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Did you name the London Clan's magic shop, Into the Mystic, after the Van Morrison song?
I didn't name it. I assume either Gary Sperling or Robert Cohen named it.
When you were creating the other clans how did you decide which locations would have still have Gargoyle Clans over the others?
Some of it was about logic (like the clan on New Olympus). Some about story ideas we had (like M.I.A.). Some about a desire for geographic distribution (like the Mayan clan in Guatemala). Sometimes it just felt right, like the notion that there would eventually be a clan in Paris at Notre Dame, site of some of the most famous Gargoyles in the world. Sometimes it was as silly as ... hey, they're animating the series in Japan and Korea, so let's put clans there. At some point later on, the ideas became more fixed and were explored (at least in my head) in much more detail.
Iâve asked before without receiving an answer, but just in case this catches you on a generous day: How long has the London Clan been without Gargoyle-Beasts?
Not saying at this time.
Hey Greg, a question about the London Clan...
If the gargoyles raise their young communally, who names them? You've stated that Lunette's name is a sort of amalgamation of the names of her parents. But under the system of communal nurturing, gargoyles are not aware of their biological parents, correct? So who named Lunette (or any of the other gargoyles, for that matter)? It would be a pretty strange coincidence for her to have been given a name that so closely resembles those of her mother and father if no one is aware of her parentage.
I 'stated' that? I mean it's obvious, but I don't recall stating it.
Lunette was NOT named by the clan as an amalgamation of Leo and Una. (She WAS named by me that way.) But Lunette as a name has a long Arthurian history.
If that's too big of a coincidence for you, so be it.
G2008 Radio Play (Chapter IX)
12:18AM. LANTERN OF THE ABBEY. Arthur opens the transport container to look upon the Stone of Destiny. Chapter Nine: Rock of Ages. 1:06AM GMT. Arthur listens to the glowing Stone.
â¦Pointless, Arthur Pendragon, to waste time protecting any particular stoneâ¦
1:31AM. VICTORIA TOWER. Arthur, Macbeth, Hudson, Lex, Amp, Griff, Coco, Coldstone and Coldfire confer.
Perhapsâ¦ perhaps this is all unnecessary. I donât think we need to guard the stone.
Macbeth, Arthur, Hudson, Lexington, Amp, Coco, Griff, Coldstone & Coldfire sit. Coldsteel & Coyote STAND.
NOVEMBER 15, 6:16AM. LEITH. Coyote and Coldsteel stand side-by-side inside a warehouse.
No, I am not programmed for free willâ¦
Pity. You have potentialâ¦
COLDSTREAM GUARD, Macbeth, Xanatos, Coldstone & Coldfire STAND.
NOVEMBER 15, 10:02AM. A Coldstream Guard holds up a hand to stop a transport convoy from driving onto Coldstream Bridge.
245. COLDSTREAM GUARD
Get the bomb unit! Now!!
Macbeth to Coldstone: convoyâs stopped, and Xanatos is here.
Well, itâs a momentous occasionâ¦ and such a lovely dayâ¦
Safe to say heâs up to something.
Yes, safe to say.
Coldstone and Coldfire intercept Coldsteel and Coyote heading for the Bridge.
Coldsteelâs tentacles grab Coldfire, forcing her arms up so that she nearly FRIES Coldstone.
As you see, Iâve had time to mend my ways. Well, my appendagesâ¦
Release her! <pain cry>
Coldstoneâs back is raked by Coyoteâs buzzsaw-arm.
Now that weâre machines, donât you love these exhilarating daytime battlesâ¦? No nasty organic gargoyles to even the oddsâ¦
Coldfire HEAD BUTTS Coldsteel violently. His tentacles release her.
Consider the odds evened.
A t-t-temporary s-s-setbackâ¦
Then letâs make it permanent.
Out of Davidâs respect for Goliath, I am programmed to inflict only as much damage as necessary to reach our objective. But I define the parameters of ânecessaryâ.
Coldstoneâs fist SHATTERS the half-Xanatos/half-robot skull image on Coyoteâs screen. Coldstone shoves his forearm cannon down Coyoteâs âthroatâ and fires. Coyote EXPLODES! The dented Coldsteel watches the wreckage of Coyote fall toward the RIVER TWEED below.
P-p-pity. He had p-p-potentialâ¦
Coldsteel POWER-DIVES down into the river. Coldstone follows but can find no sign of Coldsteel.
Coyote & Coldsteel sit.
10:12AM GMT. COLDSTREAM BRIDGE. Xanatos stands between Macbeth and Arthur. A Marching Band plays. Xanatos presses a small one-button remote. Inside the Land Rover, the Stoneâs metal transport container is strapped to the floor of the cargo space â" which FLIPS over, so that the real container is replaced by a DUPLICATE (with a duplicate stone inside).
268. COLDSTREAM GUARD
Hold it down! The Bomb Squadâs at work!
10:38AM GMT. The Guard signals the convoy forward.
270. COLDSTREAM GUARD
Right, weâre clear. Not a bomb. Just an empty shoebox.
Coldstone to Macbeth. Weâve lost Coldsteel.
Just stay on the alertâ¦
273. COLDSTREAM GUARD
Letâs go! Weâre behind schedule!
The Stoneâs on the move again.
Coldstream Guard, Macbeth, Xanatos, Coldfire & Coldstone sit. Thailog & Shari STAND.
NOVEMBER 15, 5:43AM EST. NIGHTSTONE UNLIMITED.
The story is told â" though who can say if it be true â" that on a clear Christmas night, a band of Scottish patriots broke into Westminster Abbey to steal the Stone and in the process broke it in two!
Thailog & Shari sit. Arthur & Macbeth STAND.
NOVEMBER 15, 12:00PM GMT. EDINBURGH CASTLE.
The Stoneâs back where it belongs! Well, it belongs in Scone, but at least itâs back in Scotland.
Macbeth & Arthur sit. Stone & Xanatos STAND.
A land rover from the convoy drives past Macbeth and Arthur. 12:36PM. LEITH. The Land Rover pulls into a non-descript warehouse and stops in front of a smiling Xanatos. 1:06PM. Xanatos listens to the glowing Stone.
â¦Pointless, David Xanatos, to substitute yet another stone to fool the Illuminatiâ¦
Stone sits. Coldsteel STANDS.
2:23PM. Coldsteel dumps pieces of Coyote shrapnel on the floor.
Thereâs whatâs left of your boyâ¦ and hereâs your rock.
Coldsteel tosses the Coyote Diamond to Xanatos.
Oh, Iâm just its minder.
I believe that completes our bargainâ¦
Indeed. Consider your tracking device deactivated.
Pleasure doing business with you.
Coldsteel sits. FLEUR STANDS.
