Chapter L: "The New Olympians"

Time to ramble...

Chapter L: "The New Olympians"
Story Editor: Gary Sperling
Writer: Adam Gilad
Director: Bob Kline

ORIGINS
Well, the Greek Myths of course. But that's not really what I'm talking about. As many of you know, The New Olympians was a concept -- originally created by Bob Kline -- that we began developing at Disney TV Animation even BEFORE Gargoyles. It was definitely a concept that evolved, but it was also a concept that we felt fit nicely into the Gargoyles Universe. So this episode was created as a backdoor pilot. At the time we had big plans for the Gargoyles Universe. Hopes that it would eventually evolve into Disney's equivalent of the Marvel or DC Universe. The World Tour expanded our Universe in many ways -- mostly for the sake of the Gargoyles series itself. But also to demonstrate that our universe had the "chops" to go the distance.

So the New Olympians were imported whole, like Athena from Zeus' head -- into the gargverse. The development for "The New Olympians" series focused on four major characters: Terry, Sphinx, Talos and Taurus. Terry and Sphinx were kept out of this episode on purpose -- so that we'd have fresh faces for the series if it went. Talos has a very minor role. But Taurus took a lead here. Other characters, such as Kiron, Ekidna, Helios, Boreas and, of course, Proteus were also part of the N.O. development. Though again, we left out a bunch of other characters: Xetes, Kalais, Medusa, Jove and Xanatos (yes, Xanatos) so that the whole series didn't become old news, should it get going.

The basic concept of the series, familiar to anyone who's attended a Gathering and seen the original pitch, was Romeo & Juliet. Terry is a human. Sphinx is a New Olympian. They are in love. But their "families" aren't making that love easy. This episode, would in essence be a PREQUEL to that series. Terry hasn't arrived yet. Elisa will help pave the way for Boreas' decision to finally reveal the New Olympians to the human world.

But another important inspiration was the work of Jack Kirby. In my recent ramble on "Eye of the Storm", I commented on how we strove to avoid a Kirbyesque Odin -- and didn't entirely succeed. Here, Kirby was a clear influence. I hope The New Olympians weren't a rip-off, but I can't deny that his Inhumans, his Eternals and his New Gods influenced us -- or me, at least -- when we were creating both New Olympus and our cast of characters.

Creating the cast was also interesting. We basically compiled a list of Greek & Roman myth-figures. Gods. Monsters. Titans. Etc. Then we tried to think about their descendants... Tried to think about which would be the most visually interesting. (A lot of the gods, for example, just look like glorified humans, so we tended to ignore them.) Originally, Kiron had the Taurus role and Medusa had the Sphinx role. But after talking with the artists, we made the double switch, because it was felt that having to animate a centaur and a woman with snaky hair on a regular basis was just inviting difficulties. As with many of these pragmatic decisions, I eventually fell in love with the new version -- and wouldn't want to go back, even if I could be assured of the highest possible animation quality.

In order to import this diverse group into the Gargverse, I posited that these were the descendents of mortals who mated with the Children of Oberon (or Mab). They therefore have incredible abilities and amazing appearances, but they are mortal. Some may have extremely long lives, but they do age. Still, before they left the human world behind, many of the original Olympians were treated as Gods. But some were treated as Monsters. As in Gargoyles, PREJUDICE would be a major theme of the series. In fact, if you look at the PREVIOUSLY of this episode, you'll see that it's fully thematic. All stuff about humans being prejudiced about Gargoyles. That's because we had nothing content-wise that we needed to set up. But if we set-up human prejudice, than it helped forge the twist of prejudice against humans, which Elisa would face in the episode. (I do wish we had thought to include Goliath's line: "Humans fear what they do not understand...")

So the New Olympians fled the Human World. They established a secret island and developed astounding technology... including a cloaking device. (I was always a touch disappointed with all the fog and mist in the opening scene. I wanted the skiff to suddenly be on the open sea, with nothing around for miles. The fog allowed for the notion that something might be hiding BEHIND it. I didn't want that. Still, I think the idea gets across. And the shimmer effect is nice. Plus, I like how Goliath abruptly spreads his wings when he enters it. When my daughter Erin saw the city finally materialize, she said: "Wow!")

OLD LINES IN NEW CONTEXT
Were we just out of dialogue ideas, or were we trying to make a point or an inside joke or something. I'll let you decide...
Goliath: "We cannot wage war against an entire city."
Elisa: "You'll have to do better than that."

VOICE WORK
Michael Dorn wound up playing Taurus and the late Roddy McDowell as Proteus. Dorian Harewood, who was originally cast as Boreas, also wound up playing Talos. But none of these three were our original choices for those rolls. Instead we cast three people who I thought would be perfect for their parts. But none hit it. It was one of our rare recordings that DIDN'T work. So we fell back on Michael to play the very Worf-like Taurus. (This sometimes bothers me as the voice is exactly the same as Coldstone's. But ultimately you go with the best hand you have at the time.) Dorian ended up doing double duty as Talos and was terrific. And of course, Roddy was just brilliant as Proteus.

What's interesting is that Proteus himself is not the greatest actor. Erin noticed... "There's something different in his voice." Of course, it's Keith David PLAYING Proteus playing Goliath. (Which is always fun.) And Keith hits the mark with precision. As does Salli & Michael when they're playing Proteus playing Elisa & Taurus. Sure Proteus always LOOKS the part -- thanks to his shape-shifting abilities. And I suppose he's less of a ham than Sevarius. But he never quite takes the time to truly "inhabit" his roles. Certainly, while playing Elisa and then Goliath, there are a number of small tip-offs in his choice of words that are just wrong. Like can you really imagine Goliath saying: "Who's that guy?" One assumes that his performance as Taurus' dad is equally off the mark.

The walla in the Senate House when Elisa is on trial isn't my favorite. We just didn't get enough coverage, so it repeats and repeats.

PREJUDICE
All of the New Olympians we see are prejudiced. Every one. Some are worse than others. Boreas is well-meaning, but wrong. Taurus is narrow-minded. Talos is, at best, only pragmatic -- not morally outraged by Elisa's treatment. Most of the others are just flat out racists. "New Olympians fear what they don't understand." I'm sure somewhere on the island there were some more enlightened individuals, but we made a point of NOT showing them.

I wanted to do a few things with that theme. (1) Show that prejudice breeds prejudice. The New Olympians have some legitimate grievances against the human race, but they've learned the wrong lessons from their ancient persecution. (2) Of course, we wanted to play the irony of the monsters being afraid of the "Humans of Legend". Elisa tells the Gargoyles to hide when they first land on the island. And she's the one that the New Olympians fear. They have "no quarrel" with the Gargoyles. And the best solution that even Boreas and Taurus can come up with is to "Quarantine" our girl. (3) There was a three. I had it in my head a minute ago. Now, for the life of me, I can't remember what it was.

Maybe it had something to do with Prejudice only truly being able to be attacked one person at a time. I went to an all boys high school. We were all so deathly afraid of being called homosexuals that a culture of homophobia was ingrained into all of us. It wasn't like I was going around gay-bashing. I like to think that even then, I had the sense and the control to stifle my prejudices. But I can't deny I had them -- probably still have them to some extent, unfortunately. Anyway, then I went to college. Acted in a couple plays with a guy I really admired -- both as an actor and as a human being. Became good friends with this guy (who had the amazing name Steve Wraith). THEN I discovered he was gay. By that time, I didn't care. He had personally won me over -- in a slightly less dramatic fashion then how Homer Simpson learned to accept gays after John Waters saved his life. Steve never saved my life, but I'm afraid the metaphor is VERY apt. I haven't seen Steve in twenty years, but I owe him a lot. A few years later my cousin came out. After that, many if not most of my friends came out. My sister. Etc. Steve paved the way to make me a better person. Conceptually, we can all talk about dismissing prejudice, but I have this sneaking suspicion that the only way we really learn is one human being at a time. That's why Goliath vouching for Elisa was ineffective. People are doomed to HAVE to figure things out for themselves. And unfortunately, some never do.

WHO KNEW THESEUS WAS SUCH A BASTARD?
And so we put Taurus through that process. He meets a human. His distaste is palpable. He knows the story of the Minotaur, his ancestor. [Now Theseus is one of my all time favorite characters from Myth. But I couldn't resist flipping the tale of the Labyrinth and telling it, if just for a few seconds, from the Minotaur's point of view.] But Taurus will learn to respect humans - one human at at time. Elisa and Taurus actually have a lot in common. Both are cops. Both have/had fathers who are/were cops. But as Elisa says, he's "got some funny ideas about justice."

Elisa is clearly more enlightened. In part, that may come from her own history. She grew up as a person of color in a largely white society. She's no stranger to prejudice. Being both African-American and Native American, it's possible that she has even faced some rejection from African-Americans and Native Americans as well. Clearly, based on her openness with regards to Goliath and the Gargoyles, she learned her lessons long before we met her. Pretty much from the moment she realized that Goliath could talk -- and was therefore sentient by human standards, she treated him as an equal. I always admired her for that. Unlike the New Olympians, she didn't let the prejudice she faced turn her into a bigot.

Taurus will eventually get the message. His prejudices don't just vanish. But he's learned something.

SOME NEAT MOVES
I like the sequence where Goliath comes to break Elisa out, and Proteus takes advantage of the situation by first turning into Elisa and then Goliath. (When Erin first saw him as Elisa, she said, "Uh oh." which is pretty much exactly what he was going for.

I like how Taurus threatens to fire Helios.

I like how Goliath turns to stone in Proteus' cell.

I like how Elisa takes charge -- and basically FORCES Taurus to partner up with her. She has two tip offs that Proteus is posing as Goliath. First the fact that he didn't turn to stone and blames it on the cloaking device affecting the sun's rays. Of course, Elisa knows that it's not literally the sun that turns a gargoyle to stone. It's his or her biological clock, which is often triggered by sunrise. But the real clincher is Proteus' plan to blow up the Collonadium. Elisa knows Goliath would NEVER do that.

I like when Taurus tries to express his admiration -- and still can't do it without insulting her species. Elisa takes it in stride: "I'll choose to take that as a compliment." Progress is slow.

THE NEW OLYMPIANS
We end the episode with a pretty blatant pitch for giving the New Olympians their own show. It's certainly shameless. But I make no apologies. I still contend that THE NEW OLYMPIANS would make a GREAT t.v. series.

Anyway, that's my ramble. Where's yours?

Chapter XLIX: "Eye of the Storm"

Time to ramble...

Chapter XLIX: "Eye of the Storm"
Story Editor: Cary Bates
Writer: Cary Bates
Director: Bob Kline

FAMOUS LAST WORDS (PART TWO)
Goliath at the end of "Avalon, Part Three" (and in the PREVIOUSLY of this episode): "I am personally going to make sure that the Eye of Odin and the Phoenix Gate are never used again." Of course, he's thinking he won't let anyone else use them. But he neglects to protect them against himself. We've already seen him use the Phoenix Gate -- mostly to positive effect -- in M.I.A. Now, we'll see him don the Eye of Odin...

ENVIRONMENTS
Elisa's cold. Cold enough to put her life in danger. Cold enough to force us to add a sweater and parka to her ensemble as the episode progresses. As Angela says, "It's enough to take your breath away." To which Elisa responds: "I can vouch for that."

(I do wonder what sport it was that Gunther was playing in the middle of winter that he did so well at.)

VOICE ACTORS RETURN
J.D. Daniels -- formerly Tom and Young Luach and Young Canmore -- is here playing Gunther Sturlusson. As I write this in 2004, J.D. would have to be in his late teens or early twenties. He was a great child actor -- which is rarer than you might think. I hope he's doing well.

Morgan Sheppard -- formerly Petros Xanatos -- also returns, as Odin. I would later cast Morgan in "Atlantis: Milo's Return" as a crazy guy who THOUGHT he was Odin. I love working with Morgan.

ODIN & THE STURLUSSONS
The name Sturlusson is a direct steal from Snorri Sturlusson (I hope I'm spelling this right), the author of the Eddas -- the more-or-less original source materials that we have as reference to the Norse Myths.

We tried to paint an Odin that would make Snorri proud, one "well-versed in myths and legends". Having him pose as an old man with a cloak of stars. That's out of the myths. Making him a storm god. That's right out of the myths. Giving him the ability to transform into animals (in this case a VERY cool one-eyed polar bear). Right out of the myths. The rainbow bridge at the end. Right out of the myths. Giving him a flying battle steed named Sleipnir is right out of the myths too, if you forgive the fact that Sleipner is supposed to have eight legs, but Bob and Frank balked at our ability to animate that decently. [Note: I do worry whether or not the final GOD-ODIN design was a bit too Marvel/Kirby influenced. Jack Kirby's seminal work is so all-pervasive in American visual vernacular, it's hard to avoid, even when you're consciously attempting to avoid it.]

And of course, there's the Eye itself. Traditionally, Odin traded his eye to the wise Jotun Mimir for wisdom and insight. Obviously, Mimir lost it at some point, perhaps after losing his own head (another story) and the Eye floated around for centuries before David found it and gave it to Fox who lost it to Goliath who had it stolen by the Weird Sisters who gave it the Archmage who lost it to Goliath again. Now Odin's claiming that HE directed Goliath's skiff to Norway. This time it isn't Avalon that's sent them here, but Odin who has waylaid them so that he can FINALLY get his darn eye back in its socket. I do regret that our "Eye-as-a-piece-of-Jewelry" design always looked more Egyptian than Nordic to me. The gang over at Disney Interactive who created the concept of the Eye for their game, had a much more runic/nordic/ravenesque design.

But I am curious -- how many of you were surprised to discover that the Eye of Odin was actually Odin's eye?

Odin also refers to Elisa as a Maiden. I wonder if he felt that she would have made a good Valkyrie?

{My ten-year-old daughter Erin asked: "Why doesn't [Goliath] give it to Odin. It's his eye. Of course, she's seen the episode before and knows what's coming vis-a-vis Goliath's behavior, but it's still interesting to me that she placed the burden for the misunderstanding on Goliath and not on Odin.}

Odin -- as Odin sees it -- is playing by the rules. He tries barter and then fair combat and then takes a hostage, which in ancient times did not have the same cowardly (if not downright terrorist) connotation that it carries today. All of which might have been avoided, if at the beginning he had just -- i don't know -- offered Elisa the cloak with no strings attached and sat down with Goliath to discuss the whole eye thing. Odds are, when he was not being confrontational, Bronx would have slid up to get his chin scratched. Angela would have said something like, "Well, Bronx likes him." And Goliath might have realized that giving the darn thing back to Odin was the safest possible outcome. BUT NO! Odin, as he admits, is not the most patient of gods and a bit rusty when it comes to the whole dealing directly with mortals thing.

AVATAR
So, instead, Odin comes on strong (rules or no rules) and Goliath is pushed into thinking that he has no choice but to use the Eye's power himself. (I think that was adequately motivated.) And thus Goliath and NOT Odin quickly becomes the VILLAIN of our piece. Which was interesting for us. We'd seen Zombie-Goliath in "Temptations". We'd seen Goliath's "evil twin" in "Double Jeopardy" and "Sanctuary". But we'd never seen Goliath himself go bad until now. He becomes more of who he is. A protector -- a tyrant -- a fascist. Someone who cannot brook disobedience. Someone unaccustomed to dealing with gods or being one. (A good line, I thought.)

His new attitude is, I think, embodied by the casualness and callousness of him saying: "We will pack them too." This in regards to moving Bronx and his DAUGHTER, currently frozen in stone.

At first, everything he says is pretty darn rational-sounding. But Elisa and Angela and Erik quickly develop their suspicions. They are just naturally slow to believe that their Goliath -- OUR Goliath -- could be the bad guy. Eye or no eye.

Goliath also succeeds in becoming an Avatar for Odin, much like Jackal and the Emir each became Avatars for Anubis. It's not quite as literal, but his wings take on Odin's starry pattern. His helmet is similar (although on my tape his horns are doing some FUNKY animation things). And everytime Odin uses one of his powers, Goliath acquires and mimics that power.

I'll admit that Goliath's turnaround at the end plays on screen a bit too quick for my tastes now. But ultimately, we were still counting on Goliath's protective nature, his basic decency. His love for his daughter. It's not as strong for me as, say, Renard's turnaround or the Captain's (from "Golem" and "Shadows of the Past" respectively), but I think it basically works.

OTHER NEAT LINES (all approximate)
Erik: "I am rich in sweaters."
Goliath: "Now that Elisa is safe, we can rest in peace." (Okay, this is more of an odd line than a neat one.)
Odin (understated): "This calls for a change in strategy."
Goliath (once they're all on to him): "Is there a problem."
Elisa: "The Eye! The Eye has gone to your head!"
Goliath: "That is all you need to know."
Odin: "I have more than gained in wisdom, what I have lost in strength."
Odin: "You're on my turf with my property."
Odin: "I am not the threat."
Goliath: "So close to Death and Rejuvenation at the same time."
Elisa: "You took a big chance. Wish I'd thought of it."
Odin: "Then we have both gained rare enlightenment. The Eye's standard gift." This last one was important to me. I wanted (from the moment we intro'd the eye into the series back in "The Edge" to play the Eye true to it's Eddaesque roots.

JALAPEÑA
Goliath removes the Eye and speaks that word again. This caught me off guard last night, cuz I had thought Hudson's Pendragon Jalapeña was the last one until "The Journey". But I guess we squeezed one more in.

And Odin finally gets the Eye back. And ... and... NOTHING HAPPENS. He just sticks it back into his eye socket and it becomes... his eye. I LOVED the anti-climax of that. Generally -- not such a big fan of anti-climax, but the irony and the RIGHTNESS of it just thrilled me.

Anyway, that's my ramble. Where's yours?

Chapter XLVIII: "Pendragon"

Time to ramble...

Chapter XLVIII: "Pendragon"
Story Editor: Brynne Chandler Reaves
Writer: Lydia Marano
Director: Dennis Woodyard

SOMETHING'S COMING
There's a wonderful children's book called "Something's Coming" about three stuffed animals and [SPOILERS] a sneeze. I hadn't read that book when we did this episode, but it was all I could think of reviewing the opening minutes now.

In fact, what's coming, according to Macbeth, is the "Harmonic Convergence". When I heard that, I immediately jumped to the conclusion that this was a Cary Bates episode. (Cary, at least for a time, was very into incorporating all sorts of New Agey schtick into his work [cf. his comic book series SILVERBLADE published in the late 80s by DC Comics].)

Of course, as noted above, this was a Brynne/Lydia/Greg collaboration. No Cary at all.

A BRIEF STOPOVER IN LONDON
Arthur arrives in his "City of Wonders", i.e. modern day London. We throw in some beauty shots of the city from "M.I.A." here. It helped us trim a few bad seconds of animation later in the episode, and helped establish the mood a bit better.

With Arthur arriving at what must have been his final destination from Avalon's point of view (minus a quick Stone of Destiny hop to NYC's Guggenheim Museum), his skiff sinks down into the water. I always imagined that the skiff resurfaced back on Avalon. Having shown this here, I didn't feel bad about NOT showing the sinking skiff in "Gathering, One" when our quartet returned to Manhattan. Allowed us to keep some surprise at their arrival at the Clock Tower.

Arthur makes a point of using a mace, since his quest is to find EXCALIBUR and we didn't want to confuse the issue by having him simply exchange one decent sword for the subtlety of a better sword. Or at least not until the end of the ep.

We also made a point of him missing Merlin, which was a bit of foreshadowing to the proposed Pendragon spin-off, where Arthur and Griff's first order of business would be a Quest for Merlin.

Speaking of Griff, his silhouette is a bit too distinctive here for my tastes. I wish it hadn't quite given away his indentity so soon. His design is somewhat inconsistent in this episode. As I mentioned during my "M.I.A." episode, Frank, Greg Guler and I were never 100% satisfied with the design. In this episode, in particular, he has some real Foghorn Leghorn moments.

The first real stop on Arthur's tour is Westminster Abbey. The door is locked, which makes sense in the Twentieth Century but not to a guy from the Sixth Century. And it perhaps makes even less sense to us in the 21st-Century. Is that all the security that exists there: a locked door? And of course, GARGOYLES continues its traditions of wantonly damaging historical sites, when Arthur uses his mace to enter.

Inside we find the Stone of Destiny in it's 1990s home beneath the throne. Shortly thereafter, the Stone would be moved to Edinburgh Castle. As for the Stone, I perpetrated one of my favorite mythological devices, which is conflating various similar concepts... so the Stone of Destiny (i.e. Jacob's pillow) also becomes the Stone from the Sword in the Stone, i.e. the stone from which Arthur drew Excalibur. And the thing talks!! What's interesting to me now, is that Arthur doesn't seem surprised by the fact that it talks. Legends state that an inscription revealed that "Whosoever pulleth this sword from this stone [and anvil] will become King of Britain." But perhaps there was no inscription, and the stone talked from day one. One question: Is the Stone itself one of Oberon's Children (in stone form) or is it magically enchanted? (I lean toward the latter, but it's interesting to ponder the former.)

Arthur, without Excalibur, had hoped that the sword would have returned to the stone. He's frustrated when he finds it hasn't. But he doesn't doubt his "ownership" of it, until much later in the episode. The Powers That Be are much less sure of Arthur's claim on it. They are constantly reminding him that at best, all he has is a shot at it: "It belongs to the True King. Are you still he?"

I also love how Arthur says that he hates riddles. It just feels so right for my interpretation of Arthur as a man who LEARNED to be a thinker, but to whom it didn't necessarily come naturally. Said interpretation of course heavily influenced by the works of T.H. White. Anyway, that poem/riddle which Griff recites (an unknowing trust past down across generations of the London Clan) was written, as I recall, by Lydia. It was hearing this poem that reminded me that she had written this episode and not Cary.

Note that everytime he sees a gargoyle, Arthur asks if he's "of Goliath's Clan".

