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CON-ODYSSEY: GATHERING & CONvergence - Sunday, June 29, 2009

CON-ODYSSEY: GATHERING & CONvergence - Sunday, June 29, 2009

1am - Returned to my room and ate an apple.

2am - Went to sleep, which for me is early.

8:30am - Wake up call.

10am - Had the Gargoyles and Bad Guys panel with Karine. Fewer questions about Gargoyles #9 then I would have thought, but it was fun.

11:30am - Gargoyles Biology and Culture panel w/Lynati & Kimberly. A perrenial favorite of mine. Not sure anything quite as revelatory as last year in Tennessee, but it was fun.

1pm - Spidey panel w/Keith, Thom and Jennifer. Again, no major revelations, but I like talking Spidey. Next year we're probably going to do a series of Spidey panels at the L.A. Gathering 2009.

2:30pm - Went for stir fry lunch with Sammy, Jennifer, Thom, Adam and Laurean. Good stuff. Afterwards, a couple of us went to Jamba Juice.

4pm - Though we were told we didn't need to get back to judge the Iron Artist competition until 4pm, by the time we arrived it was all over. The medium was macaroni and the theme was the Ultra-Pack.

4:30pm - Sat down to watch the end of the auction, and then we had our signing.

6pm - Banquet: Salad, roll, Chicken, potatoes, carrots, asparagus, tart. I sat with constaff mostly: Nikki, Seth, Sammy, Susan, Jennifer, Karine, Patrick, Greg, Rebekkah. During the Trivia Contest, Matt led his table to victory.

9pm - Masquerade. Fewer entries every year. I hope we can reverse that trend. But what was there was pretty cherce:

Best Canon:
1st: Hunter/Aaron
2nd: Shari/DTaina
3rd: Archmage+/Chip

Best Original:
1st: J.W./Jennifer Rynmoor
2nd: Gypsey/Noel Leas

Cutest Couple: Ranmaru & Arazia

Thom Adcox Memorial Award: Justin as Odin

No Gorelisa award this year.

Best in Show: Patrick Fisher as the Tourist Gargoyle

Also, Karine had a kick-ass Hunter costume.

There was dancing next. I even swing-danced Jenn-Bob right off a table.

MORE TO COME...


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CON-ODYSSEY: GATHERING & CONvergence - Saturday, June 28, 2009

CON-ODYSSEY: GATHERING & CONvergence - Saturday, June 28, 2009

2:00am - Back to my hotel room.

4:00am - Finally went to sleep.

8:30am - Wake up call. I showered, etc., and went down to the ConSuite, where I had a Danish and OJ at the tail end of the staff meeting.

10:00am - We held our second set of auditions.

11:30am - Over a catered lunch of a French Dip Sandwich, Broccoli Soup and fruit, Keith, Thom, Jennifer and I cast the Radio Play.

2:00pm - I was interviewed for an article by Alan.

3:00pm - The Gathering Players had their one and only rehearsal.

5:00pm - The Radio Play. This year's script was a chronological retelling of Chapters VII, VIII & IX of Clan-Building (i.e. "The Rock", "Rock & Roll" and "Rock of Ages"). I think the performers were terrific, but I don't think the script worked chronologically. Oh, well... A highlight was the massive rainstorm that nearly overwhelmed Shari's storytelling. Here was the cast:

THE GATHERING PLAYERS - 2008 Edition
NARRATOR - Greg Weisman
MACBETH - Erik Mambu
SHARI - Jennifer L. Anderson
COLDSTEEL - Eric Tribou
LEXINGTON - Thom Adcox
STONE OF DESTINY - Justin Summerhill
HUDSON - Jordan Mann
DAVID XANATOS - Jaret Morlan
ARTHUR PENDRAGON - Patrick Fisher
CONSTANCE/COCO - Laurean Leigh
STAGHART/AMP - Seth Jackson
GRIFF - Chip
THAILOG - Keith David
COLDSTONE - Revel
COLDFIRE - Sarah the Great
GOLIATH - Keith David
COYOTE 5.0 - Jaret Morlan
PEREDUR - Seth Jackson
COLDSTREAM GUARD - Chip
ELISA MAZA - Phoenix Talon
JAY SATO - John/Flanker
BLANCHEFLEUR - Laurean Leigh
CUSTOMS OFFICIAL - Patrick Fisher
BROOKLYN - Jae
DUVAL - John/Flanker
FOX - Phoenix Talon
BROADWAY - Lucas McClain
HOLY GRAIL - Lucas McClain
LUNETTE - Phoenix Talon
VINNIE GRIGORI - Jae
AIRPORT INTERCOM - Lucas McClain
OWEN BURNETT - Jae
MAGGIE THE CAT - Sarah the Great
TALON - Revel
SCOTTISH PATRIOT - Jordan Mann

