Possession Outline Notes

In preparation for my Ramble on "Posession", reprinted here is the 1995 memo I sent to Cary Bates about the outline...

Note that Coldfire's original name was actually "Goldfire". Yuck.

WEISMAN 7-4-95

Notes on Outline formerly known as "Tricksters"...
For starters we need a new title and a new number: 4319-067. "Tricksters" (4319-066) will join "Puck's Macbeth" (4319-052, I believe) in limbo until or unless we get a third season. (I haven't given up on either story.)

This is basically a Coldstone story with Puck as catylist. It's the next step in Coldstone's evolution after "Reawakening", "Legion" and "High Noon". Maybe call it "Possession" or "Possesions". Or "Cross. Double Cross." Or "Triple Cross" or some title-esque thing. I'm not sure.

BEAT SHEET
ACT ONE
1. The Himalayas. Middle of a blizzard. Some mountain climbers or locals are frightened off by a fur covered monster that they mistake for the Yeti or Abominable Snowman. They run off, but suddenly the monster is attacked by Xanatos in his battle armor alongside the Steel Clan Robots, all painted in snow-camouflage white. The monster puts up a fight, and in fact seems to be one heavily-armed Yeti. But he is eventually knocked out and defeated, revealing that he is Coldstone (wearing furs). DISSOLVE TO:

2. Eyrie Building some days later. Xanatos (dressed in a tuxedo) and Owen have Coldstone back in the lab where he was first created. They have deactivated him from the neck down. (Here's a weird thought: maybe they've literally removed his head from off his body.) Coldstone/Othello can hear them, see them and talk to them, but he cannot move or activate his weapons. (But for some reason his sense of smell has been magically enhanced -- no, just kidding.) Owen and Xanatos are talking about solving the Coldstone "problem". (The solution to which seems to involve two sheeted figures, lying semi-prone on tables at the back of the lab. These figures are the "COLDSTEEL" and "GOLDFIRE" robots. More on them later.) Unfortunately for Xanatos, they have not figured out how to accomplish his mysterious goal. The main problem is that Coldstone's creation involved magic, which Xanatos has no access to. Unless, he hints, Owen were to morph into Puck and wiggle his nose or something. But Owen reminds Xanatos that he is forbidden from using his magic except to train Xanatos' son Alexander. Well, Xanatos isn't too upset. He'll figure something out, and in the meantime Coldstone isn't going anywhere. Fox (dressed in an evening gown) appears on a video-intercom. Coldstone may not be going anywhere but they are. And they're going to be late. WIPE TO:

3. Alexander's room. Xanatos and Owen join Fox and Alexander. The new parents have tickets to see Verdi's opera "OTELLO" at the MET. Fox hands the baby over to Owen, giving him babysitter instructions, and Mom and Dad leave for their first night out since Alexander was born. DISSOLVE TO:

4. Eyrie Lab. Goliath and Hudson sneak in, and prepare to reactivate Coldstone. (Note: throughout this scene and the next, Hudson does not speak. Try to make this as unnoticeable as possible.) Confusion as to how Goliath found him is secondary to Coldstone's immediate concern for Goliath and Hudson's safety. Within Coldstone's cyber-mind, the battle continues. (Maybe we dissolve into the cyperscape to get a glimpse of that battle.) Coldstone's love (Desdemona) is trapped in an eternal conflict against Coldstone and Goliath's enemy (Iago). If the evil one should triumph, Goliath would be in grave danger. But that's exactly why Goliath has come. He's been worried about his brother and has studied magical scrolls to find a solution. If Coldstone will return to the clock tower with Goliath, Goliath feels he can end the conflict. Coldstone agrees and Goliath activates him. (Or reattaches his head.) They sneak out.

5. The clocktower. Bronx, Angela and the trio are there watching t.v. or something. They are suprised when Goliath and Hudson arrive. They just left on patrol a half-hour ago. But obviously, when Coldstone steps out of the shadows, everyone's even more surprised to see him. (Maybe Angela realizes that Coldstone is Gabriel's father.) Bronx approaches Goliath and Coldstone, growling low (but who exactly he is growling at is ambiguous). Goliath quickly kneels beside Bronx and calms him. (Only the audience notices the slight sparkle of magic and the glazed way Bronx treads off into a corner and immediately goes to sleep.)

Everyone's got tons of questions, but Goliath doesn't have time for explanations. Iago must be removed from Coldstone's body. The only way to do that is to temporarily empty out all of Coldstone's personalities. Then Othello and Desdemona can be safely returned without Iago. But where will Othello and Desdemona go while this takes place? Goliath reveals they will each have to enter one of us. Angela volunteers. And Broadway does too, before Brooklyn and Lex have a chance. Lex pulls Goliath aside: where'd he learn to do magic? Goliath answers "soothingly" that he studied magic while Avalon sent them around the world. Lex's suspicions magically melt away. Suddenly, he's more impressed by Goliath's new abilities than suspicious of them.

Goliath casts the rhyming (non-latin) spell. Desdemona is transferred into Angela. Othello goes into Broadway. Iago, theoretically, is released into the ether. And the empty Coldstone falls comatose to the floor. Brooklyn seems particularly startled by these events, but he seems to recover quickly. (The reason "Brooklyn" is shocked is because he's really been possessed by Iago. No one else realizes this, and Iago's smart enough to keep his mouth shut.) Othello and Desdemona are pleased that the spell worked. Lex asks if Broadway and Angela are still in there own bodies. Yes, but they will remain dormant until Othello and Des are transferred back into Coldstone. They are ready for that transfer now, but Goliath is tired from his magical exertion. He needs to go off and rest. He asks "Hudson" to go with him, Hudson nods and they depart.

6. We follow Goliath and Hudson. They lands on top of a nearby building (or some cooler location). Goliath morphs into Puck and then transforms Hudson into baby Alex. (That's who it was the whole time. The real Goliath and Hudson ARE out on patrol.) Puck announces that Alex's first magic lesson has officially begun. Welcome to SOUL TRANSFERENCE 101.

ACT TWO
7. Cut to Clock Tower. Without thinking about it, Othello/Broadway and Desdemona/Angela are holding hands as they wait for "Goliath's" return. Iago/Brooklyn notices this and approaches them. He suggests that while Goliath is off recovering, they can take their new bodies out for a spin. Lex (still hazy from Puck/Goliath's magical tampering) isn't sure about this, but "Brooklyn" thinks it will be all right. Soon Othello and Des will be reconfined back in the cyber-prison of the Coldstone body. They might as well enjoy this last chance at flesh-and-blood freedom. Besides, what's the harm? Oth/Bway and Des/Ang have to admit they wouldn't mind feeling the wind against their faces one last time. They take off for one last flight. As Iago/Brooklyn moves to follow them, Lex stops him. Neither notice that behind them, a flash of magic (Puck) enters the prone body of Coldstone. Lex feels they should wait for Goliath. So "Brooklyn" instructs Lex to stay behind and do just that. "Brooklyn" will follow the "love-birds" -- to make sure they stay out of trouble. He leaves. Lex watches him go. And suddenly, behind Lex, Coldstone looms threateningly.

