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Todd Jensen writes...

When you were writing the "Gargoyles" comics for Slave Labor Graphics, did you ever mentally associate any of the scenes you wrote with the different musical themes from the television series? (I thought of this question after I realized that I was mentally linking Brooklyn's words when he returns from his Timedancing, "Forever... forty years... forty seconds... however you keep time, the dance is finally done" to the music that played in "The Gathering Part One" when Goliath was talking about how Avalon had finally released them from its quest and now they were home.

Greg responds...

Honestly, I'm not sure I did.

Response recorded on November 20, 2012

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Time Skipper writes...

Is there a soundtrack with the full themes of the show available anywhere?

Greg responds...

Not currently. But hopefully someday...

Response recorded on September 25, 2012

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Dean Howards writes...

I have a question do you are going to ever release a soundtrack or the little music in the background of each episode in a disk because I love the sounds that you put? sorry if the question is silly or stupid I could`t contain myself to ask.by the way my brother and I love your show.

Greg responds...

I don't think it's a dumb question at all, and there's been some discussion about it. I have nothing concrete to report at this time, but if/when I do, believe me I'll be pimping it here. (I assume we're talking about YJ, right?)

Response recorded on September 12, 2012

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Anonymous writes...

What the names of the songs of Rigoletto featured in SSM "Gangland"? The only ones I recognized were:
"Ella mi fu rapita...Parmi veder le lagrime"
"Duca, duca!"/"Scorrendo uniti"
"Cortigiani, vil razza dannata"
"La donna è mobile"
By the way, I thought it was BRILLIANT of you to use that score diegeticly and extra-diegeticly and extra-diegeticly. It just proves that ANY kind of music can score a fight sequence, not just rock or techno.
How did you think of it?
Will you do some alike in YJ?

Greg responds...

1. I'm afraid I don't have access to my old Sony SpecSpidey files here at my WARNER BROS. Young Justice office, and I just don't remember exactly which songs we used.

2. "diegeticly"? Did you mean digitally? I'm not sure what you mean here...?

3. I think that one inspiration was clearly the Godfather movies.

4. SPOILER REQUEST. NO COMMENT.

Response recorded on March 23, 2012

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Paul writes...

1) Are Zatara and Zatanna celebrities, since the former doesn't seem to have a secret identity or disguise who he is in any way? Are they well known to the people of New York?
2) Why is it that Michael McCuiston, Kristopher Carter and Lolita Ritmanis always compose each episode's music together? When they worked on Justice League, Justice League Unlimited, Teen Titans etc, each one of them tackled a different episode, an approach that I felt worked extremely well. Would you ever consider letting them compose individual episodes on their own, 'splitting duties' as it were?
3) Is Zatanna attracted to Robin?
4) Not to be pedantic or anything, but shouldn't "Homefront" and "Coldhearted" be "Home Front" and "Cold Hearted"? Homefront and Coldhearted aren't actual words to my knowledge.
5) Do the other members of the Light find Klarion annoying?
6) Was Paula Crock ever married?
7) How did Harm's parents die? Did he kill them?
8) Since Garth and Tula were referred to as Tempest and Aquagirl on the Comic-Con playing cards, can that be taken as an indication that they will assume those aliases in the near future on the show?
9) Which was your favourite season 1 episode to write?
10) Why hasn't Artemis's crush on Superboy been touched on in episodes other than "Infiltrator" and "Secrets"?

Greg responds...

1. Zatara is. Zatanna has been out of the spotlight largely

2. We're not enforcing anything. But as long as I've worked with them, i.e. since SpecSpidey, this is how THEY have chosen to work.

3. What do you think?

4. They are, actually.

5. Not generally. I certainly don't.

6. Yes. See issue #7 of the YJ companion comic book.

7. Probably.

8. Eventually.

9. My mind doesn't work that way. They're all like my kids. Even the ones I didn't write. But I'll admit, I was pretty proud of the synergistic elements within "Misplaced".

10. It has. It's just subtle, I suppose. It's also been in the comics. Ultimately, there's only so much screen time, though, I guess to focus on it.

Response recorded on March 06, 2012

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The Batfan writes...

