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I checked the archives and didn't see it asked, so if it was, sorry. I'm confused. You said that the timeline for "The Spectacular Spider-Man" is basically the 1962 era, when Spidey first meets his foes and when he first meets the early Marvel heroes, like Fantastic Four, the Incredible Hulk, and Ant Man as examples. You mentioned Donald Blake hasn't gone to Norway yet and become Thor, but I thought Thor was from 1962 and made his debut before Spider-Man? Anyway, I wanted to ask, when does this show go into the "1963" era of your show? Season three, if there is one? Has it basically started since the January and on episodes of season two?
Thanx for reading. :)
Spidey and Thor both debuted in August 1962. But you're taking my statement too literally. It's not a one-for-one ratio, i.e. 2008 = 1962 and 2009 = 1963. We were adapting a huge, sprawling work -- and as you know -- bringing in characters from multiple eras to do it. So in my mind, Donald Blake had not gone to Norway yet. Just a decision I made, basically.
Why does Lexington have different wings from the four other gargoyles of the manhattan clan? The behind the scenes answer please!
Behind the scenes? We thought they looked cool on him, and we wanted diversity.
Have you heard about the upcoming Darkwing Duck comic book miniseries? What do you think about (BTW, info can be found at http://www.comicbookresources.com/?page=article&id=25219
I've heard about it and think it's great that they're doing it.
Hi, Greg. I wanted to know if there's a website or magazine or SOMETHING that has ratings/updates for Spiderman in it? I'm sure you get a lot of questions asking for the status of the series, and I wanted to know if we can be proactive and check a source or something.
Well, by now, you probably know that the decision has been made not to renew Spectacular. In any case, no, I know of no website.
Sorry this isn't about the ASM comic you wrote, although I will read it soon. This is a question I was surprised no one has asked and I'm wondering if you thought about it. My question is concerned with the Spectacular Spider-man show. What's unique about your series is that well, its serialized. We're seeing Peter grow up month by month and were watching the seasons of the year change. I'm assuming you aren't going to do a time jump or anything so finally here are my questions: did you vic, or cheeks ever question how you were going to show pete age visually? Considering this is not like other tv shows where there is no strict chronological time line, did you talk about having peter's design change every year, every mid season etc. to reflect that he is getting older? What about other characters?
I hope I remember to come back and find this question in your blog many months (or years!) ahead because I am intrigued by how you will answer this.
We talked about it a bit. But our entire first two seasons took place over seven months. And you wouldn't necessarily expect to see much of a change in such a short time. Not that it couldn't happen. Teens certainly shoot up, but as we saw it, Peter would not. As for what might have been... we'll never know.
Hi Greg, I hope everything is well with you. My question is: Is it possible to contact the 1994 cast members to come on board to assist us (Gargoyles fans) in convincing Disney to release the remaining 26 episodes? Do you think we have a chance?
Unfortunately, I have become very obsessed with this project. I think your ability
to create this type of animation is outstanding - it is sooooooo real.
I'm sure any cast member asked would be happy to see the DVD come out, if for no other reason, then they'd get a royalty check out of it. But I don't see how they'd help us vis-a-vis changing DIsney's mind.
I've watched season 3 of Gargoyles and I thought it was pretty bad. The quality of the season went down with each episode. I was wondering what are your thoughts on season 3 and why didn't you continue working on the show?
I've answered this many times before. Please check the Ask Greg Archives under "Goliath Chronicles".
One more thing: I don't know if you've seen this yet but here's a video review of Gargoyles. It's actually pretty funny and I thought you might get a kick out of it:
I've seen it. Thanks.
After Gargoyles #7 came out, someone asked on here if you could post the descriptions you gave to the artists of some of the new characters, and you were able to provide some.
With a lot more issues out, would you be willing to post more of these descriptions for more of the new characters? I'd love to compare your words to the artists's final products for anyone, but especially Katana, Fu-Dog, Nashville, Sacrifice, Falstaff and his crew, the top tier Illuminati, etc.
Maybe this'll hold you over for now:
NEW CHARACTERS â" (in order of appearance)
â¢ FALSTAFF a.k.a. JOHN OLDCASTLE â" (Age 60.) Falstaff is a huge man, very tall and seemingly very fat (though itâs mostly muscle like a sumo wrestler). Heâs Caucasian with a full head of snow-white hair and a big white beard and mustache. Heâs almost always smiling, and thereâs something jolly, even Santa-esque about him. But heâs actually quite dangerous. He affects a medieval style of dress. John also appears at age 31 in flashback. Back then, John had bristly jet black hair, beard and mustache. He was broad-shouldered and beefy back then, but not at all fat. He wore normal clothes for the time (1968). He had a kind expression on his face. In a montage sequence, he ages from 31 to 48, gaining weight and grey hair along the way. (See page 22 for the details.)