Three. <pause> Any problems?
Only finding a duplicate on such short notice.
4:04PM. Behind the wheel of the Land Rover, Fleur drives through Leith. Fog rises, until the street is barely visible. The fog forms into Castle Carbonek. The Land Rover drives across the drawbridge into a large cobblestone courtyard.
I still outrank you, milady. I wonât tolerateâ"
Couldnât you both try to get along? Since you are, after all, the two people I love most in this world?
I brought the Stone.
Fleur, Duval & Peredur sit. Macbeth, Griff, Amp, LUNETTE, Coldstone & Hudson STAND.
NOVEMBER 15, 8:13PM. KNIGHTâS SPUR.
I know it doesnât matter, but Iâm glad the Stoneâs back in Scotland.
You lot should stay a while. Get to know the clanâ¦
Yeah, mates, stay!
But Coldsteel is still out thereâ¦
Aye, lad, but itâs a mighty big world, and even the banished and the badduns eventually return to the clan.
Macbeth, Griff, Amp, Lunette, Coldstone & Hudson sit. Stone, Peredur & GRAIL STAND.
NOVEMBER 16, 1:06AM. CASTLE CARBONEK. A frowning Peredur listens to the glowing stone.
â¦Pointless, Peredur fab Ragnal, to have gone to such extremes merely to possessâ¦ a rock.
On APRIL 11, 1951, 1:07AM at ARBROATH ABBEY, on NOVEMBER 15, 1:07PM in a warehouse in LEITH, on NOVEMBER 15, 1:07AM in the LANTERN OF THE ABBEY, and on NOVEMBER 16, 1:07AM inside CASTLE CARBONEK, Macbeth, Xanatos, Arthur and Peredur listen to the glowing Stone of Destiny.
Do you think the Spirit of Destiny can be contained in one vessel? I am the Fatal Stone. The Lia FÃ¡il. The Stone of Bethel and Jerusalem, of Egypt, Samothrace and Portugalâ¦ The Stone at Tara and of Mora, at Iona and of Scone, in London and in Edinburghâ¦ I am the Blarney Stone, the Coronation Stone, the Hero Stoneâ¦ I am the Pillar Stone, the Stone of the Sword, the Stone of the Waters, Clach-na-Cinneamhainâ¦ The Tanist Stone, the Philosopherâs Stone, the Standing Stone, the Cornerstoneâ¦ The Foundation Stone, the Megalith Dance, the Burden of Sisyphusâ¦ I am the Rock of Gibraltar, the Pillar of Hercules, Uluru, Clach SgÃ inâ¦ Jacobâs Pillow, the Rosetta Stone, the Rune Stone, Sire of the Wyrdâ¦ I AM THE MANTLE OF FATEâ¦ I AM THE STONE OF DESTINYâ¦ I AM THE ROCK OF AGES! Do not dream of possessing me, mortal.
NOVEMBER 16, 1:07AM. CASTLE CARBONEK. Behind Peredur, Fleur listens from the doorway.
Besides, Peredur, donât you have more important matters of concernâ¦ now that your Master has awakened?
What?! King Arthur cannot be awake?!
Awake and returned. I have twice conversed with him.
But we did not expect him for another two hundred years! Everything we planned--
I must contact the Upper Echelons immediately!
Peredur exits. Fleur is no longer in the doorway. The Stone is left alone with the Holy Grail.
Peredur, Stone & Grail sit. Thailog & Shari STAND.
NOVEMBER 16, 5:44AM EST. NIGHTSTONE UNLIMITED.
Very good. Should I continue?
The story is told â" though who can say if it be true â" that the Stone was repaired and recovered. Some say a replica was reinstalled at Westminster; others disagree. Either way, the Stone remained undisturbed until yesterday, when it was transported to Edinburgh without incidentâ¦
And thatâs all you know of the Stone of Destiny?
Well, one last story is told--
As the sun sets, Owen Burnett and Macbeth wait for Goliath to wakeâ¦
--Though who can say if it be true?
Thailog & Shari sit.
Good to see this place open again!
My question is basically, how do Gargoyle populations sustain themselves? With females having (almost always I've believe you've said) a maximum of three eggs, and as you said in reference to why gargoyles practice communal parenting: "Perhaps this is the result of the high Gargoyle mortality rate. " would it not be an intense struggle to just maintain a clan's population?
And with this in mind, even considering that in modern day mortality rates for gargoyles has probably dropped significantly, wouldn't the practice of the London clan of limiting each pair to two eggs total be very risky for the continuation of their clan?
Thanks for you time
1. Yes, it has been a struggle since at least the Iron Age of Man.
2. Obviously, if the population starts dropping dangerously low, they'll allow the third eggs to get it back. The point is to maintain a consistent quantity, not blindly follow rules for the sake of rules.
1) When did you create the characters of Staghart and Constance? What about Old Pog? Lunette?
2) Who is Una's second in command? Have we seen them in the comics so far?
3) I have a third question...but I think I'll wait until Issue #9 is out before I ask it.
1. Some time ago.
I've got a few questions about Sir Griff specifically, and the London Clan in General. I looked for them in the archives and found nothing.
1) In "Pendragon" King Arthur wondered how he was going to get Griff back to London. I've been thinking about it for a while and wondered myself: how did Arthur get Griff (and himself) back to London?
2) I'm assuming he met Staghart and Coco shortly after he arrived in 1996, what was his impression of the duo? Why does he not refer to them by their nicknames? (I'm assuming again that Staghart introduced himself by his nickname of Amp) Why did they choose to help Griff and Arthur protect the Stone of Destiny?
3) I doubt you'll answer this, seeing as you didn't at the Gathering, but just in case this question catches you on a generous day: when did the London clan's beast population go extinct?
4) Do Leo and Una have any biological children, and have we seen them so far in the comics?
5) Are there any heraldic archetypes besides [Lion, Unicorn, Griffin, Stag, Boar, and hippogryphs] that exist in the London Clan?
6) What was the London clan's population in 1940 when Griff vanished?
7) Besides the Manhattan Clan, are the London gargoyles aware of any of the other clans? In other words, before they met Goliath did they think that THEY were the last?
Some of these questions tend towards character analysis, and the others are just me wanting to get to know the London Clan a little better.
GARGOYLES LIVES FOREVER!!!!!!! We will rise again! The mere non-renewal of the series will not stop us!
2. Arthur tends toward the formal with all but his intimates.
3. When indeed?
4. Lunette is theirs. That wasn't meant to be a secret. Leo + Una = Lunette.
5. What you see and what you may see is what you get.
6. I haven't done the math. (Who knew this property would have so much math?)
7. Not saying.
You've indicated in the past that Demona probably knows about the London Clan. Does the London Clan know about Demona?
