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Young Justice: Invasion

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joelle writes...

Agendas was awesome. A few questions, though.

I'm assuming that Guardian is Jim Harper and that he's the younger brother of Red Arrow's biological dad (He did say Roy was his nephew, after all, and if it really is Jim, the shared surname would indicate a paternal relation). Is my assumption correct?

You said in response to an earlier question that Guardian was only 24 years old. If the above assumption is correct, was there a big age gap between Guardian and Roy's dad? Because I can't imagine a mere six year gap between uncle and nephew otherwise.

Does Roy know that he has an uncle?

On a happier note, congratulations to the cast of "Young Justice" for being nominated for "Best Vocal Cast in a Television Series" and "Best Male Vocal Performance in a Television Series in a Supporting Role" (Crispin Freeman- Roy Harper/Speedy/Red Arrow) at the BTVA awards. You guys certainly have my votes- though I figure that by the time you read this the voting process and the announcement of the awardees would be long over.

Greg responds...

Well, by now, you probably know that in fact Guardian/Jim Harper was NOT in fact Red Arrow's uncle. Instead, BOTH were clones of the original Roy Harper, i.e. Speedy. Guardian was force-grown to be older, but he also was cloned SECOND, so he's actually younger.

Red Arrow did believe for all of Season One that Guardian was his father's much younger brother.

I've never heard of the BTVA Awards and had no idea we were nominated? Did we win?

Response recorded on July 25, 2012

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JSA Fan writes...

Hi Greg.
Loved Agendas. It was interesting to see the JLA's voting process regarding
new membership.
I have some questions related to that:
With the remarks about the importance of the membership decisions and that the JLA doesn't want to encourage the creation of another Injustice League, does the JLA
have a maximum amount of members? If so, is part of the reasoning to keep League decisions from becoming too unwieldy?
Wonder Woman's suggestion of expelling Captain Marvel took me by surprise. Is a
unanimous decision required to expel a member?
You mentioned in a response to a past question that Zatanna was previously deemed an authorized guest. Does this status have to be voted on as well?
Finally, it was good to see a glimpse of the Atom. Is Ray Palmer well-known by the general public to be a renowned scientist? Does the League factor into their decision his scientific knowledge?

Thanks for another great episode!

Greg responds...

1. Nope. Although as Superman stated, the option exists to vote no to all new members.

2. I don't think unwieldiness is a big concern. There's no rule that all Leaguers have to go on all missions.

3. Nope. Just a majority.

4. No.

5. By the GENERAL public... I kinda doubt it. But he's a leading physicist in his field. Many people would have heard of him.

6. Potentially. It'll certainly come in handy in Season Two. (WHOOPS!! SPOILER!!!)

Response recorded on July 24, 2012

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Martin writes...

Hey Greg,

I'm merely curious as to why the second season of 'Young Justice' consists of only 20 episodes? While it probably hasn't affected the story you want to tell, it just seems unusual that WB/CN didn't give you guys the typical 26 episode order. I just hope it doesn't reflect a lack of faith in the show from the corporate end.

Greg responds...

I think it has more to do with economics than "faith" - but I'll admit that was a decision made above my pay-grade.

Response recorded on July 18, 2012

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Young Justice Fan writes...

Hi Mr. Weisman! I love Young Justice. Absolutely fantastic show. The plot is so thick and intricate -- amazing for a literary junkie like myself!

I was wondering how far in advance you guys have the show planned? For example, when you and Mr. Vietti and Mr. Hopps and the other fabulous writers sat down to plot out Season 1, how much of Season 2 was clear for you guys? How much of a potential Season 3? No spoilers needed -- just a general question.

Thank you so much for your wonderful work and willingness to answer fan questions!

Greg responds...

While developing Season One, we had a solid idea of what we had in mind for Season Two - including the time skip. And we had/have solid ideas for Season Three, including another time skip.

Response recorded on July 17, 2012

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Jasser writes...