â¢ DOLL â" (Age 20.) A pretty, tall, slim Asian girl wearing a lot of make-up â" almost a cross between kabuki and goth. Sheâs got very long limbs, and sheâs a contortionist. Her clothes are strategically placed tatters. Sheâs barefoot. Think of an Asian Daryl Hannah in Blade Runner.
â¢ BARDOLPH â" (Age 44.) African male, bald with many burn scars all over his face, hands, etc. One eye is almost closed over with scarring. Like most of Falstaffâs crew, he wears Renaissance Fair garb. He breathes fire.
â¢ QUICKLY â" (Age 29.) Caucasian woman with long loose blonde hair. She wears a loose fitting Renaissance-style sundress, but sheâs actually wearing it over a sports bra and long thigh length running shorts. She wears what appear to be boots, but thereâs no heel. There really camouflaged track shoes. She has super-speed.
â¢ POINTS â" (Age 25.) Hispanic male with long dark hair and a Fu Manchu mustache. In Renaissance garb. He is a master of all bladed, sharp things. He has multiple swords, knives, daggers, etc., including short throwing blades, a samurai sword, a broadsword, a rapier, etc.
â¢ PISTOL â" (Age 52.) Caucasian male with a grey crewcut in Renaissance garb. He is a master of firearms, and has multiple holsters, containing pistols, guns, a sawed-off shotgun, a sniperâs rifle, a grenade-launcher, etc. He NEVER smiles. In a montage sequence, we see him at age 40, looking much the same, but with darker hair. (See page 22 for details.)
MARIAH MONMOUTH â" (Age 26 in 1968.) Dingo/Harryâs mother. A pretty young thing â" or we would have thought so if we had seen her under different circumstances. She was something of a free spirit and flower-child, with long hair and hippy clothes.
Love Spectacular Spider-Man, great show. Personally, I like it because it reminds me of Lee/Ditko and Lee/Romita, rather than the increasingly complex and twisting story lines of the present.
1) Will Gwen die? I have to know. You've said that you wanted to "stay true to the themes" from the comics, but I always thought Gwen's death was sort of unnecessary.
2) On imdb, I read that you wanted Venom and Spider-Man to settle their differences and become allies. That seem so completely implausible that I had to ask about it.
All this is pretty moot now, but...
1. Everyone dies eventually.
2. I never said that. Gotta love the internet.
I read through Clan Builder Vol 1 & 2 and was delighted by them. I could imagine in my head the voices of the characters, the background music for the scenes, and the sound effects that existed in the show!
I noticed in these that they had a bit more mature nature to them, in the obvious form of blood, cussing, etc. I also noticed they were more mature in more subtle ways, such as Cold Steel's question about if human necks still sounded the same when they snapped after 1,000 years.
Assuming that Gargoyles got another kick off (hopefully in less that 10 years like we had to wait this time), would you struggle to keep this more mature nature of it even if it were put back into the cartoon medium on children's television?
I honestly don't know.
I had a question. I'm currently a theatre student in college. However, I've always had my hand in multiple areas in the arts. It was only my love for writing and acting that had me not decide to go to a strict art college (I had wanted to be a comic book artist for a long time).
I plan to move to California eventually and try to make it in the show-biz, either through acting, my art ability (I'm currently doing a lot with prosthetics/mask making) or writing. My question was how exactly you got into your current field of work? It's something that interests me, what with my love for comics both in writing and art. So basically, I was just wondering how you got started.
Any advice would be greatly appreciated!
For a fuller answer, check the archives here at ASK GREG under topics like "Weisman, Greg", "Animation", "Biz, The", etc. As I know I've answered this before.
But the short answer is that I started as a comic book writer for DC Comics, while I was still in college. I then became an editor there for a couple years after college. Then I went to graduate school to hone my skills as a writer, while interviewing at various studios. I was hired as a junior executive at Disney Television Animation, got promoted a couple times, developed Gargoyles and became a writer-producer.
I'm rewatching Gargoyles on YouTube right now. I have to say that one of my favorite characters in MacBeth, if for no other reason than he's voiced by John Rhys-Davies. In the modern day with the comics, do you still imagine the characters' voices as being that of the voiced actors who played them all those years ago? Do you still imagine Goliath as Keith David, or as something else?
Of course, I imagine the original voices.
I noticed that almost every single villain gets an episode or two (sometimes more) to be introduced to the audience before taking on Spider-Man in Spectacular Spider-Man. Rhino, Sandman, and the Enforcers were thugs, and Hammerhead has had a few bits of his past revealed as well. So why did you choose the opposite course of action for Tombstone?
Also, excellent issue of Amazing Spider-Man. Flash Thompson seems to be a hard character to really understand, but you truly understand Flash. Thank you.
I didn't. Tombstone appears in episode one.
Thanks. I'm glad you liked the Flash story.
Hi, Greg. I have a question about the Ishimuran Clan. What would they think of the Dolphin Drive Hunts that occur in the coastal town of Taiji? This question came up when I listened to an episode of NPR's 'The Story' where the Oscar nominated documentary The Cove was being discussed.
