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Verdragon writes...

What's the hardest casting choice you've had to make in your showrunner career?

Greg responds...

Hardest casting choice?

Not sure what that means in context. Like we had two people and couldn't decide which one to pick? I can't even think of an example of that.

We've had some roles that were hard to cast. Goliath and Elisa come to mind, but once we found Keith and Salli, respectively, the decision was easy.

There have been roles where my first choice was over-ridden by TPTB, but it's always worked out pretty darn well, anyway.

Response recorded on October 03, 2022

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Jurgan writes...

On the Voices from the Eyrie podcast, you talked about how Xanatos isn't petty, and something funny occurred to me. You know who can be extremely petty? Goliath. For starters, he does have a thirst for revenge. I remember a discussion once in the CR about the characters' vices, and we decided Demona and Goliath have the same one, that being vengence. The difference is that Goliath usually keeps it under wraps, probably because he's able to admit when he's in the wrong and de-escalate.

However, G's pettiness shows up in other ways, too. In Deadly Force, he looks very smug about blowing up Xanatos's fancy guns. He gets jealous and overly protective of both Elisa and Angela at times. But my favorite is in The Edge, where he shouts at Xanatos for a while and then runs off, but not before smashing his street lamp. I don't know if that moments was intended to be funny, but it makes me bust out laughing every time. What did you think you were accomplishing, Goliath? Just venting, I guess. And then it even gets a follow-up in The Cage where Derek knocks Xanatos's desk lamp over. He can also be quite petty, or maybe it was just his cat DNA compelling him to push things off of tables.

Anyway, just a bit of disjointed praise/analysis. Summary: You can make characters more compelling by giving the heroes some villainous traits and the villains some heroic traits. This show is still teaching me stuff a quarter century later.

Greg responds...

Thanks. That was the plan. Glad it worked/is working. ;)

Response recorded on June 01, 2022

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Todd Jensen writes...

This is more a thought than an all-out question.

In Season One, we see Goliath reading in the libraries at both Castle Wyvern (after the gargoyles' re-awakening) and the public library adjoining the clock tower. We know, also, that he'd been reading the classics (Shakespeare and Dostoyevsky, specifically).

In the archives, you offered a list of a few major "classics" writers: Shakespeare, Homer, Cervantes, Jane Austen, Charles Dickens, Thomas Hardy, William Faulkner, and Ernest Hemingway. As I looked over that list, I noticed that all of those writers, except Homer, lived after the Wyvern Massacre, meaning that Goliath first had the opportunity to read them after he re-awakened. (Furthermore, I've read that Homer's writings were unavailable in western Europe during medieval times - even Dante, when mentioning him as one of the great poets of classical antiquity in the "Inferno", knew him only by reputation - so Goliath most likely wouldn't have had the opportunity to read the Iliad and the Odyssey before the thousand-year sleep.) It gives a strong sense of just how much of world literature he'd be encountering for the first time. (Not to mention, as I remarked once, that the size of those libraries in both the castle and adjoining the clock tower must have seemed miraculous by tenth century standards, thanks to the printing press.)

I've also reflected that some of those classics must have presented worlds as initially foreign to Goliath as modern-day Manhattan. Homer and Shakespeare's writings would have probably presented a reasonably familiar environment, but the more relatively recent authors would have been another matter (the world depicted in Jane Austen's works would have seemed, indeed, very different from Manhattan as well as from tenth century Scotland)

For that matter, since you included Thomas Hardy on the list, I wonder what Goliath would have made of the cameo of an architectural gargoyle in "Far From the Madding Crowd", if he'd read that one....

Greg responds...

I do think it's fascinating to think about Goliath's reactions to various works. Frankly, if it was me... I think I'd be hit with near paralysis as to where and with what to start.

Response recorded on February 17, 2022

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NoOneSpecial writes...

Hi Greg. Decided to watch Gargoyles now that it was on Disney+(or at least it was on at the time of posting this). Really enjoyed seeing again and I’m happy it’s now on a service that may give it more attention again in the future. Always hoping for more content someday.