One's as likely as the other.
1. Are the two gargoyles pictured with Hudson, Griff, Lex, Staghart and Constance in the brief frame of them as stone at Knight's Spur the Lunette and Old Pog that Staghart mentions or are they just two different members of the London Clan?
2. What year did Old Pog hatch?
3. Is Old Pog the only gargoyle still alive from his rookery generation among the London Clan?
4. As of 1996, do the London Clan gargoyles raise their hatchlings communally or are members aware of their biological parents?
5. How long has the London Clan been using names?
1. It's Old Pog and Lunette.
3. The only one.
5. Long time.
My thoughts about #8: This is a good issue but perhaps less exciting than #7.
I was hoping we'd get to see meet many more members of the London Clan, but maybe we'll see more in #9. We do see a cool-looking hippogriff dude and somebody who may or may not be Una, it's hard to tell.
The London Clan have such an ironic situation. 196 members is still not a healthy breeding population for an endangered species, but it is pretty good for a modern gargoyle clan. It's nice to know that some clans are doing relatively well. (I imagine Ishimura is also large) But because of that, they have to restrict their own reproduction and cannot contribute anything to increasing the gargoyle population and helping the species increase. I can see how a clan in this situation would be happy to send members or eggs to another clan if they thought it was reasonably safe. Being unable to mate and having to resist strong instincts must be really unpleasant. I certainly hope that the exchanges mentioned in 2198 start happening soon, so the population can increase more easily.
Lexington's shocked expression in that scene is well done.
It's quite funny when Thailog starts complaining that Shari's stories are inconsistent.
I like the way the stuff with the Stone of Destiny and the Sword in the Stone is handled. I am surprised that you went with a Gandalf sort of look for Merlin, not that I dislike it. Kenneth on the other hand is one scary and ugly looking dude.
I'm glad that King Arthur and Macbeth didn't get in a fight. And I like the scenes where Macbeth's coronation on the Stone is compared with that of Kenneth and Arthur.
Then they go to a coffee shop and Nightstone sells coffee!? I suppose Demona needs a lot of it to keep awake during the day since she has a day job and rarely sleeps.
The format is still very confusing. The art is nice for the most part, except for Staghart on the page facing CuChullain (sorry, there are no page numbers!)
I like the London Clan and especially King Arthur's confusion about the robots.
And King Arthur is researching himself, this is funny. Macbeth's comment about accuracy is funny too, he certainly can complain. (Even though he doesn't actually mind Shakespeare's play)
I notice that the London Clan's way of speaking is more contemporary/modern than Lexington's.
1. Is the female gargoyle with the unicorn horn (in the stone sleep scene) Una, or a different character?
2. Other than the phone (mentioned in previous responses) what sort of modern amenities does Knight's Spur have? Do they have electricity? running water? garbage service? mail delivery?
1. Do you mean Lunette?
2. Not mail delivery. Mail would go to the store. But all the rest, yes.
This day in Gargoyles' Universe History....
Elisa Maza gives the Trio a helicopter simulation video game.
Goliath, Angela, Elisa Maza and Bronx rest through the day in London, allowing Goliath's injured wing to heal. That night, they return to Avalon. Griff, Leo and Una become protectors of London again.
This day in Gargoyles' Universe History....
The travelers immediately depart Avalon again, landing in London, where they meet Leo and Una, who remember Goliath from 1940 and blame him for the death of Griff. Goliath is mystified, and uses the Phoenix Gate to travel back in time to 1940, in an attempt to learn the truth and save Griff. He and Griff return to 1996, reuniting Griff with Leo and Una.
I finally found a comic shop semi-near my apartment and figured out how to get there by bus. It's kinda creepy standing alone at a totally unfamiliar intersection after dark, but I got my comic the day it came out. And the store only had 2 left when I got there, that same day.
So yes, this is pretty hard to follow, it's hard to review the story when we don't have #8 and #9, but all that Withheld stuff will be useful now. Even though... we have the times right there in the comic. Here's my initial thoughts:
*I am happy to see Macbeth, and being friendly with the clan. He's my favorite 'antagonist' in the series. "Don't you have minions for this?" is a great line.
*Goliath has healed very nicely, there's not even a mark.
*Brooklyn wants to stay in NY to get a break from seeing Broadway and Angela holding hands and being all "OMG WE'RE IN LOVE!!" when they wake up in the evening. Then they decide to stay too. Poor Brooklyn. And I wonder what Angela whispered. I wouldn't feel sorry for Brooklyn because he is being jealous, except he still feels like there are no more females of his species left. Does he not realize there is a whole clan in England? I would have expected him to want to meet them, especially after he asked Goliath "When do we get our World Tour?"
*Jetlag and gargoyles, interesting. It is a nice way of demonstrating (like Broadway underground in the animated series) that gargoyles have a biological clock, that they don't just react to sunlight. And there's Macbeth, drinking lots of coffee to keep himself awake, and looking bored. He should have brought a book. I was wrong about thinking Lex was cold when he woke up, thanks for clearing that up. I'm not surprised they feel lousy.
*Hey look, its the little green guy from Demona's clan. I liked that character design. And there's Gruoch and Demona, too. But no Lulach.
*Maggie is pregnant! I guessed it from the way Dr. Sato says "condition" and the way she and Derek are looking at each other. I'm surprised it happened so soon. Are they going to get married then? Or at least have a ceremony, since the legal benefits won't be useful in the Labyrinth. It is nice to see Dr. Sato becoming an ally of both NY clans. I wonder how Maggie will explain all this to her folks in Ohio, though, because we haven't seen her contact them yet. And I'm eager to learn what their offspring will look like. Human, mutant, half-human and half-mutant... it could be anything.
*The conversation between Goliath and Elisa is interesting. The same panels and poses from #3 are deliberately repeated, the contrast is good. And I like her conclusion. "Normalcy is so overrated." She's thinking about Derek and how he seems to be gaining happiness in spite of not having a normal life. And she touches his hair, so he kisses her. :)
*Shari's watching Thailog take a bath!? Also, he has a surprisingly modern-looking computer for 1996, but what with all the cyborgs and super-robots and nanobots running around the Gargverse, I guess Thailog's rich enough to afford something "futuristic."
*I do wonder if the stories told of the Stone are true or not. Probably they are, but how did a handful of Greeks and Egyptians conquer all of Ireland? If that Stone is a Child of Oberon (as you once suggested it might be), it seems to be very patient with sitting around for long boring stretches of time being a rock. Then again, I don't think you intend it to be a Child of Oberon anymore, since it isn't at the Gathering.
*I wonder what are Thailog and Brentwood looking for, and where are they? Maybe we'll find out in #8.
