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Loralee Dawson writes...

OK In the episode Vows, Xanatos says he is a 'self made man' and shows how he sent himself the money. Then how he got a letter 20 years later on how he did it and to re-do it ect. But how did it happen ORIGINALLY. Like the 1st time wouldn't he of been poor. And never of been able to awake the Gargoyles in the 1st place?

Greg responds...

Ahhh... time travel.

There is no "first time". The timestream exists. Whole. Just is.

For more on this, check the ASK GREG archives under "Time Travel".

Response recorded on June 08, 2007

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Danny Dyche writes...

My view about time travel isn't the same as what "Gargoyles" uses. I think it's more likely that going back in time creates a new universe independent from the original, with no need to account for causality paradoxes. Still, despite this and a mild annoyance at the "jalapena" thing, I rather like the series and hope you get to tell all of your remaining stories.

Greg responds...

Thanks.

Response recorded on March 09, 2007

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Jen writes...

In the episode Vows, why does Demona bother trying to change what her younger self did to prevent the massacre? You cannot change history, so I don't understand her motivation. You could say she didn't know that rule but I would expect that a soceress that has lived for over a thousand years would know that.

Also she would have remembered everything that happened to her when she was younger (though maybe her memory would be rusty after a 1000 years but she does tell Goliath that she remembers her speech) so what would be the logic and motivation for her to go into the past if she knows she failed and act exactly how she remembered and FAIL like she remembered. Did she only go because she had to go because she remembered it happening? The whole time being fixed says she had to go to remember failing, but that still doesn't explain her motivation for doing something she knew wouldn't work out. Or perhaps her motivation was to see herself as innocent again? To remember why she did what she did at the last wedding she attended with Goliath? Agh...this turns into a big wouldn't one cancel out the other and get all confusing thing...

Also considering that Demona is a thousand years old, what did she do for all that time? The some of it is shown in the episodes, but nothing really after the whole hunter thing and macbeth, and that was a long time ago. Wouldn't a thousand years be enough time for her to travel around the world and find other clans so she would not have ended up so alone?

Also really old characters always bother me. I know you cannot assume that wisdom comes with great age, but I wonder how someone could live that long and not really mature at all? I guess that adds to the insanity, that everything else changes and you don't so that would add to her whole "alone" complex and anger.

Heh sorry for the long question/ramble...

Greg responds...

Demona was hoping that you COULD change history. Since the Gate was broken, there wasn't any time travel in her long past to know for sure how the system worked. She was hoping she could avoid Goliath's appearance. She knew he showed up, but she didn't know how that happened, so she was hoping... hoping...

It's interesting that Demona is so full of hope. Hmmmmm.... Maybe it's just denial.

I won't pretend I've mapped out ALL of Demona's 1000 years, but I have a few key events in mind. As to her stunted growth... well, I know a lot of wise old people myself. And I know a lot of wise old idiots too. So I based her on REAL LIFE. ;)

Response recorded on January 08, 2007

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Lisa writes...

First of all, I love Gargoyles, and still watch them to this day. I've been watching since it was aired, and I'll be watching my tapes until the day I die. Anyways, I've never really understood the episode M.I.A. Una and Leo recognize Goliath when he arrives, but Goliath has no idea who they are. Goliath then uses the Phoenix Gate to travel back in time to try and save Griff, and figure out what is going on. Goliath saves Griff, brings him back to the 1990's, and all is well. Goliath then tells Elisa that he 'first had to travel back in time to meet them' (Una and Leo). But I don't understand. Supposedly, he was frozen in stone when he met Griff, Una and Leo. So how would they (Una and leo) have known him? It doesn't make sense. If you could explain, it would be much appreciated. Thanks!

Greg responds...

Sigh. (I sigh because if the explanation -- let alone the demonstration of that explanation -- from the episode wasn't clear, I'm unlikely to be able to make it clearer for you in writing here and now.)

Yes, Goliath was frozen in stone in Scotland during WWII.

But in the 1990s, THAT Goliath (the Goliath of the 1990s) went back in time and met Leo and Una and Griff DURING WWII. So they met him THEN. But he (the Goliath of the 1990s) hadn't met them yet, when they first encountered him AGAIN outside the magic shop at the beginning of the episode.

