistently saving and supporting the hero. That kind of character has always appealed to me and Matrix is no exception. I do remember hearing Greg talking about Matrix doing something truly incredible down the road and becoming a foe the Redemption Squad must face. I hope we get to see that story eventually because Matrix really is fascinating.

- Meanwhile, Falstaff tries to convince the Squad that they really are the good guys. And he does this in such an interesting way. Falstaff himself talks to Dingo. Tries to show him that he has reformed and is some sort of guardian these days. And Falstaff sets up some communications with a couple other Illuminati members: Fiona Canmore and Thailog. This is just brilliant, great stuff. There are so many conflicting things going on around here. You have a team of villains who don't know who they are working for that are trying to be good guys confronting a team of possibly bad guys who are trying to prove they are good guys working for a possibly good organization and as proof they get a couple not-so-protagonists to vouch for them. And one of them is a gargoyle and the other a gargoyle hunter. Wow.
I'm not sure if it was just luck that Matrix went along with Hunter to talk to Fiona instead of, say, Yama. Would've been an interesting conversation with Aunt Fiona with a gargoyle standing next to Hunter. Nice to see Fiona in the canon finally. And not far away we get Yama make something of a joke for us ("Someone fix the color!" Very funny.) and he and Fang chat with Thailog. These conversations don't seem to go as planned for Falstaff though. Hunter has left the family business, but Fiona indicates that there is more to things than that. We don't see what happens next, but it seems to me that Hunter has a hard time going along with whatever else Fiona has to say. And Fang vouching for Thailog means little since no one trusts Fang. So, in the end it seems only Dingo is willing to give the Illuminati the benefit of the doubt. Maybe.

- So, the Squad takes a few minutes to confer. As a side note, anyone else notice the tapestry in the room they are left in? Looks like a gargoyle fighting a human to me. Hunter gives it a passing glance anyway. Safe inside the Matrix Isolation Sphere, we see some sharing of notes. Of course, all of this is intercut with the following scene. Like the last issue, these flashes back and forth in time really keep the suspense up. Sometimes it even comes across as if the scenes were talking to each other, if you get my meaning. Dialogue in one scene inter-plays with dialogue in another. And we are not always sure what each group, even each character, is up to until the end. Really great stuff. Kudos to Greg for that. And Fang starts off a pretty climactic battle. Matrix takes out Mistress Quickly pretty easily, which makes his point. He wraps her up in some sort of shell. Greg indicated at the Gathering that she was, in fact, still alive, but in some sort of hibernation. That can't be fun for her, yikes. Of course, her teammate Points is dealing out some damage of his own, stabbing Yama in the gut. I like how Yama admits that Points is a superior swordsman, but endures the injury to take advantage of his own superior traits, namely his strength and knowledge that he will heal. Still, must've hurt, yowch. Dingo pulls out his old bolas. I don't think we've seen Dingo use the bolas since "Thrill of the Hunt". Falstaff pulls a Goliath by snapping his way out of them though. Guess he still has some muscle under the medieval getup and pounds of fat. And Hunter kicks the face of the amazing, fire-breathing Bardolph. I guess his face was already messed up, but still...
But the Squad is outnumbered and out-gunned... seemingly. Falstaff and Dingo play a game of bluffing and Falstaff bails. He reveals that Eastcheap isn't an island, but a submersible vessel of huge size. Didn't expect that! The Band of Thieves leaves the Squad to its fate in the soon to be flooded chamber. I can't help think that despite his words, Falstaff knew they'd escape and survive like we all did. Matrix saves the day again and we get our last scene with our heros(?)
Hunter is frustrated that they did not manage to capture the island or the treasure or Falstaff. No one points out that they did escape with a prisoner however. Anyway, Fang is content just to survive and Yama... actually agrees with Fang sort of. Yama tells the team that the road to their redemption is a journey and that gaining a captive or an island or whatever isn't as important as walking the road. These results are not the destination, more like perks along the road. There is a beautiful but brief moment of comraderie here with everyone, but most notably between Fang and Yama. Yama actually puts his hand on Fang's shoulder (must be the blood loss) and Fang listens so intently to Yama's words. Of course, the sun rises and we don't get to hear the obvious answer of when we've reached redemption. Fang goes back to being Fang and gives us one last curse word for the books. His use of the word "crap" really serves to re-emphasize to me, the reader, about how dark this comic was able to get at times, yet how fun and comedic it was too. A cool moment. Hunter and Dingo's last little look at each other is nice too. Honestly, the last three pages are just wonderful. Very poignant and satisfying. A great ending to this mini-series. I really hope to see more of the Bad Guys spin-off down the Redemption Road.

P.S. Can't help notice that the Humility Spell didn't turn Yama's clothes to stone... guess the Squad is in for an eyeful at sunset. : )

Greg responds...

Glad you enjoyed the issue and the volume...

Response recorded on March 08, 2010

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skeeJay writes...