I'ed like to start off with a complaint, really guys? I understand you have questions about unaired episodes, but do you HAVE to word them like plot summeries? the probebly twist's of the FOUR episodes are now compromised. Sorry Greg, but i don't think ill be checking the unawnsered question section anymore, the next month of episodes have soured because of it. I'm sorry, but i just really enjoy that sense of surprise when you get deeply immense in a show and they hit you with that curve ball, it's no fun seeing it coming.

Okay, that was unnecessary and whinny,but hey-moving onto questions...

1. When megan retained her human eyes in her ''fake'' real martian form, was that an oversight on her part/attempt at remaining connectable, or do girl martians really look like that.

2.Could you please elaborate on Queen Bee's form of hypnosis?Sorry for vagueness, but the wiki entry is dry and i'm curious.

3.Can Teekle be killed? (that sounds like something that would be asked in the past..)

4. Is the whole ''Hello ,Megan!'' catchphrase going to continue now that it's origin has been revealed?(you must have been laughing every time someone said is was forced and tiring-considering that was almost the point..that was the intended reaction.mind=blown).
5. Dose doctor fate need sleep? and what dose he do when he's not survaying the world for magical threats and what not..

Greg responds...

0. I understand and feel your pain, but it's now fair game to check the unanswered questions as the moderators are booting all spoilers out.

1. It was fake.

2. It's pheromone driven.

3. Sure. But not easily.

4. On occasion.

5. Nabu doesn't, but his host does. And when is he NOT on duty?

Response recorded on July 17, 2012

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Brazilian Guy writes...

Could you give us a few details on what the process to create an episode is like? I have no idea what doing online and locked picture mean...thanks!

Greg responds...

Sure.

1. We start/started by breaking down the entire season on index cards on a VERY large bulletin board.

2. Once the basic arc was approved, I wrote up premises for every episode in the season. Each premise is about a page long.

3. We brought in our freelance writers and broke down a handful of episodes at a time, with each writer in the meeting (myself included) taking one episode as their own, but with every writer in the meeting contributing ideas and notions to everyone's story.

4. The writer goes off with my written premise and the notes from the meeting and writes up an outline. This is a prose document, broken down by scene/sequence of about 8 to 10 pages in length. For me, as a story editor this is a VERY important step, as it nails down the story, making script writing much easier.

5. I do a rewrite on the writer's outline and submit it to WB, CN, DC, Brandon Vietti and the episode's director for notes.

6. The writer goes off with my revised outline and all the notes and writes a script.

7. I do a rewrite on the writer's script and submit it for notes to WB, CN, DC, BV, S&P, legal and the episode's director. Usually showed it to Kevin Hopps as well, who was great at catching my mistakes. The first season, Kevin was on staff, and it was part of his job. The second season, he just did it as a favor. Good guy.

8. I do another rewrite or polish based on all the notes.

9. We record the script, casting any new rolls, etc.

10. Simultaneously, the storyboards are begun...

11. While at the same time, design work for the episode begins: characters, backgrounds, props, effects. This is ALL black and white line-art at first.

12. The boards are roughed out and get notes from the director.

13. The boards are cleaned up and submitted to Brandon and myself.

14. Brandon and I give notes, and the boards are revised.

15. Meanwhile, designs are approved and then we go through the same process with color and background painting.

16. Boards are slugged for time to make sure the show isn't too long or too short.

17. X-Sheets (timing sheets) are created to give detailed information to the animators about how long each individual action will take and to give mouth movements to the characters.

18. All these materials are shipped to Korea to either Moi or Lotto to be animated.

19. We occasionally call for "Wedge Tests" that allow us to preview important or tricky bits of animation in advance to make sure we're getting what we want.

20. The animation comes back rough from overseas. Our editor Jhoanne Reyes compiles it into what we call an A-Frame. It's a very ROUGH cut.