BACK AT THE RANCH
Once again, we abandon our travelers to focus on life on the homefront with the Trio & Hudson. We will, once they've met up with Griff & Arthur, get a bit of an update on how updated our left-behinders are. They've heard from Halcyon Renard that he spotted Goliath, Elisa & Bronx in Prague. They've heard from Diane Maza that she spotted them in Nigeria. [I have to assume that all communications were channelled, per Elisa's suggestion, through Matt.] Now they learn about the travelers stop-overs in London (from Griff) and Avalon (from Arthur). [All of this was a bit of a risk, as we couldn't guarantee the airing order of the World Tour episodes. But I guess we felt it was a risk worth taking in order to give us a bit of legitimate continuity. Fortunately, it all worked out.] I'm curious if Angela was mentioned by either Renard or Diane (or Griff or Arthur after the adventure was over), and if so how prominently. Also, Griff demonstrably proves that other Gargoyles still exist in the world. Though the ramifications of that and of Angela clearly don't sink in with Hudson and the others until "The Gathering, Part One".

You'll see flashes of Brooklyn taking charge in this episode. With no one (including him) questioning it or even making an issue of it. I guess the lessons of "Kingdom" stuck.

You'll also see Broadway destroying one of Macbeth's lightning guns. But in contrast, Griff -- a man of HIS era, i.e. the forties -- comandeers the other one and makes it a part of his arsenal. I liked that, even -- or especially -- with the spin-off series in mind.

WILL OF THE WHISP AND OTHER STRANGERS...
I've since revealed here at ASK GREG, that the Will of the Whisp (introduced here by Macbeth, who uses both science and sorcery to control and utilize it) is the primitive magical entity that Oberon's Children evolved from. Sort of the Homo Erectus of the magical set. (Or maybe something even more primitive like a lemur or lungfish.)

The Lady of the Lake surfaces (literally). I like Lexington's "And she was right in our own lake.." for its understated humor. Also, this gives Hudson an excuse to say "Jalapeña", thus fulfilling another of the verbal challenges that Voice Director Jamie Thomason set for me -- and thus further pissing off the contingent of artists who truly HATED that expression. I think this may be one of the last times, until "The Journey", that we used it.

Anyway, we constantly raise the question of why the sword and the Lady associated with it were now in New York and not in Britain. Of course, the short answer was that we wanted to involve Hudson & the Trio without sending them on their own World Tour. But in fact, we did have a larger purpose. We wanted Arthur to become a player on the World Stage. A larger stage, as the Lady says.

I wasn't wild about that Water Djinn sequence. We wanted Arthur to solve the problem through leadership. But having him order Griff to use the Lightning weapon seems a fairly feeble solution to me (even though I endorsed it at the time). Wouldn't Arthur simply be electrocuted?

PEN... DRAGON
It's a goofy joke, but I still chuckle at Lex saying "Brooklyn" and Brooklyn answering.

I also am amused by the fact that it's Banquo in his slow pondering way that gives Macbeth the idea -- if not the ambition -- to take Excalibur for his own: "Hey Boss, you're a king. And you've been alive a long time..." Mac, an established Arthurphile, may seem an unlikely person to try to supplant his own hero. But it perfectly suits my interpretation of the character. Our Macbeth may not have the ambition of Shakespeare's Macbeth. But he's always been a man to sieze an appropriate opportunity. And he's always been a man in search of his own purpose. Perhaps this business of being a "Timeless King" and everything else that Excalibur represents in the past and future provides the reason for why he's lived for a largely tormented nine hundred years. Of course, Mac is also a man of honor. He vies for the sword. But when it becomes clear at the VERY end that Arthur is indeed its true master, he swears fealty to the (Whitean) Once and Future King. The thought DID cross my mind to add Macbeth to the cast of regulars in my PENDRAGON development. To give Arthur, in essence, two knights: Griff & Macbeth. But the dilemma comes in the fact that any spin-off has to stand on its own two feet. Characters can have backstories, but you can't assume that the audience has seen x amount of episodes of Gargoyles. I felt that telling Arthur's GARGOYLES-related backstory was going to be difficult enough. Throw in Griff's complicated story and you've set yourself a real challenge. Throw in Macbeth and that boat is just going to sink under two much backstory-weight. Much better to use him as guest star. Then if it seemed to work, over time he might spend MORE time in Pendragon. You never know. [NOTE: I was considerably less worried about adding Blanchfleur, Merlin and Duval to the cast, as we would be introducing them IN Pendragon.] So in the end, Mac accepts a more separate but equal arrangement. This was still cool to me. It reminded me of Arthur's relationship with King Pellinore. King Pellinore was also a King, but he was a wandering King. He didn't always sit at the Round Table, but he always came to Arthur's side, when Arthur needed him. They maintained a certain equality between them, and yet unspoken was the acknowledgement that Arthur was the one true king.

Speaking of Banquo... note his "Popeye" expression throughout most of the episode. This is a result of his model sheet, which showed him squinting through one eye. That was just supposed to be a single expression, but many of the overseas artists naturally assumed that it was a permanent condition -- because of course, we didn't have another model sheet with a different expression. Also, what did you think of Banquo & Fleance's power armor. I'm not sure it really came across as power armor. It was supposed to make them tougher and stronger. But I think it just looked like a flight suit for their sky-cycles. [But I did love those sky-cycles, especially the way Lex used them as a staircase for the Gargoyles to get some air. That was really cool and clever, I think.]

Random fact: My ten-year-old daughter Erin was fascinated with the topiary monkey.

An episode called Pendragon needed... a Dragon. I think this one is positively glorious. I love those steam vents. And the stone flight. And the fire. GREAT FIRE. But before it wakes up, I like how in essence this stone statue becomes the NEW Stone of Destiny. Macbeth draws the (faux) Excalibur from the dragon's stone grip and declares: "Macbeth, son of Findlaech, is the one true king." Arthur for a minute seems a sore loser. But his better nature wins out, after Macbeth points out that he's being a jerk. [Macbeth is great about being right when he's wrong.] When, as a youngster, Arthur drew the sword, many opposed his rule. It's a lesson that he's learned from. Griff resists, but Arthur kneels. He will not be an obstructionist if Macbeth is the new true king. Erin also felt that Arthur was being a sore loser. But Benny, my seven-year-old, disagreed, calling Arthur "the World's best fighter" and therefore the guy who deserved the sword. What's interesting, is that was NEVER my intent. I don't think of Arthur as the world's best FIGHTER. Even in his own legends, there were many knights who could outfight him. Arthur was a decent fighter, but his greatest strength was as a LEADER of men. That's what we tried to get across, both here and in "Avalon, Part Three".

It's also a cool play on words, I think, that this time the phrase "Sword IN the Stone" needs to be taken literally. The dragon statue surrounds the true sword inside it. I love the steps Arthur goes through to figure this out, primarily that moment when he recovers the faux Excalibur and can instantly sense that it isn't the genuine article. That was us trying to DEMONSTRATE with clarity that Excalibur wasn't just any sword, but rather something special. But what exactly was it? That, to be honest, we still needed to figure out. But we were hoping we'd have an entire spin-off to explore that question.

SOME GOOD LINES
Fleance: "No free rides, Bat-boy."

Broadway: "Now you stay put." And Banquo: "No problem."

Lex: "Take the stairs."

Arthur: "Arise... SIR Griff."

Plus a bunch of great British Griffisms:
"In for a penny, in for a pound."
"Well, that just about tears it."
"You are the Once and Future King."
"Right with you, Your Majesty"
"That's the stuff!"

Anyway, that's my ramble. Where's yours?

THE LEOPARD QUEEN

And here are my notes on the second draft outline... note we were approaching ever closer to the correct big cat.

WEISMAN 3-12-95

Notes on "Leopard Queen" Outline...

Hi, Brynne. Well, I'm at it again. Basically, I didn't feel we were there with the last draft of the outline, and given how far behind things are, I felt that it was necessary to beat it out here. My main problem was a lack of true jeopardy. The poachers were never any real threat to our gargoyles. In the end, neither were Tea or Fara Maku. The traps in the lost city had no effect on either Tea or the Poachers, so it was hard to believe that they would give Goliath and Co. a hard time. I just felt we really needed to escalate the situation, so I've added in the only character from African Mythology that I know anything about: Anansi the Spider. (And of course, I have no idea if Anansi is part of Nigerian myth, and unfortunately no time to check.) And just so you know, I wasn't secretly hoping you'd add Anansi. But he was the only thing in my head that felt authentic when I addressed the Jeopardy problem myself. Giant Spider. Worked for me. I tried to preserve what I felt was best from all the various versions we've had of this story. In reworking the legend of Kara Digi to include Anansi, I went for an animal folk tale feeling, instead of a curse, since you told me that African Myth tended in that direction. As usual, if you have problems with all or part of this thing, just call me.

BEAT SHEET
ACT ONE
I. RIVER WILD SEQUENCE.

II. On landing safely, no one is completely sure where they are.

A. Africa maybe, ELISA thinks, but she's not sure. She and her brother and sister came here as a child with their parents. Her mother's side of the family is from Nigeria.

B. ANGELA makes some semi-bitter comment about how she wishes her father would talk to her about her roots. GOLIATH gives the gargoyle company line in response. But it's clear that Angela wants something more personal from G.

C. Suddenly they spot something horrifying. We don't see what it is, but we can tell from their faces that it is something disgusting. Goliath is appalled. He cannot understand why any hunter would skin, defang and declaw an animal, only to leave the meat behind. Elisa explains that these jungle cats weren't hunted; they were obviously poached. An illegal practice, that's destroying the wild. Goliath thinks that may be the reason Avalon sent them here. To stop the poaching. They move off into the jungle. We do not follow them. We cut away.

III. Tribal clearing. A woman (DIANE) is telling a story to a bunch of native children. A few adults are gathered too (including FARA MAKU who has a claw mark tatoo or scar on his shoulder). In a cage nearby, a black leopard paces back and forth. We segue into her folk tale, told in arealistic "primitive" animation.

IV. The Tale of the LEOPARD QUEEN and ANANSI THE SPIDER.
A. The Leopard Queen was the most beautiful creature in the
jungle.
1. Beautiful black fur. Razor Sharp Claws. Huge white
teeth.
B. But she was also very vain.
1. She mocked the Hippo.
2. She mocked the Crocodile.
3. Then she made the mistake of mocking Anansi the
Spider.
C. Anansi weaved a magic spell in his web that transformed
the Leopard Queen into the first human.
1. No beautiful fur. No sharp claws. Puny little teeth.
D. The Leopard Queen begged Anansi to return her to her proper
form.
1. He promised he would on one condition.
2. That she build him a great city shaped like a giant
web.
3. She agreed.
E. But she could not do it alone. So she gave birth to the
human race to help her build the city of Kara Digi.
1. They followed Anansi's plans to the letter.
2. Anansi was very pleased.
F. When the city was built, Anansi kept his promise and
weaved a spell that returned the leopard Queen to her
true form.
1. With the beautiful fur, sharp claws and big teeth.
(Keep emphasizing these three elements.)
G. But Anansi had tricked the Queen. For now she was lonely
for her children.
1. She asked Anansi to turn her children into leopards.
2. He refused, because they tended his city.
3. But he told the Queen that if she hunted for him and
brought him food, she could choose one of her
children by marking him, and Anansi would turn
that child into a leopard.
H. So the Leopard Queen hunted for Anansi and brought him
food.
1. Anansi got fat and happy. He promised to grant her
request.
2. The Leopard Queen made her mark on her oldest son,
who was the wisest, bravest and most handsome
man of the tribe.
3. Anansi didn't want to let this great man leave his
city, but he had given his word.
I. Anansi called the Prince to him and told him of his promise.
1. The Prince did not want to become a leopard.
a. He had been born a human and wanted to stay
that way.
2. He asked Anansi if there was any way to escape this
fate.
3. Anansi told the Prince that if he killed the Leopard
Queen, Anansi would no longer be obligated to her.
J. So the Prince hunted the Queen.
1. But when he found her, he saw the beauty of her fur,
the sharpness of her claws and the hugeness? of
her teeth.
2. And he realized that she had chosen him out of love.
3. He decided not to kill her.
4. And so Anansi was forced to transform the Prince into
a Black Leopard.
K. Anansi was so furious, he banished all of the humans from
Kara Digi.
1. But that was foolish, because now he had no one to
tend his needs.
2. And so the spider went hungry.

V. As the tale ends, we see that Goliath, Elisa, Angela and Bronx have been listening from just beyond the clearing. They are enraptured by the story.
A. We get Angela's line about: Who is that woman? Magus?
Queen?
1. Elisa responds definitively: "No, that's my mother."
2. Probably at some point someone should remark on the
coincidence of her mother being there when our
travellers arrive, and someone else should point
out that with Avalon it is no coincidence, it is fate.
Maybe not here, but somewhere.
B. When the story's over, the adults (except for Fara Maku and
Diane) lead the children from the clearing for the
festival meal in the nearby Hauka village. We find
out that after the feast, the Black Panther will be set
free to honor the Leopard Queen.
C. Once the clearing is empty, Diane asks Fara with some
trepidation whether she told the story well. She'd been
studying to do this for months.
1. Fara praises her.
2. And Elisa steps into the clearing to tell her mother
she did a great job for someone born and raised in
New York.
D. That smart-ass remark is followed by a tremendous hug
between Elisa and Diane. Diane is very releaved Elisa is
all right.
1. But now that she knows that Elisa is all right, Diane
is furious that Elisa just vanished the way she did.
a. Elisa is surprised that she didn't get the
message from Matt.
b. But Diane can't believe that Elisa didn't call
home herself.
i. And Elisa's excuse that there hasn't been
time, doesn't cut a lot of mustard here.
2. Diane was so worried she nearly didn't come to
Nigeria for the Leopard festival, even though she
had been preparing to participate for a year. Peter
had to practically force her to get on the plane.
And he had to skip the festival, in case any word
came about Elisa back home.
3. So what is Elisa doing in Africa?
a. Elisa fumfers a lame excuse.
b. Diane recognizes it as lame, and is more pissed.
c. From the clearing, ANGELA doesn't understand
why Elisa doesn't tell her mother the truth.
d. Goliath explains that Elisa has some problems
sharing her secret with people. Though he
agrees that she SHOULD be able to tell her
parents.
e. Angela remarks pointedly that Goliath's right.
Parents and children should be able to talk
about anything. Goliath burns but says
nothing.
E. Suddenly, Poacher's attack led by TEA. (Please find a
different last name for her than MAKA, it's just too close
to Fara's MAKU. We're asking for confusion problems.)
Tea and the poachers want to kill the ceremonial leopard.
(Though for very different reasons.) And we may notice
that Tea also has what we might take as a claw mark
tatoo or scar on her shoulder.
1. Angela is prepared to jump in right then. But the
Poachers have guns which can fire faster than even
the gargoyles can move. Goliath wants to give
Elisa a chance to try to diffuse the situation.
2. Elisa, Fara Maku and Diane obviously have no intention
of letting Tea and her men kill the leopard. Fara
seems to know Tea. He can't believe she's working
with Poachers. This is what comes of leaving the
tribe for the big city. (Doesn't have to be America,
in fact it probably shouldn't. It's a bit distracting.
What's the biggest city in Nigeria or near Nigeria?)
We see Fara's getting very upset by all this.
3. Tea doesn't want to hurt Fara, but he doesn't know
what happened to her when she went to the big city.
And one way or the other that Leopard is going to
die. If necessary, every leopard in the jungle.
4. An increasingly agitated Fara places himself in front
of the leopard. The poachers are getting angry.
Let's just get rid of them all. We don't want
witnesses anyway. Things are reaching a boiling
point, and left with no choice, Goliath is just about
to go in.
5. When Fara Maku transforms into a HUGE black leopard
-- at any rate, considerably bigger than the
ceremonial leopard in the cage.

ACT TWO
VI. All hell breaks loose. Tea says something like "It was you!!". The poachers panic and start shooting at Fara, who attacks and is wounded. Goliath, Angela and Bronx wade into the battle. Short work is made of the poachers, but Fara/leopard flees into the jungle pursued by Tea. (We still think Tea is a villain at this point.)

Diane is stunned at all that's happened. And the appearance of the Gargoyles doesn't help. But the straw that breaks the camel's back is that Elisa clearly knows these monsters. Elisa is quickly able to convince her mom that Goliath and company are friendly, but that only raises more questions. How long have you known about this? Why didn't you tell me? Etc. Elisa doesn't want to deal with this, so she changes subject. What's the deal with Fara's transformation? Diane doesn't know. She thought the legend was just a legend. Goliath says that in his experience most legends have a seed of truth in them. At any rate, Fara's in obvious danger from that Tea-woman. They need to protect him. Elisa wants her mom to stay behind. Fat chance, young lady.

Just before they leave, they free the ceremonial panther and put the poachers in his cage.

VII. In the jungle, Tea hunts the Fara/leopard like a woman possessed. We get a sense that she and Fara once cared for each other and that for some reason she feels betrayed by him. She nearly kills him, but is prevented by Goliath and co. But when they try to apprehend her, she too transforms into a HUGE black leopard (though she seems to be trying to fight the transformation in a way that Fara didn't earlier.) Tea/leopard escapes, still pursuing the wounded Fara/leopard.

VIII. With Bronx's help, our intrepid band track Fara and Tea to the gates of legendary Kara Digi -- home of Anansi the Spider. Diane can't believe it's real, but then again, what isn't real these days? The city is layed out like a spider's web. Bronx seems confused. There are multiple cob-web filled pathways, and he seems conflicted between two of them. Angela realizes that Fara and Tea must have gone down separate paths. Angela, Elisa and Bronx will follow one path. Goliath and Diane will follow the other. (Elisa probably wants Goliath with Diane so that the big guy can keep mom safe.)

IX. The two teams split up. But both fall into death traps. Spider-themed death-traps ideally.

ACT THREE
X. Both groups separately escape their respective death traps and continue pursuit.

XI. Along the way, Angela has a discussion with Elisa, that chastens Elisa. (Angela wishes that her father would talk to her the way Diane seems to want to talk to Elisa, or something like that). Diane has a conversation with Goliath that chastens him. (As you said, the difference between the human and gargoyle way; the unreasonableness of children, the fact that Goliath treating Angela like a daughter doesn't preclude him from loving his non-biological kids back on Avalon. Diane has three kids, and she loves them all, but that doesn't mean she can't try to be as close as possible to Elisa. You might even get in the fact that Elisa's always been Daddy's girl. In fact, maybe we should run this through Elisa and Diane's whole conflict. Or maybe not. I'll leave that up to you.)
Note: Both Elisa and Goliath should be chastened but unconvinced at this point. Also, plant little spiders throughout their treks through the city.

XII. Anyway, all paths lead to the heart of Kara Digi, the heart of the web. Everyone converges there. Fara arrives first and transforms back into a wounded human. Tea isn't far behind. She too transforms back, and pulls a primitive weapon off the wall to use on Fara. She's intercepted by the several arrivals of all our heroes. And finally we get some answers. Tea was attacked by a leopard just before she left for the big city. Now everytime she gets upset she transforms into a black leopard. Made life difficult in the big city. She knew the Tale of the Leopard Queen and figured that if she killed the Leopard who marked her, it would break the spell. So she teamed with the Poachers. They helped her kill the leopards to get the fur, claws and teeth. She still can't believe that it was Fara that marked her. She loved Fara. Fara protests that he loved her too. That is why he marked her, to force her to come back to the jungle and stay with him. That isn't love, Diane says, that's selfishness. Fara realizes that now, but he really does love Tea. (Man this jungle's just filled with lousy communication skills.) But Elisa doesn't understand. How did Fara get cursed himself. Fara's reluctant to answer....so Anansi answers for him. Anansi lowers himself on a web from the darkness of the ceiling. He is a GIANT INTELLIGENT SPIDER. Fara knew the legends and searched for the city. He found it and Anansi, who was just a hungry little thing. Fara made the old deal. He would hunt for Anansi and bring him food in exchange for the Leopard "curse". Anansi's pleased with the arrangement. He's obviously eaten well. Now Fara begs Anansi to remove the curse from Tea, even if Fara has to serve Anansi forever. Tea's touched, but Anansi figures if one hunter is good, seven might be better. Anansi knows from his little spider children (who "bugged" Elisa and Goliath's respective conversations with Angela and Diane) that each of them has a loved one here. He may send a few of them out at a time to hunt while the others serve him and act as hostages. Of course this doesn't sit well with anyone, so we have a fight. Fara transforms again, so we have gargoyles, Fara/leopard, Tea, Elisa and Diane against this giant spider, and frankly, it doesn't look good for our guys. Fara is still wounded, and Tea has to transform to a leopard to save him at some point. She still loves him. Anansi is ultimately destroyed in some cool way that ANGELA thinks of. But with Anansi gone, now there's no way to remove the curse from Fara and Tea.

XIII. Epilogue. A bandaged Fara and Tea are reconciled. Both have done bad things that they need to atone for. But they are together, and like the Leopard Queen and her son, they choose to stay together out of love. If that means occasionally turning into black leopards to protect their jungle. Well, so be it.

Goliath tells Angela that he is very proud of how his Daughter defeated Anansi. She gets the message and gives him a huge hug, as dawn breaks and they turn to stone in each other's arms.

Diane is once more, suitably impressed. She and Elisa share a nice quiet moment alone. When night falls again, Elisa plans on continuing the world tour with her gargoyle friends, but she promises to tell her Mom EVERYTHING about it when she gets home.

THE END

So that's that. I'm not sure about the break between the second and third act. You can move it if you want. And if this doesn't play for you, all or in part, give me a call and we'll talk.

Finally, this may be sticky from an S&P standpoint. I can't really justify the poachers having futuristic guns. Their rifles can be semi-hi-tech, but they can't be laser guns. Also, I want to deal as realistically as possible with Fara's wound. Both as a leopard and as a man. I'm going to copy Adrienne on this. After you've both read this, you might want to confab with her to discuss perimeters.

THE JAGUAR QUEEN

Below are my notes on Brynne & Lydia's first outline for what would eventually become "Mark of the Panther". (Unfortunately, I no longer have copies of the actual outlines. Just my notes.)

WEISMAN 3-1-95

Notes on "Jaguar Queen" Outline...