As he said, first HE had to go back in time to meet them.

It's a time loop. What I call a "Working Paradox".

It's easy to draw a picture of on a piece of paper, so come to the GATHERING in Los Angeles this summer, and I'd be happy to demonstrate.

Response recorded on November 04, 2005

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David Olsen writes...

I'm pleased to see that you would take time, out of what must assuredly be a busy schedule of yours, to answer fans questions via the internet. I don't know of any other creators of television shows who do that.

I've checked the archives (though not absolutely thoroughly; so much information is rather intimidating to sort through) and I believe I might have a question no one has asked yet. In regards to the mechanics of the Phoenix gate, a ball of flame usually engulfs the user and those with him. However, in "Past Tense" Goliath creates the flame away from him to send the Phoenix Gate through without going through time and space himself. So, can the user of the Phoenix Gate always cause time/space vortices (for lack of a better term) external to himself? Or must the Phoenix Gate always go through the flaming sphere if travelers are to be transported elsewhere?

I realize you won't get to this question for about 2 more years. Maybe a DVD will be out by then.

Greg responds...

DVD's out. Another one's coming.

The Gate generally creates the flame around it, but by this time, Goliath had used it enough to generate an element of control, which allowed him to put the flame off a few yards. But the Gate always goes through the vortex. Perhaps the gate is what shuts it.

I hope that answers your questions.

Response recorded on October 05, 2005

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Fan o' Gargoyles writes...

Hey Greg, its me again, I got a question for you I keep forgeting to ask. (Hope you can answer it)

the Gargoyles were completly devistaded by the loss of there clan in 994, so why didnt they try to go back in time and try to erase that event once they obtained the phenox gate?

I know the past is hard to change but it is possible (they did it with Griff)

Well, i was just courious thanx for trying to answer

Greg responds...

They didn't change the past with Griff, they played into it. Griff didn't die in WWII, he disappeared. So Goliath disappeared him to the present.

The gargs in 994 were massacred. Goliath learned he could NOT change the past.

Response recorded on March 16, 2004

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Joshua P. Christie writes...

Hi Greg- first time posting but a well educated fan of the show. I am now in the process of showing the series to my girlfriend and she recently posed a question following 'M.I.A.' that even I cannot justify or find an answer for. Question being, if Goliath is able to utilize the Phoenix Gate to return to the past and save Griff by bringing him to the present day, then why is it he cannot use the Gate to return to Scotland prior to the slaughter of the clan and bring them into the present where they may be alive with the remaining gargoyles?

Now I have exhausted the archives and I realize that this question has been asked before although not in this exact scenario. Problem is that people are writing essays on the subject in rough draft form and thus their respective points, along with your answers/explanations, are lost to me.

Now, knowing full well that history cannot be altered, the closest thing to an answer I found was you citing that Goliath did not in fact change the past but rather fulfilled it. To the effect of Leo and Una having recognized Goliath from 1940 demonstrates it was not anybody elses history being altered but rather Goliath playing out his role in something that already had happened TO HIM.

Armed with that, it still makes no logical sense to me. First off, if Goliath had in fact saved Griff once before, why did he have no recollection of him, the war, Una, or Leo? Also, in 1940, wasn't Goliath still in stone sleep as
Xanatos had not yet found them and broke the spell? If that is the case, how could have Goliath ever been there to fight alongside Griff in the first place?

Perhaps the answer is that the line between altering the past and fulfilling it is a fine one given all of the intricacies of time travel. Anything you might wish to
expound on this matter would be of great appreciation Greg.

Greg responds...

It hadn't happened to Goliath already, but it HAD happened in the past to Una and Leo already. Goliath then went back and fulfilled the role that from there point of view he had already played but from his perspective he had yet to do.

His 1940 self was unaffected. His 1940 self was indeed frozen in stone sleep. But his 1996 self went back in time. In essence for a few short hours, there were TWO Goliaths in Great Britain. One flying over London, one frozen in stone in Scotland.

The past was not altered. Goliath going back to Wyvern solves nothing because those gargs were not saved. They did not "disappear" as Griff did in 1940. They were reduced to rubble by Hakon and his men in 994. We saw this -- or at least the start of it. So we know it cannot be altered.