I have a few episodes I really love (and some I really like and some I kinda don’t care much for. Can’t all be winners). One of my favorites is Future Tense. What I enjoy most is how you can re-watch, after knowing the reveal by the end and pick up so, so many details that make it so much more enjoyable, or at least for me.

Unlike the typical World Tour adventure, which usually open with us already inside the new local the group will be visiting, this one opens with the group sailing through the fog, Goliath lamenting how homesick he feels and wishing the journey will be over soon for them.

You wonder if Puck chose this moment to strike when Goliath was being particularly vulnerable emotionally or if he just got lucky. That also got me thinking, how exactly does Puck circumventing Oberon’s law to pull off his dream trick? The dream itself I can get since it’s ‘only a dream’ and not real interference. But that lightning bolt seemed pretty direct.

We arrive at the Future Tense Manhattan and there’s moment where you wonder if this is real or not. I can’t remember if kid me knew that this was all fake, but then again I was particularly genre savvy at that age. Normally when you see these kinds of horrible futures, there’s gonna be a reveal that it’s a dream or illusion.

I think one of the most underlying disturbing things about the Future Tense world is how well Puck seems to know Goliath (and the rest of the cast) to play out this dark fantasy. Subtle hints are everywhere

When they arrive, they are attacked so no time to ask questions. Both Elisa and Angela are captured. Now Elisa’s capture is important as she is always a good way to motivate Goliath into action, but Angela’s departure is crucial, because Puck doesn’t know anything about her. He can’t guess her character well enough to know how she would react. I could see Angela suddenly breaking down and begging Goliath to the Phoenix Gate to save them, except that is not the Angela we know. Like Goliath, she would rather take on problems in the present and not the past.

Next, we see Bluestone and Claw. A weird paring to say the least. I wonder what the significance of those two (if any) there was to Puck’s story? Claw can’t talk so I guess he’s an easy character to mimic, and Bluestone is an ally, but also not someone Goliath is emotionally attached to, so he works as good way of easing Goliath into the horrors to come.

Next, we meet the Manhattan Clan. Hudson is gone and we know this hits Goliath hard. I think a part of him has always still seen Hudson as the leader of the clan. Someone Goliath could always relay on for guidance and now he is gone.

Brooklyn is a harden and bitter leader, hating Goliath for putting him in his position. This also makes me wonder, how aware Goliath was of the fact Brooklyn was leading the clan in his absence. Maybe it did cross his mind, but I kinda like the idea that Golaiath didn’t fully realized that Brooklyn must have taken charge in his absence. And of course he is now with Demona, someone he once hated, which tells Goliath that Brooklyn must have gone through pretty messed up stuff to be with her.

Then we have Broadway, the heart and soul of the clan. Puck doesn’t kill him, but cripple him by making him blind, yet despite his suffering he didn’t lose hope that Goliath would come back.

Lexington is a cyborg and the real villain of the piece. He always was a favorite of mine, mostly because I just liked how he had the most distinct design out of the Manhattan clan. And again, we see Puck’s understanding everyone’s character come into play. Lexington has more of an ambitious streak than the rest, a sense of drive. This fits well his intelligence, his thirst for knowledge. He doesn’t just want to protect; he wants to achieve. He wants to learn because he wants to do something with the knowledge he gains.

Brooklyn name drops Talon, Maggie and Coldstone as being dead, again to further disturb Goliath as much as possible. He doesn’t mention Thaliog, likely because Goliath wouldn’t be that upset over him.

Another character that is never mentioned in this story is Macbeth, which I can’t help but find to be odd. I always wondered why he is left out? I could see him becoming some kind of evil general serving Xanatos. But then again, how could you spin that to be Goliath’s fault specifically?

Fox is also absent. Maybe she gone to help further the idea of Xanatos’s apparent newfound loss of humanity. Owen is not around either. Puck obviously won’t screw with his magnum opus.
“I knew Xanatos was evil, but killing his own son”

Maybe I’m reaching a little here, but I think it was at this moment that Puck realized he had made mistake with his portrayal of Xanatos and decided to make Lex the villain. In this story, he had built Xanatos (or the Xanatos Program) to be this big ultimate evil. But Goliath, both here and later, is able to unknowingly see through this ruse, because he knows Xanatos well enough to know that he isn’t this petty or destructive or power mad. This cannot be the real Xanatos, because the real one wouldn’t do these things, meaning it’s some kind of imposter, which of course it is, in more ways than one. Lies within lies.