7:00pm - Dinner at Pete's, w/Josh, Susan, Nicole, Eric, Greg, Rebekkah, Patrick, Laurean, Keith, Thom, John, Sammy, Seth, Jennifer, Nikki, Karine and me. Fantastic meal: Iceberg wedge salad, amazing bread, NY Strip Steak, Garlic Mash Potatos, Creamed Spinach, mushrooms, Berries. Raced back to be on time for...

10:00pm - The Blue Mug. Fairly raunchy this year. (Though not with every single question.) Teased Blue Mug Productions a bit. At some point, I took a bathroom break. Discovered that the self-flushing urinals in the hotel SCREAMED like the Green Goblin's pumpkin bombs! Freaked me out! Later Nikki gave me a colored sketch of a Green Goblin screaming urinal.

MORE TO COME...


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CON-ODYSSEY: GATHERING & CONvergence - Friday, June 27, 2009

CON-ODYSSEY: GATHERING & CONvergence - Friday, June 27, 2009

10:30am - Wake-up call gets me up. I slept for nearly twelve hours. Guess I was tired.

11:30am - I head up to the con to collect my box of RadioPlay scripts. Say hi to some people. Tour the dealer's/art room, which is a work in progress at this point.

12:00pm - My first panel of the con(s). Thom and I hold the Voice Acting Seminar that we've done in previous years. Phoenix gets up to play Demona and does a great job. We also do the Griff, Leo, Una, Goliath scene and a couple different runs at a Peter Parker, Spider-Man, Symbiote, Uncle Ben scene. Everyone does pretty darn well.

1:30pm - First round of auditions for the Radio Play, w/Keith, Thom, Josh and Jennifer helping with the casting and Sammy manning the door. Vox stops by to give me the crochet'd Goliath she made for me. It's pretty amazing, as is the Hunter she's made for Karine and all the rest. Tthe one that makes me laugh the most is the Owen... which was the last to sell. No accounting for taste.

3:00pm - Mug-A-Guest. I remember having fun, though none of the questions stand out in my memory at the moment.

5:00pm - Opening Ceremony. (It's been pointed out to me that it's a Ceremony not multiple Ceremonies.) We opened with a full hour plus of music videos. Susan then stepped up to offer opening remarks and intros. Jen pitched G2009 in Los Angeles (check out gatheringofthegargoyles.com). Susan thanked her staff, including Nikki, Jennifer, Greg and Patrick (who am I forgetting?). Then I went up to do my schpiel and show the now-familiar pieces: the pitch, the promo, the New Olympian and Dark Ages pitches, the Bad Guys reel (much of which is now canon thanks to the comic) and "The Last". The fans have made great progress on "The Last" - but there's still more work to be done. If you're interested in helping, contact Vashkoda.

After opening ceremony, it was time for a Blue Mug Productions Dinner. Edmund Tsabard, was out whoring, so I sat in with Jennifer, Mara and Karine (who has since had to bow out of the project, much to our sorrow). We got a lot done/decided in preparation for the Monday panel. Plus the food was great: Edimame, Rangoon, Dumplings, Miso soup, Shrimp Pad Thai. Then a stop at Ben & Jerry's after dinner for a Banana/fudge/Cherry Garcia sundae.

I stopped by my room to call home, then came back downstairs to the bar (Indigo... I think the restaurant I mentioned yesterday was called Blue or something). Later a small group of us (Susan, Jen, Mara, Karine, Seth, Sammy, Rebecca, Gore, BrooklynX, Patrick, Thom & John) went up to Susan's room to hang out and laugh.