8. We follow Des/Ang and Oth/Bway on a romantic flight through the city. It's glorious. Othello and Des are almost literally drunk with the sensation of being alive again in Broadway and Angela's bodies. They land on the Chrysler building (or wherever). Oth/Bway marvels at the simplest pleasures. The touch of Des/Ang's flesh and blood hand. The softness of her hair. Until now he had not realized how Coldstone's cyborg sensors and reanimated stone skin has dulled his senses. Des/Ang also appreciates the reality of true sensation over the electric illusion of life on the cyberscape. Brooklyn steps out of the shadows. And like a devil in their ears, subtly reemphasizes to them that the prospect of returning to Coldstone is a fairly grim notion. Too bad, he sympathizes, that there's no way they could keep the bodies they're in. Oth/Bway and Des/Ang exchange a guilty look. But the wheels are turning.

9. Back at the clock tower, the real Goliath and Hudson return home. Coldstone is there, very glad to see them. (No immediate sign of Lex or Bronx.) Goliath is glad to see his brother but both gargoyles are naturally cautious. They can't be sure which personality is in control. Almost on cue, Bronx comes treading out of the darkness, and behaves in a friendly manner toward Coldstone. That's good enough for Goliath and Hudson: Bronx has a sixth sense about this kind of stuff. If he trusts Coldstone, then the right personality must be in control. (What neither Goliath or Hudson notice is that when Bronx's "work" is done, he trudges blankly back into the shadows and plops down to sleep next to a bound and gagged Lexington. Bronx is still under Puck's spell.) "Coldstone" tells the gargoyles that Xanatos is plotting against them again. He's created new monsters that must be destroyed before they can be used against them. Goliath expresses disappointment but not surprise. Xanatos had called a truce between them, saying that he owed Goliath and the clan for helping to save Alexander. Obviously, Xanatos' version of debt is a little different than Goliath's. Golaith, Hudson and "Coldstone" depart for the Eyrie Building.

10. Oth/Bway, Des/Ang and "Brooklyn" return to the clock tower and find Lex tied up tight with steel cables. What happened? Coldstone jumped him. Obviously, Goliath's spell didn't succeed in forcing Iago out of the Coldstone body. He's got control and he's tricked Goliath and Hudson into launching an attack against Xanatos, destroying their truce. At first, "Brooklyn" protests that this is impossible. But when everyone turns to ask him why, he fumfers and covers quickly. Whatever has happened, Brooklyn says, the choice is clear. They have to destroy the Coldstone body. It's the only way to protect the world from Iago's evil. Lex is horrified -- moral qualms aside -- what would happen to Othello and Desdemona? What would happen to Broadway and Angela? Oth/Bway speaks up. Brooklyn is right. They have a chance to destroy Iago once and for all. Nothing else matters. Oth/Bway, Des/Ang and "Brooklyn" take off after Coldstone. Lex follows reluctantly.

11. Eyrie lab. "Coldstone" leads Goliath and Hudson. He pulls the sheets off the two covered figures to reveal two new robots: COLDSTEEL and GOLDFIRE. (Coldsteel is made of blue steel and modeled after Iago -- very powerful and dangerous, a fitting opponent for Coldstone. Goldfire is gold in appearance and modeled after Desdemona -- beautiful in a cold, art decco fashion, she is a fitting companion for Coldstone. Both have the usual built-in weapons. Plus Goldfire has built-in flame-throwers.) The resemblence to Coldstone's lover and foe are not lost on Goliath, and while he and Hudson question the situation, they do not notice "Coldstone" picking up a remote control devise and hooking it directly into his cyborg body. He uses the device to activate the two automatons and then uses them to take down Goliath and Hudson. (There's no other action in this act, so make this a big battle sequence ending in the defeat of our two heroes.)

ACT THREE
12. Oth/Bway, Des/Ang, Iago/Brook and a very confused Lex are about to come in for a landing at the seemingly quiet castle. Oth/Bway suggests splitting up to look for their enemy. Brooklyn agrees. Othello and Des can check the Great Hall, Lex and Brook will check the lab. As Oth/Bway and Des/Ang head off in one direction, we follow Lex and Brooklyn to the lab.

13. No one is in the lab, but there are clear signs of a struggle. Lex is pretty upset. He feels like he's coming out of a haze. A whole bunch of stuff makes no sense. Why wouldn't Goliath mention he had studied magic before now? Why were he and Hudson surprised to see Coldstone when they returned to the clocktower? And how can they even think about destroying Coldstone's body while Othello and Desdemona are still possessing Bway and Angela? Brooklyn thinks he has an answer. He slams Lex hard.

14. Othello/Bway and Des/Angela search the Great Hall. Des/Ang questions what they are going to do. Oth/Bway tries to make it sound like they have no choice. Iago must be destroyed, and the only way to do that is to destroy Coldstone. But, she protests, if they destroy Coldstone, they'll be trapped in Bway and Angela's bodies forever. Would that be so bad? he asks. After all they've been through, don't they deserve a real flesh and blood existence again? Des/Ang isn't saying yes. But she isn't saying no either.

15. Back in the lab with Lex and "Brooklyn". Lex is just regaining consciousness and he's pretty upset about being jumped and trussed up twice in one night. "Brooklyn" has Lex on the "table" where Coldstone was created. He's attaching electrodes to Lex (or some other high-tech deathtrap, that "Brooklyn" would never be blamed for). As he does this, he reveals to Lex and our audience that he is Iago. He likes Brooklyn's body and has no intention of surrendering it. Not to go back to the hellish Coldstone cyberscape, and certainly not to be bannished into nothingness. He doesn't know how Coldstone woke up again, but it's a marvelous opportunity. He and the gargoyles will destroy the Coldstone body and if by some "accident" Othello/Bway is also destroyed during the battle, then "Brooklyn" will have no choice but to console a grieving Desdemona/Angela. Eventually, he will use his position as Goliath's right hand to destroy Goliath as well and rule the clan. He thinks it's a pretty good plan, activates the deathtrap and leaves. Lex is in considerable pain, but just when it looks like curtains, a magical sparkle enters Lex via his mouth. Suddenly, Lex stops screaming, smiles and magically breaks free.

16. Oth/Bway and Des/Ang have found their way down to the Atrium beneath the castle. There they find Goliath and Hudson, trussed up. They go to help, but it's a trap. Coldstone attacks and he's winning. Iago/Brooklyn shows up and the tide starts to turn against Coldstone, but then Iago/Brook does something that allows Coldstone to get the drop on Oth/Bway. It's looking like Iago's plan is going to work, when Coldstone cybernetically summons Coldsteel and Goldfire, and uses them to trash Iago/Brook and Des/Ang respectively. Coldstone now has the upper hand and explains (while fighting) that Xanatos created these robots as a gift to Goliath. In payment for saving his son Alexander, Xanatos wanted to find a cure for Goliath's brother's multiple personality disorder. What no one counted on is that Coldstone had developed a personality of its own. Now Coldstone will use the robots to destroy all three of the former Coldstone personas so that they can't return to take the Coldstone body back. "Brooklyn" protests that he's not one of them, but Coldstone skoffs. Coldstone can sense that Brooklyn's body is possessed by Iago, and Coldstone is determined to destroy Iago. It looks like curtains for Iago, Othello, Desdemona (and thus Brooklyn, Broadway and Angela as well), when Lex swoops in and slams Coldstone back. While Coldstone is recovering, Lex (who never says a word) frees Hudson and Goliath. Now all our gargoyles (including Iago/Brooklyn) battle Coldstone and the robots. The good guys win.