FOCUS & THEME
"Emotional Distance" would be my best guess.
Goliath and Angela.
What is key issue/theme?
--He treated her more like a daughter before she knew he was her father.
--He is fighting a loving instinct inside himself.
--She doesn't grasp Gargoyle heritage on the subject.
--Distance? Coldness? Heritage? Self-control? Acknowledgement?

Diane and Elisa.
What is key issue?
--Distance? Coldness? Heritage? Self-control? Acknowledgement?
--Elisa is Daddy's girl.
--Is she distanced from her mom and/or her mom's heritage.
--Is mom shocked by Elisa's secret life with gargoyles?
--Is respect the issue?
--How does it relate to G&A arc?

Fara Maku and Tea.
What is key issue?
--Distance? Coldness? Heritage? Self-control? Acknowledgement?
--How does it relate to G&A and/or D&E?
--Do we need another set of parent & child?

Maybe we need to team Goliath and Diane?

ACT STRUCTURE
--Got to get more happening in Act One.
--Act One currently feels like it's all prologue, except that emotional issues aren't introduced until Act Two.
--Act Two seems too late to bring up Angela's arc.
--And Goliath's side doesn't get any play.
--It seems tacked on, not a dynamic element in the story.
--Must intro emotional arcs by end of Act One.
--Definitively for Goliath, Angela, Elisa and Diane.
--At least hint at them for Tea and Fara Maku.
--By end of Act One we need a jaguar transformation.
--By end of Act Two we need to get to the city if we're going there at all.

DIANE MAZA
--She's not personally from Nigeria. Her ancestors are from Nigeria.
--I frankly don't want to distance Diane & Elisa from the most negative side of the African-American Experience.
--Diane's been to Nigeria before, though.
--Searched out her ancestors.
--Studied there traditions.
--Has Elisa been here before? Probably.
--But how 'into it' is Elisa?
--Can she sense a monsoon coming?
--Much more of a Daddy's girl.
--Diane's an expert on "oral storytelling traditions"
--Not on all things Nigerian.
--Not on healing herbs for example.

FRENCH
--Elisa can't speak it.
--Maybe Angela can, but do we need it?
--Can't it all be in English?
--Ellipsis between 4 Heroes leaving the skiff and there arrival in village.
--We wipe from riverside to the village.
--Start hearing the story.
--Segue to depiction of story.
--When we return from 'telling', we see that the heroes are there and heard most of it.
--Elisa recognized her mom's voice right away, but doesn't tell the others right away.
--Stunned to see her there.
--Lost in the tale. etc.

THE CURSE - Simplify & Clarify
--Jaguar Queen's Logic seems confused.
--Curses conditions seem unclear and "Multiple"
--Why doesn't Tea turn into a jaguar?
--Was she turning into a jaguar in America?
--Does she want vengence on Fara Maku or does she want to kill the tribe's Jaguar?
--If she knows Maku is the jaguar that bit her, why try to kill the tribe's Jaguar?
--If she doesn't know, why does she want specific vengeance on him?
--What initiates Fara Maku's transformation into a Jaguar?
--Greed? Anger? How does it fit the curse we heard about?
--What initiates his transformation back at the end?
--How did he get cursed in first place?
--Do we want him to be the villain?
--Does their love story seems off point? Can we bring it on point?
--His motivation for cursing her seems pretty reprehensible.
--Tia's not bad for wanting to leave, per se.
--His vengeance being motivated by her greed, is fishy too.
--Why can't Tea end her curse by killing Fara Maku?
--How can she keep it from "being passed along"?
--Why do they reconcile?
--Who or what are we rooting for?

LOGISTICS
--When does Diane first see Elisa?
--How do gargoyles take out poachers without being seen?
--Why does Elisa feel it's necessary to reveal gargoyles at page 8?
--Beware set-ups that don't pay off.
--Straw man dangers.
--Spiked pit.
--Everyone notices and glides or "edges" around.
--Rope bridge - same deal. Whole set up feels artificial since Goliath could have glided over to rescue Tia in first place.
--Settled things that become unsettle.
--P.6 Tea's down, then is up again, with knife.
--Even gets her rifle back.

S&P CONCERNS
--Spear in Fara Maku's shoulder.
--Tea's rifle or shotgun at end of show.

LOST CITY
--Also discovered too late to not feel tacked on.
--Why is city booby-trapped? What is it protecting?
--A city doesn't only have one way to proceed.

POACHERS
--Aren't poaching.
--So why were they helping Tea?
--Was Tea a poacher?
--Has she been killing Jaguars looking for the one that bit her?

Chapter XLVII: "Mark of the Panther"

Time to ramble...

Chapter XLVII: "Mark of the Panther"
Story Editor: Brynne Chandler Reaves
Writer: Lydia Marano
Director: Dennis Woodyard

PREVIOUSLY
We reestablish Elisa's reluctance to share the Gargoyles even with people she trusts. And we reestablish Angela & Goliath's conflict over her parentage.

TITLE
This one went through a number of permutations, as you'll see from the various drafts of outline that I'll try to remember to post tomorrow. We kept changing the title as we kept learning more about the myths of the area. Here was one time where our research helped to keep us honest. Since it's not a one-word title, it probably came from Brynne and/or Lydia.

NOTE THE WATERFALL
We did Elisa falling and Goliath saving her so often -- even as we tried to avoid relegating Elisa to a mere damsel in distress -- that we always had to find variations on the theme. This time he catches her, but then gets slammed by Angela and they all fall into the water. Fortunately, he split the distance on the drop, so they're all okay. Compare this to Hunter's Moon III and... well, maybe I'll wait until I get to that ramble to elaborate...

THE LEGEND OF THE PANTHER QUEEN: TEETH, FUR & CLAWS
I've always been interested in Tricksters. Tricksters and Bastards are my two favorite archetypes. So I'd already done a bit of reading on Anansi legends. This one isn't authentic. The words that Nichelle Nichols speaks in narration as Diane Maza were written by Lydia, but the story itself was mine... though I had made it more of a tribal creation myth. Anansi creates a human being by removing the things about the Panther Queen that were the root of her vanity: her pelt, teeth and claws. The Panther Queen then mothers (at least this segment of) the human race, the ancestors of Fara Maku and Tea. Brynne felt that might be disresepectful to the peoples of the area, so we modified things so that the Queen had her own individual children but was no longer mother to the ENTIRE tribe. (Although I like to think that Fara Maku, at least, was an ancestor of the Queen.) From the beginning, we kept the emphasis on the fur, teeth and claws. Even the poachers are the most interested in those three items.

And how about our little mini cartoon within a cartoon? I love it, myself. (He says without a hint of bias ;) I think Dennis and his team did an amazing job at designing an entirely different art style appropriate to the fable. And I think Nichelle's reading is amazing. She did that in two takes. The first half in one take, the second half in the second take.

But as good as I think it is, I think it's most amazing for its daring. We stopped our episode and ran another cartoon of a totally different style for minutes there. Imagine someone tuning in late to see Gargoyles and finding themselves in the midst of the Tale of The Panther Queen... That was one of the things that was just magic about working on Gargoyles. We took RISKS.

OUT OF CONFLICT...
Some of our best stuff came out of conflict, I hate to admit. Like "The Mirror", this episode was one that Brynne and I fought over a lot. In general, I "won" those fights, because, after all, I was the boss -- and because, even if I had trouble at times articulating it, I had a clear vision (or would eventually find a clear vision) of what I was looking for. But Brynne (and everyone else) would influence me, temper me, moderate me. And the result was usually pretty darn cool. In the end, I think this was one of Brynne & Lydia's favorite episodes. They asked Nichelle to autograph their scripts -- and Nichelle asked THEM to autograph her script. I think she was quite taken with it as well.

PARENTS & CHILDREN
The Panther Queen & her son. Goliath & Angela. Diane & Elisa. Obviously, the theme of parents and children ran throughout the episode. But because of that, we made a conscious decision to make Tea into Fara's lover, not his daughter. We didn't want things to seem TOO pat by having every observable relationship be a parent/child relationship. But Tea & Fara still provide a cautionary example of someone attempting to hold on too tight...

Diane: "That's not love, Fara, that's selfishness."

It applies to any relationship.

Still, we get some fun mother/daughter and father/daughter and mother/son stuff from the three parental relationships we did have in the episode.

As with Fox and Anastasia in "Walkabout" you get moments of the old dynamic emerging between Diane and Elisa. Elisa comes up with a lame excuse for being in Africa ("I'm on a case.") and Diane responds with the kind of "Oh, please," that you know she must have used a hundred times on the 16-year-old Elisa.

But Elisa is still impressed by her mom and proud of her. She listens in some reverence -- and without interrupting -- to her mother telling the tale of the Panther Queen. Angela, also impressed, asks if Diane is a queen or magus (trying to relate her own reverence to her experience). And Elisa responds simply, but eloquently: "Actually, that's my mother."

We also get to see how much ALIKE Diane and Elisa actually are. Both hate spiders. ("Spiders. Why did it have to be spiders?" is of course a riff from Raiders of the Lost Ark.) Both hate to be seen as weak or needy. (I love Goliath's intimidated reaction when Diane tells him: "I don't need watching over." I wonder if he's already regarding her as his mother-in-law?)

My kids listened to Elisa being pissed off at Diane in front of Angela. She seems to be making sense at first, but it soon becomes clear -- even to an embarrassed Elisa -- that she's being unreasonable. Angela does a very Goliath-esque reality check for her (remember when Goliath reprimanded Elisa & Derek in "Her Brother's Keeper"?), which also served to remind us that Angela is Goliath's daughter in more ways than one.

Erin said: "I don't always understand Elisa." Goliath gets her. She doesn't like to share her secrets. She doesn't seem to trust easily. But she also views knowledge as power, and she doesn't want to share that power. The "THAT" which makes her special.

We also get some nice Angela resolution here, as well. Goliath's obviously so concerned about Angela focusing on her biological parentage (because he fears what that means vis-a-vis Demona) that he's totally blind to his duties as her only present (if not surviving) rookery father. He's there. She needs him to act as a father to her, not just as a leader. He refuses. And then Diane sets him straight, simply and clearly. Later, when he says he's proud of her, it's a bit of a sappy moment, but I like to think we've earned it.

And I like to think we've earned the better executed moment at the end between Elisa and Diane. Diane knows that loving sometimes means letting go. (Fara helped remind her of that.) But Elisa now doesn't want her mother to let go so soon. While the gargs sleep she has a full day to tell her story. *You know... Chapters I - XLVI.

Diane's last line is cute: "There aren't any more spiders are there?" But I wish we had ended there or with Elisa's little chuckle. When Elisa ends by saying, "No." it flattens out the moment. Oh, well...

ANANSI
During the Tale of the Panther Queen, Anansi laughs when the Queen attacks him because "creatures such as he cannot die." This is a tip off -- along with the little tiny spider we see at episode's end -- that we weren't actually killing Anansi by having Goliath plunge that spear into him. As my son Benny asked: "Is that all magic that's coming out of him?" Yes, indeed. He's being bled, in essence, of some of his magical energy. He's weakened but not destroyed. And he escapes as a little spider, to reappear in cameo during the Gathering. This was ALSO designed as a hint that Banshee was still alive too. I'm not saying that Oberon's Children cannot be destroyed. I think they can. But it's tough. They have to be utterly wiped out. Otherwise, they are simply weakened. It's easy enough for them to flee to recharge later and fight or trick or whatever another day.

Anansi was played wonderfully by LeVar Burton. But Frank Paur felt that his voice wasn't threatening enough to play the giant spider. So he was enhanced by the good folk at Advantage Audio. (Love those guys.) I think they did a marvelous job of merging LeVar's voice with the effect. We lost none of the acting. But we gained a lot of presence. And Anansi has some great lines:
"I know. Company's coming"
"I'll spin you wishes!"

NOTHING GETS BY THEM
Benny noticed the mark on Tea's shoulder, indicating that she was a were-panther. He wondered if Tea and Fara were the actual Queen and Prince from the legends...

Erin noticed that when Goliath was gliding with Tea and she transforms, she seems to scratch Goliath with her claws. She wondered if that meant Goliath would become a panther-goyle? THAT thought never even occured to me before. Should have though. I'm contemplating adding that to the list of missed bets along with the Pack killing everyone in "Grief" and Cu Chullain's armor and bones being in the tomb in "The Hound of Ulster".

RANDOM STUFF
Goliath has his own version of the Weird Sisters: "All Things Are True" line when Diane expresses surprise that the legend she had just faithfully related might have had some basis in fact.

Bronx is a great old smell hound. (I miss Norman. After watching this episode, my kids went to bed... and then an hour later my daughter had another grief-attack over our late dog. I can't help thinking that subconsciously, Bronx reminded her of Norman in this episode. Not that Norman ever hunted down were-panthers for us, but you get the idea.)

There's also a wonderfully animated moment, where Bronx knocks Tea over, just as she's about to spear Fara. The way she stumbles before crumbling is just gorgeous.

Fara Maku echoes the Captain of the Guard when he says: "It wasn't supposed to be that way." One could argue that it's us just being unoriginal. Or self-indulgent. But I like to think we were creating thematic echoes that ran across the entire tapestry of our 66 episodes.

"Dream on, Spider-Man!"

DID WE CHEAT?
Tea spends most of the episode trying to take revenge on Fara Maku. Then at the end they reconcile? I like to think that the events with Anansi really served to take the steam out of her need for vengeance. That seeing him threatened reawakened her feelings for him. And the fact that he admitted his mistake and apologized didn't hurt either. She makes a conscious decision to forgive him. But did that forgiveness come too cheap? Was it too pat? Maybe. I'm pretty confident about Renard's turnaround in "Golem" and the Captain's in "Shadows of the Past". We only had 22 minutes, and I think we planted all the necessary seeds to justify those last minute changes of heart. I'm less confident about this one. But I can live with it. And we created two more heroes for down the road...

Anyway, that's my ramble...

Where's yours?

Chapter XLVI: "Walkabout"

Time to ramble...

Chapter XLVI: "Walkabout"
Story Editor: Michael Reaves
Story: Michael Reaves
Teleplay: Steve Perry
Director: Dennis Woodyard

PREVIOUSLY
Focus here was on Fox being in the family way and on Dingo. At this point, I often (almost) forget that Fox was ever in the Pack, she seems so beyond them now. But there are a couple of nice reminders throughout the episode, that as "Grief" dealt with Jackal, Hyena, Wolf and Coyote (i.e. the LEAST human members of the Pack), "Walkabout" reunites the MOST human (former) members.

TITLE & ORIGINS
"Walkabout," is one of my typical one-word titles. I kind of had an ambition to hit every inhabited continent at least once on our World Tour. Couldn't skip the land down under therefore, and couldn't go to Australia without Dingo, of course. But this was also our opportunity to present a demonstrably pregnant Fox and to introduce her mother Anastasia, voiced by the incomparable Kate Mulgrew -- whom I've loved since her amazing run as Mary Ryan on Ryan's Hope.

When the skiff first appears, my kids (Erin & Benny) attempted to guess the location: Asia, Africa. Then they see the kangaroo.

Then they see the advancing "Gray Goo". Or silver sheen. That was another concept that Michael and I wanted to cover: nanotechnology and the threat it presents, i.e. the Gray Goo Scenario that Anastasia describes later. Oh, and artificial intelligence. More on that down below...

Unfortunately, the Gray Goo as executed here never really worked for me visually in the episode. It gets the idea across, but it's never got the precision that I wanted. And it's terribly inconsistent for a mono-maniacal computer program. It's kind of all over the map.

DINGO
He's seeking a clean slate, a fresh start. But it's not that easy. When Goliath spots him later, and Angela asks who he is, Elisa says: "He's not one of the Good Guys." Erin countered: "Trying to be."

Benny saw him activating his armor and immediately figured out what he was up to. How did he know? Because he's seen the concept more recently on the new "The Batman" series. Dingo's using Batwave!!!! (Dingowave?)

I love the visual of Dingo's armor opening up in back to let him step right in. Then closing up around him. There are some great armor moments in this episode.

[But some awkward movement throughout. There's a shot of Goliath falling to the ground and landing on his back, before rapidly flipping over onto his hands and knees to hold his head. It's very clumsy. And Fox runs very well for a pregnant woman, don't you think?]

Dingo also has some nice lines... (particularly: "Always did fancy a trip to Disneyland.") ...and Jim Cummings-provided Australian slang like "Ripper" and "Sheila" (referring to Elisa -- though Sheila is also my mother's name)

MATRIX
Erin wanted to know if we got sued for calling the computer program "The Matrix". I explained that this episode pre-dated the movie. So a couple of minutes later she asked why WE didn't sue the movie. (Where did she get so law-suit happy, huh?)

ANASTASIA & DAUGHTER
There are some great moments between Fox & Anastasia. Some moments where you can hear Fox practically reverting to her teen self with lines like "Mo-ther!" And I like when Anastasia plays on that by saying, "Humor your mother." Relationships trump science fiction.

When Fox says, "Your grandson just kicked me..." Erin said, "I'm her grandson," referring to the fact that Erin provided the voice of Alex Xanatos in "The Journey." But this was a bit of a reveal. In "Outfoxed", we revealed that Fox was pregnant. Now we reveal the baby's gender.

I also like Fox's "Where are my manners?" line.

And we get a bit more feeling for the Renard clan as Goliath realizes that Fox is Halcyon's daughter, and as Anastasia dismisses discussion of her "ex-husband."

THERAMIN
I never knew what that "instrument" was called before working on this episode. Carl did a great job of providing some unique scoring to this episode (as he had with Hound of Ulster). The Theramin work. And the Didgeridoo (am I spelling that right?) Cool stuff. Both added greatly to the ambiance and helped compensate for some weakly executed gray goo.

SHAMAN
Mr. One-Note, huh? You must use the Dream-Time. Find the Dream-Time. Enter the Dream-Time. Okay, okay. We get it.

There's potential in that character, which I wanted to explore in Bad Guys. But I don't think we found it here. Part of the problem is the accent. I don't know what I'm hearing exactly, but it doesn't sound like the accent of an Australian aborigine. I like James Avery's performance, and I'm not being critical of him, but he was hampered by our accentual ignorance and the one-note nature (as written) of the character. Still he has some decent moments, I suppose. At least enough that I wanted to make him Harry Monmouth's surrogate father in Bad Guys. I just wanted to get the accent right by that time.

And what is the Dreamtime, exactly? I'm not sure we got THAT right either, really. I think we just played it like the inside of Coldstone's head. That was probably my fault. Again, we just didn't always have the time to do all the research we would have loved to do.

SPEAKING OF BAD GUYS
I haven't watched "Walkabout" in a few years, but I see the Bad Guys Reel EVERY year at the Gathering. So I'm used to hearing Jeff Bennett as Matrix. But here we have Jim Cummings as Matrix, and it does sound very different, despite all the electronic filtering and futzing we did on both actors in the part. In the episode, we cast Jim as Matrix because he was already there as Dingo, so it saved us money.

But when we developed Bad Guys as its own series, I decided to recast Matrix. Not because Jim isn't great or because he couldn't handle doing two voices on a regular basis, but because we wanted to have the freedom to play with Matrix's voice a lot. And we didn't ever want him to sound like Dingo. So I brought in Jeff, because, well, I just love Jeff.

FINAL BATTLE
There's some interesting visuals in the Dreamtime. I liked how each of the combatants used what they know. Goliath uses a medieval shield and recreates the Trio & Hudson to fight with/for him. (It was also a conscious attempt on our part to get those four in the episode -- at least visually. We knew even then that we were short-changing them during the tour and that the audience would be missing them.) Dingo "upgrades" his armor again, saying with relish "I like it." _I_ like how he dived down into the "stuff of dreams" to revamp the armor. And Matrix uses waldo-like arms to fight and capture his opponents.

Of course, Dingo (and the writers including me) are grasping at straws with that whole "Law and Order" thing at the end. It's Artificial... but, hey, so is Matrix's Intelligence. As Dingo says as his armor tranforms yet again (looking positively gorillaish for a second or two), "Australia's got a new kind of hero, mates!" And I like how he revealed that he liked PLAYING the hero when he and Fox were on the Pack TV Show. You never know what you've got until it's gone, eh, Harry?

Of course, we were building up our international cast of heroes, but the idea behind Dingo & Matrix soon evolved into Bad Guys. And I think they work very well together and as part of the larger group in that piece.

Erin thought that the Shaman was the real hero of the episode. I like that she thinks that. Accent or no accent.

Anyway, that's my ramble...

Where's yours?

OUTLINE NOTES ON WHAT WOULD BECOME "THE HOUND OF ULSTER"

These are the notes I gave to Michael Reaves based on his outline for the episode...

WEISMAN 3-21-95

Notes on "A Bronx Tail" Outline...

Play a lot of Bronx PoV throughout.

ACT ONE
1. Night. Rory and SEANA (Finuala/Banshee) escape coppers. We see that she encourages him to delinquency. We hear about Hound. They split up. We hear Bronx howl. (Seana/Banshee hears it too?)

2. Night. Cut to Bronx howling by riverside. Banshee screech. Some sign of Banshee/Woman for Bronx to sniff.

3. Rory and Mom or Dad (not both). Day.

4. Switch with beat Five. Dungeon. Angela and Goliath wake up. Chained. (Combine Castle and Cairn) Gargs and Elisa in unbreakable chains.

5. Swith with beat 4. Rory leaves home to meet Seana. Bronx pursues Rory. (Tracking scent of Seana/Banshee on Rory.)

6. Rory falls into quarry.

6.5. Unconscious Rory has Vision of Ulster past - still a bit confused. Bronx might still be threat or ally.

7. Banshee attacks G, A, E. in dungeon.

ACT TWO
8. Bronx helps Rory out of Quarry.

9. Banshee ceases her assault on G,A, E. Senses that Rory is with Bronx. And/or she gets some info from G, A, E.

10. At bog. Bronx playing Lassie. Rory has a vision of Cairn/Castle.

11. Cut.

12. Seana appears. Bronx growls at her. Rory rejects Bronx for rejecting Seana. Bronx attacks. Rory cannot stop him. Seana/Banshee forced to reveal herself to protect herself. Bronx knocked out. Rory is shocked. Afraid of Banshee. Banshee does siren number on Rory. He leaves with her. How ominous.

