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Litwolf writes...

A few questions about Sphinx (all I know about her is her GargWiki profile and Im dying to know more):
1) Despite her appearance looking very much like an English gargoyle (wings, tail, humanoid body with cat features), she's not actaully a gargoyle, right? She's just pure New Olympian?
2) Can she fly, unlike a gargoyle's glide?
3) Do you think she has the physical strength to carry Terry in the air? (I ask this question because, given how the romance reminds me a lot of Goliath and Elisa, I wonder if we'll ever see Sphinx carrying Terry like Goliath carries Elisa)
4) How fast does she age as compared to a human? And how old is she when she meets Terry?

And, since Im sure Sphinx would be upset if I ignored her Terry, a quick question about him: any idea what kind of boat takes him to New Olympus? I think you've said he's going to sail around the world, so Im gonna guess a sailboat, is that right?

I hope Sphinx and Terry get a chance to have their story told in comic form!

Greg responds...

1. Correct.

2. Yes.

3. Yes.

4. I'm not saying.

5. Yes, it's a sailboat.

Response recorded on September 25, 2008

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Vaevictis Asmadi writes...

Yay the queue is open! I'm happy you're taking questions again. (and I'm of course excited to get #6, which I'll be ordering asap). I hope you don't mind questions unrelated to reviewing the comic... those Children of Oberon always make me so curious.

1. a. So Ragnarok already occured in the Gargoyles Universe. When did it happen? (If you don't want to give a year or decade, can you please say what century it happened in?)
b. Did any of the gods survive Ragnarok, other than Odin? If some did, who?

2. You've also told us that the war between the Titans and Olympians was a real event in the Gargoyles Universe. What happened to the defeated Titans afterwards? (I don't want to assume it is the same as the myths, or to ask more specifically for fear it would be an idea)

3. When was Oberon born? (If you don't want to give the year or decade, please say what century?)

Greg responds...

1a. Yes, it occured, but no I'm not going to hint at a date (even a century) at this time.

1b. Yes, a few others did. But I'm not revealing who at this time. (Though the myths themselves are a good hint.)

2. I'm not answering this at this time.

3. Ditto.

Response recorded on October 11, 2007

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Vaevictis Asmadi writes...

When (about what year or decade) did the New Olympians install the "cloaking device" (as Talos calls it) around their island?

Greg responds...

Haven't pinpointed that.

Response recorded on September 05, 2007

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Mostly Harmless writes...

How old are Taurus, Boreas and Talos?
Does Sphinx exist currently in Gargoyles or is she yet to be born? If it's the former, how old is she currentlY?

Greg responds...

The very first version of Talos was constructed in 1290 B.C.

The rest I'm not answering at this time.

Response recorded on June 12, 2007

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Mostly Harmless writes...

If Terry Chung currently is just a kid in Gargoyes judging by his appearance in issue number four, are we to assume that New Olympians is suppose to take place in the near future in relations to Gargoyles? Was that always planned or is that a recent idea?

Greg responds...

If someone BACK THEN had said, yes, let's do New Olympians NOW, I would have jumped at the chance, and Terry would be older than he is. But years past, and giving it some thought, I placed the inciting events of New Olympians later. So it's a RELATIVELY recent idea, but frankly we're talking about a decision I made eight or nine years ago, or something...

Response recorded on June 08, 2007

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MAY 23

This day in Gargoyles' Universe History....

May 23rd...

1996
Helios, Kiron, Ekidna and other New Olympians riot over Elisa's presence on their island. Taurus responds by throwing Elisa in jail with the shape-shifting killer Proteus. Goliath attempts to break Elisa out but is instead tricked into releasing Proteus. The shape-shifter imprisons Goliath in his place, then takes on Goliath's form to fool Elisa. They escape together. But when "Goliath" fails to turn to stone at sunrise and reveals his plan to blow up the island, Elisa lures Taurus to Proteus and works with the Security Chief to recapture the shape-shifter. In gratitude for her actions, Boreas releases Elisa. At sundown, the travelers immediately depart for Avalon.


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MAY 22

This day in Gargoyles' Universe History....

May 22nd...

1996
The travelers depart Avalon and land on the hidden island of New Olympus. Taurus, the New Olympian Chief of Security, arrests Elisa - simply for being human. Boreas, the leader of New Olympus, releases Elisa but refuses to allow her to leave the island.


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Blaise writes...

THE NEW OLYMPIANS
(I had written a rather lengthy ramble on this last night, but due to some glitch or other, lost it. So, here I try to recreate that which was lost.)