After the smoke clears, Goliath and Hudson turn to face Iago/Brooklyn. (Lex is still strangely silent. And Oth/Bway and Des/Ang are too ashamed of their own desires to be too self-righteous towards Iago/Brook.) They want Iago to abandon Brooklyn's body. Iago/Brooklyn says fat chance. He's never returning to cyberspace, and he sure isn't going to voluntarily banish himself to nothingness. He does express some regret and wishes outloud that Xanatos' plan had worked out. The powerful Coldsteel robot body is clearly superior to the gargoyle teen-ager he now inhabits. Hearing this, Coldstone asks Iago/Brook if that is really what Iago wants? Why, yes. Can Coldstone transfer him? Coldstone says he can't, but Lexington can. Lexington steps forward. With a little prompting help from Coldstone (Puck) he recites the magical rhyme from Act One (the only words he's spoken in this scene) and transfers Iago out of Brooklyn and into Coldsteel. Brooklyn, the real Brooklyn, stands there very confused. But Coldsteel/Iago laughs at the fools who would give him such power. Goliath, Hudson and Coldstone move toward him, and clearly outnumbered, Iago/Coldsteel flees to fight another day.

Once Iago/Coldsteel is gone. Puck magically removes himself from the Coldstone body, leaving it empty and comatoast. Goliath wasn't expecting Puck, but in retrospect is hardly surprised. "Why all the subterfuge?" he asks. Well, in the first place, Puck lives for subterfuge. And in the second place it was necessary. Puck explains that what he had told them about Xanatos wanting to repay his debt to Goliath was true, though obviously the bit about Coldstone developing its own personality was a little elaboration, creatively added to convince Iago to voluntarily enter the Coldsteel robot. Magical soul transfers are tricky business and generally require the cooperation of the subject. Now if they're ready Othello and Des can be transferred as well. There's a moment of hesitation on their part. Will they trade flesh & blood lives for stone & metal casings. But they know they cannot steal Broadway and Angela's bodies permanently. Othello and Des share one last embrace. Lex again casts his spell (this time with more confidence) and after the transfer is completed, Broadway and Angela regain consciousness in mid-grope. There's a nice awkward moment that should help set up any future romance for these two. Coldstone/Othello and Goldfire/Des thank Bway and Ang for the use of their bodies. Goliath invites them back to the clock tower, but they feel they must pursue Coldsteel. He's still a threat and he's still their responsibility. But when that threat is ended, they will return. They depart. Our gargoyles turn to thank Puck for the magic he wrought and ask why he has been working through Lexington? Puck replies that although he set the ball rolling, this last magic wasn't his, and that this Lexington is not exactly who he appears to be. Magical sparks fly out of Lex's mouth and coalesce in Puck's arms to reveal baby Alex. Puck praises Alex for being a good student, and himself for being a good teacher. Alex smiles, yawns and falls asleep. Lex awakens to himself almost as confused as Brooklyn, Broadway and Angela. Goliath promises to explain and the group heads for home.

Suddenly, Puck pulls a giant watch from a very small pocket. "Look at the time," he cries. And vanishes.

17. Alex's room. Puck and Alex materialize. Puck puts Alex in his crib and transforms back into Owen just as Xanatos and Fox return home from the opera. Was Alex any problem, Fox asks. No, Owen replies. He's a very well-behaved and intelligent child. Owen turns to Xanatos and tells him that the Coldstone problem has been solved. A bit surprised, Xanatos thanks Owen. Owen demurs. "Don't thank me, sir. Thank your son." A bit confused, Xanatos looks into the crib where his son sleeps and smiles.

GENERAL NOTES FOR THE ABOVE:
Keep the talky scenes as brief as possible. Just get the point across. Give the most space to action sequences: the act one Coldstone vs. Xanatos fight in the Himalayas; the act two Goliath & Hudson vs. Coldsteel & Goldfire fight at the castle; the act three mega-battle in the Atrium.

Also, milk the transformation scenes. Particularly the act one scene where Puck/Goliath transfers the souls of Othello and Desdemona into the bodies of Broadway and Angela. And the act three scenes where Lex/Alex transfers Iago, Othello and Des into Coldsteel, Coldstone and Goldfire.

Don't forget that the names Othello, Desdemona and Iago are for our designation only. They should not appear in spoken dialogue at all.

Any script dealing with Coldstone, Puck and magical possession is bound to be confusing. Lots of people in other people's bodies. And a few illusions from Puck as well. Let's go out of our way to make it clear in the script both whose body we are seeing visually (and thus whose voice we are hearing), and who's mind is actually controlling that body (and voice). Remember, we're not trying to keep any secrets from the storyboard artists. However, we are trying to keep secrets from the audience, so don't hesitate to spell things out in description and then explicitly state that the audience shouldn't be able to figure this out yet.

Consistency is key. I think in order to best describe who's who, the best designation for dialogue headings and description may be to put the body's name first, followed by the possessor's name in parenthesis. As follows:

COLDSTONE (OTHELLO) - Coldstone with Othello's personality in control.
GOLIATH (PUCK) - Puck magically disguised as Goliath.
HUDSON (ALEXANDER) - Alexander magically disguised as Hudson.
BROADWAY (OTHELLO) - Othello in possession of Broadway's body.
ANGELA (DESDEMONA) - Desdemona in possesion of Angela's body.
BROOKLYN (IAGO) - Iago in possession of Brooklyn's body.
COLDSTONE (PUCK) - Puck in possesion of Coldstone's body.
LEXINGTON (ALEXANDER) - Alexander in possession of Lex's body.
COLDSTEEL (IAGO) - Iago in control of the Coldsteel robot.
GOLDFIRE (DESDEMONA) - Desdemona in control of the Goldfire robot.

THE THEME here is HONOR. Xanatos is trying to honor a debt he owes Goliath. Coldstone and Desdemona are torn between their desires and the honorable thing to do, the honorable sacrifice to make. Iago demonstrates no honor and is a negative example, but even Puck shows honor. He is trying to serve his master Xanatos without breaking any rules. He's very true to that code. Emphasize the theme as much as possible.

NOTES ON MOTIVATIONS:
XANATOS -- He's barely in this story, but his initial plan starts the whole ball rolling. Though he's in no particular hurry, he is -- in his own way -- actually trying to do a good deed for a change. He feels he owes Goliath for saving his son in "Gathering Part 2". He wants to return the favor by reuniting Goliath with his brother Coldstone. And he wants to help Coldstone out by creating new bodies for the Iago and Desdemona personalities, thus freeing Othello from his pseudo-schizoid condition. When we open, he's already had the Coldsteel and Goldfire robot bodies built. The inner workings are basic Steel Clan, but the robots have no artificial intelligence programming, which would allow the Iago and Desdemona personalities full control if Xanatos could figure out how to make the soul transfer.

PUCK/OWEN - He'd like to help Xanatos out, but is forbidden from using his magic that directly. So he's set up this elaborate "trick" in order to accomplish two things. One is getting Iago, Desdemona and Othello to voluntarily enter Coldsteel, Goldfire and Coldstone respectively. Two is training the infant Alexander in the art of "Soul Transfer and Exchanges". Both are necessary conditions to accomplishing his goal. So Puck demonstrates how Soul Transfers are done in Act One, but leaves it for Alex to do the magic in Act Three that would actually satisfy Xanatos' intentions.