And again, this is just an interpretation, but maybe Puck was underestimating Goliath’s opinion of Xanatos. Maybe he thought Goliath was readily and even happily believe Xanatos became this absolute monster? Maybe he thinks this fits Goliath’s sometimes strict black and white sense of morality. In the past I think it would, but Goliath has seen that the world isn’t that simple, and neither are people. Much like with the ad-libbed line about Thailog, I think maybe Puck re-worked the story a little to make Lexington the villain, since that is more plausible than what he was doing with Xanatos. But again, maybe that is just me reaching.

By the time we get to the final battle in Cyberspace all the rules seem to be getting broken and continuity goes out the door for once, which makes sense in this context. By now we know more or less that this isn’t real and something else is going on. It’s one of my favorite moments animated. There are admittedly some episodes with a little questionable animation, but this episode couldn’t have been done without such incredible sequences.

I imagine at the end, Goliath must be completely broken inside. He doesn’t have the will to go on anymore, which is saying something, because I only think of one other occasion this has happened to him, which would be after the Wyvern Massacre. But he quickly recovers once he sees through Puck’s ruse. Sure, it all ‘felt’ real as it happened, but that’s the way a dream can be. It feels so raw and powerful as it happens in the moment, but once you start to feel awake again, the effect wears off. It was after all, only a dream. In those brief moments when Goliaths struggles to accept the shock of what he is seeing, like the scene with Hudson’s statue, he must be telling himself that this has to some kind of nightmare.

Puck, of course, gets off scout free in this episode, which is why I help can’t but enjoy him getting some well-deserved comeuppance in the Gathering.

Anywho, that’s my ramble of one of favorite episodes. There are still many other episodes I love (Double Jeopardy, City of Stone, Awakening, the Mirror, Deadly Force, Kingdom), but Future Tense may be my absolute favorite for everything that it packs in, the striking animation and what I think makes it very scary in a real way; the future may actually be just as terrifying as you can imagine it to be.

Greg responds...

I'm glad you like it. Puck was definitely adjusting the scenario as it played out, as needed. I did think that he had always planned to reveal Lex as the villain, but I like your interpretation, as well. And I'm fine letting everyone decide for themselves...

Response recorded on November 11, 2021

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Tim Mischka writes...

Hey Greg, I was wondering if you'd taken the time to watch the new DuckTales show Disney's been doing? I know you only worked on a little bit of the old one, but it's fun and it's stuffed with Disney references, including the revelation that Manny the Headless Man-Horse (it makes more sense when you watch it) is basically their equivalent to Goliath (complete with Keith David voice and Gargoyles theme playing). Were you amused by them doing that? It was certainly unexpected (given that it happened in the series finale, and they'd covered basically every other Disney show from the 80s and early-to-mid 90s).

Greg responds...

I'd heard about it, and I think it's great that they did that, but no, I haven't seen the new DuckTales. That's not meant to be any kind of comment on its quality. I just haven't gotten around to it.

Response recorded on November 10, 2021

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Todd Jensen writes...

Rewatched "Hunter's Moon" yesterday (Sunday) on DVD - all three parts.

I've mentioned before spotting a lot of mentions of hunting, usually applied to humans going after gargoyles with hostile intent, and it struck me that this made it appropriate that the Hunters would be the gargoyles' adversaries in the finale. (Well, the Disney Afternoon finale/Season Two finale.)

And it struck me that the Hunters were the most dangerous opponents that the gargoyles faced in modern times, judging by results. They blew up the clock tower, destroying the gargoyles' home, and then exposed them to the public. The former was partly undone by the gargoyles getting their old home (the castle) back by the end of the episode, but not the latter - now the gargoyles are facing an alarmed public (even though they're safe at the end - for the moment). None of the gargoyles' other adversaries in modern times have been able to inflict that much damage on them. To top it, you'd have to go back to 994 and the Wyvern Massacre.