MORE TO COME...


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CON-ODYSSEY: GATHERING & CONvergence - Thursday, June 26, 2009

CON-ODYSSEY: GATHERING & CONvergence - Thursday, June 26, 2009

5:00am - I stop watching Dexter with three episodes left to finish the season. (Still have one left as I write this.) Time to start my day and take a shower.

6:20am - Jennifer, Rebecca and Thom Adcox arrive to pick me up. They're early and I'm not quite packed. But I hussle and we head to the airport. In the parking lot we meet up with Seth and Sammy and take a shuttle to the airport, where we meet up with Josh Silver... and my kids Kindergarten teacher Mrs. Leakley (how weird is that?). I buy a water and a Snickers and a can of Pringles, saving the latter for the plane.

10:00am - The plane leaves for Chicago a mere half hour late. I have tomato juice and Pringles on the plane. I read the L.A. Times, and then continue reading THE ARCHER FILES - The complete short Lew Archer stories by Ross Macdonald, edited by Tom Nolan. Good stuff. I'm sitting with Jennifer and Thom and across from Rebecca and Mrs. Leakley. Josh, Seth and Sammy are further back. Thom sleeps through most of the plane ride.

4:00pm - We land... but are kept aboard waiting for a gate for an hour.

5:00pm - We finally disembark, meeting up with Keith David (who was flying in from New York) in baggage claim.

5:45pm - I didn't check any bags, but others did, and it takes 45 minutes for the bags to come out. We meet up with Patrick, Susan and Rob outside and pile into three cars. I think Josh and Keith went with Susan. Jennifer, Sammy and Seth went with Rob. Thom, Rebecca and I went with Patrick. Traffic was a nightmare.

7:30pm - We finally arrive at the lovely Hotel Orrington in Evanston, Illinois, just outside Chicago. This is a great area for a con, with lots of walking distance food nearby. I go up to my very nice room, where cheese and grapes are waiting for me. Then it's back downstairs for Dinner at the hotel's restaurant (Indigo?). I'll probably forget someone, but I think it was me, Karine, Jen, Greg Bishansky, Thom, Keith, Maelee, Josh, Dionne, Ruby, Susan, Rebecca, Patrick, Seth and Sammy. Also saw Ellen, Fan, Nikki, Jenn-Bob, etc. I had Sushi, Tempura, pork dumplings, Beef asparagus rolls and a couple cokes.

10:00pm - I went back to my room, leaving dinner early, exhausted. I called home, did just a bit of channel flipping, and...

11:00pm - Crashed.

MORE TO COME...


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CON-ODYSSEY GATHERING & CONvergence - Wednesday, June 25, 2009

And so begins my conjournal, which I'll serialize over the next few days...

I was gone for nearly two weeks to attend two terrific conventions. I had a great time at both, and really the best aspect of both was just hanging out with people, fellow pros and fans. I'll try to be complete, but I'm bound to make mistakes, skip over some people, etc. So I beg your forgiveness and indulgence in advance.

Wednesday, June 25, 2009
Still a work day for me... as I tried to frantically get everything done and ready for my trip.

10:30am - I had an Attended Edit of Spectacular Spider-Man episodes 125 and 126 with our editor Terry over at Studiopolis. This is the point where we take our voice recordings and edit it into a natural pause tape that the board artists and timers can use to get the feel of the flow of dialogue. Last two episodes of the second season are now completed on the writing and voice side before I leave. (Note: I find out today 7/9 that the board artists and directors never got these dialogue reels. GRRRRRR.)

12:00pm - I arrive at my office at Sony's Apple Building, i.e. the grim warehouse where we produce Spidey. I'm trying to clear the decks, since I don't plan on bringing my computer on the trip and/or checking e-mail.

7:00pm - I stop by Golden Apple to pick up a few comics before I go. Some Amazing Spider-Man (Brand New Day) and Justice League, which I buy for work-related reasons and Angel, which I buy for Whedon geek-out reasons.

8:00pm - I get home and sleep for a couple of hours.

10:00pm - I say good night to the kids and Beth. Then I do some more prep work for the conventions. Printing out my itinerary, etc. Then I watch a bunch of episodes of Season Two of Dexter (even better than Season One). No point in going to sleep tonight - I have to get up too early...