IAGO - Initially, Iago wants to keep the Brooklyn body, if possible, without revealing that he's taken it. When Puck possesses Coldstone, Iago sees it as an opportunity. He's planted the seeds of dissatisfaction in Othello and Desdemona. He feels if they destroy Coldstone, they'd get to keep these new young bodies. And he's seducing them with both carrot and stick to make that choice. If he can kill Othello and/or Goliath in the process, all the better. He still lusts after Desdemona and wouldn't mind fooling her into "Brooklyn's" arms after Othello was out of the way.

It's important, however, to see Iago's goals change during the final battle. We need to demonstrate that he is frustrated by how much less powerful the Brooklyn body is when compared to the Coldsteel robot. We need to believe that he would willingly give up Brooklyn to live in a robot. (You might even try to hint that vanity played a part in his decision, at least subconsciously. After all, Coldsteel has been designed to look like Iago. That may impress him almost as much as the robot's power.)

OTHELLO & DESDEMONA - Are almost literally drunk with the sensation of being alive again in Broadway and Angela's bodies. Otherwise, they'd never consider what they in fact do briefly consider here, which is keeping bodies that don't belong to them. Ultimately, they realize how wrong that is and willingly give the gargoyle bodies up. Othello returns to Coldstone. Desdemona takes possession of Goldfire.

GOOD NEWS!

As many of you already know, the first issue of the new GARGOYLES comic book sold out its print run. There WILL be a second printing... and all the fans who bought copies and/or SPREAD THE WORD deserve a round of applause...

<CLAP CLAP CLAP CLAP CLAP CLAP CLAP>

But please, let's not use this as an excuse to be complacent. We now need to sell out this second printing and encourage pre-orders on issue #2. Not to mention the two DVD sets.

This is NOT me asking people who've already bought the book to buy additional copies. This IS me asking people to continue to spread the word. (I can't tell you how many garg fans I just met in Minnesota, who had no idea that the comic was even out.) Contact the ELFQUEST fandom, the STAR TREK fandom the FILL-IN-THE-BLANK fandom. Contact local comic shops. Contact local conventions. Contact any community that might be interested.

Keep the good news rolling in...

SPREAD THE WORD!!!!

CONvergence

Just got back from CONvergence in Minnesota. I had a great time at the convention. Met a bunch of new Gargoyles fans, signed comic books, dvds and posters and read "BLATHER" as the secret ingredient for their Iron Artist competition. FYI, "Blather" can be found at...

http://www.s8.org/gargoyles/askgreg/search.php?rid=469

Of course, I did a panel on Gargoyles, but I also had fun doing panels on writing characters, on writing subtext, on DC Comics characters in animation, on creating cartoons that aren't just for kids, on how fans can revive dead properties and even on Veronica Mars.

It's a great con. So check out their website at:

http://www.convergence-con.org/

I'd like to give particular thanks to Chris Jones, who brought me into the Convergence fold. Chris was the penciller on the Captain Atom/JLE/Gargoyles parody story ("The Flashback of Notre Dame") that I did for DC Comics all those years ago. It was great to finally meet him in person.

Special thanks also to Perrin Klumpp, their guest guru and to guest liason Mark Tempel, for putting up with me all weekend and to guest liason Lex Larson, who picked me up at the airport and hung out with Mark and I when she could.

I also had a great time with fellow guests Bridget Landry and Ken Hite and the rest.

Thanks also to Windy, Tim, Pat, Ishmael, Jeremy, Melissa, Melissa, Mandy, Anton, Jenni, Amanda, Eryn and everyone else who made it such a great experience.

WOW! Two great cons in a row. I'll be at the San Diego ComicCon in a couple weeks, but there's almost no way that monstrosity could ever be as much fun as the Gathering and Convergence combined.

Finally, I'm now in love with Jucy Lucy. And Soylent Theater is People.

Chapter  LXI : "The Reckoning"

Time to ramble...

[Disclaimer: I watched this episode back in January of 2006. So it's been half a year since I've seen it. At the time, I did take a few notes of things I wanted to include in the ramble. So this is what you're getting now. A somewhat abbreviated ramble, as the ep isn't as fresh in my mind as I might like.]

Chapter  LXI : "The Reckoning"
Story Editors: Brynne Chandler-Reaves and Gary Sperling
Story: Lydia C. Marano
Teleplay: Gary Sperling
Director: Dennis Woodyard

The title, I believe, is one of my one-word numbers.

But what strikes me the most in this episode is the number of great (and well-delivered) one-liners. Some of the best are related below. (All quotations approximate.)

DEMONA
We open with a very Batman/very proactive stakeout. Note Goliath's ongoing concern for Angela vis-a-vis Demona. I believe he sees that Angela's vulnerable to emotional pain from that source.

Demona: "Oh, but it's a very clever tin can."

Once Demona's caught, we establish that banishment was a typical garg punishment back in the day. But it's obviously not too effective in the modern world. And so we head down to...

THE LABYRINTH
We reestablish the mutates, the homeless and begin our prison scheme. Angela takes the first watch and has her first real conversation with Demona ("I'm told there's a resemblance.")

FANG
Fang is fun in this one. Some great deliveries...
"You chicks are better than soap."
"Kinky." (And yes, I'm also stunned, particularly in hindsight, that we got this word on the air.)
"How many Gargoyles does it take to screw in a lightbulb?"
"Some of my best friends are half-gargoyle, half-human babes with bad attitudes."

SEVARIUS
But Fang's got a run for his money when Sevarius is also in the episode.
"The prodigal bug returns."
"You don't want to end up with another you."

THAILOG
This last said to the true villain of this piece (amazing, when it already includes Demona, Fang and Sevarius), i.e. THAILOG. Of course, Keith has some great lines as Thailog too...

"My clan can beat your clan any day of the week."
"It would seem that the love has gone out of our relationship."
"Obedient and lovely."

ANGELA & DEMONA
Angela lays the big "I hate you." on Demona, which effects the latter much more than I believe she would have thought. It's one of the things that make Demona so wonderfully complex. She cares. She cares about everything. Even things that she tells herself she doesn't care about.

Of course, the "I hate you" is later a source of guilt for Angela, but that will be short-lived (tapestry-wise). Demona will be back in Hunter's Moon. And her plot is grandly genocidal enough to wash away any particular thoughts of three little words. For now. But in the comic, Demona and Angela will eventually return to this point... if we survive to have enough issues.

One thing to keep in mind was that we thought for a while that this was going to be the last episode of the season. (With Hunter's Moon coming out as a direct to video.) Later when, Hunter's Moon became the last three episodes of the season, we did a quick reshuffling to put "Possession" in between this and "Hunter's Moon" so that we could wonder about Demona for a little longer before seeing her again. And let Angela wonder too.

Many people have asked me why or how Angela and Goliath didn't know that Demona would survive, given what happened in "Sanctuary". But I think it's important to realize that knowledge and confidence are two different things.

CLONES
"They kinda give me the creeps." And they need to learn to "use verbs." But I kinda like them. We'll be seeing more of them in the comics, eventually.

LAST WORD
Hudson: "You'll have to do better than that." (There were some lines that we just kept using over and over again. It's a bit embarrassing, and yet episodically they just seemed to fit.)

Anyway, that's my ramble. Where's yours...?

