A Station Eight Fan Web Site
Now that Nashville has (finally) been revealed, I've been curious about something. Is he bilingual (Japanese/English)? Also, is he able to read and/or write in either language?
He's at least bilingual.
Hi, i am a very big fan from Berlin/Germany. Sorry, but my english is terrible. (I think so) IÂ´ve seen every episode and i love it. Thank you very much. Now my question:
do you think/know of new gargoyle series. What do you need to create the series. (Maybe your fans can help?!) Please send me an answer to my private email adress.
Its very difficult for me, to read and write in english and I donÂ´t want to translate the complete site and all posts. I hope you understand me.
Thanks for all.Nice greetings from Germany! your Fan RenÃ©
As I've stated many times, I make it a policy not to respond to private e-mail addresses. If I did for you, I'd have to do it for everyone, which would mean giving my e-mail address out to everyone, which doesn't seem wise. In addition, it defeats the purpose of this website if I'm responding privately. I'm not sure why you'd have to translate the complete site. Just look for your name and translate this -- fairly useless response.
Because there's nothing new to add as an answer to your actual question.
Fans can help by SPREADING THE WORD and SPENDING MONEY on the product that's out there.
On the subject of halflings, I have been wondering for a long while how halflings that are part human and part animal (like the New Olympians) are born. My understanding from the archives is that a member of the Third Race can only breed with a mortal by assuming a truly mortal, flesh-and-blood body of the same species as the mortal they want to breed with. If this is correct, how does a mortal, with a Child of Oberon in a truly mortal body of the same species, end up with a child which does not look like the parents? For example, if a human and a Child of Oberon in a completely human body, like Anastasia, had children, how would the children look like anything except normal human beings? Or if a Child of Oberon took on a mortal horse form and mated with a mortal horse, wouldn't the offspring all look like normal horses? For example, how were the first centaurs, or the first minotaurs, born?
Fair questions... maybe they're second generation... since Fox clearly has magical power...
Or maybe you're putting to DEFINING a limit on the Children, given that their powers and abilities are all about loopholes half the time.
WHAT THE... Gregory T Farshtey, you telling that you got fired after the planning on Mask of Light, then why the Mata Nui had you wrote the books and stories about Marhi Nui, Voya Nui ETC???!!?!?!? Had they hired you again, or... (Not to be rude) Is you that responding, just a guy who is cheating us, and telling you is the old great Greg, just for fun, and moneys???? I love Greg's stories, and work! And i have translated (just for fun) the whole story on http://www.bioniclestory.com/ called Into The Darkness, but please tell me my friend, how you can be involved in LEGO if you isn't involved?
I think you're mixing me, GREG WEISMAN, up with this other Greg, whom I have never claimed to be. I worked (briefly) on Mask of Light, but was let go...
I never met Gregory Farshtey, but I have a vague memory that he was doing the comics, right?
Are there any other limits as to what the Children of Oberon can transform into, other than their own whims or a decree by Oberon?
For example, before Odin got his Eye back, his form always appeared to have an empty eye socket. Was this because he chose to take such an appearance, or because he had to?
He only had one eye. That was part of the mystic trade. He could have created a glamour that gave him the appearance of having two eyes, but he'd still only have one.
Hello Greg. I find the reproductive system for gargoyles fascinating. Something I am wondering though is how magical forces, like Avalon, affect the reproductive process.
Is it possible for mature gargoyles who live in Avalon to leave Avalon, say 6 months before September 21 on a year for which eggs are to be conceived 2007, 2027, 2047, etc, lay their egg in 2008, 2028, 2048, etc, return to Avalon for the period of more or less one Avalon Year only to return to the natural world and par-take in the process all over again, thereby essentially having 3 eggs in under the normal 20 year cycle?
If so, would it be possible to have more than 3 eggs (I know you have said that a gargoyle who has more than three eggs is rare but possible in some circumstances.) What about 10 eggs? Technically a gargoyle would be in physical prime for 40+ years. Could a gargoyle who lived on Avalon produce 40 eggs (regardless of whether or not she would want to).
