Fraternal Cross-Promotion!

I am pleased to announce the release of "The Best of Dodger Thoughts," a
325-page book featuring the top selections from my brother's Dodger Thoughts website (www.dodgerthoughts.com). Since 2002, Dodger Thoughts has been the leading independent source online for information and insights on the Los Angeles
Dodgers. Now, the best pieces have been compiled in print, with sections on:

--The 2002-2005 seasons
--Dodger history
--Key Dodger players
--Dodger atmosphere: the stadium, the fans, the broadcasters
--Coaching and managing
--Ownership
--The GM's Office
--Baseball and writing
--Plus, a foreword by longtime Dodger broadcaster Ross Porter

Besides providing immediate enjoyment this offseason, "The Best of
Dodger Thoughts" will have long-term worth as a historical resource: a
you-are-there record of an important chapter in Dodger history, as well as
the first printed compendium of blog coverage of the Dodgers. For longtime
readers of the website as well as those who have never seen it, "The Best of
Dodger Thoughts" will be well worth owning. 

"The Best of Dodger Thoughts" can be ordered though this link at Lulu.com -
http://www.lulu.com/content/164688 - or by visiting the Dodger Thoughts
website.

Thanks ...

Gwen vs. Mary-Jane

Okay, I haven't seen the second Spider-Man movie yet, so this is mostly based on the first (and commercials for the second).

But am I the only guy out here who thinks Kirsten Dunst is a perfect Gwen Stacy?

I think she's wonderful in the first film. Bu I mean, aside from the hair color (which, from other movies, we know is artificial), her persona is totally Gwen. Yeah, yeah, she's an actress, but she's got nothing of that John Romita tigress that is Mary-Jane Watson.

She's Gwen Stacy.

Right?

Star Sighting &tc...

I just saw wecently wed Wesley & Willow walking arm-in-arm down Wittle Santa Monica Blvd. It was pretty cute...

Have I mentioned this before?:

I think one (though certainly not the only) visceral appeals of the E-Street Band is its archetypal relationship to Robin Hood & his Merry Men.

Bruce Springsteen = Robin Hood (complete with a "rob-from-the-rich-and-give-to-the-poor" mentality)
Miami Steve Van Zandt = Will Scarlett
Max Weinberg = Friar Tuck
Patti Scialfa = Maid Marion

and of course

The Big Man, Clarence Clemons = Little John

I'm not sure which of the following is Alan a Dale...

Garry Tallent, Roy Bittan, Danny Federici or Nils Lofgren.

(The truth is Bruce/Robin is his own Alan, I guess.)

When it comes down to it, I don't know the names of enough Merry Men to make every parallel work. But I'm sure you can see the connections.

Discuss.

OSCAR NOMINATIONS

This is an interesting exercise for me. One which mostly demonstrates how few movies I get to see.

The Oscar Noms came out and are in today's paper. So I'm going to list my choices.

But here's the main rule. I can only choose from movies I've actually seen. The result is that there are entire categories (including at least one major category) that I can't vote in at all:

Supporting Actress
Foreign Language Film
Documentary Feature
Documentary Short
Animated Short

Of course, I reserve the right to make changes later if I see more movies. Also, these are NOT predictions. I'm not trying to guess who the Academy will chose. I'm simply stating my preferences...

PICTURE: THE LORD OF THE RINGS: THE RETURN OF THE KING
Haven't seen Mystic River or Seabiscuit. Didn't care for the tiresome Master & Commander. I enjoyed Lost in Translation, a movie which snuck up on everyone, but I don't think it was quite as good as everyone said. I'm sorry that The Cooler didn't get nominated, but in any case it's hard not to vote for LOTR: Return of the King over either Master or Translation. I think that both of the first two movies were better than the third, but as I've stated, this isn't a Return of the Jedi scenario. This is an amazing movie on every level. The bar was set incredibly high by Jackson's first two films. And he still made it over by any reckoning.

ACTRESS: Keisha Castle-Hughes, WHALE RIDER
Well, I haven't seen In America, 21 Grams, Monster or Something's Gotta Give. So Keisha was my only option. But that's okay. I wasn't too wild about the 2-D movie, but the kid was great. Doubt she'll win, but, hey, I'm routing for her.