13. Cut.

ACT THREE
14. Cut.

15. Cut.

16. Late Morning, early afternoon. Rory awakens at home probably. Parent bitching, he's a bum who's out all night and sleeps all day. Previous night feels like a good/bad dream. Seana shows up. Doesn't know what he's talking about. But Place from his vision sounds like Cairn/Castle. He insists on going there. She's frightened but she loves him. She'll go with.

17. They arrive after dark. Banshee/Seana is prepared to kill him... She was hoping to keep him from realizing his potential. But if that's not going to work than the ancient battle begins again.
Bronx arrives nick-o-time. (G,E and A hear commotion but can't do anything to help.) Bronx saves Rory, who gets spear and transforms. They battle and ultimately defeat or destroy deathworm. They free G,E and A. Rory returns to normal, but Ireland has a New Hero.

Chapter XLV: "The Hound of Ulster"

Time to ramble...

Chapter XLV: "The Hound of Ulster"
Story Editor: Michael Reaves
Story: Michael Reaves
Teleplay: Diane Duane & Peter Morwood
Director: Bob Kline

THE TITLE/ORIGINS
I think my original title for this episode was "A Bronx Tail" or "A Bronx Tale". They wound up using that title for an episode of Goliath Chronicles, I think.

Then I think I wanted to change the title to "The Barghest". But Michael and Peter & Diane protested that the Barghest was a Northern English legend, not an Irish one. They wanted "The Hero of Ulster". I changed it to "The Hound of Ulster," which was a compromise we could all live with.

But somewhere in here we confused the legend of Cu Chullain, with the legend of the Barghest/Great Beast (not to mention tossing in and combining the Banshee and Crom-Cruach).

I've since gathered fromt the fans that Cu Chullain himself was the Hound of Ulster, a title he won by having to act as a watchdog for another lord for a period of time.

Oh, well. I just wasn't that familiar with this legend at the time. And I didn't do or have time to do all the necessary research, I'm afraid.

I guess in the Gargoyles Universe, things might have been a bit different. Or maybe not. Actually, the on-going story of Rory & Molly a.k.a. Cu Chullain & the Banshee still fascinates me. Eventually, I'd love to be able to bring them back and have the excuse to really research the topic thoroughly.

PREVIOUSLY ON GARGOYLES
Sometimes we struggled to fill out that 30 seconds of footage. This looked like one of those times. We emphasized Bronx moments and Avalon's past abandonment.

LIFE IN LISCOO
And then we're in Liscoo. Again, I like the relationship between Rory & Molly. Her manipulations are subtle... she encourages his delinquincy. Tries to convince him to leave town... to leave Ireland even, for America.

Rory believes he's nothing. He's a quitter... as his father later says, "Ah, Rory, you always gave up to easy." Rory's arc is to move from being a boy who's a quitter to a man who refuses to quit. Even in the face of inhuman opposition.

But there's a real economic undercurrent to all this. Rory's dad is explicitly on the Dole. Rory is shoplifting and has no trade. It's a relatively sophisticated, young adult dilemma he's facing.

I really like Rory's dad Mr. Dugan -- and Colm Meany, the actor who played him. Love the exchange between him and Molly...
Molly: "Hello, Mr. Dugan."
Dugan: "Hmph. Molly."
(So much ... unfondness... in so few words.)

Of course Molly IS a bad influence on Mr. Dugan's boy Rory. Cuz she's a Banshee trying to keep Rory from realizing who he really is. DUH!

FUTURE STORY IDEAS OR RANDOM REFERENCES: YOU DECIDE!
Rory: "And dwarves made me shoes."
Elisa: "I don't know whether to expect vampires or Sherlock Holmes."
Banshee: "The time of the Gathering approaches." (That was a freebee.)

WHEN THE BANSHEE KEENS...
...lots of people have to work really hard to make it sound really cool. Start with Sheena Easton's vocals directed by Jamie Thomason. Throw in music effects by Carl Johnson, edited by Marc Perlman. Throw in Sound Effects by Paca Thomas, all mixed by the great crew at Advantage Audio. We have many great shows. And the Advantage guys, our composer and voice actors always did a great job on them. But the soundwork on this episode, is just STUNNING.

WIZARD OF OZ REFERENCES
Elisa: "I don't think we're in Scotland. Or Kansas either."
Banshee: "But more than enough to deal with a noisy young hero -- and his little dog too!"
(Frankly, I don't think you can ever have too many Oz references. Erin, my ten-year-old daughter recognized the latter line as a reference to something, but couldn't immediately place what it was from. She guessed Scooby Doo episodes. Odds are that "little dog too" line has been used once or twice over the hundreds of adventures that Scooby has had. So she may not have been wrong. But when I mentioned Wizard, she immediately remembered.)

CAIRN NA CHULLAIN
The site of one of my most annoying missed opportunities. When Elisa, Angela and Goliath wake up in Cu Chullain's tomb, his armor and bones should have been in there with them.

It's interesting to me that the Banshee gets so annoyed by their denials that she doesn't try to mesmerize the info that she thinks she needs from Elisa, Angela or Goliath. She says that her voice can mesmerize (a little forshadowing for what she's about to do to Rory) but instead she just tries to torture the travelers into telling her what she wants to know.

RANDOM OTHER LINES I LIKE
Elisa (sing-song): "We've got company."

Banshee: "You have recently been in Avalon -- the scent of its magic is all about you." (I love the idea that magic has a scent to the carefully trained nose.)

Banshee: "I like it here."

Rory: "About last night... you don't recall putting on a foot of height and a yard of hair--?"
Molly: "Huh! In your dreams..."
(If she can do anything to convince him it was all just a dream...)

Goliath: "A land with a hero soon finds other deeds for him to do." (Is this the old Batman argument that Batman's mere presence draws the Joker and his ilk to Gotham..?)

DELAYED REACTION
Rory comes to as Bronx licks him awake. There's a funny delayed reaction. And a real Elisa-in-Awakening moment, as Rory says: "This can't be happening."

In general, it's hard for someone of my generation to avoid making a Lassie comparison with Bronx here. Timmy may not be in the well, but Angela, Elisa & Goliath are stuck in the Cairn. And Bronx is finding the one person he believes can help get them out.

When Molly first turned into Banshee on screen, I'm curious what you guys thought. Did you think that Molly was Banshee or that just in THAT scene the Banshee had posed as Molly until Bronx figured out the truth?

(When Rory walks off with Banshee at the end of the act, Erin said: "Bad idea." And my seven-year-old son Benny said, "He's tranced. He can't do anything.")

We were trying to generally confuse you guys by having Rory leave with the Banshee and then wake up unharmed in his home. Molly shows up... is she to be trusted? Is this the real Molly? Is the real Molly a Banshee? Was the whole thing a dream?

The whole thing was actually pretty linear. But we wanted to keep Rory and the audience off balance.

In the end, I think we played pretty fair. Even Molly's initial reaction to hearing Bronx's howl in the opening minutes of the episode plays well I think, both as the kind of reaction a superstitious Molly would have AND as the reaction the Banshee would have to hearing the sound of a Gargoyle Beast for the first time in centuries.

SO THORY
The Cu Chullain design and concept we wound up with is a little too close to Marvel's THOR for my tastes. I'm not worried about the legalities, but I'd have liked to have come up with a better design for old Cu and a fresher idea than leaving Rory with a walking stick that transforms into the Spear of Light. We just didn't have the time to dance with it enough to come up with something better.

SO CLEVERDON
Actor Scott Cleverdon, who played Rory came up with Cu's battle cry at the end, insisting that it was authentic. Sounded cool. So we trusted him.

REINCARNATION
So if Rory is the reincarnation of the Hero of Ulster, does that make Bronx the reincarnation of (Buena Vista's Gargoyles') Hound of Ulster. Or is he just another Great Beast? We intentionally left that vague.

A BRONX TALE
But we did want this story to BELONG to Bronx as much as possible. I had to kinda push to keep Goliath, Elisa and Angela from joining in the heroics, leaving the heavy lifting to Bronx and Rory.

The episode inevitably became Rory's story. But by removing our three regulars from the action, I felt that Bronx got more of a showcase than he would have.

I love the "smug" Bronx at the end.

Anyway, that's my ramble. Where's yours?

W.I.T.C.H.

Hey gang,

I got a job!!!!

I'll be producing the SECOND season of a series called W.I.T.C.H. for SIP Animation and ABC Family's Jetix block.

I had nothing to do with the FIRST season, but I'm rooting for its success... because frankly if it doesn't do well, then you'll never get to see the neatokeen stuff I'm planning for season two.

The first W.I.T.C.H. "minisode" premieres on Jetix on Saturday morning, October 30th. (Check your local listings.) Again, I had nothing to do with it, but I do think it's fun stuff. (And if you love me, you'll support it ;)

Oh, and while I'm at it, I think my first episode of THE BATMAN, "The Big Chill" featuring Mr. Freeze airs THIS Saturday, October 23rd on Kids WB. (Again, check your local listings.) It features the voice of Clancy Brown (Hakon, Wolf) as Freeze.

And also keep an eye out for the two episodes of SUPER ROBOT MONKEY TEAM HYPERFORCE GO! which I wrote for Jetix. I'm not sure exactly when they're airing, but I'll keep you posted.

Thanks!!

Little things...

It's amazing how nothing major has changed in my life.

It's also amazing how many little things have changed.

I'm up VERY late. I generally work until midnight and then try to wind down from 12am to 2am. I try to go to bed around 2, but often I'm up until 3am or later.

All of this was time I used to spend with Norman. Beth and the kids were long asleep. Sure the cats stopped by occasionally, but Norman was my constant companion. He'd be on the floor or on his old recliner chai (the one he commandeered when Beth wouldn't let him on the new couch). I'd pet him some, but mostly it was just his presence.

Now his hair-covered blanket is off the chair. It makes it available for human seatage -- but I'm not that big a fan of humans, and in any case there are none around at those hours. So I'm just alone at my desk. Or alone on the couch. And it's just strange. And very lonely.

Erin and I walked into Larchmont yesterday. (Saw Matt Dillon, by the way.) It was weird not having Norman on the leash, our walking smile-magnet. And every dog we did see on someone else's leash kinda broke our hearts.

Beth said she's been hearing him at the back door, crying to get in. So I open the door occassionally.

We see Bassetts on tv ALL the time. Two just on the "er" episode I recorded the other night. (One on a commercial and one in the actual show.)

We can now leave chalah out on the kitchen table. Cause he's not there to swipe it.

And I can leave the front door open when I bring the groceries in from Beth's car, because he's not there to bolt out into the middle of the street.

And when the doorbell rings, he doesn't bark and howl like a lunatic.

But mostly, he's not waiting in the living room window when we get home anymore.

No. Mostly, he's just not there on his chair at night.

It's the little things. Not the big things. There are no big things, frankly. Our lives haven't changed. (Less pooper-scooping, I suppose, but I'd be lying if I said we missed that.) School, work, etc. Life goes on, of course.

Nothing has changed.

But nothing is quite the same either.

I really miss my dog.

Air Commander Bentley Norman

Our Basset Hound, Norman, died today. Beth and I were with him as he was put to sleep.

He had lymphoma, which came on quickly and was only discovered while he was recuperating (or rather failing to recuperate) from his last ear surgery. He was completely deaf and nearly blind. He couldn't eat, couldn't drink, couldn't walk or even stand. I carried him out to the yard -- which only a few weeks ago would have been impossible, but he's lost so much weight that it was depressingly easy -- but he couldn't even go to the bathroom. His stomach was hard as a rock. He was having a lot of trouble breathing. He had stopped barking and howling completely. He could barely wag his tail.

So it was time. But it was very hard.

He was truly a joy of a dog. And dashingly handsome. I'm really going to miss him.

IMPORTANT ANNOUNCEMENT ABOUT THE DVD

Gang,

I just talked to the folks at Buena Vista Home Entertainment.

I asked them what was the best date for us to MASS ORDER/PURCHASE the 1st Season Gargoyles Series DVD.

My contact was unequivocal in his response.

TUESDAY, DECEMBER 7th, 2004.

Yep, that's right the day of the release. I guess anything earlier is nice but winds up being too early to be useful. But day and date with the release is exactly what we need.

In the meantime, BV encourages ALL OF YOU to go to Amazon and rave in the comments/reviews section. Leading up to Dec 7, the more good buzz on Amazon's site the better.

(Remember this is the make or break event in the fandom. It's time to prove to Disney once and for all that we have the bodies and the dollars and the fanbase and the communications skills to support more Gargoyles product -- both merchandise and creative. If we can't prove it with this DVD release... well, we're not likely to get another chance.)

So spread the word. SPREAD THE WORD!!!!!!!!

The DVD is coming out December 7th. And we'd like EVERYBODY to ORDER/PURCHASE it on THAT DAY!!!!!!!!!

More info...

Greg Bishansky's going to town (to save my reputation, I guess)...

Okay, just went and did some research...

The Hunter's Moon is technically not the first full moon of October. It's
the first full moon after the Harvest Moon, which is associated with the
beginning of autumn... usually close to mid-September.

So, the September 28th date is still possible :)

That's great. Although it was my understanding that if a month had a second full moon, it was a BLUE MOON. But thanks, Greg.

APOLOGIES

I just received the following e-mail from Greg Bishansky:

Hey Greg,

I was reading your newest update, and you had this answer in there...

"I didn't MISS anything. Yes, I chose that date because it was my birthday.
But I also never claimed that the confrontation with Charles took place on
the Hunter's Moon. It was the final confrontation between Demona, the other
Gargoyles and the Hunters which took place at St. Damien's Cathedral on the
Hunter's Moon."

Now, I really hate to be nitpicky, but to be fair, in the actual episode,
during the flashback Charles Canmore says...

"Tonight is the Hunter's Moon. Our moon, my children."

Now... considering Charles' line, I thought your answer was a little on the unfair side.

That it was, Greg. Thank you for keeping me honest and pointing out my error. Double error, it seems. Both in the original series and in my answer to Richard of Portugal's question.

My apologies on both counts.

THE BUFFYVERSE [SEASONS 1-3] TOP FORTY

Yes, we're back with another look at the most memorable characters in the Buffyverse.

[For more information on what I'm doing here and why I'm doing this, I recommend an archive search using the word "Buffyverse". That'll show you the character countdowns for the first two seasons.]

Keep in mind, this is a subjective exercise that I've tried to make as objective as possible.

The following horserace takes the first three seasons into account. All three seasons. NOT just Season Three. However, it does not include the last four seasons of Buffy or any season of Angel.

First some honorable mentions from the third season (in reverse order of importance)...

*The Lunch Lady who tried to poison the entire student body.
*D'Hoffryn, the Demon who gave Anya her powers and refused to give them back when she lost them. This is cheating a bit. He may not have made that much of an impression if I didn't know he'd be more important later.
*Tucker Wells - The student who sent hellhounds to the Prom. This is WAY cheating. If I didn't know Tucker's brother Andrew would become important, I'm not sure I'd have remembered this guy much at all.
*Mr. Platt - A sympathetic guidance councelor killed by a Mr. Hyde like student. He just had a couple of great scenes with Buffy.
*The Shrouded Sorceror who helped Angel and Buffy con Faith and the Mayor into thinking Angel had lost his soul. Two memorable things. The way he'd exit a room backwards into darkness. And the fact that Giles had introduced him to his wife.
*Ms. Gwendolyn Post - The fallen watcher who cons everybody.
*Zackary Kralik - The serial killer turned vampire, that Buffy tricks into drinking holy water. A real fun sick puppy, played by the always interesting Jeff Kober.
*Balthazar - You may not remember the name, but I'm sure you'd remember the obese demon body sitting in a wine vat, with vamp slaves ladeling some liquid onto his skin. One of the best and most fun creatures they ever created. Funny too. "Unacceptable. Unacceptable." The Wallace Shawn of the Demon World.
*The First - Makes its first appearance this season, trying to turn Angel. Mostly uses Ms. Calendar's form.
*Sheila Rosenberg - Willow's mom. Wish we had seen more of her.
*Lily (alias Chanterelle alias Sister Sunshine alias Anne). The former Vamp-wannabe reappears in Buffy's life as a homeless girl. Buffy seems to set her on a more positive path... and I know that in Angel, the actress Julia Lee who plays Lily winds up playing a homeless advocate. I'm looking forward to seeing whether or not I can discern if she's playing the same character -- now with her act together.
*Quentin Travers - Head of the Watcher's Council has a neat first appearance.
*Mr. Miller - The one teacher at Sunnydale High who keeps making continuity appearances over and over across Buffy's Junior & Senior years. Has one fun scene in the Graduation 2-parter where he's leading the class in a game of Hangman: "They always go for the E."

And now the top 40...

#40 THE JUDGE (Previous Rank: 30)
Dropping ten slots from last season, the big blue smurf is still holding on to the top 40. Barely.

#39 NORMAN PFISTER THE WORM GUY (PR:29)
Also dropping 10 slots. But still a cool idea a year later.

#38 LUKE (Previous Ranks: 14 (1st Season), 27 (2nd Season))
Our first episodic villain is still pretty memorable, though this may be his last season in the rankings. He's fallen eleven slots from last season. 24 from the first. Of course, it's still impressive that actor Brian Thompson still has two characters (Luke & the Judge) in the top 40.

#37 HANK SUMMERS (PR:21, 25)
Hank's falling fast (12 slots this season alone), as the guy rapidly becomes a dead-beat dad -- due more to story space constraints than anything we would have gleaned from the times we've seen him in person. He goes from taking Buffy for an entire summer to not even showing up for her birthday. And his inattention is only going to get worse.

#36 DETECTIVE STEIN (PR:32)
Down only four slots, and I'm sure you're all asking, "Who?" But if you had just finished the third season, you'd know. This guy is a subplot that never quite came to life. He's an honest cop, who suspects Buffy's up to no good -- or at least that something no good is happening around her. He's interrogated (or tried to interrogate) her three times. After the deaths of Ted, Kendra and the Deputy Mayor. He interests me. But I don't think we'll be seeing him again.

#35 UNCLE ENYOS THE GYPSEY MAN (PR:21)
Still holding on in points from Season Two. But he's fallen 14 slots, and counting.

#34 JESSE (PR:13, 20)
Falling another 14 slots, Jesse, the forgotten sacrificial lamb of the pilot is still hanging on.

#33 SCOTT HOPE (First appearance)
Scott's the nice guy who tries to date Buffy on the rebound from Angel's "death" in Season Two -- and while she's trying to nurse Angel back to health in Season Three. He winds up dumping her because she's so angsty. Wish we had seen a bit of him at the end of the season, but he vanishes after Homecoming.

#32 DEPUTY MAYOR ALLAN FINCH (First appearance)
The Mayor's right hand man -- until he decides to betray the Mayor to Buffy. He goes to find her, and winds up getting accidentally killed by Faith. He then becomes a guilt trip for both slayers.

#31 WHISTLER (PR:18)
Falls 13 slots in the rankings. But still a memorable character. The guy who brought Angel back from the brink.

#30 KENDRA (PR:17)
The first supplemental slayer. Begins to pale now that we've met Faith.

#29 ETHAN RAYNE (PR:22)
Ethan falls seven slots despite another interesting appearance as a Band Candy distibutor.

#28 DEVON (PR:37)
The lead singer for Oz's band (Dingoes ate my baby), has multiple brief funny appearances. He's likely to fade after Oz leaves the show.

#27 AMY MADISON THE RAT (PR: 17, 23)
She's fallen four slots, but that's more a factor of so many more characters coming in. I even gave her partial credit when she appeared ONLY as a rat.

#26 PERCY WEST (First appearance)
Percy was the Basketball Player that Willow was forced to tutor. He tried to take advantage of her, but VampWillow put a stop to that. He makes a number of appearances afterward and joins the final battle against the Mayor. I keep watching that last episode, but I can't see if they show us his final fate.

#25 LARRY (PR:35)
Larry actually gains ten slots, as he continues to make appearances. He's memorable as one of the "White Hats" in the alternate universe that Anya creates for Cordy. He's also fun as the jock who comes out as gay and mistakenly tries to help Xander come out as well. He appears to die heroically fighting the Mayor, but I like Larry, and I'm hoping he was merely knocked unconscious.

#24 PRINCIPAL BOB FLUTIE (PR:9, 16)
Falling another 8 slots. But still with enough first season points to keep him a fond memory.

#23 DARLA (PR: 11, 15)
Also falls eight slots. Still a potent memory. And she'll make a comeback.

#22 ANYA/ANYANKA (First appearance)
Who knew? She was fairly disposable in her first appearance, and I'm convinced she was only brought back a second time, because Joss was fascinated with VampWillow. But Anya made a strong enough impression in her second appearance, to warrant a comeback for the Prom. She quickly becomes fascinating opposite Xander. She bolts from Sunnydale during the pilot. But I should have known she'd be back.

#21 WILLY THE SNITCH (PR:24)
Up three slots. Just fun to be around. He'll start to fade as actor Saverio Guerra became a regular on Becker...

#20 HARMONY KENDALL (PR: 18, 26)
Up six slots from last season (although still down two from season one), she just has a few memorable bitchy/ditzy/comic appearances. And a couple of really great lines. If you look carefully, you can in fact see her get bitten by a vamp during graduation.

#19 COLIN THE ANNOINTED ONE (PR:10, 14)
Fallen five slots and still coasting on big point totals from season one and the beginning of season two.

#18 MR. TRICK (First appearance)
A breath of fresh air who I was really sorry to see get staked by Faith.

#17 JONATHAN (PR:19)
Jonathan moves up two slots (in an increasingly tougher field) based on strong appearances as a near-suicide and as the guy who gives Buffy her School Protector award at the Prom. Hard not to love.

#16 THE MASTER (PR: 8, 13)
The Big Bad of Season One falls three slots, despite having a delicious appearance (where he gets to kill Buffy AGAIN) in the alternate universe episode.

#15 WESLEY WYNDAM-PRICE (First appearance)
It's amazing how this goofball got us to care about him more with every year. He may be the single character who grew the most over the course of the serieses. Maybe even more than Spike.