Hi Greg. A quick response on your "accessibility" ramble. I actually really appreciated the way you approached it in the comics. It was handled in a very classy way that wasn't redundant or insulting for existing fans. In fact, the spread in Issue #1 was elegant, fit the story well, and was a fun extension of the opening credits monologueâ€"which, of course, was intended to bring new fans up to speed in the first place, and ended up becoming a touchstone for the loyal existing fans. I feel like the same was accomplished here (the spread, Al's story, etc.), and as someone mildly irritated whenever a story feels it has to "talk down" to me, I appreciate it.

Greg responds...

Well, I tried.

Response recorded on March 03, 2010

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Matt writes...

My Review For Bad Guys #5, "Strangled"...

- The first thing I did upon checking in at the Gathering this year was seek out my copy of Bad Guys, Volume 1 and read it. Couldn't go through the Gathering out of the loop, could I? Anyway, the point is that I first read this chapter several weeks ago, and many times since then. I'll try to focus on my initial thoughts, however.

- As usual, I'll start with the cover. After a very cool "Louse" cover, it seems we are back to the somewhat dull 'Wanted' poster covers. It isn't that I don't think these covers are a fun way of highlighting the character of focus in the chapter, 'cause it works well for that purpose, but in terms of drawing new readers in, in terms of color and action, they just don't grab me. This cover is also the only one we don't get to see in color at all, which is a shame, but since it doesn't strike me as being particularly colorful anyway, I suppose we are not missing too much by only seeing it in b&w.

- Moving on to the content, we start off back at our island battle. A cool thing here is that these island battle scenes have moved from being flashbacks and become the current story (intercut with new flashback scenes). So, a robot has its grip on Hunter and Dingo really gets to be the hero here. He flies in at high speed, rescues the damsel in distress and vanquishes the monster. Fun stuff and a cool sequence, and the strongest indication yet of the relationship between Dingo and Hunter. Too bad Hunter has no interest in being a damsel. She is so fun as she lets her guard down for a second and then snaps back into tough-girl mode. I get the sense that Dingo both loves and hates that about her.
Meanwhile, Yama saves Fang without a word (quite the contrast between these two and Hunter and Dingo). Yama dives down to the island and immediately draws his swords to take on a couple smaller 'bots. This is a fun little battle also. It is neat to see that when Yama is disarmed, he still has his natural weapons, his strength and claws. A gargoyle without weapons is still a gargoyle.
So, Hunter comes crashing in and the others land nearby, bringing our team back together. There is a brief moment where Dingo helps Hunter to her feet and she brushes him off followed a few moments later by him guarding her from the supposed trap behind the island doors, which she again ignores. These two really get a lot of subtle, but fun, play in this chapter. Of course, the Hunter-Dingo relationship serves as a great reference to Harry's relationship with his mother.

- And speaking of Harry's mother, lets not forget these very interesting flashbacks. We get to learn a lot about Dingo's past. We see that he was a good kid that came from a rough part of town and was raised by a seemingly 'good guy'. A simple thief who raised poor Harry to live a life of crime. It really makes me want to go back and watch some of those Pack episodes again. Dingo was always the good guy doing the bad guy thing. Which is, of course, a fun contrast to John Oldcastle, the bad guy doing the good guy thing. I recall at the 2008 Gathering in Chicago, Karine had a panel in which she talked about various issues she had drawing this chapter (which she had been doing at the time). One thing she mentioned in particular was that one panel was simply hard to draw due to the content. I remember thinking to myself that after drawing a suicide, what could be worse. I suppose the answer should've been obvious given the title of the chapter, but the last page of the comic was a surprise to me. Pretty sick, this John. I have to wonder why he killed Mariah though. What happened? And he seems to so calmly adopt and raise Harry afterwards. Anyway, a true villain. Which is ironic since Dingo seems to think somewhat highly of the man, though I get ahead of myself.

- Anyway, so the Squad moves into the island itself. Matrix gets a brief moment to shine here (haha), and the team comes across the most hilarious piece of art a secret society would ever possess, a giant tapestry with their insignia on it. "Guess we came to the right secret lair." Uh, yeah. And after this long battle with the drab, mindless robots outside we get this quick battle with this colorful bunch of characters inside. These new people are fun. They've got some neat tricks. I love how easily 'Doll' takes out Fang. And the dude with the swords taking on both Yama and Matrix is a lot of fun too. But Dingo knows this Pistol guy and immediately guesses who else is around. So John (AKA Falstaff) makes his appearance. I have to admit that I don't know much about the Shakespearean Falstaff, but this guy is quite the character. We saw that he had gained a lot of weight through the montage of training Harry, but here he has obviously been living the easy life. I love that he walks around with a turkey leg this whole scene. He ominously welcomes Dingo and his friends to "Eastcheap Isle" (uh, haven't you been attacking them the whole time?) and then 'strangles' Dingo with a bearhug. Creepy. Falstaff is an interesting character. He seems so cheerful and friendly and Santa Claus-like that you have to like him, but knowing what he has done... Well, suffice to say that Greg Weisman really likes to push the boundaries in Bad Guys of what is right and wrong, who is good and bad and who we are supposed to like or dislike. Fun stuff.