Hi! It's me again, and wow, we've had some great episodes since "Terrors." "Home Front" and "Alpha-Male" really served to underline one thing I think is really great about this show: the bad guys aren't go to show the heroes mercy, just because they're teenagers. If these people can stomach killing civilians, they will definitely use lethal force to get rid of a few meddling kids.
...and then there was "Revelation," which blew my already high expectations for this show right out of the water.
It's not just that I think this show is nine kinds of amazing; the thought that keeps crossing my mind is, "This is the definitive animated version of the DC universe." This coming from someone who loved Batman: the Animated Series, and watched Teen Titans, The Batman, and the vast majority of DCAU material. Maybe it's because I'm not as young anymore, and I need a more mature, more plausible, more "complete" world; but while that's certainly a weighty factor in why I like Earth-16, I really think the level of writing and design seen on this show just hasn't been surpassed by any animated DC material that I've seen yet.

Anyway, sorry about that rant of praise. I'm sure you get a lot of it. I do have a few questions:

1. I looked through the archives, and there have been a lot of questions about Robin's - or, more specifically, Dick Grayson's age and grade level. I get that he's thirteen, and a freshman; he's definitely smart enough to have skipped a grade somewhere down the line. My question is this: if he is a freshman, and therefore new to Gotham Academy, why does its gym have his math prizes before he starts going there?

2. Belle Reve seems to hold many criminals who do not actually have any super-powers. Why are they held there, and what do their collars actually do, besides shock them? (I'm thinking more particularly of Riddler - though I know there's a question about him pending - Abracadabra, Ojo, and, with the exclusion of Killer Frost and Icicle Jr., the ice villains).

3. How do the power inhibitor collars have any effect on Mammoth and Blockbuster? Not only is their strength in their muscles (and therefore not a "supernatural" effect that can be canceled unless the collars generate some kind of gravity field - and then they wouldn't be able to move), but the Brain's collars don't seem to do anything to his enhanced animals.

4. How old is Wotan, and *what* is he?

5. How old is Black Adam, and why are his ears pointed?

6. When Atomic Skull blasts the flash, why does he not sustain severe radiation burns?

7. I really, really liked the way you re-introduced the Helmet of Fate. The entrance on that amazing low drone singing. The ethereal, solemn sense of power that created really served to demonstrate that Fate isn't just some hero - he's the physical manifestation of a cosmic entity. Anyway, my question: did you get a singer to vocalize that, or was it done digitally somehow?

8. Speaking of - I'm curious about the music in animated TV shows. Do you record real musicians playing the tracks (orchestras, rock bands, etc.), or is it all done digitally? And if it is all digital nowadays, might you know when the switch was made?

Thank you so much. Looking forward to more great episodes!

Greg responds...

I'll always take rants of praise. Never get enough. Yes, I'm just that shallow.

1. ASKED AND ANSWERED. (It's a six year school. 7th-12th grades.)

2. Riddler's collar does nothing but potentially shock him and keep him in line. But any "super-villain" who could easily escape a standard prison can be housed at Belle Reve, whether they have innate super-powers or not.

3. Brain's collars weren't designed to inhibit, just to maintain discipline (which is another function), so that's an apples and oranges argument. As for Mammoth and Blockbuster, the collars inhibit their muscles. Not 100%, but clearly enough.

4. Old.

5. I've never understood why his ears are pointed. But they are. Black Adam is also old.

6. When did he blast the Flash?

7. I'm pretty sure it's digital.

8. Well, every series is different. Most - but not all - of the YJ music is synth. But of course, "real musicians" did record the synth . But for example, on Spectacular Spider-Man, guitar was such an important element of our score, that although most of the music was synth, the guitar work was always the genuine article.

Response recorded on January 19, 2012

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tomi writes...

The Gargoyles had very moody and powerful orchestral score, fitting very well into dark athmossphere which show embodied. Batman: The Animated Series had similar alike score(aside sharing some of its, writers/co-workers working on both of the shows).

However, Batman Beyond, although following in same timeline as Batman, taking place in dark future, had much more techno-metal soundtrack. Some themes similar to those heard in previous serie,s were also sometimes used, although in different instruments. Although liking of this change had been little bit mixed among fandom, i personally enjoyed this change, giving refreshing and differencing mood from it predecessor.
Somehow, i always envisioned that Gargoyles 2198, if ever reached to level of becoming animated series, would use similar kind of musical change: after all, in this spinf-off technology had expaned even beyond what we had seen in original Gargoyles, and we,ve would be seeing, thanks to Space-Spawn, alot in and out in our solar system: somehow i personally hear music like Static-x or Matrix soundtrack when thinking what this new enviroment would look like.

Do you think score would remain similar to Gargoyles, or would its future spin-off take futuristic change in not just visual but also sound?