Also what sort of nutrients go into an egg? When humans give birth, many of the mother's nutrients go into the child, occasionally to the determent to the mother. Would a gargoyle in this situation only be able to have three, maybe four or five tops because of the amount of strain taking place to the mother's body?
On this topic, how many eggs could Demona produce? As an immortal, can she continue to make eggs for the rest of her life? Or is she limited to three (two more)?
Thank you for you time.
These are all excellent questions, and I haven't made decisions on any of them. Feels like something to be discussed at the next Gargoyles Biology and Culture Panel, except there isn't going to be a next panel, unless we do it online somehow.
Just over a week ago, Dick Giordano passed away. I've been meaning to write this ever since but haven't felt equal to the task. But it's time...
Dick was one of the all time great comic book inkers, but he was also the single individual most responsible for bringing me into the comic book business, which directly lead to me working in animation.
It's a story I've told many times, so feel free to skip down if you've heard it.
I was a nineteen-year-old college sophomore when Marvel Comics announced a New Talent Search. I was excited, but reasoned (correctly) that Marvel would be inundated with submissions. I also reasoned (rather cleverly) that if Marvel began a New Talent Search, DC Comics would too. So instead of preparing submissions based on Marvel characters, I immediately set to work, prepping stuff based on DC characters. Sure enough, DC announced it's search, and I immediately sent in my stuff. YEARS LATER, I saw the logbook that was used to log in each submission as it arrived. Mine was literally the second submission received.
It was duly logged in -- and then lost. (Likewise, years later, I found it in the DC offices in the back of a file cabinet.) DC still had my address in the log book. But not the submission itself. Because 70% of all submissions were artist submissions and only 30% were writer submissions, the person in charge of the talent search at the time took a chance and sent me a packet for new ARTISTS. I was OUTRAGED!!! Outraged, of course, in the way only a 19-year-old know-nothing can get outraged. So I sent a LETTER to DC Comics expressing my outrage. I said (lying) that I was a professional, and if they lost my submission, a simple admission of this fact would have resulted in me sending copies. There was no need to GUESS (incorrectly) that I was an artist and hope for the best. I stated that this was no way to run a business.
Somehow this letter found it's way to Dick Giordano's desk. Dick was at the time the EXECUTIVE EDITOR and head creative muckymuck at DC. Most guys in that position would have found a nice round file for my letter, but Dick was amused by it... and maybe a little impressed with (not the content) but the writing of it itself.
So sometime later, the phone in my dormroom rings. My roommate answers and says it's for me. "Who is it?" "Some guy named Dick Giordano." Now, I knew EXACTLY who Dick Giordano was and figured there was no way I was getting a call from him. So I got on the phone assuming it was one of my geek friends playing a prank. Nope. It was Dick. He wanted to meet me and asked if I had any plans to be in New York City. I (lied again and) told him that coincidentally, I was planning to be there over spring break. He invited me up to the DC Comics offices, and we set a date and time.
So I scraped the money together to buy a plane ticket, crashed at my cousin's apartment, put on a SUIT (what did I know, it was a job interview, right?) and headed out during a torrential Manhattan rainstorm to FIND A CAB to take me to DC. (Somewhere out there New Yorkers are laughing at the thought of me trying to find a cab in the rain.)
Ultimately, I found one, but not before I was (despite an umbrella) soaked to the bone in my stupid suit. I arrive at DC looking more like a drowned rat than a professional writer (which, of course, I was not), and met with Dick. And we hit it off. He was great. From Day One, he believed in me and tried to get me freelance work. He eventually gave me a job as an Editorial Assistant (read Xerox boy) and quickly promoted me twice over twenty-one months to Assistant Editor and then Associate Editor.
I was impatient, of course. I couldn't stick it out, and moved back to Los Angeles to go to grad school and eventually start a career in animation. I remember how disappointed Dick was. How he tried to get me to reconsider, but how he also supported my decision, when I made it clear it was final.
After that, every time Dick and his right-hand woman and good friend Pat Bastienne came to Los Angeles, they would take time out to meet with me. They met my fiancee Beth long before she became my wife. They were both always cheering me on. Eventually, Dick retired from DC and moved to Florida, and we lost touch. Which is on me. And I regret it.