*The new Coyote robot is one of the uglier ones in my opinion, though not as ugly as 4.0. Generally I think the one in Cloud Fathers (5.0?) was the sleekest-looking. That's not a critique of the penciller or the character design, but a critique of whoever (Xanatos?) designed the robot itself.
*I'm not surprised to see King Arthur, but I am surprised to see him do ~that~. Guess he and Macbeth have some more issues to work out yet! I wonder why he's so mad at Macbeth. And his motivations... it would be so bizarre if he was an antagonist in this story arc.
*New gargoyles! Plus Griff is back, I really like Griff. I am happy to see new gargoyles, as I've been very curious about non-Scottish clans, but I admit to being very disappointed with the new character designs. I am sorry to tell you this, but I dislike them. It doesn't make any biological sense that each one's heads just happens to ~exactly match~ his/her feet, when they aren't mammals nor related to those particular animals at all. I'm still very happy to see new gargoyles, though, but I was hoping for gargoyles that looked like they could have evolved, instead of like they were designed to look ~exactly~ like specific mammals. I still think that "chameleon genes" in general are plausible, and I ~love~ the variation in the other clans, but the London clan is no longer plausible for me (except Griff, who has mixed-together body parts). Each other gargoyle has his or her specific feet and tail cherry-picked to match ~perfectly~ his or her specific head, so that he/she looks like a winged, anthropomorphic/mutate version of one single, specific mammal, instead of a gargate that happens to remind humans of some animal. The white male has the face of a deer, and also antlers and a deer's cloven hooves (not horse-like hooves like Una), and they all match. The brown female has boar's hooves and a boar head to match. You have said that evolution and creation are supposed to be equally possible origins for gargoyles, but so far each London gargoyle (except Griff) is designed to look exactly like a single animal. I hope this isn't an indication that the rest of the clan will all be like this. They all live together and mate each other. Wouldn't offspring inherit a mix of their parents' traits?
But other than that, it is interesting to see the combination of wing-claws with the feather-like surface. Also surprising that some London gargoyles have the leathery wings instead. And that female has neat clothing. I agree with others who are happy to see a female who isn't thin or attractive by human standards.
Although the new gargoyle character designs bother me a lot, I'm still happy with lots of information and events, and I like this issue. TONS of teasers, and an intriguing storyline of which I look farward to learning more. Overall, the format is a confusing way to tell the story and I wonder why you are telling it this way, surely not only to mess with our heads (though I'm sure you enjoy that too!). Perhaps the next two issues will reveal the reason for the unusual format. As for the art, David Hedgecock is much better than before and this is the best colorist to be paired with him yet; Thailog's not black anymore, and the Mutates are tailless again. But Broadway is still off model in almost every panel and it bothers me. Everyone else looks really great, though, especially Goliath, Elisa, and Angela. It is true that sometimes Goliath's head is too big, but I didn't notice until other reviews pointed it out. I like this issue's art better than #6. I hope you guys stick with this art team from now on, Hedgecock is looking good and Robby Bevard brings out the best in his inks.
LONDON CLAN - Look, I understand what you're saying, but you're ignoring the NEEDS of creating a fictional universe here. I have to define parameters first -- the breadth of the possibilities. I assume you're not saying that if such and such a foot exists, it CAN'T appear with a so-called "matching" head. Leo's feet don't match a lion's, so I'm not sure why you're not including him with Griff as okay by your standards, in which case I've got two that are a mix and three that represent extremes. But you've only seen a smattering of London gargoyles anyway, not enough of a sample to judge. So, I simply request your patience until you've seen more than a handful to base your opinion on. I mean it's not like I haven't thought about all this. Haven't I earned a little trust at this point?
FORMAT - Okay, yeah, I enjoy messing with your heads, but that's definitely NOT the reason I'm telling this story this way. The ultimate reason why I felt it HAD to be told this way won't be clear -- assuming it's ever clear -- until issue #9, but I think even with this issue there are plenty of obvious advantages to telling this story this way. Information may not always be revealed chronologically, but sometimes that's not the best way to receive information. Content rather than strict chronology rules this story. What do you need to know? When do you need to know it? Besides, the story is MUCH more chronological (certainly across the three issues) than people probably realize. It's not at all random. Not at all. And when I didn't have a reason not to, I resorted to a strict timeline. And the dates and times are all there, so that the chronologically needy can still put it all together.
David and Robby are hopefully both here to stay.
Hi Greg, this is something I meant to ask in my earlier comment, but I forgot to. For the comic, how much direction do you give to your artists in coming up with the designs for new canon characters?
I am specifically referring to the two new London Gargoyles at the end of #7. I know you had mentioned before that the London gargs would look like unicorns, lions, or griffins. Did you change your mind recently, or had it always been your plan to make them look like other heraldry animals, and you were just teasing us? Did David Hedgecock talk you out of it? Did the two of you decide together what animals they would resemble, or had you already decided? If you chose beforehand, did you give him specific details about their appearance, or relatively vague details and let him come up with them himself? I would be interested to know any information you can tell me about this. I find the process of creating a character's look to be very interesting.
Also, feel free to volunteer information about the development of the designs of other new characters which have appeared in the comic. Shari, the Tasmanian tiger villain in Bad Guys, Coyote's new look, etc. Whatever comes to mind.
Here's my description in the script of the two characters, minus a couple of personal details that I don't choose to reveal at this time:
[New Male Gargoyle] - Biologically age 19. [New Male Gargoyle] is a gargoyle of the London Clan. His head is modeled off a large stag (i.e. male deer) with fairly magnificent silver antlers. He should have feathered white wings. And deer-like hooves for feet, but his hands should look like normal gargoyle hands. He should be tall (and feel even taller thanks to the antlers) and slim in build. Not so slim that he looks fragile, but he's definitely not the bulky type. This is a new character, but for inspiration take a look at UNA at http://lynativerse.artchicks.org/Screencaps/GL_Una.htm.
[New Female Gargoyle] - Biologically age 19. [New Female Gargoyle] is another gargoyle of the London Clan, this one modeled off a wild boar or sow. She has a pig-snout and tusks. She is brown. Her wings are the more traditional bat-like wings we're familiar with. Normal gargoyle hands, more pig-like feet. She's medium-height, muscled and burly - nothing fragile about [New Female Gargoyle].
As you can see, the basic choices were mine, but I give Dave full credit for bringing them to life.
Here's my descriptions of the other characters you asked about (and some you didn't)...