MORE TO COME...


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RADIO PLAY: The History

I posted this in the comment room, but Todd suggested I repost it here...

RADIO PLAYS...

Sometimes I just don't have anything Gargoyles for us to do. And I'm not sure if just doing old episodes is all that interesting. And the other things have been fun... at least it seemed that way to me.

Here's a history of the works of the GATHERING PLAYERS...

1998 - RAIN OF THE GHOSTS (an unproduced pilot I wrote)
1999 - THE ROSWELL CONSPIRACIES (a rejected pilot I wrote)
2000 - ROUGHNECKS: THE STARSHIP TROOPERS CHRONICLES (the last arc of the series, which I story edited, half of which was unproduced. Written by me, Jon Weisman Lydia Marano, Cary Bates and Michael Reaves.)
2001 - GARGOYLES: "Hunter's Moon, Part Three" (Note: this was the first time that we actually did something gargoyles related for the radio play. This included scenes that were cut for time from the original. Written by Michael Reaves.)
2002 - TEAM ATLANTIS: "The Last" (Unproduced episode featuring Demona and Fiona Canmore, written by me)
2003 - GARGOYLES: "The Reckoning" (Performed in honor of Gary Sperling, who co-wrote the script with Lydia.)
2004 - GARGOYLES: "The Journey" (my uncut version of the script)
2005 - DOC SHAKESPEARE (An unproduced pilot written by myself and Sam Bernstein)
2006 - GARGOYLES: "The Mirror" (written by Lydia Marano and Brynne Chandler Reaves)
2007 - GARGOYLES: "Clan Building, Chapters III, IV & V: Invitation Only, Masque & Bash" - (from the comic, premeiring chapter V before it was published. Written by me...)
2008 - Geez, I should probably figure this out soon...

Anyway, you can see that traditionally, we've only done something gargish about half the time. For me it's fun to get to see my unproduced work performed, and it does give the fans a little insight into the biz. In any case, I've never heard any complaints from the folks who attended.
Greg Weisman
OFF TO CHICAGO... ON A WING AND A PRAYER...


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HILL STREET BLUES ON DVD

As many of you know, perhaps my favorite television series of all time is HILL STREET BLUES. A couple years ago, the first season was put out on DVD. There was no marketing that I noticed... but there was a bit of publicity. A year later the second season came out. This time no marketing and no publicity. Also, I'm GUESSING, not much in terms of sales -- as the third season isn't on the schedule. I've signed up at Amazon to be notified if-and-when it is released...

SOUND FAMILIAR?

I bring this up, since it allows me to do a few things:

1. SPREAD THE WORD! I encourage you all to buy the first two seasons of Hill Street Blues. This was one of the truly seminal shows in television history, brilliantly written and acted and directed and a HUGE, HUGE influence on Gargoyles. Like Gargoyles it created a tapestry, a world of characters. Very much worth your time and disposable income.

2. CREATE A REALITY CHECK. For those of you who STILL seem to feel Disney is doing something unusual (let alone nefarious) in its treatment of Gargoyles, this is one of just many, many, many examples that demonstrates it's not. We can all sturm and drang about how business should be done, with marketing and publicity galore for every product, with a guarantee that once a company starts a project they must finish it (whether or not the economics justify it), etc. But the gnashing of teeth doesn't change the reality. Companies -- even companies as huge as Disney have LIMITED resources and must deal with the notion of OPPORTUNITY COST. So one company takes a flier on a Gargoyles DVD set, another takes one on Hill St. Both do fairly well in their first season releases, despite limited or no marketing and limited or no publicity. Both fair poorly in their second release. Both don't seem to rate a third release. It's sad. But it's life.

3. ENCOURAGE YOU TO SPREAD THE WORD! The best thing any one of you can do to help get the next release of ANY show you love -- short of spending your own money -- is to help us Spread the Word! About the DVDS, the comics, the Gathering. Oh, and about Hill Street Blues. (See, I practice what I preach!)