GATHERING 2006 - Con Journal - Monday

GATHERING 2006 - Con Journal

My usual caveats... I meet so many people at the Gathering that I can't possibly remember all the names. I apologise. I try, believe me. Please, do not be offended if you've slipped my mind.

Monday, June 26
8:30am - Wake up.

9:15am - Staff Breakfast. Good food. OJ, Eggs Benedict, Potatos, strawberries. I sat with Cindy, Sammy, Seth, Carol, Adam and Greg.

10am - "Time Travel in the Gargoyles Universe" This was a fun panel. I discussed BACK TO THE FUTURE and SPEED III: THE LAKE HOUSE first. Discussed my made-up chestnut about the Gettysburgh Address and the classic Kill-your-own-Grandfather chestnut. We talked about Griff and the Archmage, and I even snuck in two fun anecdotes to illustrate how Free Will works.

11am - I went back to my room to begin checking out. Went to the Art Room to collect my kids' unsold pieces. Went back to my room. Checked out. Dropped stuff in my cars. Around here the Goodbyes began.

Noon - My Mug-A-Guest with Tigris, Ed, David, Cynthia, Adriana, Jonathon, Kristen and Cathie. (And I saw Liz hanging out too.)

1pm - Hosting a Gathering with Jen, GXB and Nikki. Looks like we've got serious interest from Chicago in 2008.

2pm - Closing Ceremonies. Art Show awards included a "ZOMG! Improved" ribbon for Benny. Kyt, I believe, took home Best in Show.

4pm - TGIF for an early dinner. Another huge crowd. I sat with Andrea, Tony and Greg. But there were 19 other people there.

6pm - Dead Dog Party with the ConStaff. We watched a big chunk of the G2004 raw footage that the documentary crew shot in Montreal.

8:30pm - Headed home.

Another Great Gathering. I had a total blast, as I am wont to do at these things. For those who came, I hope you had a great time too. And for those who didn't, start planning ahead now for G2007 in Pigeon Forge. Check out the website at www.gatheringofthegargoyles.com.

AND PLEASE POST YOUR CONJOURNALS HERE AT ASK GREG!!!

(Plus responses to the 1st issue of the comic!!)

GATHERING 2006 - Con Journal - Sunday

GATHERING 2006 - Con Journal

My usual caveats... I meet so many people at the Gathering that I can't possibly remember all the names. I apologise. I try, believe me. Please, do not be offended if you've slipped my mind.

Sunday, June 25
8:30am - Wake up.

9:15am - Staff breakfast. I was getting a little later everyday, but heck I showed up, so that's something, right? I didn't eat much. Just some O.J. and a couple of croissants. In general, I honestly think I ate less at this Gathering than at any previous Gathering. Not sure why. But I feel like my ConJournals of the past have basically been food diaries. And it doesn't feel that way this time.

10am - First panel of a very busy day was "Gargoyles: the Comic Book" with Dan Vado (of SLG), David Hedgecock (pencil artist), Stephanie Lostimolo (cover color artist) and Marty Lund (of CreatureComics.com). We had a bit of an adventure with the "airwalls" as the two ballrooms weren't properly set up in advance. That forced us to interrupt a church service nearby. A very pleasant guy came over during the hustle and bustle and asked what we were up to. I told him, and he said something like: "Well, we're just over here saving souls."

Moving on...

11:30am - We held a signing for the comic. Signed a bunch of DVDs too. (For a few years there it was starting to look like I had already signed every piece of Gargoyles memorabilia in existance, so it was nice to have some new product, huh?)

12pm - Next up: "Gargoyles: the Voice Acting Process" with Brigitte (Angela) Bako, Elisa (Obsidiana) Gabrielli, Morgan (Petros/Odin) Sheppard, Keith (Goliath) David and Thom (Lexington) Adcox. I meant to bill myself as Commando #2, but I think I forgot. It was a great group. I didn't have to say much unsurprisingly.

1:30pm - Another signing. This time I didn't have to sign much. But I was hardly the main attraction.

2pm - The BIG PANEL. "W.I.T.C.H." Carol and I had gathered a HUGE group of writers and voice actors, etc. for the panel. Elisa (Sarina) Gabrielli, Justin (Eric) Shenkarow, Susan (Cassidy) Chessler, Loren (Julian) Lester, Thom (Sammy) Adcox, Crispin (Sylla) Freeman, Andrew Robinson (writer), Tracy (Bess) Martin, Jon Weisman (writer), Nicole Dubuc (writer), Sam Bernstein (writer), Ginny McSwain (voice director), Candi (Irma) Milo, Liza (Hay Lin) Del Muno, Steve (Blunk) Blum, Marriane (Galgheita) Muellerleille and myself. I screened the third episode of our new season, "C is for Changes" (written by Nicole). A lively Q&A followed, and we even ran long.

3:40pm - Back into the foyer for yet another signing. By this time there really wasn't anything for me to sign. Said hello to the Ben Ten people as they were coming in for their panel.

4pm - Auction. I just peaked in. Gorebash bought my jacket, which pleased me. He's a pal, so I was glad to see it go to him. Over at the art show, Erin bid on and won a shirt from Jade, and Benny bid on and won a piece by Cindy.

6pm - Banquet. A tasty buffet. Sat with Beth, Erin, Benny, Caitie and her dad, Abbie and her dad and one more guy whose name escapes me at the moment.

7:30pm - The Banquet Q&A with myself, Crispin, Thom, Brynne, Michael, Wendy, Dennis Woodyard, Frank Paur, Patrick Archibald (storyboard artist), Sam and Bob Kline.

9pm - Masquerade. Quantity of costumes was lower than average, but the quality was VERY high. The judges were myself, Thom, Sam, Michael, Brynne and Wendy.

Awards:

KIDS CANON
1. Fox as Lex.
2. Abbie as Katharine.
3. Becca as Hyena.

KIDS ORIGINAL
1. Benny as the Garghoul.
2. Fusion Demon as Celestial Elf.
3. Erin as La Belle Morte.

ADULT CANON
1. Victoria as Puck.
2. Brenda as Goliath.

ADULT ORIGINAL
1. Doug as Onyx.
2. Pearl as Pearl.
3. Shara as Gene Simmons.

Cutest Couple went to Thom and Tony, who also won the Thom Adcox Memorial Award for squeezing himself into a kids Chernabog costume.

Revel & Spacie got 2nd place for Cutest couple for playing Brod & Salli.

The Gorelisa Award went to Jason as Ines. (VERY impressive.)

We gave a 1/2 award to Jade for coming as Inuyashi 1/2.

And finally BEST IN SHOW went to a very impressive SET costume and Lance.

Later, there was some dancing and singing, but a number of people wanted to continue the Blue Mug from the night before. So Thom & Michael and I sat down in a corner for that.

12:15am - We ended it, and I went back up to my room.

2am - Lights out.

TO BE CONCLUDED...

Tune in tomorrow for my further adventures in Valencia...

(AND POST THOSE CONJOURNALS!!!)

GATHERING 2006 - Con Journal - Saturday

GATHERING 2006 - Con Journal

My usual caveats... I meet so many people at the Gathering that I can't possibly remember all the names. I apologise. I try, believe me. Please, do not be offended if you've slipped my mind.

Saturday, June 24

8:30am - Wake up. I actually got 7.5 hours sleep that night, which is stellar for me.