21. Brandon, Jho, David Wilcox and myself call retakes, i.e. we ask the overseas studio for animation corrections. We also call out visual effects for Matt Girardi.

22. Brandon, Jho and I edit the episode, LOCKING it to the exact time that the network requires.

23. We spot the locked episode with our composers, Dynamic Music Partners, pointing out where and what we are looking for in the music.

24. We do the same thing with Audio Circus, our sound effects experts.

25. We preview the music in advance of the sound mix to make sure it's on target.

26. Generally, by now most of the retakes have come back from Korea and Matt's done most of his effects work too.

27. We mix the show for sound. That is we sit in a room and painstakingly balance the sound effects with the foley with the music with the dialogue.

28. We "On-Line" the episode. This is our last final view of the finished product to make sure everything is as good as time, budget and our abilities will allow it to be.

There's obviously more to it than all of the above, but that should give you the basics.

Response recorded on July 17, 2012

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Curious writes...

(1)So obviously Bialya and Qurac along with the two asian countries in the episode with Red Arrow and Cheshire were all fake. Do you guys choose to create fake countries in order to not offend the real countries?
(2)I saw that you guys kept the cat mask concept on Cheshire from Teen Titans. Is there anything else that influenced you from the Teen Titans show? If yes you can just say yes, you don't have to go into detail about the influences if they cause spoilers.
(3)Is Young Justice going to be formatted like the Justice League t.v series episodes where like only a few members of the team get to go on missions? For example, in the justice league series Batman, Haw Girl and Wonder Woman would have an adventure and in the next episode It was Flash, Man Hunter and Green Lantern.

Greg responds...

1. No. It has more to do with already existed in the DC Universe (pre-New 52, which didn't exist yet when we were working on our seasons).

2. I can't think of any other conscious influences, but I won't deny that it's all part of the soup.

3. The Team is big enough now - and has been, frankly, since the beginning - that it doesn't always make sense for everyone to go on every mission. That's why we have squads.

Response recorded on July 17, 2012

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Anonymous writes...

Hi Greg, big fan of the show. In "Alienated", we saw a museum of sorts within the Hall of Justice. Guardian's costume was in a display case, so I was wondering, is he retired as a superhero as of the beginning of season 2? Thanks!

An Ask Greg Helper responds...

JIM HARPER: "We get it, you're a clone! But you're not the only clone on this rooftop, and I know from personal experience how tough it was to come to grips with being a copy of someone else. That's why I gave up my identity as Guardian - so that I could figure out exactly who Jim Harper is supposed to be."

[From "Young Justice" episode 204, "Salvage." Originally aired May 19, 2012.]

Response recorded on July 03, 2012

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Derek writes...

I'm a big fan of continuity as I gather you are too based on your use of dates, your shows in general and an interview you did years ago critizing the X-Men for not evolving and moving forward. I think DC has some fantastic characters and concepts, which is one of the reasons I like Young Justice. However, I've found that without fail whenever I start reading their books and enjoying them, they erase characters and storylines I've become fond of from existence in a big reset or reboot in an effort to become “new reader friendly” e.g Linda Danvers, Helena Bertinelli, Stephanie Brown, Cassandra Cain, Team Titans, Infinity Inc etc.

In the end, this practice alienated me as a reader and I no longer buy DC books because as a reader I find this extremely irritating. So first of all, I'm glad that your not doing that with Young Justice. The characters in show have already greatly progressed through season 1 and I'm very optimistic about the Season 2 based on the first episode.

I'm curious though as a comic book reader what do you make of DC comics and their practice of the "reset"?

An Ask Greg Helper responds...

Greg Weisman says:

"As you noted, I have NOT had the time to read the New 52, so I will not comment on that specifically. Whether or not it works creatively depends more than anything else on execution. Since I haven't seen the execution, I can't respond to how it works creatively. But I KNOW that commercially it's been a HUGE hit. I like to believe that it wouldn't have done quite so well, if it wasn't executed well too.