#14 MAYOR RICHARD WILKINS III (PR:40)
The Mayor barely leaps 26 slots -- which would be even more impressive if he had actually appeared in Season Two, instead of just getting some points there for interesting foreshadowing. He certainly lived up to the bill.

#13 JENNY CALENDER (PR:15, 11)
Jenny falls a couple slots (though she's still ahead of her season one ranking) despite appearing as The First.

#12 SPIKE (PR: 9)
Spike, who'll be making quite a comeback of course, falls three slots, despite a very fun appearance as a drunken lout who wants Dru back.

#11 DRUSILLA (PR: 8)
Dru still manages to just barely stay ahead of Spike, based on her Season Two point total.

#10 FAITH (First appearance)
Faith is number ten with a bullet (or at least a very fancy knife). It's a stunning accomplishment to see how she enters partway through this season and rises so far, so fast.

#9 PRINCIPAL SNYDER (PR: 12, 10)
Snyder continues his slow rise, up another slot. But after being eaten by the mayor, he's poised to begin a slow slide. Always thought that his death was great, but it did surprise me as I thought the Mayor was less of an ingrate than that.

#8 JOYCE SUMMERS (PR:7, 7)
Joyce drops down a slot from seventh place to make room for Oz.

#7 OZ (PR:12)
Oz leapfrogs five hard-earned slots. Has some nice werewolf moments too.

#6 ANGEL (PR:6,6)
The top six haven't changed. Angel just can't quite pull up even with Cordy. Of course, next season, his own show'll put him on the fast track. Maybe even for #2.

#5 CORDELIA CHASE (PR:5,5)
Got some real great moments this year.

#4 WILLOW ROSENBERG (PR:4,4)
Inching closer to Xander, but doesn't quite pull up even in points.

#3 XANDER HARRIS (PR:3,3)
Nuf said.

#2 RUPERT GILES (PR: 2,2)
I keep expecting Giles to slip relative to Xander & Willow, but in fact he extended his lead this season. Probably, because they so evenly split each other's screentime as Buffy's best buds.

#1 BUFFY ANNE SUMMERS (PR:1,1)

That's it for now. But here's my plan... I'm going to get the DVD's for Buffy Season Four AND Angel Season One. I'm going to watch the episodes (44 total) in AIRING ORDER. When I've gone through 22 episodes (the equivalent of one season), I'll be back with another update.

Hope this is at least mildly interesting. If not, well, then just skip it. Who's holding a gun to your head, anyway?

25%

Nothing to sneeze at -- and with gratitude to those who have participated -- but right now, Todd tells me, we only have about 38 Gathering Journals posted at ASK GREG.

That's about 25%. I was hoping for at least FIFTY PERCENT cooperation. C'mon, guys. Put your keyboard where your mouth is!!

You only have until midnight on the 31st!!

Thanks

THE GATHERING OF THE GARGOYLES 2004 JOURNAL - Sunday, August 8 (The Voyage Home)

So I showered and packed. Carol came knocking to say good-bye.

Then I headed down to the lobby.

Said good-bye to Zehra.

Then Patrick and I headed out.

I'd like to be able to tell GXB that our journey was something out of Mr. Toad's Wild Ride, but the truth is it went incredibly smoothly and we arrived at the airport with plenty of time to spare.

Sorry, Greg. But you're still my best Gathering Travel story.

Anyway, Patrick & I shook hands on a great convention. And off I went.

I went through American Customs up in Montreal somehow. Then I had some Burger King.

Got on the plane. Slept finally. Missed the meal and the movie. Woke up. Read a bit. Landed. Was picked up VERY promptly by the driver, who seemed surprised to see me coming out so soon.

Got home to my family. Gave my family stuff. T-shirts, pins, Canadian coinage, sketches drawn by someone whose name escapes me at the moment.

Then I shaved off the beard for my newly ten-year-old daughter. Just as well. I'm growing too dependent on the beard anyway. But it seemed to make things official. The Gathering was Over.

EPILOGUE:

We had an extended family birthday dinner for Erin that night, which included my parents, my 94 year-old-grandmother, my sister, my brother and his wife and TWO kids, ages not-quite-two-years-old and not-quite-one-week. Plus of course, me, Beth and Benny.

The next day we drove down to San Diego for a little family vacation. We were staying with Gary & Jane Krisel. Gary was my boss during the Gargoyles years at Disney. He was a big contributor to the show's development. A big believer in the concept. And the guy who basically left me alone to run it. So tip of the hat to Gary. When I told him about the Gathering, he thought I was kidding at first. ("An entire convention dedicated to one cartoon?") I thought HE was kidding about me kidding him, because I'm POSITIVE that I invited him to G2001 in L.A.

Anyway, it was great to see him again.

We did the Theme Park rounds. A day at SeaWorld. A day at the Wild Animal Park. A day at Legoland. Then we headed home again, picking up Norman at the vets on the way.

Norman's wearing a cone/lampshade around his head. But he's doing well.

I finished "I Dreamed I Married Perry Mason". I really liked it and am looking forward to Cece's next adventure: "Nancy Drew Blue".

Then I read Walter Mosely's "Fear Itself". Which was also great.

Today, I saw an early cut of the DVD Documentary. David Grabias and his editor Amy did a terrific job. I'm not going to go into any specifics, because (a) it's not a final cut and (b) I don't want to spoil anything. But trust me it's very cool. And you all look great!

That's about it for now. See you when I get back from Vegas.

Oh, and one last time -- SPREAD THE WORD. GATHERING REPORTS/JOURNALS/DIARIES need to be posted here by AUGUST 31st. PLEASE!!!!

THE GATHERING OF THE GARGOYLES 2004 JOURNAL - Saturday, August 7 (Nightpart III - The Long Goodbye)

With the costume & cosplay contests over, things started to relax. My assignments were over, and I could just kick back. Unfortunately, I was leaving the hotel at 6am the next morning. For the first time, I'd miss Closing Ceremonies, which was a huge bummer. I'd also miss spending any real time with Keith. But my daughter's TENTH birthday was Sunday the 8th. I had hoped to bring the whole family to the Gathering this year, but I just couldn't afford it, and I wasn't going to miss her birthday. In fact, Erin was very gracious about allowing me to fly home Sunday on her birthday instead of Saturday night. The trade-off was I agreed to shave off the beard when I got home. Benny likes it, but Erin doesn't. So it's gone now.

I promise though that next year, the whole family's coming to Las Vegas. In fact, we're leaving for Vegas the day after tomorrow. That's right, I'm so anxious to get back to the Gathering, I'm leaving an entire year early. (Or maybe, it's because my in-laws live in Vegas, and we're going to see them. I get confused sometimes.)

Anyway, we hung out downstairs for awhile. I had a number of nice chats... with Crazyman Marty Lund and his decidedly saner wife Lexy... with Kathy... with Ellen... with Carol... with Shaun... with Tony & Andrea...

Keith and his kids came back down for the Karaoke. Keith couldn't find a song he liked, so he just sang (wearing a baby no less). He truly is one of the coolest and smoothest individuals on the planet.

We've got some great singers in the fandom. Taylor sang the Love Boat theme AND better still "The Summer Winds". Cindy, Zehra & Jen all have amazing voices too. And that YMCA was a classic.

There is no way you're ever going to get me to sing. Never gonna happen. Have to maintain some dignity. But just because I'm a thrill-seeker, here is a brief list of songs I sometimes sing in my car...

Nat King Cole's "When I Grow To Old To Dream"
Joe Jackson's "The Other Me"
Joe Jackson's "Hometown"
Bruce Springsteen's "One Step Up"
Don McLean's "American Pie"

Karine dragged me onto the dance floor. After I made her promise not to go into labor, we did a couple of swing moves which was fun (especially when she eventually let me lead). I definitely think the Gatherings need more swing in general.

Around 2am-ish the downstairs party began to break up. I know I was saying good-bye all night. I was really on the fence about whether or not to stay up all night and take off at six, or try to go to bed and worse try to wake up at five.

Because, I was having too much fun, I opted (mostly by default) for staying up all night.

Karine, Jen, Zehra, Patrick, Tony, Andrea and I went up to the consuite to hang. Had an apple and some chips. Liz, Kelly, Karlyle & Chameleon Girl showed up for a bit, and Liz dropped off a very cool hand-drawn Angela conbadge for me. We watched a surreal live-action Sailor Moon. This is something my kids would go nuts for, so if anyone can copy this stuff to VHS, I'd be interested...

It was all very punchy and silly and cosy and fun. I made one of the most truly tasteless jokes I've EVER made in my life. It was semi-avian in nature.

I love all-nighters. And I loved spending time with these people.

Then finally at about 5:15 it was time to hit the showers. I said goodbye to Karine, Tony & Andrea at the Consuite. To Jen in front of my room.

Of course by this time, it was way past officially Sunday, so I'll finish my last Journal entry tomorrow...

NEXT: The Trip to the Airport: ¿Can Toman top Bishansky?

THE GATHERING OF THE GARGOYLES 2004 - JOURNAL (Nightpart II - The Masquerade)

I had time to run upstairs once more. Talked to Beth. Norman, our basset had had his surgery and was doing fine. Though, unfortunately, he was now completely deaf. (Although, today, when the doorbell rang, Norman started barking just like old times. It was the first time I had heard him bark since the surgery. But I have no idea how he could possibly have known that there was someone at the door. Freaky, but cool.)

While I was upstairs, various members of Keith's family began to straggle in. His son Owen. His lovely wife Dionne, Dionne's niece (whose name escapes me, I'm afraid) and Keith & Dionne's daughters: Maelee and Ruby. Many of you know that Dionne and Keith's first date was his appearance at G1997. That's right. Those of you who saw Keith's surprise entrance might also have noticed a beautiful woman standing in the back watching him. That was Dionne. After he and I did our Q&A, I was so grateful, I treated the two of them to dinner. (How's that for slick? The guy didn't even buy dinner for his wife-to-be. ;)

I came back downstairs and joined Keith as we prepared to judge the Masquerade. Daniel, our hotel contact, was the third judge. His girlfriend Lucy also kinda participated, and we drafted Christine to help us keep everything straight.

Idiot that I am, I forgot to keep my notes, so I tried to recreate them from memory on a groggy Sunday. I apologize in advance for any errors or ommissions.

I will say that the costumes this year were truly amazing -- both in quality and QUANTITY. The last couple years, we've had plenty of the former, but were kinda shy on the latter, as fewer and fewer people seemed to be dressing up. But this year, I'm sure thanks to David Grabias and the DVD Crew, people really went to town. I was especially gratified to see so many canon characters. All the original characters are neat, but for me it's much more fun to see one of my "babies" brought to life.

BEST IN SHOW: Having said that, the runaway hit was an original Gargoyle named, I think, KORUL: the Gargoyle who was afraid of heights. He had an amazing costume, with detractable wings and sang a filk song to the tune of Rubber Ducky. Brilliant.

The awards for Canon Characters:
1st: Shari as Ekidna (bloody amazing)
2nd: Jade as La Belle Elisa (so cute)
3rd: John as the Renaissance Hunter (very cool)

The awards for non-canon:
1. Caille as Argenta (also with amazing wing action)
2. Somebody as Dancer
3. Space-Babie as Laurie Canmore

The Thom Adcox Memorial Award went to Revel as Dracon. Just for the attitude. But he refused to drop trow.

Cutest Couple: Alan & Jackie as Xanatos & Fox from "Eye of the Beholder"

Cutest Old Married Couple: Tony & Andrea as Dracon & Bad Elisa (I loved Jen's line that "Bad" means "Cleavage".)

The Gorelisa Award went to Laurean as Tom. (Staff weren't supposed to be eligible, but (a) it was a limited field of cross-dressers this year and (b) she was just so darn cute and funny.)

We gave a late-comer award to Lynati, who showed up at the very last second with a truly amazing Ophelia costume. Kicked ass.

Winner in the Junior Division was Becca as a terrific Bronx.

The Cosplay winners were Sapphire, Chameleon Girl and Ethan, doing a hilarious recitation (complete with props) of our opening Narration. Totally cracked me up.

There were other great costumes as well:
Elisagargoyle
Fox in her evening gown with the Eye of Odin from "Eye"
Thailog
A Quarryman

And the staff... with all they had to do, they still managed (almost to a man) to dress for the occassion. And they truly looked great.

Jen & Alan came as Gruouch & Macbeth
Patrick & Cindy came as Puck & Titania
Kaylee & Si came as Princess Katharine & Tom (and that kiss was great)
Rob was Lex Luthor (by default, I gather)
And of course Karine showed up as a Pregnant Fox from "Walkabout"...

And the DVD Crew got it all on tape... I am such a proud Papa.

NEXT: THE NIGHT IS YOUNG. (Well, actually, the night is fortyish, but every once in a while, the night has to behave as if it's still in college, you know?)

GATHERING 2004 JOURNAL - Saturday, August 7 (Nightpart I)

After my interview with Emru, but before I headed upstairs, I finally had time to browse the wonderful art show. There were a lot of great pictures and some very funny action figures. Not enough smut for my taste, of course, but it's hard to top the Gargoyles fandom in the art department. I just love seeing your stuff every year.

But the one piece that really spoke to me was Andrea Zucconi's portrait of Elisa. I'm not sure if I can exactly put my finger on why, but I really found it stunning. I don't vote in the contest. I never seem to have the time and the sheer number of categories is a bit overwhelming, but I would have voted that Elisa painting as best in show. JMHO.

Anyway, at 6pm I came back downstairs for the banquet. By the time I got there most everyone was seated. Keith still hadn't arrived but was due within the hour. Becca Morgan drew a number out of a hat, and Karine sent me to sit at a table on the far right. I sat down next to Liz -- who then proceeded to kick me out. I hadn't heard it, but I guess Karine had mistakenly announced that Liz's table would get Keith. So Liz sent me away. I returned to Karine, who sent me back to Liz. I felt like a definite consolation prize right about then. (At best.) But considering that Keith didn't arrive until the Q&A, making it impossible for him to simply converse with his table mates, I still think Liz got the better deal. But you'd have to ask her.

Anyway, dinner was very enjoyable. I shared the table with the Zucconis and Liz and Kelly and Chameleon Girl and Taylor, I think. Karlyle, were you there? A couple other people too. I'm blanking out at the moment.

Kelly told us all of her obsession with Dr. Doom. (How obsessed is she? Well, let's just say I found myself getting jealous.)

The menu cards, printed up by our hotel contact Daniel were extremely cool, featuring a nice portrait of Goliath.

The Menu:
*Nordic shrimp cocktail with avocado sauce
*Mixed greens with walnut oil
*Stuffed pair of quails ith grape and Port sauce
*Potatoes and market fresh vegetables
*Seasonal fruit charlotte with strawberry coulis
or
*three chocolate Bavarian cake with rasberry coulis
*Coffee & tea

Truth is, I'm a man of simpler tastes. The shrimp and salad were great. But I'm not a big quail fan. Not a big poultry fan, honestly. I think of birds as hassle food. Too many bones. But everything tasted great, and as you all know I'll eat anything but lamb.

As the hour came and went without a sign of Keith, Patrick or Carol, Karine asked me if I could get Carol's cellphone number. It was up in my room. So I made a quick run upstairs.

I reentered only to hear an unmistakeable voice announce: "Ladies & Gentlemen, Greg Weisman". Keith had arrived in the couple minutes while I was gone. (And vengeance belonged to those that I had fooled in the past.)

Anyway, food was saved for Keith and Patrick. Though Carol had to go back to the airport to gather up Keith's family. Keith struggled to eat while I tried to moderate the Q&A. Unsurprisingly, there were a LOT more questions for him than me. And unsurprisingly, if you know him, he had a lot to say. A lot of wonderful stories to tell. I love that man. I tried to give him a bit of time to eat. But hey, he's his own worst enemy in that department. Thank God.

(I'll refrain from commenting about the caterwaulling from the next room.)

We finally brought the Q&A to an end to give people time to change into their costumes.

COMING SOON: The Masquerade!!!

Still recruiting journals...

Todd informs me that 21 of you have posted Gathering Journals here at ASK GREG.

I'm very grateful to you guys, but that's less than 14% of this year's attendance, which frankly is kinda pathetic.

Please, PLEASE, take a few minutes to write up your journals and cut and paste them here. And if you've already done it, pressure those who haven't and or spread the word.

This isn't a whim. I need the numbers to show the PTB.

Thanks.

THE GATHERING 2004 JOURNAL - Saturday, August 7 (Daypart)

Despite a wake-up call that I DO remember receiving, I WAY overslept on Saturday, barely managing to shower and get downstairs in time for our second set of Auditions at 10am. Jen was putting out some fire somewhere, so we got to a bit of a late start, but we still had plenty of time to fit everyone in.

As usual, we were using the original audition sides that the actual voice actors used to audition for Gargoyles. Demona, Hudson, Goliath, Elisa, Brooklyn, Lexington, Broadway and Xanatos were all written by Michael Reaves and edited by me. Angela was written a year or more later by me.

We got a good turnout, with plenty of women auditioning, including many staff members.

At 11:30, Jen and I went upstairs to my room to cast the piece. There was time for lunch, but neither of us bothered.

We posted the cast list at 12:30pm, but not who was playing what parts.

I had a mug-a-guest next. One or two intriguing questions got asked, and I think I answered one of them, but from what I've seen posted, some conclusions were then jumped too based on facts not in evidence.

Next up was the Radio Play Rehearsal. With a cast of 31, I was very pleased that every one showed up and more or less on time too. I passed out the parts and scripts and we just had time to run through each act once. My favorite bit there was when Jen as Fleance said: "If he gets past us again, you can KISS our paychecks goodbye." And Zehra as Elisa responds with: "Pucker up." I made a rude remark that got a big laugh. But honestly, aren't the possibilities intriguing?

Anyway, as many of you know, we performed "THE JOURNEY" in the auditorium. This version was re-edited for the Radio Play, but came closer to reflecting my original intentions for the script than the strangely edited version (with those awful Goliath voice overs -- which I did not write) that they used in Goliath Chronicles.

THE GATHERING PLAYERS (2004 Edition):
Goliath - Rob St. Martin
Elisa Maza - Zehra Fazal
Brooklyn - Dylan Blacquere
Broadway - Revel
Hudson - Alan Torvik
Lexington - François Ferland
Angela - Annie S.
David Xanatos - Rob Irwin
Owen Burnett - Seth Jackson
Bronx - Syrth
John Castaway - Erik Mambu
Vinnie Grigori - Michael McAdam
Banquo - Ethan Gilchrist
Fleance - Jen Anderson
Art - Alex "Carter" Garg
Billy's Mom - Laurean Broadbent
Travis Marshall - Lanny Fields
Margot Yale - Cindy Kinnard
Matt Bluestone - Eric "Gorebash" Tribou
Lennox Macduff - Chris Rogers
Maria Chavez - Natalie "Vashkoda" Quanquin"
Lois - Jade Griffin
Fox - Kaylle
Alex Xanatos - Liz Chesterman
Cagney - Mary "Stormy" Pletsch
Jogger - Isabelle Filiaircault
Quarryman #1 - Tony Zucconi
Quarryman #2 - David Brown
Quarryman #3 - Sarah McEvoy
Quarryman #4 - Taylor Hord
Announcer - Dan Blundon
Narrator - Greg Weisman

Everyone was just great. Dylan & Revel actually kind of did pretty good Brooklyn & Broadway impersonations. I also loved hearing Lex with a French accent and cast François for that intentionally.

I loved how Jen & Ethan played off each other. And I really loved how Chris & Cindy played off each other.

And Lanny, I believe, has been in all seven radio plays. An impressive record.

And real props to our four leads: Michael, Eric, Zehra & Rob, who were all terrific. Rob had a particularly difficult job subbing for a still MIA Keith David. And Eric was really brilliant. His final "Dream of Me" line gave me chills.

As usual, the DVD squad was around filming. It was hard for them to predict who was going to speak and to mic those people, but hopefully they got some useable footage.

I'd also like to thank everyone who auditioned and didn't get cast. It really is appreciated when you lend your support. And keep trying!!!

Immediately after the radio play, I signed some scripts. (Alan got lucky as his Hudson script was signed by Ed Asner, thanks to Carol snagging Ed's signature when she went to record him for the Opening Ceremonies welcoming tape.)

I was supposed to have a signing with Keith about then. But of course, Keith wasn't there yet. And there isn't much left for me to sign in the fandom. So I sat there for about 45 minutes, talking to Emru Townsend for his magazine FPS. Emru had interviewed Keith and I years ago over the phone. So this was something of a follow up interview. Emru (who by the way has an AMAZING voice) and I had never met in person, so it was great to see him finally. He and I just talked. I don't remember exactly what I said though I have the distinct impression that SOME of what I said about the animation industry should probably have been "Off the Record". But, hey, getting blacklisted at studios is nothing new to me. (Oh, well.)

Around 5:30pm, I went back upstairs to rest and change to a slightly nicer shirt before the banquet. I think I called Beth and the kids. And I almost dozed. But I stayed awake... for a LONG time.

STAY TUNED for (Nightpart)

THE GATHERING OF THE GARGOYLES 2004 JOURNAL - Friday, August 6 (Bring on the Night)

After Opening Ceremonies, Karine wanted to make another effort to go to the Crepe place that we had missed the night before. I ran upstairs to drop off all my junk and to quickly call home.

Then we were off and walking into Old Montreal. This time I had a sweatshirt, which kept me comfortable. Our group included myself, Karine, Mark & Mark, Zehra, Kathy, Shaun, Laurean, Ian and... Gen? (Sorry, I just can't remember.) It was a great group. I heard all about Zehra's plans to translate a Japanese play into English and then direct and produce it at Wellesley. Wow. I also listened to Laurean & Zehra compare notes on Japan, and caught up a bit with Kathy.

Karine wanted to eat outside, because they have a beautiful multi-tiered patio, but that would have been a half-hour wait and by eating inside we could be seated right away. So we admired the patio and, well, sat. Inside.

Dinner was great. I had Crepes Florentine, and then a terrific dessert crepe with Vanilla Ice Cream. I was also seated between two lovely ladies, Karine & Zehra, all the lovlier because they were generous enough to let me taste their dessert crepes as well.