A few things that struck me this time around:

Goliath and Elisa are actually openly speaking to each other and even sharing a brief embrace on board the passenger train, just after foiling the robbery; fortunately, the passengers apparently didn't notice that.

Hudson greets the returning gargoyles as "lads" - then quickly adding in "And lassie, of course", for Angela. It reminded me of his use of just "lads" for the younger gargoyles in "Possession" that I mentioned in my post on it - apparently he's getting more adjusted now to Angela's presence in the clan.

The trio's clash with Demona in Part One seems the last "trio action" in the series; they're increasingly split up (or else acting with the rest of the clan present) after this.

Lexington and Brooklyn's shared uneasy glances when they return to the clock tower with Goliath near the end of Part Two seemed all the stronger when I realized "the audience knows that Robyn and Jon survived Goliath's fight with them, but Lex and Brooklyn don't - from their perspective, Goliath had apparently killed those two."

Jon Canmore's cry about the gargoyles when he's facing Jason at the end, "They killed dad!", struck me as a sign of how (even before shooting Jason) he was losing it; it was Demona who killed Charles Canmore, none of the Manhattan clan were even present at the event, and Jon was there so he knows it.

Broadway shows how much his attitude towards reading has changed since the start of "A Lighthouse in the Sea of Time" when he's talking to Angela about how great the castle library is (and we'll see them there together in "The Journey").

This story really does seem like a good conclusion for the series in so many ways - the gargoyles are back in the castle again, their war with Xanatos is (seemingly) over, they'd defeated Demona's big scheme to wipe out humanity, Elisa finally admitted her feelings for Goliath and even kissed him. Except there's a big loose end with the gargoyles' existence being made public, and most of the New Yorkers aren't too happy about it. (Brooklyn's "And so it begins" remark does also support the feeling that the story could continue past this spot.) But it certainly makes a good season finale.

Oh, and I counted the number of "claw-mark transitions" in the entire two seasons during this review - 28 in all.

Greg responds...

We were pretty happy with it.

Response recorded on August 17, 2021

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Todd Jensen writes...

Rewatched "Future Tense" on DVD today. Things I noticed this time on it.

Bronx looks sad when Hudson's death is revealed; given the bond the two had showed throughout the series, I thought if both fitting and touching (even if it's not really Bronx).

Goliath tells Brooklyn "we thought our odyssey was fated". I thought "odyssey" an appropriate term, since Odysseus spent twenty years away from Ithaca, and Goliath supposedly spent forty years away from Manhattan - and since gargoyles age at half the speed of humans, twenty years for humans would translate to forty years for gargoyles. (I'll admit I'm reaching here - and it feels odd to be linking Goliath to Odysseus when I'd normally think of comparing a different "Gargoyles" character to Odysseus - a fellow Greek trickster....)

The Xanatos Program's intention of using the "World Wide Net" to download itself on every computer marks one of the extremely few occasions I can think of where the Internet was alluded to on "Gargoyles"; the only other example that comes to mind was Sevarius receiving his instructions for "kidnapping" Thailog via "electronic mail". (It also got mentioned in one of the Goliath Chronicles episodes, but that doesn't count.) The near-absence of the Internet from the series certainly makes it appear
technologically dated" from today's perspective.

Greg responds...

I think "odyssey" is a particular apt word. And though Goliath and Odysseus don't have a lot of character traits in common, I do think the comparison here was intentional. And they are both big, strong heroes.

The absence of something like the internet is less of a problem for me - in terms of dating the series - than, say, the brick-sized cellphones that Xanatos and others occasionally use.

Response recorded on August 17, 2021

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Todd Jensen writes...

Rewatched "The New Olympians" on DVD today.

Continuing the "hunting" theme in "Gargoyles" that I've paid closer attention to this time around, I noticed that Ekidne described the New Olympians' ancestors as "hunted". (I also spotted a New Olympian extra who looked a lot like traditional depictions of Artemis/Diana, the goddess of the hunt - though I think I'm reading too much into that.)