I do understand that you dont usually like hypotethical questions, and i also try to avoid them, but this simply has been rolling in my head alot...

Greg responds...

Score-wise, I don't think we shared any personnel with Batman: The Animated Series. Carl Johnson was the Gargoyles composer. Shirley Walker did Batman with a number of composers, but I don't think Carl was one of them, though I might be wrong.

I'm sure we'd incorporate certain Gargoyles themes, while striking out in a new direction, but I'm not interested in defining that direction now in any way.

Response recorded on February 16, 2011

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Anonymous writes...

This question is a bit strange.

Why does Speedy gets his own theme tune?

Also I would like to say this, after watching YJ, I really prefer Speedy's seriousness over Robin's seriousness anytime. Plus Crispin Freeman is the best Speedy voice actor in my opinion. Keep up the good work.

Greg responds...

We're not really thinking about it that way.

Response recorded on February 09, 2011

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Sree writes...

1.When coming up with the theme song for spectacular spiderman, how many bands and how many versions of the song did you have to go through? Did you n Victor Cook have much input into selecting the ulimate song?

2.Do you know what Victor Cook is currently working on?

Greg responds...

1. We listened to about seven or eight submissions. Four of those, including the Tender Box song you're all familiar with, we liked a lot and wanted to use on the DVDs, but couldn't afford to. And, yes, Vic & I picked the song, though of course we needed approval from a whole bunch of folks at Sony, Marvel and KidsWB. Fortunately, everyone agreed with our choice without reservation.

2. Yes. Scooby-Doo, plus he's guest directing episode 20 of Young Justice.

Response recorded on January 28, 2011

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Joker writes...

Have you guys made any intro/theme song for Young Justice ?

Greg responds...

Find out on Friday.

Response recorded on January 04, 2011

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Paul writes...

When Young Justice starts airing in January, will there be a theme song at the beginning of each episode (or a minute or so in, like in The Spectacular Spider-Man)?

Greg responds...

I'm gonna let you wait until January to find out.

Response recorded on December 22, 2010

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SLG writes...

Hey Greg,

Really liked the Young Justice pilot, very solid stuff. I especially like the line Robin had about how Batman would "have his head" for taking so long to get out of those shackles. Robin seemed pretty capable, and I'm sure he'll get closer to Batman's level as time goes on, but I do hope we'll get to see the master at work every once in a while.

I also really have to say that I loved the action sequences (and the writing, of course). They had a great flow to them and a great sense of pace. I was also a bit surprised at how hard hitting some of the fights were, by which I mean they seemed to be fairly violent, even compared to something as recent as SpecSpidey, though that's just my take on it.

So anyway, you say that your brother, Jon Weisman, is writing for Young Justice, which got me thinking about how that was also the case during your time on WITCH. Since someone was nice enough to upload the entire series onto YouTube it has been easy enough to go back to. One of my favorites of that show was "S for Self", mainly because of the songs "Demon in Me" and "Will to Love" that played during it, for which you and Jon wrote the lyrics.

So this is a bit out there, but do you suppose that original songs, like those produced for WITCH, are something that would ever have a place in Young Justice?

How about an entire episode in the form of a musical? Buffy style, you know you want to.

Greg responds...

I do want to. But I'm not sure I'm smart enough to come up with an original reason for it to happen -- that WORKS with the tone of this show. Way back when, I wanted to do a musical episode of Gargoyles, but could never come up with a justification. Then Joss Whedon did "Once More With Feeling". And of course, the answer was obvious. I could have used Puck to force everyone to sing. Trouble is... I wasn't smart enough to figure that out first. Yes, that's right. Joss Whedon is smarter than I am. Now, taking that approach would REALLY look like I was ripping off his idea. I'm not 100% sure I'm above that. But I'm about 87% sure, so...

Even on Spidey, which was a show with a way less realistic and grounded tone than YJ is, I struggled to find an original reason to do a musical episode. And I couldn't figure one out. So the odds of me figuring one out on Young Justice seem slim, I'm afraid.

Response recorded on December 17, 2010

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David B. Jacobs writes...

Hey Greg!
Don't know if you'll know this, but when Sony relinquished Spider-Man TV rights, did that include the theme song? In other words, assuming TSSM comes back (and I'm also assuming that it will have already been renewed by the time you get this), then will you be able to use the same theme song, or will you have to make a new one? 'Cause I LOVE that theme song!!!!!!! (Although I'm sure you could another one just as good....)

Greg responds...

I love the song too, but your question is unfortunately moot now.