This episode is always a little difficult for me to watch, mostly because of the unreasoning hatred and bigotry displayed by many of the New Olympians. It "angers the blood" in me, if you will. Things like Helios' "What a foul stench, it must be coming from the human!" just rankle me. I mean, I know that they have legitimate grievances (or, at least, their ancestors had them), and if they had only avoided Elisa, I might be a bit more tolerant. Despite the wrongness of his decision, I can like Boreas because he at least seems to try. Even Taurus, who has the seed of hatred inside him, does not always make decisions based on it, and even breaks up the riot. But the behavior of the rioters and their ringleaders--Ekidna, Kiron, and especially Helios (I don't know why I single him out, but if feels right)...it's just completely inexcusable (and loathsome).
Oddly enough, I don't feel the same way about Proteus, who is arguably more evil than any of the rioters. I mean, this is the guy who performs evil acts BECAUSE they're evil, right? And yet, I enjoy watching him. Why is that? Is it because Proteus does not make any excuses for his evil (at least, not here)? It's like...okay, you watch ANGEL, right Greg? You've seen that episode with that one guy, Billy (I think that was his name), the Hell-freed misogynist who could incite instant and violent hatred for women in any man he touched? (If you haven't, please skip to the next paragraph) It turned out that Angel was immune because he had worked past hate a long time ago, but he admitted that even as Angelus (his evil side) he was never motivated by hatred so much as a perverse sense of glee from inflicting suffering. And while I can actually kind of enjoy watching Angelus work (no matter what he does), I could feel only raw disgust and hatred at Billy, who tries to justify his bigotry. It's the same way with Proteus and the rioters, here.

Anyway, on with the episode.
I loved the music that played when the skiff passed through the "shimmering" area and New Olympus was first revealed.
Also, the designs for this episode were great--I love the many and varied character designs of the New Olympians themselves, especially Boreas and Helios.
And I echo Erin's assessment of the city: "Wow."

As soon as Elisa shoved the gargs off to the side and said, "No telling how they'll react to gargoyles," I immidiately put two and two together and figured out where this episode was going. I mean, whenever anyone says something so obvious like that it's almost like asking for the reverse to happen.

Interesting restraint system the N.O.s have. There's not much more I can say about it, but I did find it rather peculiar.

I agree with you about the Senate House walla, Greg. I must have heard that one guy say, "Humans can't live with us! They're dangerous! They're animals," or something like it, about two, maybe three times.
Also, theres a moment here that I always find a bit odd. When Taurus removes his helmet/mask, the way it's staged--the camera angles, and Goliath's spreading his wings--seems to indicate that this is some sizeable revelation. And yet, it was rather anticlimactic. Taurus, if anything, looked exactly as I expected him to look.
I like it that the "Leader" of the New Olympians holds a "lightning staff"--sort of harkens back to Zeus. Or is that thing particular to the Boreas of New Olympus?
And there's a moment towards the end of the Senate House scene that I missed until the third or fourth viewing: Goliath and Elisa embrace.

I do have to wonder about Boreas' decision here. What did he expect to happen? Did he have too high an opinion about the behavior of his people or did he suspect what would happen (which would make his decision somewhat malevolent)? I'd like to believe the former, but if that's the case, then he may be just a bit too optimistic.

And then we have the riot, which I've already touched on. Helios gets things rolling with his "stench" comment (kind of a racial slur), but Kiron throws the first punch. Like Todd, I find these two particularly reprehensible because they're supposed to be peace-keepers. Ekidna I actually find myself being more tolerant towards (maybe she reminds me of Demona). It's odd, but the way she talks about how the human's treated the N.O.s in the past sounds almost as if she experienced it personally. Then again, maybe I'm reading too much into that.

While Taurus' arresting Elisa is unjust, it did probably save her life in the immediate moment.

Actually, I find Taurus very interesting here as he's walking Elisa towards her cell. Whatever hatred he may have for humans, it doesn't stop him from telling Elisa about his father's murder by Proteus. He even manages to sound a little nice when he says "Make yourself comfortable, you could be here awhile." He also breaks up the riot, threatening to arrest everyone, and fire Helios (I love Helios' meek, "Y-yes, sir!"). Of course, I think a little of Taurus' own bias still shows through when he says "If you've got a problem, take it up with Boreas." It almost sounds as if he has a few things he'd like to say to the winged-one. Of course, I may again be reading too much into this.
Like I said, Taurus strikes me as someone who, while subject to prejudice, TRIES to act in spite of it. He's not always successful (he arrests Elisa instead of just moving her out of harm's way), but I'd like to think his effort counts for something.