Of course, our waiter was very nice, but a tad dangerous. Dropping plates. Shattering dishes. Spoiling food and even dropping a knife in MY LAP!!! YIKES!

We had plenty of time to eat, but because of delays caused by the server's lack of grace, I found myself observing what's unfortunately become another Gathering tradition: Kathy and I RACING back from dinner to arrive late to my next scheduled event: in this case the Blue Mug in the packed con suite.

This was perhaps the least Blue Mug we've ever had. And I have to admit I missed spending some quality time in the gutter. Some of the lack of azure is probably directly attributable to the absense of a certain pants-challenged voice actor with the initials TA, but I think frankly a bigger reason was that everyone's curiousity about details of the DVD overwhelmed other topics. We did have a couple of smutty moments though. Christine still thinks she scares me. And she did manage to catch me with a question I hadn't given any thought to, but I'm harder to shock than that. (I know Keith had been looking forward to the Blue Mug, as well. And I'm sure he would have done well in Thom's place, but unfortunately, Keith STILL hadn't arrived. In fact, it had become clear that Keith was going to miss most of Saturday's activities as well.)

At around 2am, Karine used the excuse of my bathroom break to end the session. I headed back down to my room. Ate one of Maui's Godiva Chocolate bars. Called Beth, thanks to the time difference, and then went to bed around 2:30am, which was decidedly early for me.

NEXT UP: THE DAY THAT KEPT ON TICKING...

THE GATHERING 2004 JOURNAL - Friday, August 6 (Opening Ceremonies)

I typed most of this up yesterday, but then a glitch ate it. So here we go again.

Now one of my LEAST favorite things to do is to recreate a lost document. It's much worse than composing something from scratch. You're always trying to reclaim the "magic" of whatever you wrote on your first pass. And it never quite works. So if the following is magic-free, you know why…

… I came to OPENING CEREMONIES loaded for bear, with 5 Video tapes, 2 Audio tapes and color xeroxes of a Buena Vista Home Entertainment PowerPoint Presentation.

Karine got the ball rolling, welcoming everyone to the con.

Jen got up and awarded the FAN GUEST OF HONOR award to GOREBASH. He can protest all he wants, but the guy deserves this award simply for inspiring the Gorelisa Award. (And, oh yeah, there's also Station 8 the Gargoyle Fiendsite and ASK GREG too.)

Chris Rogers came up to pitch G2005 in Las Vegas, which sounds really, really cool. I loved Laurean's new mascot. I know that there's a traditional naming of the mascot contest, but I loved the name "Blue-Eyes". So if no one wins, I'll be okay with that.

Cindy spoke, and Liz, and then the Ceremonies were hi-jacked by Abram & Maui and the Clan Olympics. The first event was goofy fun to watch. Eventually things settled back down, and shortly it was my turn to speak…

And, boy, did I have a lot to say this year. More than usual.

Carol Wagner had assembled a welcome tape recorded by various members of the show's cast & crew: myself, Keith David, Producer-Director Frank Paur, Board Artist Troy Adomitis, Board Artist Vic Cook, Development Art Director & Producer Bob Kline, Development Art Director Dave Schwartz, Actor Crispin Freeman (a past Gathering Guest) and of course Ed Asner, the wonderful voice of Hudson.

I played my little, "Ladies & Gentlemen, Keith David!" trick. And everyone looked, just as they had in 1997 at the first Gathering. It's cruel, I know. But I'd never do it if I thought that Keith wouldn't eventually show up. Which he did. Although not for another 26 hours or so, unfortunately.

I made a little sales pitch for a few of the con's events. The Blue Mug that night, for example. But especially for the Radio Play. I had need of a huge cast and needed more people (especially females) to audition. On top of that, I was nervous that if I did get a full cast, they would outnumber the audience, so I also made a plea for people to attend the show.

I gave my thanks to Karine and her extremely hard-working staff: Rob, Ian, Shaun, Cindy, Patrick, Jen, Kaylee, Laurean, Liz & Carol. I also thanked a few select people who I know helped out: Kelly, Kathy, Christine, Steph and Alan. I'm sure I fogot a bunch of people then and now, and for that I apologize.

I plugged both G2005 in Vegas again, as well as ASK GREG, Gorebash & Station 8, reminding people ONE MORE TIME to please post Gathering Journals at Ask Greg ASAP after the end of the con. (So, have you?) I also pointed out A Fan's map of attendees at the back of the room.

Then it was time for hand counts. How many Gathering Con Virgins? [A goodly amount.] How many had been to at least two Gatherings? At least Three? Four? Five? Six? Seven? ALL EIGHT? The number of the latter was very gratifying. [I'm forgetting a couple people, but I think they included A Fan, Karine, Noelle, Lanny, myself (if I count) and at least a couple of others.] These are the troops that should really inspire the rest of you.

I then held up the materials that Buena Vista had sent me. Of course, they were probably IMPOSSIBLE to see even from the front of the room. But they included a few remaining postcards promoting the DVD's release from the THOUSANDS that were distributed at the San Diego ComicCon earlier this summer. (I ended up giving these to Patrick to pass out to the hard-working staff.)

Also on hand was Buena Vista's 7-Point PowerPoint Presentation Slide Show, which I've transcribed here [with a few comments]:

1. GARGOYLES

2. "Visually Stunning and Dramatically Stirring, Gargoyles Defines Fantastic."
--Ray Stackhouse, TV Guide

3. A Mythical World
--An Animated Series About Ancient Creatures Who Come to Life at Night to Protect Manhattan from Evil
--10 Year Series Anniversary
--Voiced by Well-Known Talent from the Star Trek Franchise Including:
*Jonathan Frakes
*Michael Dorn
*Brent Spiner [who doesn't actually appear in the first season. whoops.]

4. A Loyal Fan Base
--Gargoyles Was the 23rd Most Requested Disney Title of Q2 '04 [certainly, we can do better than that, right?]
--Chat Rooms and Fan Websites Are Buzzing with News of the Upcoming DVD Release:
"OMG! I can't wait. 10 long years and finally my fave cartoon will be on DVD!" - SportyShorty, IMDB Fan Posting
--Annual "Gathering of the Gargoyles" Convention Attended by Thousands of Fans [If you add 'em all up, sure.]
--Gargoyles Airs Every Night on TOON DISNEY CHANNEL and Saturdays on ABC FAMILY

5. A Product Fans Are Clamoring For
--Two-Disc DVD Set
--Includes All 13 Episodes of the First Season of Gargoyles [uncut, I should add]
--Special 10th Anniversary Edition [as opposed to all those other editions, right?]
--Bonus Features:
*The Gathering of the Gargoyles [original documentary filmed at G2004]
*Original Show Pitch by Greg Weisman - Show Creator [previously available ONLY by attending the Gathering]
*Audio Commentary on Origanl Episodes 1-5 [Originally, I had been hoping for commentary on all 13 episodes. Budget constraints made that impossible, as Buena Vista truly has no idea how well this will sell. (We'll have to show them, won't we?) They came back to me saying they could only afford commentary on two episodes, suggesting either the first two episodes or the first episode and "Deadly Force". I went back to them, protesting that our pilot was five episodes and that it would just be weird not to at least have commentary on the whole thing. They discussed it and agreed. So we wound up with five episodes with commentary instead of two, more than doubling the budget. I then tried to convince them to do "Deadly Force," but they ignored me. Oh, well.]

6. On-Air Synergy Support
--Synergy Support from:
*TOON DISNEY CHANNEL
*ABC FAMILY

7. Pricing and Timing
--Perfectly Timed for Holiday Gift Giving and Gargoyles 10th Anniversary
--U.S.: Two-Disc DVD $29.99 SRP/$19.95 MAP
--CE: Two-Disc DVD $36.99
--NAAD: December 7 [THAT'S RIGHT!!!! THAT'S THE BIGGEST NEWS OF ALL. An official release date: DECEMBER 7th, 2004!!!!!!]

The point I was generally trying to make, is that this is really a make-or-break year for the fandom. The DVD is coming out. And you have yourselves to thank. Particularly those of you who have attended previous Gatherings. Disney took notice, and you're continued support gave me the wherewithal to push them. But now the ball is squarely in your court.

People are always asking me what they can do to get the show back in some way, shape or form. Now the answer is obvious. You want the show back? Prove it!!

Buy the DVD! You want the second season on DVD? Buy the first. Buy it for yourself. Buy it for friends, family and co-workers for Birthdays and Holidays.

More than that, SPREAD THE WORD!!!!! Even if everyone attending G2004 bought ten copies, that would only be a drop in the bucket. We need to reach out to fans who have drifted. To people who don't yet know about the fandom. To people who perhaps haven't even seen the show yet.

Disney has no idea how many units this thing is going to sell. Their downside is fairly protected, but the upside is potentially huge. FAMILY GUY sold so many DVDs that they're making new episodes. FIREFLY, a series that didn't last one season on television (despite its brilliance), sold so many DVDs that they're making a theatrical feature film. We would have to sell a ton of DVDs to match their success. But if we do, the sky's the limit.

You're my missionaries here. So support the fandom. Make ASK GREG a weekly stop… I'm going to try to coordinate efforts to boost DVD sales, so keep posted for news and updates:

www.s8.org/gargoyles/askgreg/

Pre-Register to G2005 (or at the least purchase a fully-upgradable Supporting Membership).

Keep checking

www.gatheringofthegargoyles.com

[It's still the G2004 site for now, but it'll shortly turn over to feature info on G2005.]

Keep in mind that money that comes to the con EARLY is worth more than money that comes late. To afford multiple guests, the con needs funds earlier than later. That's why pre-registering is cheaper. Buy now, save money and the worst thing that happens is that you cannot attend and you've contributed a few bucks to the fandom you love.

[Keep in mind, I earn nothing from Gargoyles or the fandom - other than massive ego boosts. Nothing to sneeze at.]

But don't give up on attending G2005 either. You have a year to save up a Gathering fund. A year to arrange for roommates or pals for a road trip. Flights to Vegas are traditionally inexpensive from most locations. Again, bring in new newbies by showing them the show and addicting them. We want to break all attendance records.

Now, you may think I'm riffing here and have gotten off topic. But in fact, I said all this and more at Opening Ceremonies.

Right about then, I introduced the DVD Vid-Documentary Crew (David, Howard & Thierry). They were there to tape the entire convention. All the primo events. But they were also there to interview the fans about how Gargoyles changed their lives.

Then … finally… I got to what I like to call my own version of the Rocky Horror Gargoyles Show.

I showed the original Gargoyles Pitch Video.
The original Gargoyles Promo Video.
The original Gargoyles Presentation Video (narrated by Jonathan Frakes).
The original pitch for "The New Olympians" spin-off series.
The original pitch for "Gargoyles: The Dark Ages" prequel series.
The animatic/storyboard/leica reel for the "Bad Guys" spin-off.

That was followed by the Audio Tape of the never animated "The Last". This was a cross-over episode between Team Atlantis & Gargoyles featuring the voices of Marina Sirtis, Frank Welker, Sheena Easton, Cree Summer and others. As usual, the grunts of battle had different implications in a vacuum. And given the dirty minds of most of the attending, those implications are fairly self-evident.

And thus ended Opening Ceremonies. But Friday wasn't over. Stay tuned for more…

ARGGHH

I just typed up half a ramble and it vanished.....

THE GATHERING 2004 - Friday, August 6 (Part One)

And we're back...

Friday was an eventful day, so I'm breaking it down into two rambles.

I got my wake-up call, lingered for a few minutes, showered and shaved (or trimmed, I should say). Then I went upstairs for my big interview with David Grabias and the DVD guys (Howard the DP and Thierry on sound, I think). David asked me some questions, I'm sure looking for some great short pithy responses that would make nice sound bites for the DVD documentary.

Of course, I have many talents, but being short & pithy ain't one of them. My 45 minute interview lasted an hour and a half. At one point, David sent me back to my room to change shirts so that he could pretend that a little intro I was doing for the original Gargoyles pitch (which will also be on the DVD) was shot on a different day. The thing that interests me is that you'll be seeing me intro the thing at age 40 and then jump back to me at age 30 pitching. I think as an Easter Egg or something they should create a little mini-morph of me aging rapidly.

After that I brought Erin & Benny's art down to Cindy. We took a few minutes to figure out which piece went with which title card. But it was all fairly self-evident.

I saw Zehra at that point, I think. I was really glad she came back this year. Also saw Noelle somewhere in here and Lexy & Marty and others.

Next up was the Voice Acting Seminar. I brought the same old stuff to cover. Stuff I developed doing a Seminar for Telemarketers (waves at Sapphire), a.ka. that time I was truly doing the Devil's Handywork. I've used it for at least a couple years now, but I wasn't afraid of it getting old, because the plan was for Keith and I to do this seminar together. His take on the stuff (his take in general) would provide us with a unique experience. Problem was that Keith hadn't arrived on Thursday night as planned. His movie in Miami was rained out a couple days which caused a delay in his flight for said couple days.

So I'm doing this on my own. Which isn't a problem, per se, except that it's the same old stuff. But there were enough newbies to let me get away with it.

I began by reciting my meager qualifications as stage actor, stage director, voice actor and voice director. Then I broke out the scenes.

We started with the Demona audition side, which Jen read -- way too well. It was frustrating as my schpiel sort of depends on some amount of badness in order to allow me to riff on how to improve. She didn't really provide that. Damn her talent!!

Anyway, Seri got up and read Demona. And she did a good job, but I was able to force her to read the last line over and over in order to make a point about acting choices.

Then we did a few others scenes. The Tea Scene from MIA is one of my favorite acting lessons. The tag from Thrill of the Hunt. And the "Friend" scene from Awakening 1. It was all fun. The DVD crew came in and filmed a bit, which was a running theme throughout the con. It actually made everything feel fresher and more exciting.

I think I have a new reality series to pitch....

Anyway, next up was our first round of auditions. Of course, I had forgotten the audition forms in my room. So I searched for the elevator. BTW, the hotel was great, but the entire weekend I had some kind of weird trouble finding my bearings, i.e. the elevators and/or restrooms. I constantly found myself walking in circles.

Jen and I ran the auditions, like old times. I get to force people to bark like a dog or meow like a cat and when I remember to speak with either English or Scottish dialects. Every year is unpredictable. There have been years when almost no men audition and I have to drag Hudson off the street to play a part. This year, at the Friday audition, we have tons of men and only two women. It's panic time as this particular radio play has an IMMENSE cast of 31 (not counting me). And at minimum (even with some cross-gender casting) I feel I need at least seven women for clarity.

Throughout the day, Keith's flight keeps getting pushed back.

And people keep giving me stuff.

Maui gives me a box of Godiva chocolate bars. Not a box of chocolates, mind you, but a box of chocolate BARS.

Kathy feeds my Buffyverse obssession by giving me a Buffy Companion book.

Tony gives me his Annual Gathering CD. (Which I listened to on the way back from San Diego. It's great.)

Wingless gives me a Banana Splits CD. (Which I listened to on the way to San Diego. It's VERY Cool.)

Michael gives me his Demo CD. (Which I haven't listened to yet, but I will. But Michael, here's my question: I already know you're good. But are you planning a move to L.A.? What good is your CD if you're not here to audition if and when I get something (please God anything) to have you audition for?)

I got four cool con t-shirts and pins (which I had paid for) from the staff, as well as a staff t-shirt from Jen (which I did not pay for).

I got Subway from Alan, which I also paid for, cuz frankly Alan still intimidates me a bit. It must have something to do with how cosey I get with his wife.

I got my con badge and the VERY cool program that Si put together. It includes a picture of me with a pillow over my head. I'm told this is a great picture. I find it interesting that the best picture of me is one where my face is covered.

I got a G2005 Vegas t-shirt from Chris at some point.

I got a UPS package which contained stuff from the Buena Vista Home Entertainment folk for use at the Opening Ceremonies.

And best of all, I got BLACK ROSES from Christine. Which is cool. But cooler still, is the dedication, to me and Salli and I guess all of you. I have never had a book dedicated to me before. I can't tell you what that feels like. It really makes my day on a day that makes my year.

NEXT UP: OPENING CEREMONIES (the never-ending story)

GATHERING 2004 JOURNAL - Thursday, August 5

Time to journal.

As usual, let me open with a few caveats, apologies, etc.

I'll try to be as complete as possible, but inevitably I may forget a few names or forget to include a few people or events. My apologies. Please don't feel slighted. The con for me is always a great time, but also a whirlwind of people. With few exceptions, I only manage a few minutes with everyone. Sometimes it takes me two or three years to really nail a name to a face. (The fact that many of you have multiple names doesn't help either.)

I'd also like to mention a few of the people I didn't see, people I hope to see next year. Former con-chairs like Jubes and Batya and especially Mae Lee. People who made an impression, like Spike and Vanessa and many, many others. I'd like to ask all of you who did attend and/or all of you who are reading this now to reach out to fans who have wandered. As many of you know (and as Friday's G-Journal will soon make clear) this is really a make-or-break year for the series. We need to re-energize, rejuvenate and REAWAKEN the fandom. Especially those who have drifted away. We need everyone!

Speaking of which, here's ANOTHER reminder to post your GATHERING JOURNALS here at ASK GREG. Cut & Paste. If necessary, enter them a con-day at a time as I'm doing. If you're reading this and you know of people who attended the convention who haven't yet posted their journal, get on their cases. I think we've got about a dozen so far. I appreciate them all, but that's NOT nearly enough. We had 200 people attend the con. If we can't get at least 100 journals here at ASK GREG, I'm going to be VERY disappointed.

Finally, as most of you know, my diaries tend to center around food. Basically, I love to eat, and it's something I really have a talent for. I love great food and horrible junk. And I'm often obssessive about the subject. Strangely, or perhaps not-so, my memories of this adventure do NOT revolve around food. In part, because I didn't get to eat as often as usual. Just not enough time. In part, because I had such a blast just spending time with all of you. Thanks.

ANYWAY, enough preamble. Let's get gathering.

The week before the Gathering had been extremely eventful. Good things and bad things were happening to my family, especially my siblings. For more info on both check out the very well-written websites of Robyn Weisman...
http://barbaricmysticalandbored.blogspot.com/
and/or Jon Weisman...
http://www.all-baseball.com/dodgerthoughts/

Over at my house, things were almost as crazy. We had taken out a loan to paint the exterior of our house. Right after we were financially committed to that endeavor, our upstairs bathroom cracked its shower pan, creating (ultimately) a hole in the ceiling of our entry hall. We have had to totally demolish that bathroom in order to repair it, which caused further damage to our bedroom, living room and powder room. Even our doorbell has stopped working.

Plus, I got a stye in my eye. For a couple of days, it was swollen up, and I thought: "YAY, MY DISFIGUREMENT CAN BE IMMORTALIZED FOREVER ON THE DVD!" Fortunately, it faded by Thursday and was all but gone by Friday.

Also, there was that ladder thing. How many Gargoyles-Creators does it take to screw in a light bulb? I was up on a ladder changing a ceiling bulb. I had the old bulb out and in hand, when the ladder (which is missing three out of four rubber feet) tipped me off. I landed on the hand holding the lightbulb, which <SHATTERED> on the brick floor. Blood and glass everywhere. The wounds, such as they were, turned out to be very superficial once they were cleaned off and the imbedded glass was tweezered out. I was wrapped in gauze for a night and my daughter took to calling me "Daddy Mummy" or "Dummy" for short. Smart kid. Anyway, by the next day, I was down to two band-aids. By Thursday, the puncture wounds were barely noticable.

More seriously, there's Norman, our ten-year-old Bassett Hound. Earlier this year, Norman was stricken with a life-threatening ear infection. We tried multiple courses of anti-biotics (including some human versions). Nothing worked. Finally we had to have his ear canal surgically removed. Then last month, the other ear got infected. It soon became clear that we were going to have to have his remaining ear canal removed, rendering him completely deaf. It was very upsetting to all of us, and I felt horrible that I was going to be out of town during the surgery. Of course, I had made a commitment, and to be honest I really didn't want to miss the Gathering.

And the fact was, I was already planning to miss a portion of it. My daughter's birthday is August 8th, 1994. I wasn't going to miss her tenth birthday, which meant I'd be leaving VERY early on Sunday morning in order to make it home in time for her birthday dinner. That meant that I was going to have to stuff all my G2004 fun into a few short days.

So, Thursday morning I got up at 7am, reminding myself that I couldn't use my own demolished bathroom. I showered in the kids' bathroom, and made my way downstairs. I had been vaguely Atkinsing for the last three weeks and had in fact lost about eleven pounds. But the diet was done for the duration. I had Cereal and banana.

I was picked up at the house at 9:30 am. The trip to the airport was uneventful. Got to LAX and got through all the various lines without incident. Then I bought a loaf of sourdough bread and ATE the entire thing. Also had a Three Musketeers bar and a bottled water. Obviously, I was craving carbs and sugar.

Aboard the plane, I began to read "I DREAMED I MARRIED PERRY MASON" by Susan Kandell. This is a very well-written murder mystery by a friend of ours. The protagonist is Cece Caruso, a biographer who stumbles onto two murders (one old, one new) while researching the life of Erle Stanley Gardner, the creator of Perry Mason. I definitely recommend it.

On the plane, I had Tomato Juice and toyed with my meal: beef, biscuits, cole slaw, rice and a roll.

The movie was "Day After Tomorrow" and even though it was free, I couldn't bring myself to watch it. Though I did get curious about how it would end -- about what could possibly be considered a coda for it, so I ear-phoned up for the last ten minutes or so. Uggh.

The flight, like the whole trip, was easy. Customs in Montreal was a long line, but had the advantage of non-stop movement, which at least makes the wait FEEL more palatable.

Patrick, Jen & Rob were waiting for me. I was already in a good mood, but I immediately felt better. Now, the Gathering had really begun for me.

We had a completely uneventful ride to the Delta Centre-Ville (our G2004 Hotel). In the lobby, I saw Carol, Kathy & Kelly. Mandi, I think? Abram. A Fan. I checked in, and hit my room to do a VERY quick unpacking before meeting everyone in the consuite. I saw Becca right away, and asked where her parents were. Christine was standing just behind me and gave me a big hug.

