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UNQUESTIONS 2016-02 (Feb)

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Raphael writes...

Hi Greg, I wrote many months ago about the correct episode order for Gargoyles. I actually live in Australia so getting Gargoyles Season 2 Vol. 2 is hard and because I know I won't be able to finish it, I haven't watched all of what I have of Gargoyles yet. That information wasn't really needed but I figured I would put it there as a precursor to saying I'm practically obsessive about The Spectacular Spider-Man, (as a Spider-Man fan like yourself, albeit a much narrower breadth of knowledge as I am only a teenager) love Young Justice, particularly the second season, and am enjoying Gargoyles (I think I'm only just past City of Stone, which was epic in the literal sense) and Star Wars Rebels, that twist in 'Rise of the Old Masters' in particular was really well crafted, which as I write this is six episodes or seven episodes in, I'm slightly behind.
Before I get started, I want to make it clear that whatever I say in my first question, I have no intention to argue with you about what you put in the show as others have been about Wally West at the time I write this. I actually have a few different questions on Young Justice, one on The Spectacular Spider-Man and one about you which are split up and these two paragraphs sort of serve as an introduction to all of it.
1. I'm fairly certain there's an undeniable change of pacing and generally a slight tinkering in the type of storytelling from the first season of Young Justice to the second. In the first season the episodes were relatively self contained episodes that contributed to larger character arcs but in the second season almost every episode, if not every episode, contributed to a constant driving narrative. I've noticed something like this in all of your shows, between their first and second seasons before they all were sadly cancelled. Gargoyles felt like its first season set up the character dynamics and world before the second season expanded its universe, probably due to such a large episode order. And The Spectacular Spider-Man felt like it just grew more confident and ambitious. If you don't think these assessments are correct I'd be very different to hear why your shows evolved. I believe Young Justice evolved the most though. Was that planned from the start or was the show readjusted due to what direction you and the rest thought the show could best move in? Or was it some external factor like a change in writing staff, or a smaller amount of episode? In conclusion, why was the show's overall pacing changed? And if you think I've answered my own question can you elaborate?
2. Was there any break in production? I know there wasn't much space between the airing of Young Justice's first season and its second, but did you have any break between seasons?
3. I'm not sure if this has been asked before, and it seems like a fairly obvious question so I apologize if it has been, but how far into production of season 2 of Young Justice, if at all, did you know it was your last season and how sure were you? When I say you I mean everyone who worked on the show.

Greg responds...

1. I think much of what you says feels right. But that's a key distinction. It "feels" right. It isn't objectively correct. I do think that on YJ, the second season was without a doubt more driven by narrative than by character, as the first season was. This was in part intentional. We didn't need to intro concepts. But you may be overstating it a bit as well, since every episode was still designed to stand alone and tell a great story that could hook new viewers. One other factor, as you noted, that definitely contributed to this sense of momentum was the fact that we only got 20 episodes for the second season. That forced us to dedicate more episodes (and storylines within episodes) to the main "novel" we were crafting. With a larger order, we'd have had more plotlines that weren't directly tied to the main throughline, and the feel would have been more like Season One.

2. A short break. Nothing significant.

3. I don't remember exactly, but it was before we completed production. I think maybe even before we had completed the final script.

Response recorded on February 23, 2016

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C. David Cole writes...

Hello Mr. Weisman,

I have some questions about creating teams and the personalities of its members.

1. When creating a team how do you decide what will be the personalities of characters in the group? I've read elsewhere that the best way to create a group is to make each member of the group have the opposite personality of another member. Is this the method you use?

2. How did you decide what personalities to use in the Manhattan clan in Gargoyles?

Thank you for taking the time out of your busy schedule to answer my questions.

Greg responds...

1. No. Nothing quite that didactic. I do look for a mix. But I'd say my process is more organic and holistic than what you're describing. It also depends a LOT on whether I'm adapting an existing property or creating something original.

2. I'm not sure I remember. But if you look at the ASK GREG archive's "Original Development File," you can see how the characters evolved over time.

Response recorded on February 23, 2016

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Anonymous writes...

On November 13, 2014, you said you had been working on 4 projects on was a Star Wars Rebels: Kanan comic. You declined to name the other three, but you said one was definitely happening, one might happen, and one was postponed indefinitely. If any of these haven't happened yet, will you name them now?

Greg responds...

If they haven't happened, no.

Response recorded on February 23, 2016

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Tup writes...

In Captain Atom #1, Megala explains the Quantum Field, and equates it to Chi.

Does that mean Asami's power is tied to the Quantum Field somehow?

Greg responds...

Uh... maybe.

Response recorded on February 23, 2016

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Cameron02 writes...

1.How physically strong are martians in the earth-16 universe?
2.Can they pick up cars or trucks?
3.Can they reverse their density-shifting to make them stronger and more durable?
-Great show by the way :D

Greg responds...

1. It depends on their density.

2. Trucks, no. A small car, perhaps, depending on his or her density.

3. Yes. But they'd get physically smaller in volume. You see this in our companion comics when Miss Martian visits Atlantis.

