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Hi Greg, I was reading up on Disney's Atlantis and it was said that Mike Mignola had been approached by Disney before about doing a Hellboy animated series, but declined. It was implied that the idea to do the Hellboy series evolved into Gargoyles. I was curious how much of this was true? Thanks!
I have no knowledge of Disney approaching Mike about Hellboy. I know Mike helped develop Atlantis.
But Hellboy and Gargoyles have zero connection. ZERO. We began developing Gargoyles in 1991, two years before Hellboy first appeared. I later became a fan of both the Hellboy comics and the movies, but that was long after Gargoyles was in the works and fully developed.
From what I understand, a lot of people tend to forget that what makes a character strong (metaphorically-speaking) is how he or she deals with his or her problems. Most seem to think that "strong" in the metaphorical sense means that they are tough and flawless, when in reality it is the exact opposite.
What do you think? Am I off course or am I on the right path?
I definitely think you're correct.
I can't honestly predict when you'll get around to answering this, but it is something that I would like your opinion on. From what I've been informed, a lot of science fiction stories, including that of the anime variety, tend to be rather lacking in optimism, revolving the sense that the future of mankind is either compromised or in jeopardy.
One guy whose show I watch pointed it out, and after doing some reading and viewing myself, I have to say, he's not far off. Interestingly, he set up a graph of sorts, placing science fiction stories according to how rosy each one views the future.
On one end is Star Trek, the optimist; war is abolished, sentient races work together, and the only conflict that pops up is by unknown forces that are encountered through exploration.
On the other end is the Sigourney Weaver "Alien" movies, the pessimist; mankind barely made it out into space, and only by the virtue of corrupt businesses and unethical private military contractors, and where a killer alien attack would be a welcomed reprieve from the daily drudgery under the company's thumb.
In between these two is every science fiction story ever made, with the ones that are smack dab in the middle presenting us with worlds that are too fantastical for the pessimist, but too fraught with danger for the optimist. In other words, not too light and not too dark; middle-ground.
Do you know of any science fiction movies, books, comic books, and/or TV shows that would qualify for the middle ground?
Star Wars? Starship Troopers? Blade Runner? Pacific Rim? You've defined a pretty wide middle, so almost ANYTHING fits in it.
hi Greg i was just wondering were you making gargoyles for kids or did you just have to appeal it to them to and were aiming for older
Our primary target was dictated to us as "BOYS 6-11". But our intent was always to reach a much wider audience. We had to hit that center target, and we did. But we intentionally created a series that would work for kids as young as four. For girls and women. For tweens, teens, college students and adults.
In Summit, was Miss Martian keeping a psychic link with the Team while she was disguised as Deathstroke?
I had a random question based on a question I saw about the Goliath/Demona/Angela parentage issue in "Sanctuary."
I just thought of this theory that maybe part of the reason why Goliath was resistant to telling Angela about Demona was because he was hurt over the end of his relationship with her, and having seen how she changed. So, he may, at least somewhere in his mind, have wanted to forget about her.
Do you think that may have been the case, not just his "Gargoyle Way" position?
If that works for you, I'm not going to object.
Are there any independent mechanisms that you have, or know, where you'd be able to put out new "Gargoyles" material without depending on publishers?
I can't put out anything related to Gargoyles. I don't own it.
Why did Megan cut her hair
She didn't cut it; she morphed it.