The constaff had planned in advance to go to dinner as soon as I got in. There was some miscommunication, which I really regret, as some non-staffers were waiting to join us and the restaurant we were heading toward couldn't accomodate us all. Sad irony, we didn't even end up at that restaurant (as its kitchen was closed) and the place we did eat at had plenty of room. In the future, I'm gonna make an effort to be more inclusive at these things.

Not to rub it in, but those of us who did attend: Lanny, Derek, Michael, Karine, Cindy, Rob, Jen, Alan, Kaylee, Shawn, Patrick, Laurean, Liz, Carol and I had a great meal. We had taken a long walk to get to the crepe place that Karine wanted us all to enjoy. The weather was lovely but just a tad cool for a guy from California in a t-shirt. If I had just brought my sweatshirt along, it wouldn't have been a problem, but I was shivering by the time we sat down in our second-choice restaurant.

Which was great, by the way. Lobster Bisque, Fettucine Alfredo, Bread, bruschetta, a mussel and coke.

And great company. I enjoyed the walk back a bit more, even though I was still freezing. Karine offered to lend me her sweatshirt, but I'm still enough of a gentleman (just barely) to refrain from taking a pregnant woman's wrap.

Back at the hotel, I ran into Lynati, Mara, GXB, Alex, Eric, Hudson, Ethan, Maui, Kyt, Chris & Aaron. I hung out in the lobby with a few of them for a bit. But it was getting late, and I wanted to call Beth and the kids and talk to them before they went to bed.

So I headed up to my room. Called home. Then tried to sleep. Wound up watching TV until at least 3 or 4am, though that was only midnight or one my time. Then I finally went to sleep.

TO BE CONTINUED...

A Plea and/or Reminder

I'm back in Los Angeles after an amazing trip to Montreal and a fun family half-week in San Diego.

My own Gathering Journal will be forthcoming in installments, as usual.

But in the meantime, I'd like to remind everyone who attended G2004 to please, PLEASE, take a few minutes and write up your experiences in as much detail as possible.

Were you on staff? Were you a dealer? Were you there for the whole weekend or just for a few hours? Whatever your situation, please write up a Gathering Journal and post it HERE at ASK GREG. It's great if you have your own website or livejournal and want to post it there or even in the S8 Comment Room, but please CUT & PASTE your journals and put them here as well. No links please. Cut & Paste.

For those of you who've already done this, thanks. For those of you who started but didn't quite make it through the weekend, please don't run out of steam. For those of you who haven't started, START. Trust me, your memory isn't going to improve with time.

We had about 200 people at the Gathering. I'm hoping to get at least 100 diaries/journals here at ASK GREG. AT LEAST. (Frankly, I'd be thrilled with 100% journaling.) Getting them all here allows me to direct the Disney/Buena Vista powers-that-be to this site as a single clearing house.

Guys, this is important. Prove that you are going to do what it takes in the coming year to support the show by taking this simple first step.

It will be very much appreciated at this end.

GATHERING 2004

Okay, gang,

I'm going to be off-line for a while.

I leave early tomorrow morning (8-5-04) for Montreal and the Eighth Annual Gathering of the Gargoyles.

I come home on the 8th, but then the family is immediately going to San Diego for some SeaWorld/Legoland action.

So I won't be back at ASK GREG for over a week.

But when I come back, you can look forward (I would hope) to my ramblings about the Gathering.

PLEASE, PLEASE post your own Gathering Journals, Gathering Diaries, etc. as well.

Seriously, I'm using this as a tool with Disney. We have about 200 people attending the Gathering this year. I'd like to see at least 100 Gathering Diaries posted here at ASK GREG.

Thanks.

P.S. Remember, if you see me at the Gathering, don't hesitate to come up to me and say hello. Don't be shy. Please introduce or re-introduce yourselves. I know many, many of you, but I'm traditionally not great with names. Sometimes it takes me a couple gatherings to remember. For that I apologize, but please don't take offense. I really do want to meet all of you. See you soon.

Greg

some REAL rambling...

Okay, this is not GREG SPEAKING FROM THE MOUNT...

This is just me thinking aloud. (Well, not really aloud. I'm sitting here typing.) I don't even know if I like these ideas. They're definitely not canon.

But the following notions occured to me today...

Gargoyles don't seem to have a native language. They acquire human language ... perhaps much the same way that they acquire names. Naming is clearly addictive. And language, in many ways, is just sophisticated naming.

Clearly gargoyles are just as intelligent as humans. Before humans developed tools, Gargoyles were at the top of the food chain. They may not have created/invented as much "stuff" as humans have, but they also had way fewer needs. Necessity being the mother of invention, they had less motivation for inventing sophisticated shelter, clothes, tools, etc. But that in and of itself isn't a comment on their brain-power.

So why no need for language and names?

When it comes to naming, gargoyles clearly felt that names were superfluous if not somewhat limiting, if not downright harmful to the spirit. Humans must define things. Gargoyles know that things just are.

We are friends. What other name do we require, etc.

It fits in with their animistic/monotheistic view of a higher power. A higher power that requires no name.

Does beg a question, though if you go back far enough.

Does the sky need a name? Does the river?

Elisa responds: "The river's called the Hudson."

But she could have responded: "The river's called a river."

Did the gargoyles have a language that they ABANDONED in favor of human words -- even if those human words were Atlantean (like the term "Gorlois", the true Atlantean etimology for "GARGOYLE")?

Or perhaps...

Gargoyles are so attuned to the earth. They have biological clocks that match the seasons. They have relationships that require no names, until those names have been imposed.

Is it possible, that gargoyles once... long ago... had mild psychic abilities that left them with no need to create language? It wasn't words that they intuited (or transmitted or read or whatever) but emotions, maybe images or sensations.

Maybe it was tied to magic. Not that Gargoyles are magical creatures, but if magic was free-flowing before the Will-O-The-Whisps evolved into the Children of Mab (or whomever) and somewhat confiscated that power for their own, perhaps that magic was just part of the Earth that gargoyles were so attuned to, and allowed for some psychic congress.

Or perhaps, it is a biological ability -- based on biio-elecricity and brainwaves -- that has faded with disuse. Perhaps the very language skills that Gargoyles learned from the human race dampened their psychic intuitiveness, much as Fox's natural magical abilities were stunted by her human upbringing.

Either way, it suggests that this ability could be latent.

I'm NOT saying that the gargs we know are psychic. They've all been fooled enough, even by the INTENSELY emotional Demona (who would theoretically be broadcasting as well as receiving) to bely that notion.

But I wonder if this isn't an interesting area of speculation.

If you see me at the Gathering THIS WEEKEND, it's a topic I'd be interested in discussing.

REBORN!!

As I'm sure many of you have noticed, Gorebash has rebooted ASK GREG in a major way. It's still a work in progress, so feel free (politely) to offer your input to Gore.

But don't forget to thank him as well for his hard, hard work.

Thanks, Gore! It's very much appreciated.

Gregs

Buffy Season Two Character Countdown

As noted yesterday, I'm as big a geek -- if not bigger -- than anyone in the room.

So now, for no particular reason, I've put together a countdown of the GREATEST BUFFYVERSE characters from Seasons One & Two.

I thought about doing Season Two separately, as if it stood alone, but that felt artificial. (Like the rest of this feels natural? Yeah, right.) Think of the Buffyverse as an eight year horse race. You're not sure which nag is going to go the distance... But cumulatively, you begin to discover things.

So here's the top 30 characters of the Buffyverse for Seasons One & Two combined. In reverse order...

#30 - The Judge. Medieval demon raised by Spike & Dru to burn the humanity out of, well, humans. Killed by a rocket launcher. (Previous Rank: Did not appear in first season.)

#29 - Mr. Norman Pfister, a.k.a. Worm Guy. One of the assassins hired by Spike to kill Buffy. Could transform his whole body into worms. Stomped by Xander & Cordy. (Previous Rank: Did not appear in first season.)

#28 - Dalton. A relatively brainy vampire flunky, who appeared in a couple of episodes working for Spike & Dru. Burned by the Judge. (Previous Rank: Did not appear in first season.)

#27 - Luke. Still a fairly memorable first opponent for Buffy even a year later. (PR: #14. Okay, he's memorable, but not that memorable, falling 13 rankings with no where to go but down.)

#26 - Harmony Kendall - Made another humorous appearance. (PR: Honorable Mention.)

#25 - Hank Summers. Still, if barely, a part of his daughter's life. (PR: Honorable Mention.)

#24 - Willy. The weasley guy who runs the demon-bar hangout and plays both sides of the fence. (PR: Did not appear in first season.)

#23 - Amy. Back as a full-fledged witch. (PR: Honorable Mention.)

#22 - Ethan Rayne. Giles old chaos-worshipping "friend". (PR: Did not appear in first season.)

#21 - Uncle Enyos, a.k.a. Gypsy Man. Jenny Calendar's vengeance-seeking Gypsy uncle. Killed by Angel. (PR: Did not appear in first season.)

#20 - Jesse. (PR: #13. Drops seven rankings, and counting, as he's been totally forgotten.)

#19 - Jonathan (variously spelled Johnathan and Jonathon, a.k.a. Student and/or Hostage Kid and/or Freshman (which he later turns out not to be, unless he skips a couple grades by the time Buffy graduates). Jonathan with something like 6 appearances but VERY little screen time in each really makes an adorable impression, thus it's not surprising that he winds up playing an increasingly larger role with every year. (PR: Did not appear in first season.)

#18 - Whistler. The demon, played by the always interesting Max Perlich, who helped redeem Angel from the gutter. This guy interested me a LOT, but never (as I recall) returned. I always wondered if Doyle was a reworking of Whistler when they couldn't get Perlich to be a regular on Angel. (PR: Did not appear in first season.)

#17 - Kendra the Vampire Slayer. Came and went. But before you know how interesting Faith can be, she was very cool. (PR: Did not appear in first season.)

#16 - Principal Bob Flutie. (PR: #9. Drops 7 places and being still dead, likely to keep heading south.)

#15 - Darla. Appears in a wonderful flashback, where she sires Angel. (PR: #11. Only drops 4 ranks, and is likely to make a comeback, because death plays much more fast and loose with Darla than with Principal Flutie.)

#14 - The Annointed One. Spike just overwhelmed this guy (and then flambéd him). I suppose it was also a liability to have an eternally youthful child in an ongoing series. It won't take long before a growth spurt changes the kids looks significantly. (PR: #10. Another four rank drop and falling.)

#13 - The Master. Influence still being felt... (PR: #8. Down five rankings.)

#12 - Oz. Becomes Willow's guy after a slow burn. And gets to be a Werewolf to boot. (PR: Did not appear in first season.)

#11 - Jenny Calender, a.k.a. Janna the Gypsy spy. Becomes SO important that Angel has to snap her neck, breaking Giles heart -- and falling into a Buffy/Angel trap that is common to most TV dramas (except Gargoyles) which states that no relationship really has long term potential. (PR: #15. Actually moves up 4 rankings, while most are moving down.)

#10 - Principal Snyder. (PR: #12. Also moving up a bit.)

#9 - Spike, a.k.a. William the Bloody. Enters the list in the top ten.

#8 - Drusilla. This surprised me a bit. Would not have guessed that Dru would beat out Spike. But in their first season, she's actually a tad more important. His villainy culminates in hers. (Of course, both are overshadowed by Angelus) (PR: Did not appear in first season.)

#7 - Joyce Summers. (PR: #7. Holding her spot.)

#6 - Angel, a.k.a. Angelus. Really starts to come into his own here, but missed a couple episodes and Cordy had a headstart from season one. (PR: #6)

#5 - Cordelia Chase. And Cordy also begins to truly come into her own in this season. Evolving out of her funny but one-note stereotype from Season One and beginning a relationship with Xander that I was sorry never got to be played again in Angel (even historically). (PR: #5)

#4 - Willow Rosenberg. Xander's headstart kept him ahead in a season where they had a much more neck-and-neck pointscore. (PR: #4)

#3 - Xander Harris. (PR: #3)

#2 - Rupert Giles. Still a bit surprised how he continues to rank above X&W. (PR: #2)

#1 - Buffy Summers. (PR: #1)

Honorable mention goes to the following (for making one or two memorable appearances):

Catherine . Okay, normally, I'm not going to honorably mention someone in consecutive seasons, but that great scene where Oz is watching the Cheerleading trophy follow him with his eyes, is priceless continuity.

Absalom. Vampire working for the Annointed One trying to raise the Master. The last champion of the Season One storyline. Buffy burns him.

Nurse Greenliegh. Eaten by fishboys. Probably gets extra juice because I like actress Conchatta Ferrell in just about anything.

Ted Buchanon - Psycho Robot Serial Killer. Lots of evil fun. Trashed by Buffy.

Devon - Dopey lead singer of Oz's band.

Inca Mummy Girl, a.k.a. Empada. Poor kid. She just fell apart on us.

Larry. School bully who turns out to be a sensitive gay guy.

Lyle Gorch - Cowboy vampire, barely smarter than his brother.

Chanterelle - Goofy vampire wannabe.

Detective Bob & Detective Stein - Each appeared twice. Bob was Snyder's cop. The one who helped Snyder cover up the macabre doings at the school. Stein was Buffy's vague nemesis. The one who questioned her about Ted's "death" and suspected her of Kendra's. Both are interesting and feel more important than they wind up being.

The Mayor. Doesn't appear at all. But Snyder's both scared of him and desperate to impress him.

And that's it. But Season Three just came in the mail today. It'll obviously take me some time to watch it. But eventually, I'll be continuing this pointless exercise...

Aren't you glad?

Buffy Season One Character Countdown...

Yes, that's right, I'm as big a geek -- if not bigger -- than anyone in the room.

I bought the 1st and 2nd Seasons of BUFFY THE VAMPIRE SLAYER on DVD. And I've been watching the episodes. Or studying them actually.

So now, for no particular reason, I've put together a countdown of the GREATEST BUFFYVERSE characters from Season One.

(WHY, you ask? Because it amuses me and appeals to my geeky mind. <Yeesh, what a dopey question.>)

Now, this is a truly subjective (if not pointless) exercise that I've tried to reduce to an objective task. I've awarded points per episode to each character based on a number of criteria. Then I totalled up the points for each character for the season. In case of a tie, I made a subjective call.

I tried NOT to make the point totals reflect what happened with characters in subsequent seasons. This is a countdown reflecting Season One only. Though I won't deny the fact that if a character reappeared later in the series, it probably meant that said character was memorable to the creators (and the viewers) in his or her original appearance(s). So I allowed some bias to filter in. But I tried to be strong.

Most of the results aren't particularly shocking, but a few things surprised me a bit.

Originally, I was just doing this for myself. But I figured, what the heck, might as well share my obssessive behaviour with you poor victims.

So here's the top 15 characters of the Buffyverse for Season One in reverse order...

#15 - Jenny Calender. In season one, she's merely the computer teacher/techno-pagan. But she already seems to have some interest in Giles.

#14 - Luke. The vampire who was the surrogate for the Master's "Harvest" during the 2-part pilot. An impressive first foe, who'd be topped many times over. But he set the bar well. He received the same point total as Jenny, and long-term she's MUCH more important, but in the first season, I think Luke's role was much more crucial.

#13 - Jesse. Jesse was Xander's best friend, who became a vampire in the pilot and was accidentally staked. Jesse would have been more important if anyone had EVER mentioned him again -- even in episode three. It strikes me as a very un-Joss like thing that Jesse completely faded from memory... INSTANTLY.

#12 - Principal Snyder. The new and harsh replacement principal makes an immediate impression.

#11 - Darla. The vampire who served the Master and was revealed as Angel's sire. Jealous, vulnerable, greedy and sweet all rolled into one. She was staked in her third appearance, but it's not surprising she came back both in flashbacks and in ANGEL.

#10 - The Annointed One. Also known as Colin and/or the Boy. This guy was built up to be VERY important in Season One, though he wound up not being important at all.

#9 - Principal Bob Flutie. The conflicted original principal of Sunnydale High. For obvious reasons, adjusted to be MOST sympathetic just before he was eaten by the quartet of Hyena-Avatars.

#8 - The Master. The main recurring villain for Season One. Staked at the end of the season, though his influence would continue into Season Two and beyond. (FYI, one of the DVD extras revealed that his real name was Heinrich Joseph Nest.)

#7 - Joyce Summers. Buffy's mom.

#6 - Angel. Made a pretty big impression in relatively few appearances. Obviously.

#5 - Cordelia Chase.

#4 - Willow Rosenberg.

#3 - Xander Harris. This surprised me. I would have thought that Willow and Xander would have been neck and neck -- impossible to declare as anything but a tie. But at least in Season One, Xander really got more screen time and a much bigger overall role in the series.

#2 - Rupert Giles. This surprised me a bit too, as I would have guessed that Xander & Willow would have both scored ahead of Giles. But nope. Not when you break it down.

#1 - Buffy Summers. Duh.

Honorable mention goes to the following (for making one or two memorable appearances):

Catherine & Amy, mother & daughter witches. Amy obviously will become more important, but Catherine's end, forever imprisoned in the cheerleading trophy, was too cool.

Dr. Gregory. Buffy's biology teacher. Made two appearances before being killed by the She-Mantis. Was the only teacher who believed in Buffy.

The She-Mantis. A fun villain.

Harmony Kendall. Only made two brief appearances, but she stood out enough as one of Cordelia's "Cordettes" that she would wind up being brought back again and again. A certain comic timing, probably.

Hank Summers. Buffy's dad.

Joy. The Senior Cheerleader.

Sid. The human trapped in the body of a ventriloquist's dummy.

That's it. I'll have Season Two shortly. I bet you can't wait.

Announcement for August...

Hey gang,

Just wanted to let everyone know that Gorebash, Todd & I will be re-opening the Question Submission function for the month of August 2004.

Gore is working on revising the whole site. We're not 100% sure that the new version will be ready by then, but either way, you'll be able to submit questions and rambles from August 1st to August 31st.

I'm going to ask (and pray) that people NOT post frivolously. I'm still over two years behind on answering questions. Try and do your homework just a bit before posting a question. Check the Archives or at least the FAQ. Heck, it wouldn't hurt to pre-post your question at the Station 8 Comment Room. Give your fellow fans a chance to direct you to the answer, before you post it for me. Keep in mind that it will take me a LONG time to get to your questions, so if you can get them answered another way, it'll be MUCH FASTER for all concerned.

But with that caveat in mind, I'm very pleased to be reopening the site to you, if only for one month. In particular, I'm anxious to get as many GATHERING 2004 DIARIES as possible. Seriously, we have close to 200 people attending this year, and my goal is to get at least 100 diaries posted at ASK GREG as an historical record. So please, that's one kind of post that I'm really looking forward to. So don't hesitate.

Thanks,

Greg

What else can I do?

"Sure," you say, "I'd love to come to the Gathering, but..."

There are always reasons, I suppose. Some good, some not so good, some very good.

I'd still like you to come. Even now. With less than a month left, I'd like to see you make the effort and show. It's a great year for it, what with the Disney folks there shooting footage for the DVD. Heck, don't we want them to see how strong our fanbase is?

The Gatherings have been the lifeblood of this fandom. Why are we getting DVDs this year. Because of the annual Gathering. Just that simple.

And, yes, I am talking to you. And you in the back there too, trying to sneak out.

But let's say you just CAN'T make it this year. This happened. Or that happened. You just can't. You ask me to understand, by saying, "What else can I do?"

Here are a few things...

1. Buy a supporting membership. It's much less expensive than a trip to Montreal. It helps support the convention. And you're entered for a free t-shirt.

2. Heck, just ORDER THE T-SHIRT. It's also much less expensive than the trip. And you get a T-shirt.

3. Order a pin or the Phoenix Gate Anthology.

4. At least go to the website and check these things out:

http://www.gatheringofthegargoyles.com/

5. Start planning now to attend G2005 in Las Vegas. Start saving. Show your true support for the series and the fandom.

Thanks.

SPIDER-MAN 2 - SPOILERS

Took the kids to see Spider-Man 2 yesterday.

SPOILER WARNING

The murder of all those doctors seemed gratuitous to me. Trashing them, sure, but why did the arms (particularly at this early stage) feel the need to kill. I know, I know, self-defense. But in a movie like this, where otherwise I thought it was more-or-less okay to bring my kids, I thought it was really unnecessary.

The death of Otto's wife didn't bother me. Except that it became gratuitous as nothing at all was done with it. Her entire character became gratuitous. And I like Donna Murphy.

I've already talked about my whole Kirsten Dunst would make the perfect Gwen Stacy but is unconvincing as Mary Jane Watson thing. Nothing in this movie convinced me otherwise, despite the "Go get 'em, Tiger" line at the end. I guess you just have to get used to the idea that they've combined these two characters into one and chosen MJ's name.

Peter's objection to dating MJ, because it could put her at risk seems a little preposterous given how much risk she's been put in over these two movies even though they haven't been dating. I don't mind this, I just wish that someone, specifically MJ in their last scene together would have pointed that out.

The theme of this movie is "LET'S REVEAL MY SECRET IDENTITY TO AS MANY PEOPLE AS POSSIBLE". At the end of the previous film, it was beyond clear that MJ had figured out that Peter was Spider-Man. This is somewhat successfully slid by in this film. But by the end of the second film, the list of people who have seen Spidey's face is nearly endless:

MJ
Doc Ock
Harry
The New Green Goblin
About thirty-seven people on the train

and let's face it, even Aunt May seemed to be strongly implying that she had figured it out.

A little bothered by the way some of Peter's late-arrivals were staged.

Did he really lose THAT much time delivering Pizza.

But more importantly, it seems clear that being Spider-Man aside, he just flat out didn't leave enough time to get to MJ's show in the first place. Face it, he lost his mo-ped but arrived in the bad-guys car. And it took less than a minute to capture them. And he was still late. This bugged me because he was blaming Spidey for screwing up his life, when clearly if he had left for the play in a timely fashion, he would have arrived on time (and missed the crime completely).

I didn't quite know what to make of the whole thing with the landlord's daughter. Kept expecting her to see Peter with MJ in the last scene and turn into a super-villain or something. She was sweet. Didn't catch the character's name, though it's a very similar character to the character that same actress plays on Joan of Arcadia.