And now we come to Proteus. I have to admit, my interest in him increased when you mentioned in a previous response that he was probably the closest thing to "pure evil," "evil incarnate," what-have-you that we have yet encountered in the GARGOYLES universe. There are many reasons I would have wanted to see the New Olympians spin-off, and a further exploration of Proteus' character was one of them. I would have loved seeing him in action beyond the scope of this one episode. And the late Roddy McDowell...what a great voice and performance.
I love how Proteus immediately begins quizzing Elisa about her mode of transportation. You can tell he's already thinking of escape.
Admittidly, Proteus may not be the best actor--"Who's that guy?" is probably the worst Goliath impression I've ever heard--but then again, he didn't have a heck-of-a-lot of time to study his subjects. I mean, if any of us had shape-shifting powers we could probably pull off a decent impression of the characters because we've watched and studied them so much. For what little time he had, Proteus' acting got the job done (up to a point--I'm not sure how convincingly he can turn to stone).
I find it interesting that Proteus' voice doesn't change when he becomes the Cyclops (is that a sort of secondary, "preferred form" for him?). I also find it interesting just how easily he seems to be hurt in that form. His fist connects with a collumn and he's in pain, and immediately after this he is felled by one punch from Taurus (granted it's to his EYE, but...).

One of my favorite sequences is in this episode. Proteus-as-Taurus, heads up to the Collinadium (however that's spelled) and begins to overload it. As he's doing this, Talos is explaining why this is a bad idea, and asking him to stop (while displaying missles) in such a frustratingly calm voice! I find it hilarious! Maybe that's why I feel sad when I see Talos' inert body hanging from Proteus' fist--I like the robot.

Angela does real well at dodging the restraints. If the sun hadn't rose, she probably could have kept it up for a while.
I always wince when Kiron tips over Bronx. It looks like something might have broken off.

Back to Proteus really quick--I love his transformations in this episode. The way he just sort of liquifies. The change from Goliath to Cyclops (with the two eyes becoming one) was especially well-done.

Taurus has his "I don't understand" moment, which is kind of required for episodes tackling subject matter like this. When the character actually says those words, I usually find it a bit too on the head, but Michael Dorn's acting helps make it work. And I love the wink Taurus gives Elisa.

One thing that I think many viewers may miss the first time is that Elisa DID NOT change the whole island--which is what would happen in another, more standard series (kind of like what TGC did with ANGELS IN THE NIGHT). Only Taurus and Boreas have really come to trust Elisa (Taurus even waves to her).

"The time may soon come when the world will have to face the New Olympians." When I first watched this, way back when it first aired, my mother watched it with me. As soon as Boreas said this, she turned to me with a smile and said, "I smell a spin-off." If we only knew how right we almost were.
(Then there's my brother, who thought that line sounded more like a threat...).

A little note on voices here. Having been an admirer of Rob Paulsen's work, I was glad to see him finally show up on GARGOYLES. I only wished I'd gotten to see more of him as Helios.
Overall, the voices were all well done (especially when the actors played Proteus-as-their character).
Yes, Taurus and Coldstone do sound a little too much alike, but Taurus has a slightly different speaking style than Coldstone, so that helps somewhat.
Of course, now that you've mentioned that Taurus, Talos and Proteus each had different voices originally, I'm going to be going crazy trying to figure out who they were!

This is a nice episode, with some rather difficult subject matter for me, but I like it. And I know I would have loved to see the NEW OLYMPIANS series.

Greg responds...

Someday... someday...

Response recorded on September 14, 2006

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Todd Jensen writes...

Thanks for the ramble on "The New Olympians".

I've always had a soft spot for this episode, largely because I really like the notion of a whole society of "Greek mythology creatures/beings" out somewhere. I still hope that you can get to explore it some more later on; that spin-off sounded like a lot of fun.

Despite your mention of avoiding the actual gods for character models for the New Olympians (since the Greek gods were famous for looking too human to provide dramatic designs in the same way that a minotaur or centaur would), I did notice in the crowd scene (at the point when Helios is exaggeratedly coughing and retching in Elisa's presence) a woman carrying a bow who did bear a strong resemblance to Artemis (at least, as she's customarily depicted in myth-based art).

Ekidne at times struck me as almost channelling Demona in her cries of "Treacherous human!" and her eyes glowing red when angry. (Of course, Demona strikes me as another good case of "bigotry bringing about more bigotry", so it fits.)