Response recorded on February 23, 2016

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Long Beach Comic Expo - 2016

Here's my schedule for this weekend's Long Beach Comic Expo at the Long Beach Convention Center:

SATURDAY, FEBRUARY 20, 2016

11:30am - 12:30pm
DOWN TO NERD: INVADER ZIM AND GARGOYLES: CONQUEROR VS PROTECTOR
Thunderdome (Seaside Pre-Function) w/RuthAnn Thompson (moderator), Dave Crosland, Greg Weisman.
Description: Some come from another time to protect, another from a different planet to conquer- but both hold a special place in our hearts! Gargoyles VS Invader Zim. We will focus on the first 5 episodes of the TV series Gargoyles with writer/creator Greg Weisman and the first 5 issues of the Invader Zim comic books with Dave Crosland. What are the differences and similarities do these creatures out of space and time have? How will they fit in on modern day earth? Casual Fans and Hard Core Nerds alike join host RuthAnn Thompson and be "Down To Nerd"!

01:00pm - 02:00pm
THE ART OF STAR WARS & THE FANDOM BEHIND IT
Danger Room (S1) w/Ben Paddon (moderator), Terry Dodson, Craig Miller, Cat Staggs, Greg Weisman.
Description: Cat Staggs has been working for the Star Wars / LUCASFILM family since 2004, for which she has illustrated short fiction for starwars.com, produced sketch and trading cards, exclusive prints for Star Wars Celebrations III, IV, Europe, Celebration V, and Celebration VI. Terry Dodson is an American comic book artist who penciled the Dark Force Rising comic series in 1997. He has also provided art for Mark Waid's Princess Leia limited series. Moreover, Dodson has drawn the Books-A-Million variant cover to the first issue of the Shattered Empire miniseries, and the CBLDF variant to Star Wars: Vader Down, Part I. Greg Weisman is the writer for Star Wars Rebels - "The Machine in the Ghost", "Art Attack", "Droids in Distress", "Breaking Ranks", "Gathering Forces" and Star Wars: Kanan: The Last Padawan. Craig Miller was Director of Fan Relations for Lucasfilm from 1977-1980. He created and oversaw the Official Star Wars Fan Club as well as having edited and written virtually all of the first two years of Bantha Tracks. He was the producer of the Star Wars Sesame Street episodes in addition to operating R2-D2's head in the episodes, as well as being Producer for Lucasfilm on commercials such as the ones for licensee Underoos.. He was also responsible for creating the 800-number telephone hotline for The Empire Strikes Back that allowed fans to call up to receive more information about the movies and characters.

02:30pm - 03:30pm
DWAYNE MCDUFFIE AWARDS
Creator's Lab (S5)
Description: Long Beach Comic Con is proud to announce the commencement of the Second Annual Dwayne McDuffie Award. This one of a kind award will be granted on February 20, 2016 to an American comics work, published in print or digitally in 2015, deemed by the Selection Committee to promote diversity. In the spirit of Dwayne McDuffie, "promoting diversity" can be judged as either broadening the range of characters portrayed in comics, or adding to the variety of creators contributing to the medium.

04:00pm - 05:00pm
THE SPECTACULAR SPIDER-MAN PANEL
Danger Room (S1) w/Greg Weisman (moderator), Victor Cook, Kevin Hopps, Kelly Hu, Josh Keaton, Pamela Long.
Description: In 2008, a new version of everybody's favorite friendly neighborhood Web-Slinger - dedicated to recreating the feel of the original Stan Lee & Steve Ditko and Stan Lee & John Romita, Sr. comics - hit the air. Come hear the creative talents behind The Spectacular Spider-Man talk about what went in to making this classic take on a classic character. Panelists include Victor Cook (Director-Producer), Kevin Hopps (Writer), Kelly Hu (voice of Sha Shan Nguyen), Josh Keaton (voice of Peter Parker/The Spectacular Spider-Man), Pamela Long (Color Stylist) and Greg Weisman (Writer-Producer)!

06:00pm - 07:00pm
GETTING ANIMATED WITH TOP ANIMATION EXPERTS
Rumble Room (S4B) w/Ray-Anthony Height (moderator), Chris Copeland, Greg Weisman, Dean Yeagle.
Description: Top animation experts Greg Weisman (Gargoyles, Spectacular Spider-Man), Dean Yeagle (Caged Beagle Productions), and Chris Copeland (Marvel/Disney Animation) discuss how they broke into animation, their work and a Q&A with the audience!

I'll also have a table a on the show floor, specifically table AN-11 in "ANIMATION ISLAND" between Ellen Jin Over and Amy Mebberson, and near Dino Andrade, Michael Bell, Keith Coogan, Chris Copeland, Matt Doherty, Loren Lester, Tiffanie Mang, Joey McCormick, Chuck Patton, Peter Paul, Sara Richards and Aaron Sparrow. I'll be there between panels on Saturday and all Sunday morning until noon. (Not as sure about Sunday afternoon. We'll have to see.)