ACTOR: Johnny Depp, PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL
Haven't seen Mystic River, Cold Mountain or House of Sand and Fog. That leaves Depp in Pirates and Murray in Translation, both terrrific comic performances. I'm choosing Depp, the more obvioulsy comic turn, because (a) comedy is rarely rewarded by the Academy and like to break that barrier and (b) as good as Murray is, he's kinda playing himself. But this was a VERY tough choice for me.

SUPPORTING ACTOR: Alec Baldwin, THE COOLER
Haven't seen 21 Grams, In America, Mystic River or the Last Samurai so all that leaves is Alec in Cooler. But even more than Keisha above, I'm thrilled to have Alec as my choice. I saw The Cooler this past Saturday and REALLY loved it. William H. Macy and Maria Bello are also brilliant in it, but I'm not at all surprised that Baldwin was nominated. He's a great actor.

DIRECTOR: Peter Jackson, RINGS: KING
Haven't seen Mystic River or City of God. Didn't care for Master & Commander. Liked Lost in Translation, but Jackson's efforts on Return of the King are stunning.

ADAPTED SCREENPLAY: Walsh, Boyens, Jackson, LOTR: ROTK
Havent's seen American Splendor, City of God, Mystic River or Seabiscuit, leaving Rings my only option. But again, I like the screenplay so it's a fine choice. Looking forward to the extended version though.

ORIGINAL SCREENPLAY: Coppola, LOST IN TRANSLATION
Haven't seen Barbarian Invasions or Dirty Pretty Things or In America, which leaves me a choice between Lost and Finding Nemo. No contest. Nemo is a cute little movie, but it's far from being my favorite Pixar script. Translation is fascinating.

ART DIRECTION: Hennah, Lee, LOTR: ROTK
Haven't seen Girl with a Pearl Earing, Last Samurai or Seabiscuit. Which leaves me with a contest between LOTR and M&Commander. This was actually a tougher call. I didn't care much for M&C, but it looked damn good. But I think LOTR was a greater overall achievement.

ANIMATED FEATURE: FINDING NEMO.
Haven't seen Brother Bear or Triplets of Belleville. So that leaves Nemo only. Again, not a brilliant film, but it has some brilliant stuff in it, so I can vote this way with a vaguely clear conscious.

CINEMATOGRAPHY: Boyd, MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD
Haven't seen City of God, Cold Mountain, Girl with a Pearl Earing or Seabiscuit, which leaves only M&C, which again looked great. So, fine.

SOUND MIXING: Boyes, Semanick, Hedges, Peek, LOTR: ROTK
Haven't seen Samurai or Seabiscuit, but it leaves three great choices, M&C, ROTK and Pirates. I'm gonna give the edge to ROTK. I seem to be sweeping with them. Can't help it. Note that Christopher Boyes is up for bother Pirates and Rings. That's pretty good odds, but an even bigger bummer, I'd imagine, if he loses.

SOUND EDITING: Boyes, Waters, PIRATES
Boyes is looking good for some award. Sound editing on Nemo, Pirates and M&C were probably all great. But I have a softer spot for the fun of Pirates. One of the few categories where I HAVE seen all of the nominees.

ORIGINAL SCORE: Shore, LOTR: ROTK
Haven't seen Big Fish, Cold Mountain or House of Sand & Fog, which leaves Howard Shore's brilliant ROTK work and Nemo, which was just okay.

ORIGINAL SONG: "Into the West", Walsh, Shore, Lennox, LOTR:ROTK
Well, I'm a big Annie Lennox fan to begin with, and the song was very moving to me, so this is an obvious choice. Throw in the fact that I haven't seen Mighty Wind, Cold Mountain, Cold Mountain or Triplets and it was also my only option. The good news is that so far, there hasn't been a category where I have declined to pick a winner because I only had one option. So far, even in categories with only one option, I've genuinely liked that one option.