Goliath's words to Angela about how they cannot wage war on an entire city remind me of his words to Demona in "Awakening Part Five" of how he cannot wage war upon an entire world.

Greg responds...

Also intentional. I love those kinds of callbacks.

Response recorded on August 16, 2021

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Todd Jensen writes...

Rewatched "Mark of the Panther" on DVD today.

I've mentioned before how I've noticed a strong "hunting" motif running through "Gargoyles" during my reviewing it; this episode included more of that theme, though, for a change, it didn't involve humans going after gargoyles. Instead, it was the Panther Queen and, later, Fara Maku, hunting for Anansi, and then Tea and the poachers hunting panthers.

Elisa lists the body parts of panthers that poachers are after as skin, teeth, and claws. When Diane Maza tells the story of the Panther Queen shortly afterwards, her description of the Panther Queen stresses those same three attributes (well, fur rather than skin, but it's close enough), but now focusing on their beauty, rather than the monetary worth that motivated the poachers. (And when Anansi turns the Panther Queen into a human, the story stresses the Queen's loss of those same attributes.)

Goliath's explanation to Diane, when they're trapped in the pit, that he can only glide, not fly, echoed (for me) his explanation to Elisa on the ledge back in "Awakening Part Three". Like mother, like daughter....

Greg responds...

Yep...

Response recorded on August 16, 2021

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Todd Jensen writes...

Rewatched "The Hound of Ulster" yesterday, but I didn't have any new thoughts on it, so I skipped it over - and "Walkabout" today.

Things that struck me about "Walkabout" this time around:

I'd noticed this before, but Bronx growls at a kangaroo near the beginning. I wonder what he dislikes about them. (I also spotted a koala up in a tree - that I *hadn't* seen in past viewings.)

I was amused by Elisa's description of Dingo as "not one of the good guys" - since that could so easily be tweaked to "one of the bad guys". I don't know if you'd come up with the name for that spin-off at the time, of course.

Goliath at one point says "Aye, for now" - probably the one occasion where he says "Aye" - he usually leaves those Scottish-toned words to Hudson.

During the battle with the Matrix in the Dreamtime-world, Goliath imprisons it briefly within a dome that looks a lot like the domes it was producing in the waking world, and conjures up a shield with a sun-design upon it - a strange emblem for a gargoyle to bear.

Greg responds...

Maybe Bronx just had never seen a kangaroo before...

Response recorded on August 16, 2021

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Todd Jensen writes...

Rewatched "M.I.A." today. One detail stood out to me this time; the human Londoners grouped in the background at the very end are the same ones we saw in Act I staring at the gargoyles in shock and alarm, when Leo and Una are confronting Goliath outside their shop. It made a pleasant touch, I thought, to see that those people have now recognized (judging from the way they were shown at the conclusion) that they didn't need to be scared of the gargoyles.

Greg responds...

Yep.

Response recorded on August 16, 2021

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Todd Jensen writes...

Rewatched "Monsters" on DVD today. (Appropriate timing, I thought, since November 30 is St. Andrew's Day, dedicated to the patron saint of Scotland - and on that day, I was watching Scottish gargoyles encountering Scotland's most famous monster.) A few fresh thoughts on it.

When Elisa describes herself to the man at the souvenir stall as "not really the adventuring type", I found myself thinking of her statement in "High Noon", "I'm no hero; I just do my job". Certainly, whatever her incliations, she's had plenty of adventures.

I wondered whether Elisa's remark about theme parks doing "robot Nessie-type" stunts five times a day was Disney poking a bit of fun at itself - we'd see something similar in "Bushido".

And when Elisa says at the end how some legends need to stay that way, she looks in Goliath's direction as she speaks, making me wonder if it was just the Loch Ness Monster she was talking about. Certainly Elisa's been zealous about preserving the gargoyles' secrecy - maybe too zealous, in light of "Revelations" and "Mark of the Panther".

Greg responds...

She wasn't just talking about Nessie.

Response recorded on August 16, 2021

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Todd Jensen writes...