With that in mind, I depart in less than 48 hours for Chicago and my 12th Annual Gathering, followed immediately by a trip to Minneapolis for ConVergence (http://www.convergence-con.org/). I won't have internet access while I'm gone, but when I return I'll post my conjournalx2. I encourage all of you who are attending the Gathering to post/cut&paste their conjorunals, diaries etc. here to ASK GREG. It creates a central place where I can refer ignorant PTB-types. Also, if you see me at either con, please come up and say hello. I am notoriously bad with names, and I admit (with some embarrassment) that it often takes me two or three conventions to really nail a name down. But I do want to meet you, and I do want to get to know you. I'm not much at small talk, but I can talk about animation and comics and pop culture in general ad nauseum (just ask my wife).


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Mary Jane origins...

My folks, Beth and the kids went to see a truly wonderful performance of "Big River" yesterday at the Los Angeles County High School for the Arts. "Big River" is of course based on "The Adventures of Huckleberry Finn". Now keeping in mind that this is a show I've seen at least three times before, and that Huck is a book I've read at least four times, it stunned me that I NEVER noticed this fact before...

The girl that Huck has a huge unrequited yen for is named "Mary Jane Wilkes". And one of the women who takes Huck in at the beginning of the book is named "Miss Watson". It seems nearly impossible to think that the name "Mary Jane Watson" from Spider-Man wasn't lifted (consciously or otherwise) from Twain... I assume by Stan Lee (though possibly from someone else working at Marvel in those years).

How did this get by me?


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The Spectacular Spider-Man #113

___________________________________________________________________________

The Spectacular Spider-Man
Ep 113: "NATURE VS. NURTURE"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
KEVIN HOPPS

Card #5
Directed By
VICTOR COOK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

CLANCY BROWN as GEORGE STACY
LACEY CHABERT as GWEN STACY
GREY DELISLE as SALLY AVRIL, ERIN
BEN DISKIN as EDDIE BROCK / VENOM
DORIAN HAREWOOD as DOC BROMWELL
PHIL LAMARR as RAND ROBERTSON

_______________________________________________________________________
Card #8
Also Starring

JOSHUA LEBAR as FLASH THOMPSON
VANESSA MARSHALL as MARY JANE WATSON
KEVIN MICHAEL RICHARDSON as TOMBSTONE
DEBORAH STRANG as MAY PARKER
ALANNA UBACH as LIZ ALLAN

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL MCCUISTION

___________________________________________________________________________
Card #11
Associate Producers
ERIC VESBIT
WADE WISINSKI

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
JOAQUIM DOS SANTOS
SAHIN ERSOZ
JAY OLIVA
DAVE PRINCE
ROBERT SOUZA

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
DANA LANDSBERG
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RICK LEON
RANDY LUDENSKY
SWINTON SCOTT
JUNG JA KIM WOLF

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Coordinator GEORGE COX III

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
MOI ANIMATION CO. LTD

Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION


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The Spectacular Spider-Man #112

___________________________________________________________________________

The Spectacular Spider-Man
Ep 112: "INTERVENTION"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
GREG WEISMAN

Card #5
Directed By
DAVE BULLOCK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

ED ASNER as BEN PARKER
LACEY CHABERT as GWEN STACY
ROBERT COSTANZO as SULLIVAN EDWARDS
JIM CUMMINGS as CRUSHER HOGAN
BEN DISKIN as EDDIE BROCK / VENOM
DORIAN HAREWOOD as DOC BROMWELL
_______________________________________________________________________
Card #8
Also Starring

JOSH LEBAR as FLASH THOMPSON
VANESSA MARSHALL as MARY JANE WATSON
KEVIN MICHAEL RICHARDSON as TOMBSTONE
KATH SOUCIE as MARTHA CONNORS
DEBORAH STRANG as MAY PARKER
ALANNA UBACH as LIZ ALLAN

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL MCCUISTION

___________________________________________________________________________
Card #11
Associate Producers
ERIC VESBIT
WADE WISINSKI

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
IRINEO MARAMBA JR.
RICK MORALES
KI HYUN RYU
ADAM VAN WYK

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
DANA LANDSBERG
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RICK LEON
SWINTON SCOTT
JUNGJA KIM WOLF

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Coordinator GEORGE COX III

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

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Card #24
Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION



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