COSTUME DESIGN: Dickson, Taylor, LOTR: ROTK
Haven't seen Girl with Pearl, Samurai or Seabiscuit, which again leaves M&C and LOTR. Went with LOTR for cause. Great costumes across the board.

FILM EDITING: Selkirk, LOTR: ROTK
Haven't seen City of God, Cold Mountain or Seabiscuit, leaving YET again M&C and LOTR. No brainer. Half the time in the M&C battle scenes I couldn't keep basic track of who was doing what.

MAKEUP: Taylor, King: LOTR:ROTK
Another of the categories where I have seen all the nominees. Pirates had great make-up, truly. And I came very close to giving this one to Pirates. But just that one Orc was so damn good, and he was just the tip of the iceberg. M&C is also in the running, but why?

LIVE ACTION SHORT FILM: "Two Soldiers"
I haven't seen the other four options, but I have seen Two Soldiers, based on a William Faulkner short story that just happens to be my all time favorite short story ever. I made a point of seeing this short and was not disappointed. It's really great.

VISUAL EFFECTS: Rygiel, Letteri, Cook, Funke, LOTR: ROTK
And the last of three categories where I've seen all the nominees. Any other year and Pirates (but not M&C) would have challenged for this award. But ROTK, right?

So what's the final tally...

11 for LOTR: ROTK, including picture, director, song, score, screenplay and a half-dozen tech and craft awards. I think that's a clean-sweep. And I'm not generally a sweepy kinda guy. But the true geek in me has been awakened by this trilogy.
2 for Pirates, including Depp's brilliant performanceand a tech award.
1 for WHALE RIDER's kid actress.
1 for THE COOLER's Alec Baldwin.
1 for LOST IN TRANSLATION's keen screenplay by Sofia Coppola.
1 for FINDING NEMO. Best animated feature, won perhaps by default, though I liked the movie.
1 for MASTER & COMMANDER for cinematography, another default win perhaps, though it certainly looked gorgeous.
1 for "Two Soldiers", a personal favorite that may be the award I'm most routing to be right about.

And then five categories where I couldn't vote at all.

That's it.

Bye.

Art Carney (1918 - 2003)

Growing up and living most of one's life in Southern California makes having a number of so-called "Brushes with Greatness" inevitable.

Sunday, I saw Tony Shaloub in Larchmont Village, but since I had recently seen him at Los Angeles International Airport AND spoken with him at Logan International Airport, I refrained from accosting him again, lest he think I was stalking him or something.

And just yesterday, I rode up an elevator with Florence Henderson, who looks great, by the way.

So the fact that I once met Art Carney is, in and of itself, not particularly remarkable. But his passing seems an appropriate time to relate this story.

In the mid-seventies, I was in Junior High. I read a LOT. I had somewhat eclectic, and geek-leaning tastes, but most of what I read were mystery novels, especially mystery novels that were part of on-going series. One such series was Harry Kemelman's Rabbi David Small mysteries. (This is a series that I highly recommend. The more recent books aren't quite as strong, but the original seven are terrific.) Each book's title began with the day of the week. And the first mystery was called, "Friday the Rabbi Slept Late."

One day, I came home from school and found that my street was, as they say, "bustling with activity". An army of humans and trailers and equipment had descended on Queen Florence Lane. In the seventies, in the San Fernando Valley, this was still something of a rarity. But in any event, I was fascinated. They were filming a movie in and around the house directly across the street from ours.

Soon, I discovered that the movie was a telefilm called, "Lanigan's Rabbi". It was an adaptation of "Friday the Rabbi Slept Late." I'm not sure how I managed this, other than persistance and the chutzpah that comes with not knowing anything at all, but I kept telling people that I had read the book that the movie was based on. At some point someone grabbed me and introduced me to the director. I have no idea if he was humoring me or truly interested, but he asked me a number of questions about the original novel, claiming that he -- and that in fact NO ONE on the set -- had actually read the thing. There were, I was told, certain things in the script that weren't tracking for him. So I answered his questions and told him how the mystery played out in the book. He took it all in and seemed grateful for the insight.