A postscript thought I had on "Shadows of the Past". Both it and "Future Tense" - the first and last episodes in the Avalon World Tour respectively - have Goliath being beset by terrifying magical illusions, but at last realizing that they're not real and confronting the person or people behind the illusion. I don't know if this was intentional or not, but I think it gives a great element of symmetry to the World Tour.

Greg responds...

It was indeed intentional.

Response recorded on August 16, 2021

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Todd Jensen writes...

Rewatched the "Avalon" triptych on DVD today. A few new observations.

The Magus's lyre in the "flashback on Avalon" scene looks a lot like Merlin's lyre in "A Lighthouse in the Sea of Time". Obviously not the same one, but evidently both wizards share a common taste in musical instruments.

Princess Katharine and the Magus's telling Elisa "Little is known of the Sleeping King" struck me as all the more appropriate since in 995, nearly all the major works on King Arthur had yet to be written (Geoffrey of Monmouth's "History of the Kings of Britain", the oldest extant start-to-finish account of Arthur's life, wouldn't be written for over a hundred years). There were one or two, like Nennius's "Historia Brittonum", but that was about it.

A detail that I hadn't spotted before: a couple of gargoyle-like sculptures were "guarding" the bridge leading to Arthur's resting-place within the Hollow Hill.

King Arthur and Goliath have both used a mace while fighting Macbeth (Goliath did so in "Enter Macbeth") - one of a few points in common they share (others are awakening in the modern world from a long enchanted sleep, and having scheming illegitimate sons).

The Archmage's boast that he could destroy Goliath with "just a word" struck me as apt, since all the "enhanced Archmage"'s spells were one-word ones ("Vessel", "Revert", "Ice", etc.).

It's difficult not to smile at Elisa's "Souvenirs" question after Season One of "Young Justice". Fortunately, she was asking it in a lighthearted tone.

Greg responds...

Certain elements run through my work, I suppose...

Response recorded on August 16, 2021

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Anonymous writes...

This is less a question than a comment, since I know you won't give out spoilers. :)

I've noticed that a lot of writers, especially in TV shows, either can't or don't want to write established relationships - either the courtship is dragged out until the final episode, or the couple gets together mid-series only to fall into an endless cycle of break ups and make ups. And while Gargoyles is one of the few TV series that I think had legitimately good reasons both for the long courtship and for the breakup in the comics, which both made sense with the characters and were compatible with them having a long-term healthy relationship... I also really hope that this won't become a recurring phenomenon, and that their relationship will continue to progress, however slowly. While I know that no relationship lasts forever, if nothing else because no one lives forever, I really really hope that Elisa and Goliath will have many long years ahead of them to function as a healthy couple, and that we the audience will get to see at least some of it. *crosses fingers for Gargoyles coming back in some form*

Greg responds...

I don't disagree with you.

Response recorded on August 16, 2021

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Tyler writes...

Why are Goliath and his took brothers so much bigger than the next generation of gargoyles

Greg responds...

They're older? (I assume you meant "rookery" brothers.)

Response recorded on August 16, 2021

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Todd Jensen writes...

My thoughts on rewatching "Outfoxed".

Not much new to say about it, but I spotted two things. First, just after Goliath heads off in pursuit of Fortress-Two, we get a shot of it flying towards the Twin Towers. From a hindsight perspective, an unsettling moment.

I noticed, also (continuing my examination of the "monster/beast/creature" terminology used by humans towards gargoyles during this rewatch) that both Renard and Vogel call Goliath "creature". Renard, of course, soon recognizes that Goliath's a sentient being, capable of understanding him when he speaks about the importance of taking responsibility for your actions. I'm not so sure whether Vogel came to the same realization, though.

Greg responds...

Ultimately, I think he did.

Response recorded on August 16, 2021

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Todd Jensen writes...

Rewatched "Vows" today. A few new things that came to me.

I was hesitant about mentioning this, in case it comes across as an idea, but - from the way Goliath addressed Demona as "my angel of the night" at Prince Malcolm's wedding, I wondered if this was the first time he'd called her that.