Response recorded on May 27, 2010

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Graham writes...

Hey Greg, love the show! Anyway, I wanted to know what the guitar chords were for the Spectacular Spider-Man theme, because I searched for them online, I couldn't find them anywhere, and would love to learn the song. I really hope you guys can get the show renewed, it's the best animated show I've seen in a long, long time.

Greg responds...

I'm afraid I don't know the answer.

Response recorded on March 08, 2010

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Lylat-Warrior-Galaxia writes...

Do you know any website besides here that has Gargoyles OST or Fan Made Gargoyles Music? I really love the music. Trust me, I have been looking for Star Fox music as well. (Don't bother with Star Fox)

Greg responds...

Nope, sorry.

Response recorded on October 29, 2009

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Mara writes...

Spidey question:

One of the things I notice upon rewatching the series is the awesome background music- did the show have a composer, and if so, who?

Greg responds...

The series wonderful composers were the Dynamic Music Partners: Lolita Ritmanis, Kristopher Carter and Michael McCuistion.

Response recorded on October 06, 2009

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Mike again writes...

What are the musical scores playing in the Spectacular Spider-man episode Ganglands? Also what is the opera that is playing?

Greg responds...

The opera is Rigoletto. The rest of the music is by our composers, Lolita Ritmanis, Kris Carter and Michael McQuistion.

Response recorded on June 08, 2009

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Paul writes...

Thanks for doing such an amazing job with The Spectacular Spiderman. Both seasons are really enjoyable. I've just got two questions:

1) Why is it that a lot of the background music in season 2 was stuff that had previously been used in season 1? Aside from character themes, nothing seemed to be repeated in season 1, but in season 2, lots of music from previous episodes kept popping up again and again. Was a smaller budget used for the music in the second season?

2) The animation in season 2 seemed to be weaker than season 1 as well. Some episodes looked beautiful, but others seemed a bit choppy and off-model at times, like "First Steps" and "Identity Crisis". Was there a smaller budget for the animation in season 2?

Greg responds...

1. Themes were reused intentionally -- and by the second season we had a LOT more themes to reuse -- but to my knowledge, no actual music was reused, and I attended EVERY music spotting session, muisc preview session and sound mix.

2. No. We've had inconsistent animation here and there both seasons. Both our seasons contain some of our most gorgeous stuff and some of our weakest stuff.

Response recorded on May 27, 2009

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bob writes...

Hello I was just wondering if you could help me with something I know you've answsered questions like this before but this one is different. I think that I would like to write lyrics and get paid for it haha I was just wondering if this is a real job? I know your not in the musuc bussiness but you are a writer and have written music before so any help would be apprciated. Were would I go with this? And who do I talk to to make this Happen? Thank you very much for your time and any help you can give, I really appriciate it!

Greg responds...

I wouldn't personally want to do it for a living, but it's fun to do every once in a while. But I'm afraid I have no career advice to give in this area beyond confirming, that yes, some people do lyric-writing for a living.

Response recorded on March 30, 2009

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TheRedOne writes...

Personal question about your taste in music: what's your favorite kind of music to listen to? Im a country fan meself

Also, related to music, I know that youre not a fan of Gargoyles fanfiction (which makes perfect sense since its an ongoing story) but what do you think of fan-made music videos (or even fanart for that matter)? While listening to a country station today, one of my favorite songs came on. Its called 'Put A Girl In It' by Brooks and Dunn. Since I had Gargoyles on my brain at the time, I thought it would be a perfect song to describe the Trio before Angela arrived on scene. But do you also ignore AMV's like you ignore fanfiction?

Greg responds...

I have somewhat eclectic and perhaps old-fashioned tastes. I find myself listening to standards at work online at the Lounge.

Check out: http://webclust1.liquidcompass.cc/sos4cust/SMCM/audio_player.php or http://www.martiniinthemorning.com/page.php?9

Response recorded on October 03, 2008

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JanAlexandra writes...

about original music score~:
the music being used in episodes Eye of the Beholder(scene Xanatos proposing to Fox) &Outfoxed(where Fox and Xanatos working on their karate),is the melody a creation composed by Carl Johnson or it's movements from classical music? and is it available on any cds or any other sources?

Greg responds...

It's all Carl, and unfortunately, I don't think it's available anywhere.

Response recorded on December 20, 2007

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gargoyles make me cry writes...

hi i was reading gargoyles #4 for the millionth time and i had the raido on when phill colins "one more night" came on when i was at the part
where elise was braking up with golith is was sad :( so it got me thinking that if there was a sad part in the "movie" if it ever comes out
they should use that sog, just a thought what do you think ?