But generally, on the idea of reboots, I do have a handful of thoughts:

1. I don't want to be a hypocrite. When we started Spectacular Spider-Man and again on Young Justice, we were effectively doing a continuity reboot. I feel when adapting something to a new media, that's essential, but it doesn't change the fact that (a) we did it and (b) I was relieved to be able to do it. Relieved to be able to jettison elements that I felt didn't work or were redundant or confusing, etc. Our goal, particularly on Spider-Man, was to come up with something Classic, Cohesive, Coherent, Contemporary and Iconic. So how can I object if the comics themselves want to do this?

2. In the end, whether or not either SpecSpidey or YJ was/is successful depends on our execution of our ideas, additions and cullings. I like to think both shows are successful, but that's a judgement each individual viewer would have to make for him or herself.

3. I was working on staff at DC Comics during the publication of the original Crisis on Infinite Earths. In fact, during my very first editorial meeting, I raised the question as to why we weren't starting ALL our books over (with the numerical exceptions of Detective and Action Comics) with issue #1. I remember very clearly a collective groan rising up from the conference room table. (They had dealt with this question for months before my arrival.) On the one hand, they wanted Crisis to be a real sea-change, a true reboot (before we knew that term). On the other hand, if you truly reboot Batman, then Robin doesn't exist yet. No Robin, no other sidekicks either. So no Teen Titans. And at the time, the New Teen Titans was the company's best selling book.

4. So the end result was that some things got rebooted and some did not.

5. This was complicated by the fact that certain creators came late to the party, and certain characters got reboots too long AFTER Crisis.

6. And so, as a READER, I couldn't help feeling that - rather than simplifying the continuity - Crisis made it more complicated. This will happen in general, naturally, as time passes and more and more comics are produced by a variety of creators and editors, but Crisis seemed to exacerbate the problem for me personally.

7. In part this was because, I really liked the DC Multiverse. I agree that it was abused to the point of confusion. (And I think it was nuts that Earth TWO had the forties heroes and Earth ONE had the sixties heroes. Just the odd backwards numbering itself created additional unnecessary confusion.) But if limits had been placed on the number of parallel earth stories and crossovers, I think it could have been fine.

8. ESPECIALLY, if they had created a new Earth-THREE, starting over with heroes of the eighties, with Superman and Batman (being new to the hero thing but) remaining relatively constant. But with a new Green Lantern (for example) as different from Hal Jordan as Jordan was from Alan Scott.

9. But that didn't happen. And in fact, though I've read very few comics since 1996, my understanding is that reboots have hit over and over at both DC and Marvel. That negates reader trust in the worth and weight of the stories they're reading. It's more insidious than obvious. And you risk alienating old readers, even as you may or may not attract new ones. You'll always get a short term gain off of a reboot, because everyone wants to check it out. But long term...

10. And going back to my first point - which is that most everything depends on execution - I personally didn't love the execution of some of the post-Crisis rebooting. Some people may have loved it. And that's totally legit. But some of the rethinking on certain individual characters didn't work too well for me.

11. Though personally I think the Bates-Weisman-Broderick reboot on Captain Atom from his Charlton incarnation was brilliant. ;)

12. So, personally, my feeling on reboots in general is that you either do them or you don't. You've got to be thorough and ruthless about it, or don't bother, because otherwise - long term - you're creating more problems than you're solving.

13. And still and all, ultimately, it all depends on execution."

[Response recorded on February 15, 2012.]

Response recorded on July 03, 2012

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Allan calderini writes...

where was Hal Jordan in happy new year I saw every memeber of the league except him are you using him little because of the Green lantern animate series?

An Ask Greg Helper responds...

JOHN STEWART: "I'll alert Hal. He and Guy are on Oa with the Green Lantern Corps."

[From "Young Justice" episode 201, "Happy New Year." Originally aired April 28, 2012.]

Response recorded on July 03, 2012


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