COYOTE 5.0 - This is only SORT OF a new character. Basically, there have been four Coyote robots that preceded this one. They all have a lot in common thematically, but they're all different too. And lucky you get to design the new one! To see Coyotes 1-4, check out: http://gargoyles.dracandros.com/Coyote_%28robot%29 or the episodes "Leader of the Pack" (for Coyote 1.0) and "Upgrade" (for Coyote 2.0) both on the Season Two, Volume One DVD. (Coyotes 3.0 & 4.0 aren't out on DVD yet.) Note the basic color scheme and the coyote-head motif. And the fact that all the later robots have a circular VID-SCREEN that displays an image of a robotic head. The head appears to be half-Xanatos and half-robot-skull. This version of the robot will have the large Coyote Diamond inside its chest cavity… with lasers shooting into it. We may want a transparent cover for that, so we can see the Diamond even after the cavity is closed. Or not. In either case, Coyote 5.0 should be BIG.
SHARI - Arabic female, age 18. A pretty, goth-teen runaway type. She wears a lot of chains, necklaces, pendants, etc. around her neck. [Shari was also visually inspired by a real person, and I provided Dave with a photo as reference.]
DETECTIVE CEDRIC HARRIS - African-American male.
DETECTIVE TRI CHUNG - Chinese-Vietnamese male.
TERRY CHUNG - Asian-American boy, age 12. He's wearing a GOLIATH Halloween costume.
AMBASSADOR CHUNG - Terry's mother, age 42. She's a short Asian-American woman, wearing a white evening gown and carrying a white, feathered mask on a stick.
QUINCY HEMINGS - He appears to be about 60. African-American. Gray hair, trim build. He's dressed in a white tuxedo jacket with epaulets and gold buttons. White gloves, a red bow tie, black pants. He has for decades been the "Chief Steward" at the White House, a job loosely based on the job of Chief Usher. See http://www.whitehousehistory.org/06/subs/06_a07.html for info on Chief Ushers.
TASMANIAN TIGER - (Age 24.) The Tasmanian Tiger is a somewhat clichéd costumed super-villain. His garb is inspired by the extinct Tasmanian Tiger (a.k.a. the Thylacine), and he's flanked by two actual (cloned) THYLACINES (Benjamin & Natasha). (See http://en.wikipedia.org/wiki/Thylacine.) His costume is largely form fitting with black tiger stripes and a cowl with Tiger ears and clawed gauntlets. On his chest is a symbol with two interlocking letter Ts. (Similar to the interlocking Ds on Daredevil's costume: http://en.wikipedia.org/wiki/Image:Daredevil41.jpg.) The Tasmanian Tiger also carries a large blaster weapon.
BENJAMIN - A male Thylacine, one of Tasmanian Tiger's trained pets. To see how wide a thylacine's jaw can open, check out http://en.wikipedia.org/wiki/Image:Tasmanian_tiger.gif.
NATASHA - A female Thylacine; the Tiger's other trained pet.
As you can see, sometimes I gave quite a bit of detail, sometime I pretty much left nearly the entire design to Dave or Karine or Nir's imagination. Usually, the artist does a design and sends it to me. We might do a bit of back and forth on it... but honestly, looking at the above list, with the exception of Quincy (who started out looking a bit too old and jowly for my tastes), I feel like the artists hit all of these characters on the first time out.
My Review For Gargoyles #7, "The Rock"...
- Picked up a couple copies of "The Rock" today. There were only a couple issues left and the store had only been open an hour, which was cool. It was also nice to see that the store apparently had ordered some more issues of "Reunion". When I checked out, the clerk said "Good choice" which led to a long discussion about the series and the comic. She is apparently a huge Elisa fan. Our discussion reminded her to put the DVDs on her x-mas list. We talked a while more and she is really wanting to go to the Gathering, so who knows, she might end up riding there with me (St. Louis to Chicago). Nice to make friends over Gargoyles.
- On to the comic. When I first saw the cover (we didn't have any released previews this time!) I laughed. Reading "Stone... At Night?!" I actually said (under my breath) "What sorcery is this?!" Spotting Big Ben I quickly figured out what was going on. Nice to see Hudson featured better than he has been on covers so far. Lex looks good too. Nice cover.
- Okay, so the book itself. I knew it was going to be non-linear, and I knew Greg could pull that off. I guess I didn't know what to expect, but I loved it. I've read the book twice already and like all the previous chapters it is exciting to read, full of surprises and finishes with a bunch of anticipation and questions. This is the kind of story that I will almost have to wait until Issue #9 to really review. That said, there are a couple things I really enjoyed:
- I know it is a very minor point, but I liked seeing many of the recurring human characters (Macbeth, Fox, Xanatos) in something besides their typical series costume. That is definitely a strength of the comic book. Of course, Elisa is still in her usual jeans, black t-shirt and red jacket. Maybe it helps her keep a sense of "normalcy"!
- One of the neatest traits of the Gargoyles Universe, and Greg's writing abilities, is that nothing ever gets wasted. I'm happy to see the Coyote Diamond again, and surprised to see it planted (for some reason) in the newest Coyote robot. Is this the first time the Diamond has been put into Coyote or has every version of him contained the Diamond? Just another question this chapter leaves us asking.
- I love how Shari's tales are told to us in sepia tones and scrolls. One has to ask where she is learning all this (particularly the Coldtrio stuff), but I like the way it is shown and told. Which leads me to the art of the book. I always liked Hedgecock's work from Issue #1, and I think he is getting better and better. Hedgecock maybe hasn't been drawing Gargoyles characters for the past eleven years, but he is catching up fast, IMHO. This is absolutely his best issue so far, and I'm glad to see him back on the book regularly. Great stuff.
- Who would've thought we'd be seeing Gruoch this soon in the comic, and who would've thought we'd EVER see the little green gargoyle from Demona's Clan (a fan favorite, I think) in the comic! Cool cameos.
- Ah, the never ending drama of Brooklyn, Broadway and Angela. This slow boiling plot is getting awfully fun to watch. I think I've said it in nearly every review so far, so I can't leave out a "Poor Brooklyn"... Seems Goliath is starting to get wise to the situation as well. And since when can Broadway just say he and Angela are gonna stay in Manhattan when Goliath has more or less ordered them to accompany Macbeth? Ah well. Speaking of Goliath, we get a nice follow-up to the Elisa-Goliath Halloween story. Well done. It really says something when fictional characters cause such an emotional reaction for the reader/viewer. And not to leave out Talon and Maggie the Cat, who may be expecting a Mutate-ling in a few months. When Sato mentioned Maggie's "condition" I wondered if maybe she was preggers, though I though maybe we are just talking about the Mutate thing in general. Then with the mention of "O.B." I got excited. Cool stuff. Nice to see that Elisa is taking advantage of Dr. Sato's expertise after the revelation to him in "Bash". Ya know, it's refreshing to think that years ago when I wrote a review for "Deadly Force" I mentioned something about how I'd love to see Dr. Sato become a friend of the Clan. Sort of the antithesis of Sevarius. Very fun.
