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I was rewatching YJ Revelations, and I noticed that Count Vertigo was wearing some sort of device in his ears, wrapped around his head. He seemed to be the only member of the Injustice League to be wearing one, so I don't think it was a communications device. I humbly ask the following questions:
1) What was this device?
2) If the above is a spoiler request, I ask how long he has used/needed the device as of his appearance in Revelations?
3) Does said device serve a protective, or a augmentative purpose?
Thank you! Loved the show!
1. It was the device that gives him his powers - or at least allows him to control them.
2. Uh, the latter or neither.
Sorry CN cancelled Young Justice!! I will truly miss the show! Miss Martian and Superboy are my two favorite members of the team and were my favorite couple of the series, too say I was disappointed when they broke up would be a under statement!! I was happy to see in endgame,it seemed like they could be getting back together in the future. Here my question? This is something that has been bugging me the whole second season!! Why did she do it?? Why did Miss Martian try to make Superboy forget he was mad at her for abusing her powers!! Why did she do it???
She was careless with her powers and careless of their relationship. I won't try to defend it, but I also see how she could have gotten there by taking things for granted that she shouldn't have and by letting her growing agility with her powers go to her head.
Was Young Justice mixed in 5.1, or just stereo? The DVDs and iTunes/Amazon downloads all have stereo audio.
I don't know for sure, but I think stereo.
This question was inspired by your mention of recently visiting a "Doctor Who" convention.
One of the episodes of the revived series (written by Neil Gaiman), had the Doctor getting to speak to the TARDIS when its essence is temporarily transferred into a human body, and saying "You never got me where I wanted to go". To which the TARDIS replies, "But I always took you where I needed to be". I wondered, if you'd seen that episode, what you thought of that exchange, which echoes Avalon's properties in "Gargoyles" down to the wording.
I've seen it. It was cool. But I'm not feeling like we were copied or anything.
1. So its clear that impulse tried to get close to jamie to ensure he didnt turn evil. We saw him be protective of jamie when green beetle was altering his scarab and we saw him be only foucsed on saving jamie after he turned. Obviously he was doing all this to change the future, but to me this makes his friendship with jamie seem artifcial. Does impulse really consider him a close friend? Did impulse care more about the future than he did about about jamie?
2. In regards to the Reach's chain of command, the Ambassidor is the one is charge, while black beetle can take command if deemed nescessary. Where does the Scientist fit into it. What actual authority does she have, when no one actually listens to her?
3. Now i'm a little confused about the treaty between the guardians and the reach. John said that the reach may only lay claim to a world if invited and if that invitation has been revoked, they must leave. The scientist also mentioned that their tempering with the planet would violate the treay, but why? They were offically inviated to the earth and according to this treay are allowed to do whatever they want without interfercne from the green lanterns, so why exactly are they violating the treay if the only tempering they did was WHIlE they were invited? Granted they were tempering with the planet before that, but if the GLs cant prove that this was done before they got their inviation or lost it, why then is it a violation?
1. How something begins and how it evolves are two separate things.
2. She has authority over the other scientists on that particular Reach Mission. She has no operational authority.
3. They tampered PRIOR to being invited, which is a clear violation. And there was plenty of proof by the end of the season. For example: Blue Beetle.
A wired question, it's inspired by a question about Beast Boy I just saw here.
It ask if BB can transform into a panda. Of course he can.
but then I can't help thinking:
You know all animals beast boy transformed into are GREEN. So when he transforms into a panda, what is the color exactly? Green and Black? White and Green? Light Green as the white part and dark green as the black part?
That's a bit funny when a panda is not black and white. It would looks like a green bear if so.
Sorry really wired question but I find it's funny to think about it (Or my humor sense is really twisted.)
I'd think light green and very dark green bordering on black.
Hello, Can you tell me who is the interpreter of ''Ella Mi Fu Rapita'' in Gangland? I loved much that voice
I don't know. I'm sorry.