Helios and Kiron's participation in the riot struck me as even worse than that of the other New Olympians; these guys are police, and should be discouraging such displays rather than encouraging them. (Whatever else you can say about Taurus, he had the decency to break up the demonstration outside Elisa's cell.)

Proteus struck me as a fun villain, with such lines as "They really don't like you, do they?" or his habit of tormenting Taurus by shape-shifting into his father. (I agree with you that Proteus doesn't seem to bother to do his homework; I'd caught all three of the flaws in his performance as Goliath that you'd mentioned - saying "Who's that guy?", providing a weak excuse for why he doesn't turn to stone in the daytime, and wanting to blow up New Olympus, which last - again - sounds more the sort of thing that Demona would do.) I also caught a moment when he's waving at Taurus with what appears to be an extra-large hand (which I assume is part of his shape-shifting again and not an odd-looking piece of animation).

One of my favorite bits is Elisa empathizing more with Taurus after discovering what they have in common - both police, and both have fathers who are police. Especially the bit where she wonders aloud how she'd respond if Peter Maza were to be killed in the line of duty.

Knowing your interest in Theseus, I certainly can't say that I'm surprised that one of the main New Olympian characters in the story would have a link to him, in the form of being descended from his most famous adversary. (Or that you'd do another take on Theseus and the Minotaur when you wrote an episode for Disney's animated Hercules series.)

The "humans of legend" bit reminds me slightly of a short story by J.R.R. Tolkien, "Farmer Giles of Ham"; in one scene, a giant is telling many other giants and dragons about his excursion into human territory, giving an exaggerated account of the food to be found there and of how little resistance one can expect from the local humans. The dragons promptly say eagerly "So knights are mythical, after all!"

Re your remarks about Talos - I wonder whether Talos could be described as truly prejudiced, being a robot rather than a flesh-and-blood being. (He certainly seemed the most pragmatic of the lot, as you put it.) Though, then again, maybe I'm displaying a bit of prejudice against robots and machines in not believing that they can develop feelings as humans and other flesh-and-blood beings can.

I'd caught the similarity of Goliath's "I cannot wage war upon an entire island" line to the earlier line "I cannot wage war upon an entire world" in "Awakening" - what made it most stand out to me is that the original line was spoken to Demona, and here he's saying something similar to Demona's daughter.

A neat little detail: the flying cars on New Olympus have little eyes painted in the front, just like those on an ancient Greek trireme.

Another of my favorite bits is Elisa's run-in with Helios, where she tells him about how Proteus is planning to blow up the island, leading to:

HELIOS: And you had to attack me to tell me that?

ELISA: Would you have listened to me if I'd just called you over?

HELIOS: Frankly, no!

Somehow I never spotted the hint of a spin-off at the end of this episode as I did for "Pendragon" - at least, not until I found out about the Master Plan. Now I find it an appealing idea, as I said above.

50 episodes down and only 16 to do. You're really making good progress on this one, Greg. Thanks.

Greg responds...

I think I've only got three left now. Try to get to those soon.

Response recorded on September 06, 2006

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Richard von Heinz writes...

1) Is Nokkar the Sentinel aware of the cloaked island of New Olympus or has New Olympian technology being able to fool the technology developed by his kind?

2) How did the New Olympians manage to create such advanced technology years ahead of human technology when they had a much smaller population and less resources for research and development when in regard human civilizations have been inventing continuously. For example even through humanity was in the Dark Age in Western Europe, people were still developing stuff in the MidEast and the Far East.

So in short order how did the New Olympians get so ahead? Did they just bypass or skip some of the technologies that humanity has or were they just really brillant at inventing stuff.

Greg responds...

1. Well, without confirming whether or not Nokkar COULD have seen through their cloak, I think the short answer is that he DIDN'T see through it. Had no reason to look. He's looking outward for an external attack. That's where his sensors are aimed.

2. Continuity helps. A few brilliant individuals who are able to build upon the work of their predecessors without interference and are given the resources can do amazing things in very few generations. Scattered advancement (two steps forward, one step back) across continents with little or no communication doesn't encourage speed of development. I also think an open mind helps too. Who believed that a man could fly in the so-called real world? A few people certainly, but until the Wright Brothers proved it, not the masses. On New Olympus, lots of their citizens can already fly. So making the leap to creating a chariot to accomidate those without wings or other flight capabilities isn't quite as difficult.

Response recorded on August 24, 2006


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