- Still have no idea what is up with Fox's shoes. Guess I'll wait til Issue #9 to talk about that. But seriously, Xanatos is a multi-billionaire, just buy the damn shoes, hell, buy the STORE! No biggie.
- I like that gargoyles "jetlag" and I like that that is canon-ized now. I also think it's fun that Hudson and Lex can feel it. Macbeth is fun here too. It's like he keeps waiting for them to wake up and is thinking the are a bit late and a bit more late and a bit more late and finally he gets his look like "Ummm... you guys gonna wake up or not?" Long time to stand there drinking coffee.
- I guess I shouldn't have been surprised to see the London Clan once we ended up in London, but I was a bit. Arthur was a bit of a surprise as well. I guess the most surprising thing was the APPEARENCE of the two London Clan members we could see clearly (it looks to me like the third in the foreground is Griff, we'll see). All these years Greg has said that Unicorns, Lions and Griffons were all we'd get. Now we see a stag-like dude and a (very cool) boar-like female. I dunno if Greg's comments were simply along the lines of "I don't want to tie the hands of the artists" or if he was just being totally elusive and deceitful, but either way it led to a great and fun ending to the book. Very very cool.
- So, overall a great book. Great writing, great reveals, great mysteries, great art. There were no errors I could find save one, in "Etched in Stone" Greg writes "Clan Building, Chapter Five: Reunion" when of course he means Chapter Six. That is one error I can live with. Looking to the trade paperback, Bad Guys #2 and Gargoyles #8. What a great time to be a Gargoyles-fan!!!
That's also an error I can take FULL responsibility for, which is as it should be. I'm the only one who should be screwing up the book! ;)
Anyway, in prepping this three-parter and Pendragon, I've given a lot more detailed thought to the London Clan. More revelations to come, obviously.
I do feel I missed a bet on the Macbeth waiting page. There should have been a panel right before the last panel on the page showing only the stone Lex and Hudson and no Macbeth. The copy would have read as follows:
CAPTION 1: NOVEMBER 3, 6:44PM GMT.
CAPTION 2: BATHROOM BREAK.
How is it that the Manhatten, Guatamalen, and London clans have flourished by 2198? 5 individuals (with only one female) is hardly enough for a proper breeding pool... let alone 2 males and one female.
The Mayan Clan has a rookery full of eggs.
The London Clan -- well, let's just say you've ONLY seen three of its members. There are many more on their estate.
The Manhattan Clan... stay tuned.
Was Una named after Lady Una from Spencer's The Faerie Queene, or simply because she was based on a unicorn?
Largely the latter, but I read Faerie Queene in college, so it may have been an influence.
This day in Gargoyles' Universe History....
A crisis brings together representatives of four clans.
Lexington continues his journey.
at the end of M.I.A there's a guy walking by playing on a Gameboy (not looking like the real one for legal issues or what?). The game he's playing looks so much like "Solar Striker". This can't be a coincidence, can it?
Oh... speaking of M.I.A. Una has a line like "I know the books I'm selling". Do the customers know, the books of the store actually contain real spells?
I'm not a gamer, so I can't answer your first question.
As to your second question, I'd say some do and some don't.
i just watched "MIA" last night. i wrote down some notes:
- first off, the English gargoyles. for years i didn't like them, i mean physically. they seemed so different from the other gargs around the world and they looked like birds, lions and horses. that really irked me, but i've gotten over it. i started to think of different reasons they look like they do, and Greg had some theories as well, so i'm ok wth it now, and frankly, they are now my favorite gargoyle race to draw. i find them really neat. i did notice that they are the only gargs we've seen whose eyes seem to be tinted when NOT glowing. Leo and Griff's eyes were tinted tannish-gold and Una's were more light blue. interesting.
- it made me sad for years that there were only three gargoyles in the English Clan. i remember thinking to myself that they were another clan that was dying out, just like the Manhattan Clan. much to my surprise and excitement, i discovered the fandom online and soon discovered a whole Clan was never seen on the show! and they are one of the more populated Clans at that! very cool.
- it always amazes me how good a likeness of Griff and Goliath those statues are... guess Leo, Una and the pilots had excellant memories.
- when the English thugs surround Elisa i think how rascist they must be against her. kinda feel sorry for them... esspecially when the gargs kick their @$$! i LOVE Angela's line, "Surely we were sent her for something more important than this..." she gets that from her mother i think,
- i remember thinking that it was weird that Angela instantly recognized Leo and Una as gargoyles. esspecially because they were robed and she had recently been tricked by Raven. plus Leo and Una look so different than most gargoyles. maybe she smelled them or something. or maybe she was somehow familiar with the idea of what English gargs looked like.
- i like how comfortable Leo and Una are around humans. so used to them. its certaintly new to not see humans running away in fear of gargs.
- good touch when Goliath transports into the 1940 sky and falls cuz he was standing up. kinda like having the rug pulle dout from under you.
- i instantly love Griff when he saves Goliath from a propellor blade and says, "You know old boy, that could've been a bit nasty!" love his accent, hes great, i love Griff!
- when Griff honors Leo and Una for "minding the store" i think about how Hudson and Bronx are always left behind and how that is honorable too.
- when Goliath and Griff take on the pilots its great animation, it reminds me of the Trio taking on the Pack's helicopter. i like these sky battles, i guess.
- every time i see Goliath's wing get shot, i cringe. "OW!" thats gotta hurt, i mean theres a hole in his wing!
- destiny really had it out for Griff, one thing after another tried to kill him. i remember i was a little afraid that Goliath would be unable to prevent his death and hjave to go back to tell Leo and Una how Griff had died. fortunatly, Goliath was smart enough to get out of the warzone and back to the 90s.
- and back in the 90s theres a reunion, but a weird and awkward one. talk about your love triangles. Una is stuck between the gargoyle she loved in her youth and has been missing for so many years and the gargoyle who has been her companion for all those years! it doesn't help that Griff and Leo are such good friends either. its an ugly situation, i think and i totally understand why Griff would want to stay with King Arthur, but thats a story for another day...
Glad you came around to liking the London clan. Maybe we can explore them more in the future...
1. you've said before that Una, Leo and Griff hatched in 1898. Leo and Una haved aged normally, but Griff was pulled forward in time 55 years or so. so, the closest generation in biological age to Griff is the rookery that hatched in 1958, correct? that would make him just slightly biologically older than Brooklyn, but not as old as Goliath, right?
2. will Griff find a new mate since Una is with Leo now (and WAY too old for him)?