(I know I promised not to get snippy, but I swear I feel like I JUST answered this question, and that it was phrased in almost the exact same way. Is this a double post?)

Response recorded on November 13, 2003

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RAMpage writes...

In Avalon Part 3(I think) after the, shall we say, "newer" Archmage uses the Phoenix Gate to travel back in time to get... well, himself, the "older" Archmage says something along the lines of " I thought he would never leave" then promptly goes off to face Goliath and the others alone only to fail. If the whole point of getting his doppelganger was to attack en force to take over Avalon, why did he do the final battle alone? Also, when the Archmage returned with himself, did he ever wonder where his older self had gone to?

Greg responds...

The point was NOT to get a doppleganger to attack "en force". The point was to get himself up to his level of power. To complete the time loop.

I don't understand your second question. But I'm guessing you don't understand the loop.

Response recorded on October 30, 2003

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Chapter XLIII: "M.I.A"

Time to ramble...

Haven't done this in a while (over a year, actually), and I definitely feel rusty. Anyway, I watched "M.I.A." last night with my wife Beth, my nine-year-old daughter Erin and my six-year-old son Benny.

This episode was directed by Kazuo Terada, story edited by Gary Sperling and written by Robert Cohen.

The (semi) one word title, as usual, was one of mine. (As was the springboard, but more on that later.) It's appropriate both because of Griff's disappearance and because of the wartime setting. Although I don't know if they actually used the M.I.A. acronym as far back as WWII. I associate it with Vietnam. Does anyone else know?

Benny read the title and thought it said Mia. He has a friend named Mia, whose birthday party he had gone to earlier in the day. So the title required a bit of explaining.

INTO THE MYSTIC

This was one of my ideas that I really fell in love with. The idea that a magic shop never goes out of style. The idea that these gargoyles have been running this shop right in the midst of London's teeming humanity for a millenium. I just love the idea that you could stop by there in 1940 or 1996 or 1809 or 1776 or 1595 or whenever. Different gargoyles manning the store, of course. But the store itself largely remains the same. It's a place where Lennox Macduff and Will Shakespeare might have ended up after a night of carousing together.

My notion, which I've stated here before, is that the London Clan has an estate in the burbs, and that the shop helps fund them.

Responding to the guys line about the shopkeepers having "incredible" masks, Benny takes a good look at Una and says: "That's a unicorn. A real one."

And Erin: "Those aren't masks."

Of course, these kids have both seen the episode before. But it was so long ago and they were so young it's like they're seeing it for the first time.

LONDON

We get some gorgeous shots of London. So gorgeous that when the animation on PENDRAGON came back weeks later looking not so good, we reused some of the "M.I.A." footage for that ep.

[Of course the animation here was done by Walt Disney Television Animation Japan, GARG's Best studio. It still kills me that Disney has shut down that unit. They did SUCH great stuff.]

Elisa talks to the Cabbie. In my mind, this Cabbie appears during the 1940 sequence as a little boy, running downstairs and into a bomb shelter with his sister. It's not important, but that's how I saw it.

And we explain (include) another legend. That of Gremlins. Not Gremlins from the Spielbergian movie. But gremlins that caused damage to airplanes during the war. This was/is a very famous legend among pilots. Roald Dahl (of Charlie and the Chocolate Factory fame) wrote a book about them, which Walt Disney himself optioned. Eisner once had us develop a tv series based on the idea. I handed it off to a couple of producers who COMPLETELY redeveloped the idea. They came up with a good show, but it was unrecognizable to Eisner. (It also had a toupee joke, which probably didn't go over well.) Anyway, he didn't buy it.

SOHO

Actual racists thugs. We didn't do much of that. We usually went with anti-gargoyle types, who were metaphors for racists. But here we actually go with the real thing.

Their attack is very reminiscent of Awakening 3.

I love Brigitte's work here. Angela sounds like a tough warrior one minute, like a naive innocent the next. All within her character.

And that shot of Bronx leaping down from the roof is just gorgeous.

Leo and Una come out and confront Goliath, whose confusion is a lot of fun.

They're all in conflict, but everyone can agree with Elisa to take the argument inside...

We go inside and see the portrait of Griff.

Benny makes a connection: "There's a statue of him on the airplane."