9am or thereabouts - I made it downstairs for the Staff Breakfast of O.J., eggs, bacon & croissants.

Shortly thereafter, Beth, Benny and Erin arrived. So I got them checked in, before heading off to...

10am - Auditions. The final round.

11:30am - Casting. Once again, Jen, Thom and myself had an embarrassment of riches to choose from. We went up to my room, and went through the forms and our notes. Relatively small cast this time, so some great people got left out. Hope that doesn't discourage them from trying again.

12:15pm - After posting the cast lists both in front of Ballroom D and at the Reg Desk, I hurried over to the fan panel that most interested me: "Gargoyles Physiology, Psychology & Sociology." Christine and Jade were leading the panel. It was a fun discussion. I would have loved to have stayed longer, but I was just diving in between casting and my next pro panel, so I couldn't linger.

12:30pm - My first real pro panel of the con: "Gargoyles: the Development Process". I was joined by our original Art Director Bob Kline (inspirational designer of David Xanatos), our second Art Director Dave Schwartz (inspirational designer of Brooklyn, Lexington and Broadway), Gary Krisel (former president of Walt Disney Television Animation) and Michael Reaves (head writer and story editor). I played an earlier version of the pitch narrated by Jim Cummings. I ran through the basics of developing the show (with stray commentary from the other panelists here and there), and then we opened it up to questions from the audience. It was a lively discussion. Even I learned a few behind the scenes things from Gary about what was going on in upper management (very upper: Michael Eisner & Jeffry Katzenberg upper) that helped us keep Gargoyles alive despite two passes.

2pm - The first panel segued directly into the second. Michael and I stayed in our seats. We were joined by Brynne Chandler (story editor) and Jay Fukuto (former head of Current Programming at Disney). We talked about, well, writing the episodes. Duh. Once again, I ran through our basic process, and then we opened things up for another lively Q&A.

3:30pm - We gathered our cast together to rehearse the Radio Play. This is generally a closed rehearsal, but a number of people wanted to sit in (including my son Benny and Michael Reaves). I tried to discourage this, and I think I scared Richard Pini with my intentionally (and supposedly comedic) over the top banishment. Wendy Pini assured me that she explained the situation to her husband, so I hope he forgives me. The rehearsal didn't take long. So I gave the cast some time off.

5pm - The Radio Play performance. This year we were doing an adaptation of "The Mirror" (written by Lydia C. Marano and originally story edited by Brynne Chandler Reaves).

Ladies and Gentlemen, the 2006 Gathering Players...

Keith David as Goliath
Jennifer Anderson as Demona
Mallory Reaves as Puck
Abbie Sulik as Elisa
Crispin Freeman as Hudson
Thom Adcox as Lexington
Zach Baker as Brooklyn
Joshua Poole as Broadway
Eric Tribou as Bronx
Laurean Leigh as Burglar #1
Erin Weisman as Burglar #2
Susan Scoggins as Gargoyle #1
Stephanie Scoggins as Gargoyle #2
Fox Anderson as Gargoyle #3
Lanny Fields as the Security Guard

with myself as narrator and Adam Leigh and Jenny Baker understudying.

I think, if I do say so myself, that the performance went quite well.

After the show, Beth, Erin, Benny and myself drove out to Vic Cook's house for a small barbecue get-together. Dave Schwartz provided much of the food. His barbecue sauce was to die for. I'm sure I won't remember everyone who was there, but I'll try... Vic and his wife Sonia, Kevin Hopps, Kuni Bowen and her two daughters, Tad Stones and his daughter, Phil Weinstein and his family, Bob Kline, Carol Wagner, Wendy Pini, Crispin & Izzy and Gary Krisel. There was Tri-tip, ice cream cake, sushi, hot dogs, chips and dip, oatmeal cookies. I was stuffed.

9:30pm - Beth dropped me back off at the hotel, before heading home with the kids. I chilled for a bit in my room. Changing shirts to something more appropriate for what was to follow...

10pm - Time for the Blue Mug. I was joined by Thom, Crispin and Keith. The room was PACKED. There were blue moments, but it was neither the bluest nor the least blue mug we've ever had. Keith sang a bit. We all joked around. Answered some questions. I revealed that I was a robot. The usual. Then around 11pm, I told a story about working in Hollywood... demonstrating what I'd like to have done in the situation by standing up on a chair and mock screaming at invisible studio executives.

So of course, we were kicked out of the consuite for making too much noise.

Mugus Interruptus.

Whoops. My bad.

We tried going down to one of our banquet rooms, but it was locked, and the security guard wouldn't let us congregate in the foyer in front of that room. We dispersed, but a few of us went to the bar until THAT closed down at 12:15am.

So I headed back to my room.

3:15am - Lights out.

TO BE CONTINUED...

Tune in tomorrow for my further adventures in Valencia...

(AND POST THOSE CONJOURNALS!!!)

GATHERING 2006 - Con Journal - Friday

GATHERING 2006 - Con Journal

My usual caveats... I meet so many people at the Gathering that I can't possibly remember all the names. I apologise. I try, believe me. Please, do not be offended if you've slipped my mind.

Friday, June 23nd
7:30am - Woke up, giving me about 2.5 hours sleep for the night (after a number of bad night's sleeps earlier that week).

9am - I think I shocked the staff by arriving more or less on time to the staff breakfast. (Traditionally, I sleep through it.) I had potatos, Fresh OJ (which I love), french toast and bacon. But, man, I was tasting that breakfast for hours.

I do want to take time to praise the amazing staff of this year's con. Sort of an all-star team of past con chairs and staffers... or as Jen liked to call them, the Dream Team. I'll try to list them all here...

Jennifer L. Anderson - Con Chair
Patrick Toman - Vice Con Chair

Greg Bishansky - Assistant to promotions
Karine Charlebois - Volunteer Coordinator
Seth Jackson - Promotional Coordinator
Cindy Kinnard - Art Show & Masquerade Coordinator
Kythera - Official Lackey
Laurean Leigh - Program & Website Coordinator
Stephanie Lostimolo - Graphics Designer
Christine Morgan - Anthology, Contest & Fan Panel Coordinator
Tim Morgan - Dealer's Room & Auction Coordinator
Scott Sakai - A/V Coordinator
Carol Wagner - Guest Coordinator

And Rob, M.I.A. for the con itself, but otherwise a year-long staffer who kept us on "TOPIC" at our on-line meetings.

Plus a number of great volunteers, people who just pitched in. I felt that this was one of the smoothest run cons I'd ever been to.

APPLAUSE FOR THEM ALL!!!!

After breakfast, I helped carry stuff down to registration.

10am - Went to the Art Room to put Erin & Benny's art panel up. Browsed the other art that was there...

Finally got my first look at "Gargoyles #1: Nightwatch" the new comic. Dan Vado of SLG, who, with Joe Nakamura, was setting up his table in the dealers' room gave me a copy. It was great to finally have it in my hand. Real. Solid. I was thrilled. I realize it isn't perfect, and I know the hardcore fans are probably impatient to get to issue #3, when we enter into a new arc of stories, but I'm still ridiculously proud of the thing. I think David Hedgecock's work is passionate and dramatic, and getting better all the time. I love how Will Terrell's work enhances David's. And the cover by Greg Guler and Steph Lostimolo is just stunning. Thanks to all of them and to Dan and Joe and Jen de Guzman (our editor) and Marty Lund of creaturecomics.com. I do hope all the fans buy a copy or two, but more than that I'd love it if they SPREAD THE WORD about the comic. Don't assume that people know the thing is out there (same with the DVDs and the Gathering too for that matter).