Thanks for your time.
I'm afraid I don't know enough about this serious real world issue to intelligently answer how a fictional clan would respond to it.
i am wondering do you know which singers sang the song The will to love and The demon in me.
both of the songs have been sang in Witch episode s is for self part.
Jason Marsden, who played Matt Olsen.
Hey, I was wondering when the next Gathering of the Gargoyles was going to be. I was also wondering if it would be coming to the Midwest any time soon, because I and a few other people do an abridged series (see TeamFourStar.com for reference) of Gargoyles and were wondering if we could get a real.
Thank you for your time.
The Gatherings are over for the time being.
Did Kai ever have a mate? If he did, was she alive when Goliath and co. visited Ishimura? Did we ever catch a glimpse of her onscreen?
Yes, Kai has or had a mate. Beyond that, I'm not revealing anything at this time.
This is a question I've been sitting on for a while. But, does Mendel Stromm exist in "The Spectacular Spider-Man" Universe? Part of me would think that he does, but at the same time, the more I think about him, the more redundant he becomes.
Obviously, in the comics, he was the creator of the formula that transformed Norman Osborn into the Green Goblin. Although, in this series, Norman claims that he invented the globulin green... and, while he's not exactly trustworthy, I haven't been given a reason to doubt him.
Yeah, he could fill the role of the scientist partner that Norman screwed over, but we've got that in Adrian Toomes... sort of. Granted they weren't business partners, but Norman screwed him over and stole his invention. Otto also fills a role as a scientist in Osborn's employ who Norman stabbed in the back.
And, as a supervillain, Stromm was the self titled, Robot Master. Which would feel redundant if the much more interesting Spencer Smythe and his Spider-Slayers ever pop up.
Like you, I try to think of the core truth of who these characters are, and Stromm's role seems to be filled by other, more interesting characters.
So, I'm curious, does he exist? Or has he gone the way of Herman Schultz?
It's kinda moot at this point, but in my mind... Stromm's been Schultzed.
I was just wondering if there's any news on Disney reconsidering putting season 2 volume 2 of Gargoyles on dvd? I really enjoy the show and was hoping to get it on dvd. I know they dropped it because the first one didn't sell very well. Personally I'm one of those people who prefer buying whole seasons to partial sets but that was before I realized how many episodes were in season 2 for Gargoyles. Maybe others considered or felt the same way. Is there someone at Disney we can write to or maybe start a petition? There must be something we can do for them to reconsider.
There's no news. This late in the game, I don't expect any.
What are your thoughts on The Princess and the Frog? I thought it was a wonderful throwback to the days of the Disney Renaissance.
I enjoyed it. And it's hard not to love Keith's performance -- if anything, I wish he had been in it more -- but it didn't quite send me the way movies like Little Mermaid, Mu Lan and Aladdin did.
After having seen James Cameron's film "Avatar", I feel quite confident in my belief that special effects have reached a level where a live-action adaptation of "Gargoyles" could become a reality. Obviously, there are no plans for a film since Disney has no intention of selling the rights or expanding upon the property. So, my question is hypothetical, which I apologize for...
If a film of "Gargoyles" was to be made and you were involved, who would you be interested in writing and directing it?
Writing it, for sure. I'm not qualified to direct it.
Is there a story about how Glasses became Dracon's leutenant? Since in real life the mafia is a fairly racist institution. Or is Dracon just more enlighten than average?
There is a story.
Hi Greg, this is not a question but a statement: I have been a gargoyles fan for many years and I think your work is one of the greatest animated legend in history.
We the fans will not stop until the remaining 26 episodes are released on DVD. Your ability to capture the attention of adults as well as kids are outstanding. By the way, I do have Season One and Two. Thanks
No, thank YOU!
I was wondering if you knew what it would take to purchase the rights, not just the license, of Gargoyles from Disney. I imagine quite a bit of money as well as other possible bargaining chips would be involved, aside from legal. In addition to this, if someone did buy the rights to Gargoyles, would you be willing to work with him or her?
I cannot think of a Disney related prescient where someone bought the rights to a Disney property but I can think of several non-Disney related cases.
It is also surprising to me (although only to the naive side that likes to believe Disney plays fair in business) that you have no true legal claim to the Gargoyles property.
All this comes down to is that possibly, someday when my income has reached that level (hopefully within the next decade[I may as well be a Vanderbilt]) I would consider, if someone else already has not, purchasing the rights. And if it is not I who manages it, I hope someone who is willing to work with you and your vision does buy the rights so that more stories can be told from your vision.
As I've said many times before, I doubt it's for sale. Not now. Not ever. If it were, I'm sure the price would be VERY high. I have no way of guessing at what that extremely hypothetical number would be.
But I'm willing to work with any professional on the property. I love it. But, no, I have no true legal claim to the property.
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