UNA

I love Una's line: "I know my merchandise."

Throughout this episode, I think she comes across a bit like a junior Demona. I don't know if I felt that way at the time. But we have a female garg with sorcerous powers in denial about her own feelings of guilt and rewriting history to blame Goliath for things that were really not his fault.

Una was in love with Griff. And still is. But in the interrum, in my mind, she mated with Leo. She LOVES Leo. But she never got over being IN LOVE WITH Griff.

AWKWARD MOMENTS

Two of them.

One is having Goliath black out and instead of using it as our act break, we just go to black, wait a beat and then come back. We had a much better act break coming up, so I guess I don't regret it, but I also don't like it much.

The other awkward moment is giving Goliath that voice over of his interior thoughts, where he states his plan to use the Gate to figure out what the hell happened in 1940. I'm sure I resisted doing that VO. But we just didn't have a better solution.

I do love Goliath's frustrated: "I don't know any Griff!" line.

G uses the gate and Benny asks "What did he just do?" Beth explains it to him, but it illustrates my point that it has been so long since the kids last saw an ep, that their memories of the show are very vague.

WWII

We meet Clive and Douglas Bader. I've stated this before, but Douglas Bader was a real person. A true war hero. Douglas Bader lost both his legs in a plane crash, and became a war hero and fighter ace AFTER he recovered and learned to walk on two artificial pins. He was a hero during the Battle of Britain. Later, he was shot down over enemy territory and put in a POW camp. He escaped twice but was recaptured both times. Years later, he was knighted.

I met him once. My father, Wally Weisman, is a real Spitfire afficionado, and Bader was one of his heroes. My dad eventually met Sir Douglas in London and at the RAF Museum outside London. When I was a kid, Sir Douglas and his wife came to Los Angeles and we all went to Disneyland together. He never used a wheelchair. Always just moved along with his hip-swinging walk. An amazing man.

So there was no way I wasn't going to pay tribute to him here (and indirectly to my father as well -- in my mind, this ep is dedicated to my dad). I gave Gary Sperling the Bader biography, "REACH FOR THE SKIES," knowing that it would be tough for him to incorporate much into the episode. But we tried to base the design of Bader on one of his photographs. And we made sure that his first and last name were both used in dialogue so that he could be indentified by those paying attention.

And most of all, we tried to show that these pilots were the true heroes. Sure, Goliath and Griff save them. But Bader saves the gargoyles too, and he's the one who takes out the most dangerous of the Nazi fighter pilots.

This was important to me. Influenced by both Dahl's Gremlins book and my father and Bader, I'd wanted to do a Battle of Britain story pretty much since the series' inception. It's even listed in the bible. This came out of the notion we once had that (while the other gargoyles may have been asleep for a thousand years) Goliath had been awake and alone for 1000 years.

Imagine, if you will, that scene in Awakening-2, when Goliath comes back and finds Hudson, Bronx and the Trio asleep. Instead of joining them, he watches over them for a millenium. (This was back when we had a more magical view of Garg biology.) I thought Goliath would have largely spent a thousand years brooding. But that during WWII he might have ventured forth to fight the Nazis, if for no other reason than to prevent the bombing of Wyvern.

We, obviously, didn't end up going that way, but the visual of Gargoyles fighting in the Battle of Britain stuck with me. (And man, is that visual brought to life here beautifully.)

But having decided to do that, I didn't want to give the gargs all the credit. Real men and women gave their lives during the Battle of Britain. I didn't want to undercut their contribution in order to make my fictional gargs look good. That just seemed like it would be both irresponsible and disrespectful. A betrayal of the very reasons why we were doing the ep in the first place.

GRIFF

Casting... we had used Neil Dickson to tremendous evil effect as Duncan and Canmore in City of Stone. Here he gets to play Errol Flynn. Neil is a Brit. As is Charles Shaugnessy who played Bader and Sara Douglas who played Una. (Leo/Gregg Berger, on the other hand, is a Yank.) And they all really brought life to their respective roles. I have to admit I was worried about whether Neil would be right for the role. I should no better, but Duncan especially was so memorable, I really had that fixed in my head. But Neil's voice just worked perfectly for Griff. I'm still sorry we didn't get to see more of Griff with King Arthur in the Pendragon spin-off.