I'm not just talking about word of mouth, though that's great. But I'd love to see each hard core fan take responsibility for finding a way to reach a thousand people. (And I'm only half-kidding.) No, not all of those people will be buying our product, but that's the numbers we need to reach in order to get the numbers we need. Go to conventions. Go on the net to places we haven't thought of. Check out complimentary fandoms and let them know. Nearly everyone I meet at the con has a story about wearing a garg t-shirt or something and having someone say, "Hey, I really liked that show." But they don't know about the comic, DVD or conventions. Those are the people we need to reach. And sure, it would be great if Disney spent some advertising dollars, but it's really not going to happen. So if as fans, you want to see more comics and another DVD release, SPREAD THE WORD.

Specifically, at this con, I heard a LOT of anecdotal stories about the comic already being sold out at individual comic book stores. Which is great, of course. BUT.... The two questions I always wonder about are (1) how many copies were ordered in the first place and (2) now that it's sold out are they ordering more? A lot of stores low-ball their orders (because they've been burned before) and when they sell out, they feel pleased that they guessed right about how many copies to order. They don't necessarily think to order more once they sell out, and if the comic isn't on the shelf, then most people won't know to buy it. So talking to retailers is another VERY helpful tack.

But enough of the sales pitch... back to the ramble...

I spent some time talking to Dand and Joe of SLG, but Si needed a ride to Kinkos to print out some missing Mug-A-Guest sign up sheets. So we hopped in the P.T. Cruiser and took off. When we got back, I popped into a few panels, making a cameo at the Con Virgin Panel and then catching the tail end of Thom & Crispin's Voice Acting Workshop, which was very cool and hi-tech.

3pm - Next up were our first round of Auditions. It was me, Jennifer Anderson and Thom Adcox (i.e. the usual suspects), though a bored Michael Reaves sat in and observed for a while. We had some amazing people this year, but unfortunately one of the smallest casts to cast that we've had in a while, made the smaller because we had Thom, Keith David and Crispin Freeman already slotted for three of the fifteen roles.

5pm - Opening Ceremonies. Always fun. Very good energy in the room this year. Which was necessary, because the thing -- to me at least -- seemed kinda endless. Not that I'm complaining. We did have a lot of new people, for whom everything I have to show is new -- and I gave everyone else the chance to bolt when my turn came. But most stuck around. I guess it's tradition. And I do feel like I had more energy than in the last couple of years. But I'm getting ahead of myself.

Mai Li (I hope I'm spelling that right) got the Fan Guest of Honor Award, which she thoroughly deserves. Mai was conchair of the very first Gathering in Manhattan in 1997. Not just the conchair, really but the only staff member too. She basically all but did it all herself. (Burned her out so bad, we haven't been able to get her back to a Gathering again until this year.) Without Mai, there'd be no Gathering. And I wouldn't be a part of this fandom. I have always credited Chris Rogers, Eric "Gorebash" Tribou and Mai Li as the three people who introduced me to the fans. We've been feeding off each other ever since. ;)

Nikki "Y2Hecate" Owens got up to pimp G2007 in Pigeon Forge, Tenessee. Nikki, the new conchair, is already way ahead of the game. They've got a date (JUNE 22-25) and a low cost/high quality hotel. So let me do a little pimping too here. Register NOW!!! The cost is pretty darn cheap in these early months, and the more money that comes in early the better the con will be. Walk-ins are great. I'm not knocking them, but walk-ins don't pay for guests and activities, because that's money that the con can't count on. Small money sooner is worth more than Large money later. Just a fact. Of course, to be intentionally repetitive the main thing you can do is SPREAD THE WORD!!!!!!

Anyway, the staff was introduced, and then we watched a bunch of music videos. They were all pretty cool. Of course, since everyone's working independently, they have no way of knowing that they're all going to duplicate a bunch of footage. But I still enjoyed seeing them. An ironic "Can you feel the love" featuring Demona and Macbeth pounding on each other was a highlight. The "Beauty and the Beast" one for Elisa and Goliath was like shooting fish in a barrel, but I was a sucker for it. And Jen's video "Wake Me Up" I think it was called, which opened Opening Ceremonies was VERY cool and eventually one first place in the Music Video contest.

Then it was my turn. I talked about the comic, G2007 and the DVDs. At this time, Buena Vista Home Entertainment has not scheduled Gargoyles Season Two, Volume Two for release. The short and simple truth is that Volume 1 did not sell enough copies. The ONLY remedy is to find a way to sell more. As always, I'd love it if the fans bought copies, but I'd NEVER ask anyone to spend money they don't have or need for things like food/shelter/education/etc. Frankly, as I've said many times, if every single hardcore fan bought ten copies our sales would still be mediocre. What I need from the hardcore fan is for each and everyone to find creative ways to SPREAD THE WORD!!! (Sense a theme, yet?) We did a more effective job of this on the Season One set. Now Season Two costs more, I know. But that only means we need to reach out to even MORE people, to compensate for those who bought Season One, but can't afford S2V1. Only a percentage of those who know about the DVD will buy it. But the more people who know, the greater the chance that we'll reach the sales threshold that Disney feels we need to convince them to release S2V2. Now... a lot of people have asked why Disney isn't promoting the DVD. But ultimately the answer doesn't matter too much. They aren't. That's not money they're prepared to spend. So we need to do it. We need to SPREAD THE WORD!!!

Next up, I showed all the old standards. The original pitch, the promo, the preview, the New Olympians and Dark Ages pitches, the Bad Guys Leica Reel and finally "The Last" -- a never-produced episode of Team Atlantis featuring Marina Sirtis as Demona, Cree Summer as Kida, Frank Welker as Obie and Sheena Easton as Fiona Canmore. The fans have taken the original voice tape and the tiny bit of storyboarding that was completed and are trying to make the episode themselves. We have a little more picture every year. If you're interested in helping out, contact Vashkoda in the Station Eight Gargoyles Comment Room.

Opening Ceremonies finally came to a close, and I went to dinner with Wendy Pini, Michael Reaves, Brynne Chandler, Crispin, Izobel, Thom, Jamie, Lexy, Marty and Kiffin. Unfortunately, the restaurant couldn't seat us all together, and Marty, Lexy and Kiffin were semi-abandoned at another table. (Sorry, guys, really.) The Japanese food was good (California Roll, Miso Soup, salad, rice, shrimp and vegetable tempura, beef teriaki). More importantly, I got a chance to talk to Wendy Pini. Wendy, the creator of Elfquest, as it turns out, is a big Gargoyles fan. And I've been a fan of hers for longer than either of us cared to admit. She was extremely charming, and we really hit it off. Yeah, yeah, mutual admiration society. <YAWN> I know. But it does raise an interesting point. Gargoyles. Elfquest. If you like one, you might like the other. (After all, I like both and so does Wendy.) And yet before Wendy contacted the constaff a few days before the con, it never occured to any of us to try to win Elfquest fans over to Gargoyles or vice versa. So what other FANDOMS are there out there that we're not reaching out to. I don't know. But I need all of you to start thinking about it and SPREAD THE WORD!!!