I'll sign and personalize anything you put in front of me, but I will also be selling copies of my two novels, RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM ($10 each), CD sets of the RAIN OF THE GHOSTS AudioPlay ($30 each) and RAIN OF THE GHOSTS prints, drawn by artist Christopher Jones ($10 each, but free with a purchase of the AudioPlay and/or both RAIN and SPIRITS). In addition, I'll be selling animation scripts from series including GARGOYLES, W.I.T.C.H., THE SPECTACULAR SPIDER-MAN, YOUNG JUSTICE, STAR WARS REBELS and others, ($20 each). Finally, I'll be selling script copies of a couple of the special one-off convention radio plays we did, i.e. THE SPECTACULAR SPIDER-MAN MEETS GARGOYLES and GARGOYLES MEETS THE SPECTACULAR SPIDER-MAN MEETS YOUNG JUSTICE ($20 each). All purchases are cash only.

I hope to see you there!


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Spectacular Spider-Man writes...

1. Why did Liz and Flash break up, and who broke up with whom?
2. How does Peter stick to walls through his costume? Wouldn't the hairs on his fingers be blocked? And how do his feet stick to walls, especially if he's wearing boots in his costume?
3. What is Hammerhead's real name (first and last)?
4. Were you allowed to use Marvel objects not related to Spider-Man? For example, could you mention Adamantium or Latveria?
5. How did Vulture, Sandman, Rhino, and the Mysterio robot escape from prison in Reinforcement? And why did they bother breaking the robot out?

Greg responds...

1. It was kind of mutual, since Flash was interested in M.J. and Liz was interested in Petey.

2. It's a thin costume (even the boots). That's why he's so cold all the time.

3. NO SPOILERS.

4. It never came up. If I had to guess, I'd assume Adamantium was okay and Latveria was not.

5. I don't recall.

5a. I don't think they knew it was a robot.

Response recorded on February 17, 2016

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Spectacular Spider-Fan writes...

1. Where was Master Planner's lair? What was the building Spider-Man was looking at, how did he know he could enter underwater, how was it built, and how did the villains get in?
2. What did Black Cat do with the stolen jewel from the end of Persona?
3. How did Vulture fire the lasers from the back of his wings in Shear Strength?
4. Why did nobody at the racetrack notice the Green Goblin? It wasn't a very good disguise.
5. What experiment was Dr. Octavius working on that caused the arms to fuse to him? Was it a normal experiment or a supervillain one?

Greg responds...

1a. In the river.

1b. I don't recall.

1c. He got that info from Tinkerer, didn't he? (It's been a while, and my memory isn't the best.)

1d. I think that was more or less spelled out in the episode. At least to the extent one needs to know.

1e. In an elevator from that building, maybe?

2. Fenced it.

3. Hidden controls.

4. If you say so.

5. Define "normal".

Response recorded on February 17, 2016

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Spectacular Spider-Fan writes...

1. Are the symbiote's webs living pieces of the symbiote, dead symbiote matter, or just waste produced by the symbiote?
2. Peter's costume gets ripped or torn in many episodes. How does he repair it?
3. In the Big Sky Billiard Room, there is a sign in the background that says "No gambling". Was this a joke, or does Montana not approve of or know about Blackie Gaxton being a bookie?
4. In Group Therapy, there is a sign that says "Jazzy Gianni: The Musical". In Gangland, the restaurant where the M^3 kids are eating is also called Jazzy Gianni's. Who is Jazzy Gianni, and why are a restaurant and a musical named after him?
5. What are those metal things Hammerhead wears on his hands? Do they enhance his strength?

Greg responds...

1. Fine question. I have no idea. I'll leave that to your interpretation.

2. With difficulty. (Also, he has two identical costumes.)

3. None of the above. What's legal and posted, doesn't always get respected - either by the owner or the help.

4. Jazzy Gianni was our code for Jazzy Johnny Romita Sr., the second artist (after Steve Ditko) to team with Stan Lee on Spider-Man. In universe, we imagined that Jazzy Gianni was a legendary man-about-town in New York City. And who's to say we're wrong?

5. They're the equivalent of brass knuckles. They don't enhance his strength, but they enhance the damage he can do with his fists.

Response recorded on February 17, 2016

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Arden Rose writes...

Hello Greg,big fan of your work. My question is; Robin (Dick Grayson) seemed to me to have a slight stutter sometimes when he spoke in the series. I was wondering if it was because if you were going the comic book route that English was his second language and Romani his first. If it was the intention to have Jesse McCartney sometimes struggle through the lines or if it was a different intention entirely? Thank you so much for an awesome series. I hope you can answer my question.

Greg responds...

I think you're imagining the stutter. It was not intentional, and although I was at literally every record and heard the vocal tracks multiple, multiple times both before and after the episodes were completed, I have never noticed any stutter, slight or otherwise. Nor do I believe that Jesse struggled through anything. Nor do I believe that Dick struggled either.

Response recorded on February 17, 2016


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