Griff was conceived as a real swashbuckling hero. A Robin Hood of the 1940s. As opposed to our rough-hewn "Scottish stock", this was a good-old-fashioned patriotic English Hero to put up against the Nazis. His costume was influenced, I think by the Blackhawks. And his look was inspired by British Heraldry. He was the Griffin to Una's unicorn and Leo's lion, three of the most striking heraldic beasts. Again, going back to my earliest development of the series, I thought that adaptations of heraldic beasts might be the English version of gargoyles. So Griff has Eagle and Lion qualities. Feathered wings. A mohawk-like main. An eagle-like beak, but lionesque limbs.

I know that Greg Guler, Frank Paur and I went over and over Griff's model. We were never 100% satisfied with it. But it must work, as I've never any complaints from the fan. And I think Neil (and Jamie Thomason's voice direction) deserve much of the credit for that. Because even with the great Japanese animation, he still looks a bit too Foghorn Leghorn for my tastes.

TIMELOOPINESS

Goliath (after Griff saves his life): "It was supposed to work the other way."
Erin: "I think this is how it started in the first place."

So, hey, she got it!!

Benny even jumped ahead, figuring out: "So he can take Griff back forward in time."

So he got it too. Did you guys get it right from the beginning? That Goliath would take Griff "back forward" to the present to reunite him with Leo and Una?

I love the scene between Griff, Leo, Una and Goliath over tea in the shop. Everyone's motivations are so clear that I often use this scene when I do voice seminars.

Griff wants to sell everyone on going on the offensive.
Leo wants to sell everyone on sticking with defense.
Una is more subtle. She'll use any argument that will promote Griff's safety.
Goliath is trying to stay out of trouble.

But I love his line: "In my experience, human problems become Gargoyle problems." How true... (witness the cancellation of the show...)

And then later, Goliath AGAIN realizes a lesson that he and the audience would have to relearn again and again. Fate cannot be cheated. History cannot be changed.

And once again, we show our lack of imagination and/or our desire to stick with something once we find it works by using the line "Not where, when."

We can say "1940" but we were discouraged from referring to the present by an actual year -- so that reruns would still sound current. I'm surprised that Goliath got to use the phrase "the 1990s". How short-sighted of Disney to not think we'd still be airing these reruns in the 21st Century. Not that I'm complaining, mind you.

Griff almost gets hit by a car in the present and Goliath says "Let's not start that again." A mini-tribute to the English Vultures in "A Jungle Book".

At the very end, Elisa's confusion is fun: "Just explain it one more time." That probably came out of my fear that the audience might not get it. If Elisa didn't get it either, the audience wouldn't have to feel so bad about it.

DOGFIGHTS

Everything I could have asked for.

I have a VERY vague memory that we were discouraged from using Swastikas. I can't remember why or even if this is true.

But the skull-like pilot with the skull & crossbones on his plane certainly looks like a bad guy, doesn't he?

The planes themselves just look great. I found out later that Bader didn't fly Spitfires during the Battle of Britain. He flew Spitfires later, but flew Hurricanes during the Blitz. This fact drives me crazy.

But I love his line about the Gargoyles (which in my mind, he viewed as Gremlins): "They're real, and they're on our side!"

Benny noticed that they shot a hole through Goliath's wing. I had to reassure him that he'd be okay after getting some stone sleep.

Parachutes. No one dies in this episode. At least not in theory. Of course, we KNOW people died during the Blitz. But we couldn't show or even imply that.

THE WORLD TOUR

We end of course by creating new heroes out of old. Griff has returned. And Leo and Una have been reinvigorated. They take back their neighborhood.

Leo: "Or we'll make it our business." Leo's spent years worried only about business. Now he remembers what his business is supposed to be. The nation of shopkeepers is once again ready to defend the realm. So to speak.

Anyway, that's my ramble. Where's yours?


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Cha-Cha writes...

Seline: "Are you mad? The Eye and the Gate were forged on the island..."
--Avalon: Part Two

Who forged the Gate? Were they human or one of the children?

Greg responds...

The gate forged itself out of flame. Or out of the timestream or whatever. Think of a Phoenix.

Response recorded on August 21, 2003


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