In any case, he then did something fairly astounding. He let me hang out. That's it. But I was allowed to watch filming. I was allowed to get food from the catering truck. I was allowed to sit with the actors and talk with them. Now, this couldn't have gone on for very long. It's not like I was employed by the movie company or anything. I didn't follow the shoot to its next location. But they spent at least three or four days in the cul-de-sac where I lived. They gave me a copy of the shooting script, which I then had autographed by the movie's two leads.

One of those leads was Stuart Margolin, who's probably most famous for playing "Angel" on THE ROCKFORD FILES. "Lanigan's Rabbi" wound up spinning off into an on-going series, and for some reason Margolin didn't end up playing Rabbi Small in the series. But he was terrific in the movie. And he was an extremely nice guy, who didn't seem to mind chatting with a thirteen-year-old, who was hanging around the set.

But the part of Police Chief Lanigan was played by Art Carney. Now Art Carney is a certified genius. Emmy winner. Oscar winner. Of course his performance as "Ed Norton" in THE HONEYMOONERS is nothing short of brilliant. His on-screen teaming with Jackie Gleason, a match-made in sitcom heaven. Among other things, Ed Norton was the clear inspiration for any number of cartoon characters, ESPECIALLY "Barney Rubble". People often forget, however, what a wonderful dramatic actor Carney was. How he brought a touch of humanity to every role he played. Rod Serling knew this. Art is unforgettable as a drunken department store Santa in "The Night of the Meek" episode of THE TWILIGHT ZONE. A part that Serling wrote especially for Carney. He is also truly wonderful in a number of movies: "Harry & Tonto" and "The Late Show", among others.

I knew almost none of this at the time. I didn't even know Ed Norton. In New York, the Honeymooners has probably NEVER been off the air, but Los Angeles was and is an I LOVE LUCY town. It would be nearly a decade before I would move to New York and learn to appreciate Ralph and Ed and Alice and Trixie.

What I knew at the time, all I knew at the time, was that this was a big time star -- in the middle of shooting a movie -- who spent time with me. Time by the catering truck. Time on the set. He explained how things worked. He explained why things were done the way they were done. He was just so damn nice -- nice enough that as ignorant as I was -- I didn't take it for granted. It impressed me even then.

A few days later, they were gone. Stuart, Art, all of them. The movie finished shooting in my neighborhood and moved on. Some time later, the movie went on the air. We didn't have a VCR back in those days, so I don't have a copy. I followed along on my shooting script and took note of all the little changes in it. It seemed to me (though I might have been seriously kidding myself) that the final version of the film leaned a bit closer to the original novel than the shooting script in my hand. I was certainly kidding myself when I took credit for that somewhat dubious conclusion. And without a doubt the coolest moment was watching Rabbi Small and Chief Lanigan (Stuart and Art, as I called them) walking down the hill of my street and turning a corner and suddenly being at the Rabbi's Temple. There was no temple around the corner from Queen Florence Lane, but the transition was so seamless, it seemed miraculous. A true bit of movie magic before I understood movie magic. Before I was even vaguely jaded.

I just now spent a half hour looking for that shooting script. I couldn't find it. I hope it turns up eventually. I'm sure I wouldn't have thrown it out, but there's a good chance it was in one of my boxes that was in my parents' basement, part of my past which was destroyed by a flood caused by the Northridge Earthquake. I hope not. I haven't thought about any of this in years, but now it's something I'd like to revisit in more detail.

I wrote about Bob Hope a couple of months ago, when he passed, and I suppose this is a very similar kind of tribute. Others will, I'm sure, write more important, more personal and more informed things about Art Carney in the next few days. But I wanted to add my bit.

Not just for the incredibly talented performer, a loss we should all feel, though not too intensely as he has achieved a meta-Xanatosian immortality through the many great performances we will always have to rewatch time and again. And not for the friend and/or family member, because he was none of these things to me, and I was none of these things to him.

But oddly, I wanted to write a tribute to the stranger. To the nice man, who was patient with a dopey know-it-all kid. He was warm and funny and made me feel welcome.

And for that I am truly grateful. Thanks, Chief.