3. you once mentioned that "The Three" taught the London Clan the nursery ryhme about King Arthur that Griff quoted in "Pendragon". who were/are "The Three"?
4. how much time was there between when Goliath brought Griff to the modern age (MIA) and when Arthur showed up in London (Pendragon)?
1. In 1996, Goliath was biologically 29. The Trio were biologically 19. Griff was biologically 22. That would put him closer in biological age to Sora (hatched in 1958) then Yama (hatched in 1938).
2. One would hope.
3. I just tried to search through the archives for "The Three" and couldn't find an appropo reference. But I think I've covered this before... if not, I guess I'm revealing something... the three I assume you're referring to are Morgana le Fey, Nimue and the Lady of the Lake.
4. Griff gated to the present on January 24th, 1996. Arthur arrived in London on May 18th, 1996. (Though he and Griff didn't actually meet until after midnight, i.e. on May 19th.)
Almost every gargoyle clan we've meet in the show or that you've us about protects something. The Guatemalan clan protects the rain forest. The Loch Ness clan protects the Loch Ness Monster, the Manhattan, London and Ishimura clan naturally protects New York City, London and Ishimura respectively. And the Avalon clan protects Avalon while the Labyrinth clan presently protect the homeless of New York.
1. So what does the New Olympus clan protect? Mount Thanatos? The whole of New Olympus? Or have they abandoned their duty much like the London clan when they lost Griff(since you did say they were isolationists)?
2.What does the Pukhan and Xanadu clans protect?
3.What exactly do New Camelot and New Wyvern clans protect?
4.What abou the Queen Florence Island Clan(after they've been freed from their stasis)?
5.What about the Notre Dame Clan?
1. I think they have become too insular. It's something I would have made an issue of, given the chance.
2. Pukhan Clan is more interested in protecting their concept of justice. Xanadu Clan protects the endangered Gargoyle Beast species.
3. New Wyvern is very traditionalist. So they protect Wyvern and it's surroundings. By contrast, New Camelot is very internationalist.
4 & 5. Haven't gotten that far in my thinking yet, but at the least they'll protect the Island and Paris, respectively.
I can not remember the name of the Unicorn Gargoyle in London. What was her name?
(Did you really wait 20 months to get that question answered? Next time, you might try the Comment Room. Most any garg fan could have answered that for you.)
Time to ramble...
Haven't done this in a while (over a year, actually), and I definitely feel rusty. Anyway, I watched "M.I.A." last night with my wife Beth, my nine-year-old daughter Erin and my six-year-old son Benny.
This episode was directed by Kazuo Terada, story edited by Gary Sperling and written by Robert Cohen.
The (semi) one word title, as usual, was one of mine. (As was the springboard, but more on that later.) It's appropriate both because of Griff's disappearance and because of the wartime setting. Although I don't know if they actually used the M.I.A. acronym as far back as WWII. I associate it with Vietnam. Does anyone else know?
Benny read the title and thought it said Mia. He has a friend named Mia, whose birthday party he had gone to earlier in the day. So the title required a bit of explaining.
INTO THE MYSTIC
This was one of my ideas that I really fell in love with. The idea that a magic shop never goes out of style. The idea that these gargoyles have been running this shop right in the midst of London's teeming humanity for a millenium. I just love the idea that you could stop by there in 1940 or 1996 or 1809 or 1776 or 1595 or whenever. Different gargoyles manning the store, of course. But the store itself largely remains the same. It's a place where Lennox Macduff and Will Shakespeare might have ended up after a night of carousing together.
My notion, which I've stated here before, is that the London Clan has an estate in the burbs, and that the shop helps fund them.
Responding to the guys line about the shopkeepers having "incredible" masks, Benny takes a good look at Una and says: "That's a unicorn. A real one."
And Erin: "Those aren't masks."
Of course, these kids have both seen the episode before. But it was so long ago and they were so young it's like they're seeing it for the first time.
We get some gorgeous shots of London. So gorgeous that when the animation on PENDRAGON came back weeks later looking not so good, we reused some of the "M.I.A." footage for that ep.
[Of course the animation here was done by Walt Disney Television Animation Japan, GARG's Best studio. It still kills me that Disney has shut down that unit. They did SUCH great stuff.]
Elisa talks to the Cabbie. In my mind, this Cabbie appears during the 1940 sequence as a little boy, running downstairs and into a bomb shelter with his sister. It's not important, but that's how I saw it.
And we explain (include) another legend. That of Gremlins. Not Gremlins from the Spielbergian movie. But gremlins that caused damage to airplanes during the war. This was/is a very famous legend among pilots. Roald Dahl (of Charlie and the Chocolate Factory fame) wrote a book about them, which Walt Disney himself optioned. Eisner once had us develop a tv series based on the idea. I handed it off to a couple of producers who COMPLETELY redeveloped the idea. They came up with a good show, but it was unrecognizable to Eisner. (It also had a toupee joke, which probably didn't go over well.) Anyway, he didn't buy it.
Actual racists thugs. We didn't do much of that. We usually went with anti-gargoyle types, who were metaphors for racists. But here we actually go with the real thing.
Their attack is very reminiscent of Awakening 3.
I love Brigitte's work here. Angela sounds like a tough warrior one minute, like a naive innocent the next. All within her character.
And that shot of Bronx leaping down from the roof is just gorgeous.
Leo and Una come out and confront Goliath, whose confusion is a lot of fun.
They're all in conflict, but everyone can agree with Elisa to take the argument inside...
We go inside and see the portrait of Griff.
Benny makes a connection: "There's a statue of him on the airplane."
I love Una's line: "I know my merchandise."
Throughout this episode, I think she comes across a bit like a junior Demona. I don't know if I felt that way at the time. But we have a female garg with sorcerous powers in denial about her own feelings of guilt and rewriting history to blame Goliath for things that were really not his fault.
Una was in love with Griff. And still is. But in the interrum, in my mind, she mated with Leo. She LOVES Leo. But she never got over being IN LOVE WITH Griff.
Two of them.
One is having Goliath black out and instead of using it as our act break, we just go to black, wait a beat and then come back. We had a much better act break coming up, so I guess I don't regret it, but I also don't like it much.
The other awkward moment is giving Goliath that voice over of his interior thoughts, where he states his plan to use the Gate to figure out what the hell happened in 1940. I'm sure I resisted doing that VO. But we just didn't have a better solution.
I do love Goliath's frustrated: "I don't know any Griff!" line.
G uses the gate and Benny asks "What did he just do?" Beth explains it to him, but it illustrates my point that it has been so long since the kids last saw an ep, that their memories of the show are very vague.