When we got back to the hotel, a few of us headed up to the con suite to hang. (Thom stopped off at his room and promised to meet us up there.) But when we got to the consuite, they were on the verge of closing down. So everyone else booked, and I waited in the suite for Thom (who never showed up). Still, I got to have a real nice talk with Mai, Karine, Patrick and one other person, whose name is just escaping me at the moment. (Sorry, sorry, sorry, sorry!)

Midnight... Karine headed to her room, and Patrick was ready to crash, so I left for my room.

1am - fortunately, I was actually tired. And turned off the lights, and pretty much went right to sleep.

TO BE CONTINUED...

Tune in tomorrow for my further adventures in Valencia... and to find out how many more times Greg can write "SPREAD THE WORD" into his ramblings...

(AND POST THOSE CONJOURNALS!!!)

GATHERING 2006 - Con Journal

GATHERING 2006 - Con Journal

Well, the con is over, and as usual, I just had an incredible time. It was so gratifying how much all the fans love the show. So here's my con journal. I hope ALL of you who attended take a few minutes to write up and post your con journals/diaries/memories/etc. here at ASK GREG. Cut and paste, my friends.

My usual caveats... I meet so many people at the Gathering that I can't possibly remember all the names. I apologise. I try, believe me. Please, do not be offended if you've slipped my mind.

Thursday, June 22nd
3pm - I didn't even bother going to the office. I packed, puttered. Watched some ALL MY CHILDREN. Said goodbye to Erin, Benny and Beth when they got home from Camp, Camp and school (respectively) and then hit the road. Listened to an unabridged book on CD version of "Pride and Prejudice" on the way to Valencia.

4pm - Arrived at the hotel and was checking in when the vast majority of the con staff approached. My room was very nice. I dropped my stuff off quickly (I had a lot of stuff) and then helped the constaff carry some boxes and bags in.

Ran some constaff errands next with Jennifer, Karine, Kyt, Seth, Cindy, Steph and Patrick all stuffed into Jen's SUV. Ate a Three Musketeers bar, which was all I had eaten that day.

7pm - Planning ahead, we made a reservation at BJs (across the street from the hotel) for 21 people. But on our way there, we found we were 25. There was some delay in setting up our tables, and the longer the delay, the more our party grew. 21, no 25, no 32, no 35. Finally, we were all seated at three tables of 12.

My table included myself, Taylor, Liz, Sean, Ckaote, Spacie, Revel, Sylvia, Kristin, Kyt, GXB and Laurean. But the group also included Lynati, Aaron, Mara, Jen, Susan, Steph, Syndey, Tim, Arno, Norcumi, Quindar, Christine, Karine, Steph L., Becca, Cindy, Nikki, Jade, Seth, Patrick and Fox. (At least.) I had a great dinner (French Dip, baked potato) and Siryn and I shared an apple crisp with ice cream for dessert.

After that, it was up to the consuite to fold t-shirts and stuff envelopes w/Nikki, Steph, Cindy, Jen, Patrick, Seth, Greg, Tim, Christine, Karine, Kyt, Patrick, Laurean and Carol.

I don't think I've ever seen the constaff so organized as they were this year.

11:50pm - I retired to my room.

3am - Lights out.

5am - Still AWAKE! Arrggghh!!!

TO BE CONTINUED...

Tune in tomorrow for my further adventures in Valencia...

(AND POST THOSE CONJOURNALS!!!)

DUCKS IN A ROW

ASK GREG will be open up again today (Thursday, June 22) so that questions and especially G2006 CON JOURNALS can be posted. We'll stay open at least until the end of July.

In addition, Gorebash has been working on the site to allow Todd to answer some frequently asked questions for me by searching the archives. We haven't totally got the new system up and running, but the long awaited upgrade to ASK GREG is on the verge of reality here. REJOICE!!!

This should help us get through the queue MUCH faster.

But another thing that would help is still a bit of common sense on the part of posters. Try to search the FAQ or the ARCHIVES first. Ask your question here in the comment room. (And, gang, be nice to the newbies, ignorant or not.) Keep the queue as clean of garbage as possible.

And POST THOSE CON JOURNALS. Cut and paste them! It's important!!!!!

Also, post comments and questions about the new comic book that hit stores YESTERDAY (Thursday, June 21)!!! Copies of the first issue ("Nightwatch") WILL be available at the Gathering this weekend, but as Marty said, anything that can be done to encourage sales at local stores is essential.

[I realize from VERY recent personal experience that this can be frustrating. A drone at MY local comic shop was very insistent yesterday that the comic wasn't out yet. Do NOT let them tell you that. It IS out! Be persistent, insistent, but unfailingly POLITE, as it won't help the cause to alienate the guy who orders books for the store.]

This isn't simply about you guys buying a bunch of copies yourself. If EVERYONE who normally checks out ASK GREG bought ten copies, our sales would still, frankly, suck. Yes, I hope you guys support the book with cold hard cash (though as always I'd never ask you to spend money you don't have and/or need for food, shelter, education, etc.), but what I'm really COUNTING on you guys to do is spread the word. EVERYWHERE. We need to bring in a much larger crowd than simply the hard core fans. Word of mouth to individuals is great, but try to brainstorm ways to reach a lot of people on the net, at conventions, etc. Look at other rabid fandoms that might like Gargoyles, and LET. THEM. KNOW what they're missing! (Let them know.) BRAINSTORM NEW WAYS. NEW. NEW WAYS.

DO NOT TAKE FOR GRANTED that the book will just be an ongoing thing. If sales on the first couple issues suck then don't assume that there will be an issue #3. (That's how we got into the dilemma we're facing with the DVDs.)

WORD MUST BE SPREAD!!!!!

Finally, for those of you attending the Gathering this weekend in Valencia: please come up to me and say hello. Many of you know me already. Some of you have met me briefly. Some of you are strangers. I'll admit in advance that though I am fearless when I'm "On Stage," ironically I get very shy trying to conduct small talk. So be patient with me. It usually takes me two cons to remember names and three to really get to know a person. But keep trying. I have made so many great friends at these conventions, and you could be one of them. I really do want to know you all.

It's a very exciting con this year. We've got so many great guests and events planned. Panels with the creators of Kim Possible, Talespin, Darkwing Duck, Ben Ten. Jim Cummings, the voice of Dingo, Don Karnage, Darkwing Duck, Pete, Winnie-The-Pooh, Tigger, Bonkers, etc., etc., etc. will be there. Voice directors, background artists, character designers, film editors, music editors, sound effects editors, storyboard artists, and tons of VOICE ACTORS. Nearly the entire writing staff and Voice cast of WITCH will be there. (And I hope you've been watching the episodes of WITCH that I produced which have been airing on Toon Disney and ABC Family's Jetix blocks.) Frank Paur will talk about Spawn, Iron Man and Dr. Strange. Tad Stones will talk about Hellboy. Keith David, Thom Adcox and Crispin Freeman will all BE IN THIS YEAR'S RADIO PLAY!!! Brigitte Bako, the voice of Angela, is attending her first convention EVER!! (So be extra nice to her.) I'm even doing a seminar on time travel.

So stop by, have fun, enjoy... and SPREAD THE WORD. (Have I mentioned that yet? SPREAD THE WORD!!!!)

Gargoyles is BACK!!!!

Thanks,
Greg Weisman