Everyone seems wowed by Molina's performance and by Doc Ock, especially as compared to the last film's Green Goblin. I have no objections to either Molina or Doc, but I don't get the raves. Green Goblin's motivations made a lot more sense to me than Ock's. Sure the arm effects were cool. But the whole AI thing effecting his brain seemed forced. And frankly, a bit unnecessary.

From all of the above, I'm sure it must seem like I didn't like the movie. But in fact I did. I even liked how nearly everybody now knows Parker's secret. How did it help any of those people to not know?

Gwen vs. Mary-Jane

Okay, I haven't seen the second Spider-Man movie yet, so this is mostly based on the first (and commercials for the second).

But am I the only guy out here who thinks Kirsten Dunst is a perfect Gwen Stacy?

I think she's wonderful in the first film. Bu I mean, aside from the hair color (which, from other movies, we know is artificial), her persona is totally Gwen. Yeah, yeah, she's an actress, but she's got nothing of that John Romita tigress that is Mary-Jane Watson.

She's Gwen Stacy.

Right?

BIG NEWS ON THE DVD FRONT

HEY GUYS...

BIG NEWS. SO BIG I'M LOCKING DOWN MY CAPS.

AS MANY OF YOU KNOW, THE FIRST SEASON OF GARGOYLES IS BEING RELEASED THIS YEAR ON DVD TO COINCIDE WITH THE TENTH ANNIVERSARY OF THE SERIES.

I'VE JUST BEEN INFORMED THAT DISNEY IS SENDING A VIDEO CREW TO THE GATHERING OF THE GARGOYLES, OUR ANNUAL CONVENTION, TO TAPE THE FANS, GUESTS, EVENTS, ETC. FOR THE EXTRAS SECTION OF THE DVD.

THAT MEANS IF YOU ATTEND THE CONVENTION THIS AUGUST 6-8 IN MONTREAL, YOU HAVE A CHANCE TO ACTUALLY BE ON THE DVD. LET THAT SINK IN FOR A SECOND.

IF YOU'RE ALREADY SIGNED UP, GREAT. BUT IF NOT -- WELL -- WHAT ARE YOU WAITING FOR!!!!

CHECK OUT THE CON'S WEBSITE AT:

http://www.gatheringofthegargoyles.com/

DON'T MISS THIS GATHERING!!!!!!!!

WHATEVER HAPPENED TO SECOND & THIRD BASE?

The following RANT is somewhat ADULT. You've been warned.

There are two prime time television series that I'm fond of that I'm annoyed with for a very specific reason.

One is GILMORE GIRLS. The other is JOAN OF ARCADIA.

Last week, on Joan of Arcadia, 16-year-old Joan nearly decided to lose her virginity with Adam.

Last week on on Gilmore Girls, 19-year-old Rory lost her virginity with Dean.

In both cases, it's not the losing or not losing that bothers me.

It's just that in both cases, we've more or less been witness to these girls sexual awakening. And I've never gotten any indication that either girl has done anything beyond kissing, that neither guy has ever gotten past what we used to call first base.

One of my biggest pet peeves about television is that second & third base (including anything and everything in between kissing and sexual intercourse) do not exist. Oral sex? Doesn't exist. Touching and/or nudity without intercourse? Doesn't exist.

I don't need to see it. (Not that I'd object, but this isn't about me being a pervert for once.) But I would think that two shows as smartly-written as Gilmore & Joan should be able to find a way to suggest that such "intermediate steps" DO exist. I mean if they can talk about full-on intercourse, why can't they talk about things that are safer, younger, more exploratory, with FEWER consequences.

I feel it's TERRIBLY irresponsible to teach kids and teens that there's no way to express themselves sexually, once they've gotten past a kiss, except by going all the way. By hitting home runs, by scoring, so to speak.

Look, when I was a teen, there was a LONG, LONG gap between my first kiss and my first time engaging in sexual intercourse. There was a pretty substantial gap between my first kiss with the girl that I would end up losing my virginity to and the actual act of losing said virginity. In fact, in every relationship I ever had, up to and including my wife, kissing was a prelude to touching, etc., which was in turn a prelude to "making love"... assuming the relationship lasted that long.

The frustrating truth is that I really like both Gilmore Girls and Joan of Arcadia. I even really liked the episodes that are currently annoying me. But I'm still waiting for someone to brave the taboo and bring back second and third base.

PROPS TO "THE WONDER YEARS" for the only example of Second Base on a Prime Time series that I recall. But what was that -- ten years ago? Has there been no progress since?

A Farewell to Joss...

Let me get this out of the way first:

I love the television work of Joss Whedon.

Love Buffy.

Love Angel.

Love Firefly. (I'm very much looking forward to Serenity too.)

I am stunned that after eight years (thirteen seasons worth of television) that I won't be able to get new episodes of a Joss Whedon series next year.

Yes, they claim they'll bring back Buffy or Angel or both in t.v. movies. But frankly, I don't want to get my hopes up too high.

This season of Angel was brilliant in episode after episode. The insane Slayer. The Angel muppet. The return of Cordelia. The return of Conner.

And last night's finale... was stunning.

---SPOILERS---

The really smart thing was what they left out -- ironically, mostly action. I mean face it, do we really need to SEE Gunn take out six vamps? Do we really need to see Illyria take out four demons in a car? Do we really need to see Spike take on a cult? (Well, actually it might have been fun to get a little more of this -- what with his Lone Wolf & Cub dilemma of fighting while holding a baby.)

Harmony was a bit weak, i.e. I don't mind that she betrayed Angel or that Angel knew she would, but how did she know anything to betray him with. And I've never understood the transition between the Lyndsey who left L.A. at the end of season two and the Lyndsey who came back midway through season five. Why was he suddenly Angel's enemy again? It was cool that Lorne shot him, but I have to admit I wasn't sure if it was justified. Didn't he deserve a chance at redemption? And what was the deal with Eve at the end?

But that's quibbling.

Wesley had a decent death. And an even better end. The Illyria stuff was all great.

And of course, the final final ending, with the four warriors against the horde and Angel's last line, "Personally, I'd like to
slay a dragon." was just brilliant.

This was, in my opinion, much superior to the Buffy series finale. Both had the problem of only having one hour to stuff a ton of content in. But again, Angel was much smarter about what it LEFT OUT. Buffy's finale just seemed VERY rushed to me. Anya's death barely registered, even with Xander. And did the First get any comeuppance at all?

And sure, I'll admit that the last couple seasons of Buffy suffered from a real one-step-forward-two-steps-back-then-the-SAME-step-forward syndrome.

But all these negatives are quibbling based largely on the superior quality of Joss' series in general.

How did this happen? (Not the great work. But the absense of it next year.)

Just a couple years ago, I was in Whedon heaven. Buffy. Angel. Firefly. And any minute the Buffy Animated Series (which I was SO dying to work on, but couldn't even get my foot in the door) and Ripper. How did five series (four set in the Buffyverse) drop down to zero in just 18 months?

Yes, thank god for Serenity, which is in production.

But whether he likes the grind or not, Joss was born for Series TV not one-shot movies.

I'm really going to miss him.

Guess it's time to buy the DVDs.

Congratulations, Monique!

Went to a wedding today.

My good friend Monique Beatty married Tim Eldred.

Monique, as some of you may know, was my assistant and a script coordinator during the Gargoyles years. She was literally invaluable to me then, keeping my schedule (known then as "Greg's Nefarious Plan to Take Over the World") and keeping me on track. Among other things, she offered tremendous moral support. She's now a Line Producer at Nick. Tim is a story board and comic book artist.

They are both, great, great people. And I am so happy for them.

It was also nice to see Deirdra, Shan and Kevin at the wedding.

Jumping sharks...

My brother e-mailed me this link:

http://www.jumptheshark.com/g/gargoyles.htm

so I decided to check it out for myself. Might do a couple rambles on the commentary there, but today let's just look at the vote tally as to when people think the series "Jumped the Shark" (i.e. started to suck)...

Network Switch (SYN to ABC) - 8 votes
Never Jumped - 7
The third season - 3
The Goliath Chronicles - 2
They found the Island of Gargoyles - 1
Time Slot (They moved it to the morning) - 1
Xanatos repents - 1
Gargoyle of the Week - 1
Thailog - 1

Of course, four of those categories are really one and the same. The "Network Switch (SYN to ABC)" and "Time Slot (They moved it to the morning)" was for "The third season", which was subtitled "The Goliath Chronicles". So if you add up those votes, you get a whopping (if any number out of 25 can be called whopping) 14 out of 25 votes for TGC as our shark jumping moment. Since I have to agree and since another 7 voters (bringing the total up to 21 out of 25) think that the show didn't jump at all, I'm feeling pretty good right about now.

So let me obssess about the remaining four votes.

I'll try to take them in chronological order...

One person thought we jumped the shark by introducing Thailog. I don't know what to say, except that I disagree. I think Thailog was a pretty cool addition to the series. A great villain and a complex character. I'd tend to think that the fanbase would agree.

(I know that at this time the submit function here at ASK GREG has been suspended, but I invite folks at the Station 8 Gargoyles comment room at:

http://s8.org/gargoyles/comment.php

to entertain this topic.)

Another viewer thought we jumped the shark when "They found the Island of Gargoyles", (i.e. Avalon, I assume). Hard to figure exactly what the person didn't like about this. Don't know if it's Avalon itself that bothered the viewer or the addition of more gargs, or Angela or the World Tour that followed. Maybe it got too fantasy. But again, I have no regrets on this score.

Our third rogue shark-sighter cites "Gargoyle of the Week" as our problem. I can only guess that this refers to the World Tour. Of course, we certainly never intro'd anything close to a gargoyle a week. We intro'd four new clans (Avalon, London, Ishimura & Mayan) over twenty-three episodes (which initially aired over something like a six month period). But maybe Gargoyle-A-Month is a more accurate criticism. Did we make a mistake saying that our sextet (plus Demona) weren't the only survivors of the gargoyle race? Maybe. It does remove some drama. But I liked adding hope into the equation for the gargoyle race. And I definitely liked how the World Tour (and not just the new clans, but especially the new clans) widened the scope of our tapestry/series. But many have disagreed.

Finally, our last shark-sighter cites "Xanatos repents". But I'm not sure that Xanatos ever really repented. He called a truce certainly, but not until the fourth to last scene of the last episode of the 2nd season. And I don't think anyone really thinks that we jumped the shark during "Hunter's Moon". So I'm going to be generous to myself and assume that it was how X was handled during TGC that this guy was voting for. (That may include my episode "The Journey", but I'll have to live with that and the notion that if people had been able to see where _I_ would have taken David in subsequent episodes, they might be less inclined to even think he repented, let alone that it caused the series to jump.)

Well, that was fun. I'll try to tackle the commentary tomorrow...

Gary Sperling remembered...

I wrote this whole thing up yesterday, before I realized that the server (or whatever) was down... So I'll try to recreate it now. I hate recreating things that I write. You can take for granted it was much better written yesterday. *Anyway, that's my story, and I'm sticking to it.*

So...

On Sunday, I went to the unveiling of Gary Sperling's grave marker. It's nearly impossible for me to believe that he's been gone an entire year.

The day, the weather, was very reminiscent of the day of his funeral, i.e. hot, hot, hot. Gary's family seems to be doing well, to have found some equilibrium. They miss him, but it's also clear that he is an ongoing and wonderful presence in their lives.

I still catch myself, have to remind myself that he's gone.

Spent some time with some old Disney buddies. We talked about Gary. Talked about Disney (then & now). It was really kind of great. But many of them I hadn't seen since his funeral, and it's a bit appalling that we haven't gotten together for a year, and that the only thing that brings us in contact is another bittersweet occasion.

I ask myself what I've done with this year. What Gary might have done with another year. I don't really feel like I've achieved much, have much to show for being on this planet for twelve months longer than my friend. Except for this: I got to spend that time with my kids. Not that I'm that spectacular a father, but I think my mere presence (fairly active presence) in their lives has to be a good thing. I'm guessing if Gary ever envied me anything (cuz that wasn't his nature at all), he'd envy me that. It's damn hard not to conclude therefore that I am one lucky sonovabitch.

And that conclusion, I think, is worth the price of admission right there. Another thing to thank Gary for, I guess.

Thanks.

A recommendation...

FIREFLY THE SERIES ON DVD

I watched it over the last week, and it's so great. Most of you know, I'm a big Joss Whedon fan anyway. But seeing all 15 hours of Firefly in order was just great.

I despair for television when a series like that doesn't find an audience. It's easy to blame Fox for the haphazard way they aired the eps. No surprise, the series is MUCH stronger aired in order. But I watched it when it was on (missing only one episode) and even out of order, the series was so amazingly great.

Where was the audience?

The good news is that Joss is making "Serenity", a movie that picks up 6 months after the last episode of Firefly with all of the original cast.

I don't know how they justify making this movie, if they couldn't justify giving the series a chance, but I'm not complaining.

Still, I wonder: WHERE WAS THE AUDIENCE?

Star Sighting &tc...

I just saw wecently wed Wesley & Willow walking arm-in-arm down Wittle Santa Monica Blvd. It was pretty cute...

Have I mentioned this before?:

I think one (though certainly not the only) visceral appeals of the E-Street Band is its archetypal relationship to Robin Hood & his Merry Men.

Bruce Springsteen = Robin Hood (complete with a "rob-from-the-rich-and-give-to-the-poor" mentality)
Miami Steve Van Zandt = Will Scarlett
Max Weinberg = Friar Tuck
Patti Scialfa = Maid Marion

and of course

The Big Man, Clarence Clemons = Little John

I'm not sure which of the following is Alan a Dale...

Garry Tallent, Roy Bittan, Danny Federici or Nils Lofgren.

(The truth is Bruce/Robin is his own Alan, I guess.)

When it comes down to it, I don't know the names of enough Merry Men to make every parallel work. But I'm sure you can see the connections.

Discuss.

Spalding & Paul

We lost two greats yesterday.

Actually, we lost Spalding Gray over a month ago, we just hadn't confirmed the loss until yesterday.

I was (and continue to be) a huge Spalding Gray fan. His acting was decent, fun. But his monologues were always brilliant. I remember once laughing so hard at "Gray's Anatomy" during the Indian Sweatlodge riff that I thought I was going to die of asphyxiation. Everyone should rent his seminal "Swimming to Cambodia". Everyone. Then move on to "Monster in a Box" or some of his other great filmed monologues. They're amazing. But nothing like seeing him live. He will be missed.

As will Paul Winfield, a truly amazing actor. I met him twice when he came in to perform the roll of blind novelist "Jeffrey MacClain Robbins" on GARGOYLES. It was a joy to watch Paul and Ed Asner play off each other. Winfield brought tremendous dignity and humanity to Robbins. And he helped us tell our tale of literacy without making it too preachy. I still remember fondly the following exchange when Hudson is amazed at how Robbins can find Macbeth's address in the phone book.

Hudson: Magic book.
Robbins: Aren't they all?

Simple, but mighty.

Spalding, man... Paul... You left us too soon.

More rambles on Angel...

Well, I'm glad I chose to trust them Angel writers. I thought last night's episode of Angel, with the new Illyria/Fred was another extremely powerful and well done hour of television.

It was a nice variation on a theme in that Illyria ISN'T going to be the big villain for the season. She's now just another lost soul. An ancient demon who has to start over.

I do have a couple quibbles:

I wasn't fond of the artificial way they wrote Lorne out of the episode until the montage at the end. It just seemed like they felt they were too crowded to give his character any screen time.

It bothered me that no one could acknowledge that what was happening to Gun was an exact parallel to what happened to Wes when he stole Connor, because no one remembers Connor. That whole nobody-remembers-Connor thing still strikes me as only a step above the Bobby-Ewing-reappearing-in-the-shower/it-was-all-a-dream ploy on Dallas. But the Connor thing is more a fault of LAST season (which had its share of problems) as opposed to this season.

So I'm very optimistic that Angel will continue to be brilliant throughout its final year.

Death of Fred - SPOILERS

Last night, I finally got around to watching last week's Death of Fred episode on Angel.

Very powerful, very powerful stuff.

And yet....

You see, I'm conflicted, because Angel's writers have certainly earned my trust this year with powerful episodes, including:

--The Death of Cordelia (one of the best hours of tv and endings that I've ever seen)
--The lunatic Slayer (another great, great ending)
--Angel's turned into a puppet

But I'm a little tired of the "One of our regulars goes bad" storylines. Hell, Smallville, which I don't watch because it sucks, seems (judging by their commercials) to do this every week.

And Buffy/Angel has had it's fair share of the same thing. Just last season they did evil Cordelia and the return of Angelus. (Plus there's Angelus' original appearance in Buffy Season 2, Dark Willow and various episodic evil versions of everyone from Xander to Anya.)

So I'm just not looking forward to seeing another evil version of one of their characters. Been there. Done that. If this is Angel's last season -- as it reportedly is, then I'd have liked to push a different way. Lyndsay and the Senior Partners, for example.

But on the other hand, how can I not trust Joss and the Angel writing staff. This season has been jam-packed with amazing episodes, and last night was no exception.

So I'll just cross my fingers, and in any case, try not to weep as the last of Joss' amazing series goes off the air.

OSCAR HINDSIGHT

Back in January, I listed my choices for the Oscars -- hampered by how few movies I had seen. I made a point of saying that these were preferences, not predictions.

But just for fun, let's you and I revisit my choices and see how I did.

Again, keep in mind that I wouldn't allow myself to pick anything from a film I hadn't seen. And since I hadn't seen MOST of the nominated films, that left me with few choices in many categories.

PICTURE:
GW: THE LORD OF THE RINGS: THE RETURN OF THE KING
WINNER: LOTR: ROTK
Comment: No-brainer. I'm 1 for 1.

ACTOR:
GW: Johnny Depp
WINNER: Sean Penn
Comment: Didn't see Mystic River. Have no doubt that Penn was probably great. But I still feel that the academy does not appreciate comedy and a win for either Depp or Murray would have been nice to see. I'm 1 for 2.

ACTRESS:
GW: Keisha Castle-Hughes
WINNER: Charlize Theron
Comment: Everyone tells me she was amazing, but I never saw Monster. In fact, Keisha was the only nominated performance I saw. This is no big surprise. I'm 1 for 3.

SUPPORTING ACTOR:
GW: Alec Baldwin
Winner: Tim Robbins.
Comment: I liked Robbins speech. Again, I didn't see his performance. I'm sure he was great. But I know Baldwin was great. I'm sinking here at 1 for 4.

SUPPORTING ACTRESS:
GW: No pick.
WINNER: Renée Zellweger
Comment: Didn't see ANY of the nominated performances. I'm 1 for 5.

DIRECTOR:
GW: Peter Jackson
WINNER: Peter Jackson.
Comment: I pretty much stuck with the ROTK horse and scored well, obviously. I'm 2 for 6.

ADAPTED SCREENPLAY:
GW: Walsh, Boyens, Jackson
Winner: Ditto
Comment: I'm 3 for 7.

ORIGINAL SCREENPLAY
GW: Coppola
Winner: Coppola
Comment: I'm 4 for 8. Batting 500 now after the acting awards decimated me.

FOREIGN LANGUAGE FILM:
GW: no pick
Winner: The Barbarian Invasions
Comment: I'm 4 for 9.

ANIMATED FEATURE:
GW: Finding Nemo
Winner: Finding Nemo
Comment: I'm 5 for 10.

ART DIRECTION:
GW: ROTK
Winner: ROTK
Comment: I'm 6 for 11.

SOUND MIXING:
GW: ROTK
Winner: ROTK
Comment: I'm 7 for 12.

CINEMATOGRAPHY:
GW: Master & Commander
Winner: M&C
Comment: Hey I even won in a tech category where ROTK wasn't nominated. I'm 8 for 13.

SOUND EDITING:
GW: Pirates
Winner: M&C
Comment: Oh, well. I'm 8 for 14.

ORIGINAL SCORE:
GW: Shore
Winner: Shore
Comment: Duh. I'm 9 for 15.

ORIGINAL SONG:
GW: Into the West
Winner: Into the West
Comment: Okay, now I've heard all five songs. Sting's song seemed really great. But at the time I'd ONLY heard Into the West. I liked it, so I picked it and it won. I'm 10 for 16.

Documentary Feature:
GW: no pick
Winner: The Fog of War
Comment: I'm 10 for 17.

DOCUMENTARY SHORT:
GW: No pick.
Winner: Cherno0byl Heart.
Comment: I'm 10 for 18.

FILM EDITING:
GW: ROTK
WINNER: ROTK
Comment: I'm 11 for 19.

MAKEUP
GW: ROTK
WINNER: ROTK
COmment: I'm 12 for 20.

COSTUME:
GW: ROTK
WINNER: ROTK
COMMENT: I'm 13 for 21.

ANIMATED SHORT:
GW: no pick
winner: Harvie Krumpet
Comment: I wonder now if I did see that Ice Age short somewhere. Like on the DVD maybe? Doesn't matter. I know a lot of people were routing for Roy to win. Wonder what he would have said? High road or low road? Anyway, I'm 13 for 22.

LIVE ACTION SHORT:
GW: Two Soldiers
Winner: Two Soldiers
Comment: I think this was the single award that I had the most invested in. Turns out it was favored. I had no idea. It was the only short I had seen, but I went out of my way to see it because "Two Soldiers" by William Faulkner is my all-time favorite short story ever. The movie isn't quite as good as the story, but it definitely does it justice. I was so happy when it won. And I'm 14 for 23.

VISUAL EFFECTS:
GW: ROTK
WINNER: ROTK
Comment: Final tally: 15 for 24.

Eleven of those fifteen were the ROTK sweep. The other four were for Two Soldiers, Nemo, Translation's script and M&C's Cinematography.

Of the nine I missed, five were in categories I made no pick whatsoever, per my self-imposed rules. One of those five plus three other misses were in acting categories, where I hadn't seen the winning performances, so couldn't vote for them. That means that the only category where I feel I really "guessed" wrong was in Sound Editing where I went with Pirates over M&C.

Not too shabby.