When I heard/saw that he had passed at age 77 from complications from Leukemia (over the same weekend when my Grandmother turned 100), it was a real blow.
Dick was a terrific and extremely talented guy, and I owe him just... TONS.
Thank you, Dick. You will be missed.
I've heard nothing directly from Marvel, Disney or Sony, but I think the recent announcement that an "Ultimate Spider-Man" animated series is in the works at Marvel Animation, makes it fairly clear that The Spectacular Spider-Man is over.
I can't say that I'm surprised, but that doesn't mean I'm not disappointed. But guys... all of you so quick to rush to my defense (sometimes in the most heated of terms)... it's appreciated, of course, but not necessary. This is the business I've chosen to work in. It comes with the job.
Sure, I think Spectacular kicked some ass! But there's no reason to assume that Ultimate Spider-Man won't kick ass too! I'd recommend giving it a chance. I remember when we were first announced, a bunch of MTV Spider-Man fans were screaming about why they were creating a new series and not continuing that one. Heck, there were even a bunch of 90s Spider-Man the Animated Series fans who felt they should still be continuing THAT show. Some of those folks wound up giving us a chance. Some didn't, I'm sure. Some of those who loved those and other old Spidey series found they liked or loved Spectacular. Others didn't, I'm sure. But we found our audience, and now we've got nostalgia working on our side. But I wouldn't want Ultimate Spidey to be judged on anything other than itself. Because that's all I wanted for Spectacular.
It's just the way of things. I try to take the long view and be philosophical about it. Don't always succeed, but I try. I had more stories I was dying to tell, but anyone who's familiar with this website due to a certain series beginning with a "G" knows that this isn't the first series I've felt that way about. I rarely run out of tales to tell. I had more Spidey stories to tell. More Gargoyles stories to tell. More W.I.T.C.H. stories to tell. More Captain Atom stories to tell. More Starship Troopers stories to tell. Even more Max Steel stories to tell. And if and when I get a new series -- no matter how long it lasts -- I'll probably STILL have more stories of that puppy to tell too.
So I try to be grateful for what I did get. I got to tell 26 fun stories. And those led directly to me writing for The Amazing Spider-Man, which puts me in some pretty august company and fulfilled a life-long dream, even if it was only half of one issue. So it's all good.
For those who loved and will miss, alongside me and pretty much all of its cast and crew, The Spectacular Spider-Man, I appreciate all your support and kind words. Let's celebrate what we achieved and not stress over what we didn't get to do.
I've been on vacation (SPRING BREAK!) and busy with a bunch of stuff, so haven't been able to stop by recently, but I didn't want this major event to go by without notice. Last week, my Grandmother turned 100.
Of course, my brother beat me to it, writing more eloquently than I'd be able to, so I'm going to link to his website, which has neat pictures too!
As my cousin pointed out at the LARGE family dinner we had this past weekend, when Sue Weisman was born, the Ottomans had an empire, as did the British and the Russian Czars, and Sue-Baby has outlast them all. The changes she's seen... living through World War I, the Depression, Prohibition, World War II, the invention of radio, television, computers, etc. It's a completely different world. And she's still sharp and funny and a joy to be around.
So happy birthday, Grandma Sue! Here's to 100 more!
It seems the more I read the archives (now that I've discoverd them)the more questions I have. The one that plagues me now is about an answer you gave in response to whether Halflings have to adhere to the no medeling rule.
The rule is magically enforced. Oberon doesn't need to know about you to enforce it. You don't need to know about Oberon to have it enforced. But -- as we've seen -- loopholes abound. The trickier you are the easier it is to find loopholes. Bloodline -- or blood purity, so to speak -- has nothing to do with it.
My qustion then is how doesthe rule affect Halfling human relations? Because I havent heard anything about New Olimpus breaking the rules by becomeing part of the U.N, or An older Alex being a big wig in the 2198 spin off. What are a Halflings limits?
What is the question exactly?
How does joining the U.N. magically interfere with anything?