When Xanatos referred to his getting the old coin that was the foundation of his fortune as "ancient history", I thought, "well, medieval history, to be precise".

I wonder how Prince Malcolm and his court must have perceived the Norman Ambassador's departure - he rides off just before the wedding, not staying to see Princess Elena, whom he'd escorted to the castle, wedded (even though he'd presumably be the closest thing to a representative of her father there). At least it doesn't appear to have caused a diplomatic incident between Scotland and Normandy.

The Archmage addresses Demona as "you stupid beast", continuing the pattern of unfriendly humans using such terms for gargoyles, that I've been paying close attention to this time around.

Brooklyn is the one most vocal about going to Goliath's rescue at the end; I wonder if Demona's involvement and his feelings about her had a lot to do about that.

I still think it's a pity that the original ending got onto the DVD; I hope that the Disney + version uses the corrected ending. (That's the main thing I miss from my old "Gargoyles" tapes.)

Greg responds...

<sigh> That damn ending...

Response recorded on August 16, 2021

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Todd Jensen writes...

Rewatched my DVD of "Eye of the Beholder" today. I didn't find as much new to notice with this one, unfortunately, though I was delighted to note the moment where Xanatos placed his hand on Goliath's shoulder while pleading for his help at the castle - meaning that he had an opportunity (which he used, obviously) to plant that tracking device on him. I'm glad that the episode played fair with that.

Brooklyn's eyepatch as part of his pirate costume seems all the more appropriate after the ending of "Clan-Building".

Goliath echoes "Re-Awakening" when he speaks of Manhattan as "my castle, my city".

Greg responds...

Lots of echoes in this one - backwards and forwards...

Response recorded on August 16, 2021

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Todd Jensen writes...

New thoughts on "Re-Awakening", after my rewatch.

I don't know whether this was intentional or not, but when Goliath and Elisa were having their conversation about the shopkeeper and why he doesn't leave the neighborhood, I found myself thinking of "Othello"'s suggestion, in the flashback, of abandoning the castle and letting the Vikings have it, and Hudson's response. I don't know if you intended those moments to be thematically connected, but they did feel that way to me this time.

It still strikes me that the fact that the gargoyles' resolution to protect the city and its inhabitants comes at the end of the first season says a lot about how different "Gargoyles" was from most super-hero series; the gargoyles are able to have plenty of adventures and experiences - thirteen episodes' worth of them - before making that vow. The series was rooted in their being gargoyles - ancient "mythical" beings with their own culture and world-view - re-awakened in the modern world, trying to make sense of it - and often making mistakes in the course of their attempts - rather than just crime-fighters.

Greg responds...

That was all intentional.

Response recorded on August 13, 2021

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Todd Jensen writes...

Rewatched "Enter Macbeth" today.

I can't help womdering what must be going through Hudson's head as he watches a Donald Duck cartoon, thoughtfully stroking his beard. The spectacle of a duck grown to human size, wearing clothes and speaking (kind of) could be an even bigger argument for not believing everything you see on television than the revelation of the Pack's true nature.

U remember in your ramble on "Enter Macbeth", your daughter spotted what looked like the Mona Lisa in Macbeth's mansion. This time around, I noticed a portrait of a man apparently in 18th century attire, who reminded me of portraits I'd seen of Bonnie Prince Charlie.

The doors to Macbeth get it both coming and going; they first get broken down when Bronx escapes, and when he returns with Goliath, they demolish a second pair of doors. (Of course, it becomes academic after the whole mansion gets burned down.)

Lexington talks about getting the clock working again; I wonder if he ever succeeded before the Canmores blew the place up.

Greg responds...

1. Donald is a mystery to us all... ;)

2. I think Macbeth owned a lot of expensive art.

3. Yeah, so much destruction.

4. He never did.

Response recorded on August 12, 2021

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Todd Jensen writes...

I also rewatched "The Thrill of the Hunt" and "Temptation" today. Things I noted this time in "The Thrill of the Hunt".

1. Lexington, angered about the Pack's treachery, cries that they're like animals. I thought that appropriate, given the Pack's "animal names".