Greg responds...

I'm not gonna get that far ahead of things myself, but you are all welcome to score things in your head however you like!

Response recorded on August 08, 2007

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Twiggess writes...

I can't believe I'm evening asking this, it's so stupid.... but I was just skimming thru the archives, and found (from WAY back in 2003 or so, which makes me feel all the more stupid bringing this up) that u wanted Demona in the music video for "White Flag"
This is so eerie, b/c I thought the EXACT SAME THING when I heard that song. It would have been a heck of a lot more creepy if I didn't do that with nearly EVERY song I hear these days (at least when I'm bored.)
But there's one song in particular where it seems like EVERY FREAKIN' LYRIC is talking about Demona (please don't laugh or anything)- Avril Lavigne's "Happy Ending." Yes, Avril's kinda a guilty pleasure for me. The point is, I was just wondering if you had ever heard that song. I'm sorry for wasting your time (and completely embarressing myself) over such a dumb, DUMB question, but I just HAD to ask it. Just, do me a favor and ask Erin if she's got the CD ("Under My Skin") It's just, it's like if you guys ever did a Gargoyles musical (PLEASE don't!) I would expect her to sing that song to Goliath (who I think some kid wanted to sing Barry White-which I agree with, but I'm not too passionate about that.)
Anyway, done making a fool of myself, I'll just crawl under a rock now.
P.S.: Oh to heck with it, I've already made a complete idiot out of myself, I may as well do some product placement. If anyone besides Greg is reading this, please check out my new fanfics on the official gargoyles website (I know Greg's not gonna read it, and I simply have no shame.)

Greg responds...

I've heard some Avril songs on the radio, but I can't remember the titles, so I'm not sure if I've ever heard "Happy Ending" or not. I don't recall ever hearing an Avril song and going, "Hey, that's totally Demona." Whereas, "White Flag" really made me feel that way.

Response recorded on February 14, 2007

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Alex writes...

Greg,
I'd like to know (since the DVD just came out) if you plan on releasing a soundtrack of Carl Johnson's compelling music.

-Alex
"Gargoyles-urban myths, now urban reality."-Travis Marshall

Greg responds...

I personally can't plan anything. It's not up to me. I'd of course love it if Disney did release it, but I'm sure that at this time they have no plans to do so.

Response recorded on October 19, 2006

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Phoenician writes...

Glad to see that we can post again . . . I got the DVD on Tuesday Premire!!!!

I was so happy!

Went over to Best Buy to buy it. Turns out, my little brother, 10 years old, today, was the won to find it. They were in a box somewhere in the 'TV Shows on DVD' aisle.

We politely asked a worker there to properly display the boxed set in all it's glory. Unfortunatley, I don't know if they ever did. :I

I read the back cover for the first time. It said it all, surprisingly. "The victems of Human betrayal" Humans? Betraying Gargoyles? To the unwise ear, that sounds ridiculous, and that those who read it must surely see how could perfect humans do evil to 'monsters.'

Hey, that's just who I am.

I saw the commentary in the Pilot episodes. (Isn't cool that "Gargoyles" has more than one pilot episode?) I loved how you (as in Greg, Frank, and Keith) mentioned every little thin we loved about the show, and the quirks that cam ealong with it. "Bronx kicks A**, or tail, as the case is!"

Loved it.

I also never truly realized the TRUE signifigance of Goliath asking to join the others in stone sleep. I never knew that he meant to commit suicide, but now that makes it all the more meaningful. It also reminds me of the Demona's anguish when she sees Goliath that way in City of Stone Part I, where she cries and kisses Goliath, not even trying to find a way to wake him.

Sad indeed.

I also loved the dog joke. Once an actor, now on the streets . . . cliche', huh?

I am glad that Carl Johnson also got the recongition he deserves. I mean, hard not to, right? Everytime the comentary began, you gave praise to the man who came up with that "BUMMMMM!! BUMMMMM!! BA BU BU BUM BUMMM BA BA BUMMM!! Epic indeed.

But it was truly a rewarding thing to see the show on DVD at last.

"I always survive" -- Demona, "Temptation" That is how this fandom is. No matter how hard we hit the ground, we always come back alive!

AND WE LIVE AGAIN!!!!!

Onward to Season II !!!!!!

Greg responds...

We do indeed live again!

And thanks for mentioning Carl and his amazing score!

Response recorded on September 27, 2006


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