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Young Justice, Season Three

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Marvelman writes...

I noticed someone else asked a question about doing YJ stories that require a more mature rating. In this case, the poster wanted more brutal fight scenes. I don't have much sympathy with his desire for more violence, but it did make me wonder about something else: are there specific instances in which you would have liked to have told on YJ but couldn't because of the limitations of the target audience?

For example, I thought it was rather clever what you did in "Disordered." Personally, as a 49 year old, I wouldn't have minded an entire episode of them talking to Black Canary in therapy, but the reality is that your target audience wouldn't have much patience for that, and you probably couldn't have sold the idea to Cartoon Network either. You came up with an intelligent compromise of having the team's therapy sessions inter-cut with Superboy's adventures with the Forever People.

1) Are there other instances in which you had to come up with creative solutions to making an otherwise unpalatable story palatable to your intended audience? Can you think of some examples and what the work-arounds might have been?

2) And, are there still other stories that you wanted to tell but couldn't at all because of the network or because they wouldn't have interested your audience? For example, you probably couldn't produce an episode that was entirely a slice-of-life episode without an action element because that's your audience tunes in for. Have you ever wanted to do an episode like that on YJ?

3) Will the third season have the same content restrictions placed upon it as previous seasons? Or, will you have more liberty with your creative choices?

Greg responds...

I wouldn't say the "limitations of the target audience" but I would say the limitations of those who are nervous in seats of power.

But your example doesn't hold water for me. "Disordered" was told the way Brandon and I wanted to tell it. There was no compromise for our audience.

1. Your question is based on a faulty premise. I'm not really sure how to address it.

I suppose we hinted at Red Arrow's heroin addiction, as opposed to depicting it. Added in a metaphorical layer about his addiction to searching for the Original Roy, without negating the possibility that over that time he had also slipped into substance abuse.

On another completely different topic, we were aware that we could not depict LGBTQ relationships either. But that doesn't mean we don't have LGBTQ characters. You strive to write with consistency even toward those elements that you're not allowed to discuss.

2. 100% slice of life? No. I like the mix and the counterpoint.

3. I'm not commenting on the third season at all.

Response recorded on June 16, 2017


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