2. The Pack continue the "referring to the gargoyles as beasts" practice from "Awakening" and even speak of hunting them, such as Wolf's cry "Let the hunt begin!" - the talk about hunting them also made me think of the Hunters (though they wouldn't be introduced until Season Two, of course).

3. When Brooklyn and Broadway arrive at the end to tell Goliath and Lexington how they'd seen a report on the news about Fox and Wolf's arrest, they come gliding in from outside the castle - so apparently they weren't watching television with Hudson when they found out, but somewhere else. (I won't ask where, but this detail struck me for the first time.)

4. Dingo's cry of "Stone me!" upon seeing the photographs of Goliath felt like a particularly appropriate response to a gargoyle.

Greg responds...

1. Yep.

2. Common themes running through the series, I think.

3. Or they were watching t.v. earlier.

4. :)

Response recorded on August 12, 2021

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Todd Jensen writes...

To celebrate the 25th anniversary of "Gargoyles", I watched "Awakening" (all five episodes) on DVD yesterday, and thought I'd share a few things I hadn't noticed before (or hadn't noticed enough) that struck my fancy.

1. When Goliath sends the trio and Bronx to the rookery, Bronx looks ashamed of himself - in a way that reminds me of times when dogs I'd known looked guilty over something.

2. When Xanatos tells Owen "Make the offer now" at the ruins of Castle Wyvern, I suddenly wondered whom he bought Castle Wyvern from. I won't ask here - it's obviously a "No spoilers" answer - but I was struck by the fact that this was the first time I wondered that.

3. I spotted what looked like a "foliate head" (or "Green Man"-type head) carved over the archway the gargoyles are standing beneath when the Commandos showed up in the courtyard, and a couple of winged figures on one of the tapestries. (I'll have to check for other unusual and remarkable features of the castle in later episodes, as well.)

4. Many of the human characters repeatedly call the gargoyles "beasts", both in the medieval scenes and the modern (Princess Katharine's protest at allowing beasts in the dining hall, Mary calling the gargoyles beasts, Bruno asking "Where's the beast?" while pursuing Goliath and Elisa).

5. Goliath asks Elisa, when they first meet, "What were you doing in my castle?" Despite Xanatos having bought it, he clearly thinks of it as still his - as if laying pipe for the arc about the gargoyles having to leave the castle and Goliath resisting it.

Greg responds...

1. The dogs I've had get that shamed look based on my reprimanding tone more than based on what they've done. As opposed to the cats I've had (and have), who at best stare at me as if to ask, "Are you talking to me?"

2. An interesting question.

3. Art Direction was pretty awesome on the show.

4. All very intentional.

5. We tried to keep each character's POV clear.

Response recorded on August 12, 2021

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Todd Jensen writes...

I also recently read the "Oral History of Gargoyles" online, and enjoyed it. My favorite part was when you mentioned how "Gargoyles" was initially inspired by "Adventures of the Gummi Bears", only instead of "cute, cuddly multi-colored bears" it would have "cute, cuddly multi-colored gargoyles". I know you were talking about the original comedy development take on the gargoyles, but I laughed aloud at the "cute, cuddly" part - they're definitely not the adjectives I'd use for describing Goliath. "Majestic", yes, "awe-inspiring", yes, but not "cute" or "cuddly".

Greg responds...

Goliath wasn't in the comedy development so... cute and cuddly wasn't a job requirement for him.

Response recorded on August 12, 2021

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Derek writes...

Am I missing anyone or adding someone incorrectly? So far Sevarius has the DNA of the following?

Goliath, Brooklyn, Angela, Broadway, Bronx, Lexington, Eliza, Hudson, Yama, Robyn Canmore, Dingo, Talon, Maggie, Fang, Claw, Wolf, Demona, Nessie, Deiliah (Mix)?

Greg responds...

It's been a while since I saw the episodes. I guess he has Delilah, but then if you're including her, he'd also have Thailog, Burbank, Hollywood, Brentwood and Malibu. I guess he probably has Maggie, Fang, Claw and Wolf. But then I imagine he has Erin, Benny, Thug and Tasha, too.

Response recorded on August 12, 2021


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