- So, all in all, a great chapter. We got a lot of interesting background on Dingo and finally moved beyond the Bad Guys Leica Reel. The story order is well laid out. The flashbacks don't just inform the present story, they are a rich part of it, enhancing it. When going from a present day scene to one of the flashbacks, there is no jarring shift because the two seemingly separate stories work so well together. It is very reminiscent of the Stone of Destiny story in the main Gargoyles comic in that the presence of a flashback at a particular moment actually adds new insight that wouldn't have been so clear had the story been told entirely chronologically. I suppose this is what Greg meant when he said that working the Stone of Destiny story has helped in how he wrote Bad Guys. Anyway, truly brilliant, great stuff!

Greg responds...

Thanks. Glad you liked it.

Definitely felt freed up by the Stone of Destiny arc. It helped me use the medium better.

Response recorded on March 02, 2010

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Todd Jensen writes...

Now that "Clan-Building" and "Bad Guys: Redemption" have been completed, and while we pause for a while (hoping that you and SLG will get to do further "Gargoyles" stories together), I thought I'd look over the Master Plan document you shared with us over ten years ago, and see how that was fulfilled in the eighteen chapters.

First, the spin-offs. "Bad Guys" obviously was represented here, with the six-chapter origin story for the Redemption Squad. Also, "Pendragon" and "TimeDancer" both found their way into "Clan-Building", "Pendragon" with the Stone of Destiny story in #7 to #9 (you even mentioned the Stone of Destiny story in the "Pendragon" section) and "TimeDancer" in #10 to #12, where we saw the beginning of Brooklyn's TimeDancing, his first adventure with Mary and Finella, and the end with his return to New York with his new family.

We also got a taste of "The New Olympians" with Terry Chung's cameos, and maybe even a trace of "Gargoyles 2198" when Peredur mentioned that Arthur wasn't expected to awaken for another two hundred years (Britain and the rest of the planet would definitely be in an hour of need then - definitely shades of "Camelot 3000"). Nothing directly from "Dark Ages", however (Brooklyn's adventure in 997 comes close, but it takes place three years after the Wyvern Massacre that would presumably have formed the series finale) - though we know that you planned to do a story about that next.

Now I'll turn to your list of the planned elements for "Gargoyles"'s third season from the same document.

The Quarryman problem: I would have liked to see a bit more of that (to serve as an antidote to the "Goliath Chronicles" depiction of the Quarrymen), but I enjoyed what we saw. Castaway in Invitation Only" and "Estranged" showed himself to be shrewd and prudent as well as vengeful; I liked the details of his forbidding the Quarrymen to carry hammers on Halloween patrol (in case they mistake costumed trick-or-treaters for gargoyles) and the television commercial that Robyn and Jason see making the Quarrymen seem more like a charitable organization to help people in need than like a hate group.

Xanatos' conversion: And, of course, we saw that he didn't change that much; he's as much a trickster as ever, even ready to, after stealing the Stone of Destiny for the Illuminati, give them another duplicate and keep the original for himself. Life with him is certainly going to be interesting for the clan.

Broadway and Angela's relationship: Not much of this (beyond the library scene), but we clearly see that they're a couple.

Goliath and Elisa's relationship: Definitely there, with the Double Date story and their reconciliation (especially the big moment in "The Rock" when they get back together).

The four Tricksters and Alexander: One of the few threads from your list that didn't get in, but there's always next arc.

The Illuminati: And how! We learn more about the Society, including its internal structure (I'm still delighted with the revelation of exactly how many membership slots there are), and several new members (new in the sense of being "new characters"): Quincy Hemings, Shari, and Falstaff, not to mention our look at Peredur, Duval, and Blanchefleur at the top. We also learn that Thailog's joined the Society (that was one of the biggest surprises in the comic for me), and Fiona Canmore's a member as well. And we get a hint, in the scene between Peredur and the Stone of Destiny in Carbonek, of what the Illuminati's goal is (or at least, what Peredur's goal for the Illuminati is). Not to mention we see more of their shrewdness, with Hacker presenting a different story about the Illuminati's intentions towards the gargoyles to Matt, Xanatos, and Castaway separately.

The Ultra-Pack: We haven't seen them yet, either, but I've no doubt that the big fight with Jackal, Hyena, and Wolf in Times Square is going to encourage the Pack to upgrade again. And after reading "Bad Guys", I have a strong suspicion who the new member will be.

Coldsteel and Coyote: We saw their team-up in the Stone of Destiny story (another of the big surprises was Xanatos using the Coyote Diamond to improve Coyote 5.0 - even after seeing how you keep on bringing back elements from earlier episodes and expanding on them, I hadn't foreseen that).

The Clones: And we saw much of them, as well. I think that almost everyone expected to see Thailog seek to recover the Clones - but we then had the treat of that adventure providing character development for Delilah (who became an especially appealing character in "Bash") and Brentwood.

So we got quite a lot of the MasterPlan in those eighteen chapters. And I hope, someday, we'll see even more of it.

Greg responds...

Me too!

It is almost amazing to me how... consistent the vision of the series has stayed over the years. I don't know if that's me being stubborn or me knowing a good thing when I stumble upon it or what, but although I'm constantly adding to the pre-canon in my head, most of the stuff I came up with as far back as 1994 is still valid.

Response recorded on February 25, 2010


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