We meet Clive and Douglas Bader. I've stated this before, but Douglas Bader was a real person. A true war hero. Douglas Bader lost both his legs in a plane crash, and became a war hero and fighter ace AFTER he recovered and learned to walk on two artificial pins. He was a hero during the Battle of Britain. Later, he was shot down over enemy territory and put in a POW camp. He escaped twice but was recaptured both times. Years later, he was knighted.
I met him once. My father, Wally Weisman, is a real Spitfire afficionado, and Bader was one of his heroes. My dad eventually met Sir Douglas in London and at the RAF Museum outside London. When I was a kid, Sir Douglas and his wife came to Los Angeles and we all went to Disneyland together. He never used a wheelchair. Always just moved along with his hip-swinging walk. An amazing man.
So there was no way I wasn't going to pay tribute to him here (and indirectly to my father as well -- in my mind, this ep is dedicated to my dad). I gave Gary Sperling the Bader biography, "REACH FOR THE SKIES," knowing that it would be tough for him to incorporate much into the episode. But we tried to base the design of Bader on one of his photographs. And we made sure that his first and last name were both used in dialogue so that he could be indentified by those paying attention.
And most of all, we tried to show that these pilots were the true heroes. Sure, Goliath and Griff save them. But Bader saves the gargoyles too, and he's the one who takes out the most dangerous of the Nazi fighter pilots.
This was important to me. Influenced by both Dahl's Gremlins book and my father and Bader, I'd wanted to do a Battle of Britain story pretty much since the series' inception. It's even listed in the bible. This came out of the notion we once had that (while the other gargoyles may have been asleep for a thousand years) Goliath had been awake and alone for 1000 years.
Imagine, if you will, that scene in Awakening-2, when Goliath comes back and finds Hudson, Bronx and the Trio asleep. Instead of joining them, he watches over them for a millenium. (This was back when we had a more magical view of Garg biology.) I thought Goliath would have largely spent a thousand years brooding. But that during WWII he might have ventured forth to fight the Nazis, if for no other reason than to prevent the bombing of Wyvern.
We, obviously, didn't end up going that way, but the visual of Gargoyles fighting in the Battle of Britain stuck with me. (And man, is that visual brought to life here beautifully.)
But having decided to do that, I didn't want to give the gargs all the credit. Real men and women gave their lives during the Battle of Britain. I didn't want to undercut their contribution in order to make my fictional gargs look good. That just seemed like it would be both irresponsible and disrespectful. A betrayal of the very reasons why we were doing the ep in the first place.
Casting... we had used Neil Dickson to tremendous evil effect as Duncan and Canmore in City of Stone. Here he gets to play Errol Flynn. Neil is a Brit. As is Charles Shaugnessy who played Bader and Sara Douglas who played Una. (Leo/Gregg Berger, on the other hand, is a Yank.) And they all really brought life to their respective roles. I have to admit I was worried about whether Neil would be right for the role. I should no better, but Duncan especially was so memorable, I really had that fixed in my head. But Neil's voice just worked perfectly for Griff. I'm still sorry we didn't get to see more of Griff with King Arthur in the Pendragon spin-off.
Griff was conceived as a real swashbuckling hero. A Robin Hood of the 1940s. As opposed to our rough-hewn "Scottish stock", this was a good-old-fashioned patriotic English Hero to put up against the Nazis. His costume was influenced, I think by the Blackhawks. And his look was inspired by British Heraldry. He was the Griffin to Una's unicorn and Leo's lion, three of the most striking heraldic beasts. Again, going back to my earliest development of the series, I thought that adaptations of heraldic beasts might be the English version of gargoyles. So Griff has Eagle and Lion qualities. Feathered wings. A mohawk-like main. An eagle-like beak, but lionesque limbs.
I know that Greg Guler, Frank Paur and I went over and over Griff's model. We were never 100% satisfied with it. But it must work, as I've never any complaints from the fan. And I think Neil (and Jamie Thomason's voice direction) deserve much of the credit for that. Because even with the great Japanese animation, he still looks a bit too Foghorn Leghorn for my tastes.
Goliath (after Griff saves his life): "It was supposed to work the other way."
Erin: "I think this is how it started in the first place."
So, hey, she got it!!
Benny even jumped ahead, figuring out: "So he can take Griff back forward in time."
So he got it too. Did you guys get it right from the beginning? That Goliath would take Griff "back forward" to the present to reunite him with Leo and Una?
I love the scene between Griff, Leo, Una and Goliath over tea in the shop. Everyone's motivations are so clear that I often use this scene when I do voice seminars.
Griff wants to sell everyone on going on the offensive.
Leo wants to sell everyone on sticking with defense.
Una is more subtle. She'll use any argument that will promote Griff's safety.
Goliath is trying to stay out of trouble.
But I love his line: "In my experience, human problems become Gargoyle problems." How true... (witness the cancellation of the show...)
And then later, Goliath AGAIN realizes a lesson that he and the audience would have to relearn again and again. Fate cannot be cheated. History cannot be changed.
And once again, we show our lack of imagination and/or our desire to stick with something once we find it works by using the line "Not where, when."
We can say "1940" but we were discouraged from referring to the present by an actual year -- so that reruns would still sound current. I'm surprised that Goliath got to use the phrase "the 1990s". How short-sighted of Disney to not think we'd still be airing these reruns in the 21st Century. Not that I'm complaining, mind you.
Griff almost gets hit by a car in the present and Goliath says "Let's not start that again." A mini-tribute to the English Vultures in "A Jungle Book".
At the very end, Elisa's confusion is fun: "Just explain it one more time." That probably came out of my fear that the audience might not get it. If Elisa didn't get it either, the audience wouldn't have to feel so bad about it.
Everything I could have asked for.
I have a VERY vague memory that we were discouraged from using Swastikas. I can't remember why or even if this is true.
But the skull-like pilot with the skull & crossbones on his plane certainly looks like a bad guy, doesn't he?
The planes themselves just look great. I found out later that Bader didn't fly Spitfires during the Battle of Britain. He flew Spitfires later, but flew Hurricanes during the Blitz. This fact drives me crazy.
But I love his line about the Gargoyles (which in my mind, he viewed as Gremlins): "They're real, and they're on our side!"
Benny noticed that they shot a hole through Goliath's wing. I had to reassure him that he'd be okay after getting some stone sleep.
Parachutes. No one dies in this episode. At least not in theory. Of course, we KNOW people died during the Blitz. But we couldn't show or even imply that.
THE WORLD TOUR
We end of course by creating new heroes out of old. Griff has returned. And Leo and Una have been reinvigorated. They take back their neighborhood.
Leo: "Or we'll make it our business." Leo's spent years worried only about business. Now he remembers what his business is supposed to be. The nation of shopkeepers is once again ready to defend the realm. So to speak.
Anyway, that's my ramble. Where's yours?