Thank you for answering my previous questions!
You have made reference to SAG before, so presumably Young Justice has to abide by SAG rules or get boycotted. I have a few questions related to this and the voice acting part of the production process:
1. How do the voice talent get paid? A flat rate? Are they paid by the hour? By the line? By the episode? Or some variable rate?
2. When you voiced Lucas Carr, did you have to join the SAG union? Or is production allowed to hire non-SAG personnel as long as they pay them differently?
3. You have stated that getting a second character out of an actor entails no added costs. Since it is free, I am wondering why a few actors (Jesse McCartney comes to mind) doesn't get to voice a character other than Dick Grayson. Was it a matter of actor preference, producer preference, or a mix of the two?
4. How long does a typical recording session last? Do you sit in throughout the whole session, or leave it up to the voice director? How many episode(s) are typically recorded in a sitting?
5. When one of the voice actors sing a song (Reach for a Reach, Hello Megan), they get separately credited. Is this subject to a different rate, or is the singing part simply added as a "character" in determining pay?
Thank you, and I hope by the time you are reading this, you've already got several gigs lined up!
0. I'm not sure "boycot" is the correct word. The major studios sign contracts with SAG, that prohibits them from contracting non-SAG labor for their acting needs. They can get around this by SUB-contracting, but most don't on major projects.
1. I don't want to speak for EVERY show. In my experience, a voice actor gets paid a flat fee for four hours of work and up to two character voices. For a tiny additional fee, you can get a third voice. But this holds per episode. So for example, even if you could record one guy playing four roles over two episodes in a single four hour session, you'd still owe him two payments. The fee is negotiable, as long as it's above union minimum. But most series pay the union minimum plus 10% and have favored nation clauses in their contracts, which prohibits them from giving any individual actor a raise without simultaneously giving raises to EVERY actor on the series.
2. I first joined SAG to play Donald Menken on Spectacular Spider-Man, and am still a member in good-standing. No union shop can hire non-union actors.
3. Well, Jesse often DID voice additional characters, like Thug #2 or whatever. But generally, there are some actors who have the ability to change their voice enough that they can convincingly play multiple characters without the audience balking. Others really - as talented as they are as performers - only have their own voice.
4. Sessions typically go three to four hours. But often we'll be there all day. We can only keep each individual actor for four hours without incurring overtime, but we could start one actor at 10am and have him until 2pm. And we could start another actor at noon, and have her until 4pm. And a third at 1pm and keep him until 5pm. That way, we have overlap to record their scenes together, but we also have more time to get everything done.
5. Singing is a separate rate. And it's also an additional character, unless they are singing IN CHARACTER. That is, if Nightwing suddenly burst into song, we'd have to pay an additional fee to Jesse for his singing. But we wouldn't have to count that as a second character (or third, since he's also doing Thug #2).
Hi! I was wondering if ya'll ever made any sort of 'blue print' for the cave? and if you'd ever be willing to share it if you did. Because I'm just really nerdy about those sorts of things and I know a lot of other fans are really curious as well.... :D
I don't know if we have all of it nailed down. I definitely had a general sense of the layout of the place. Brandon might have something. You could try tweeting him.
Hey Greg! Appreciate all the work you did in the series and hope one day, someone will pick it up for continuation.
Just a few questions:
1. It's obvious Red Arrow and Artemis move around quite a bit when fighting the enemy, my question is how do their arrows stay in their quivers? Magnets maybe?
2. Does Rocket eventually evolve her powers like she did in the comics? In a few issues, she was able to shoot out kinetic energy from her hands.
1. More of a question for Brandon and/or Phil. I'm not sure. But I believe.
2. Without addressing Rocket specifically, I will say that my general goal was NOT to allow power-bleed. I think many super-heroes have suffered over the years with various writers, artists and editors constantly adding to their power sets, making it almost impossible to challenge them.
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