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Weisman, Greg

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And now a word from...

Seth asked for more words from Benny. He's napping, but my five year old daughter Erin wanted a chance to communicate directly with all of you. Here she is...

"My best friend likes the gargoyles. In fact, I like them too. My name is Erin Weisman."

That's all she had to say right now. Maybe more later.


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Seth "IRC Goliath" Jackson writes...

Will we hear anymore words of wisdom from Ben in the near future?

Greg responds...

Probably. But he's napping right now.

Response recorded on February 20, 2000

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IN SUPPORT OF EDUCATION

I don't normally approve of letting people take "cuts". Or of breaking rules I've set myself, like the one about separate topics requiring separate posts.

But Lexy is writing a paper on GARGOYLES for her HONOR'S ENGLISH CLASS, and she needed some questions answered. I'm a big fan or Honor's English classes, so I couldn't resist. But I figured you all might be interested in the answers as well. So with Lexy's permission, I'm answering them here.

Dear Greg,

Thanks SO much for helping me with my paper. I hope
to do you,and the rest of the fandom,proud:) Here are
some questions I whipped up for an interview. But If
you have anything you think would be helpful to add or
to subtract from them, please feel free to do so.

1) What do you think are some reasons ppl find
mythological creatures, such as gargoyles, intriguing

GREG'S RESPONSE: I think people like to let their imaginations run. And why limit those imaginations to what we know exists. If a concept has its own internal logic, something real in its emotions and relationships for an audience to grab a solid hold too, then there's little limit to how far-fetched the fantasy can get.

2) What started your personal fascination with
Gargoyles?

GREG'S RESPONSE: A high school trip to Europe and hearing the tidbit that Gargoyles were placed on castles and cathedrals to scare away evil spirits. The notion that monsters were used against evil was very intriguing. And this was years before we developed the series.

3) Name some of your favorite books or stories you
enjoyed when growing up.

GREG'S RESPONSE: Wow. Um. How far back to you want to go? GO, DOG, GO was an early favorite. Later, I liked the Hobbit. I liked reading about myths of all kinds. I had the D'Aulaire's GREEK MYTHS and NORSE GODS & GIANTS books and I reread those over and over. I also was always a big fan of detective fiction. I liked Nancy Drew and the Hardy Boys. Later, Conan Doyle, some Christie, but my favorites were Hammett, Chandler and ROSS MacDonald. I loved the LEW ARCHER novels. I liked Heinlein in Science Fiction. "Requiem" is a heartbreakingly beautiful little story. I liked Mary Stewart and especially Mary Renault. I read a lot. I liked a lot of diverse stuff. I could go on for hours.

4) Did anything in particular inspire you to create
'Gargoyles'?

GREG'S RESPONSE: I've spoken to this before. Gummi Bears was an inspiration, as was Hill Street Blues (my all-time favorite tv show). My on-going fascination with stone gargoyles. And the pragmatic need to be constantly feeding the Dragon that was the Disney Afternoon.

5) Do you believe that gargoyles and other statuary
such as grotesques are rooted in evil traditions? Or
are they there for the common good through harsh
example? (explain)

GREG'S RESPONSE: Neither. I think they are symbolic (or rather emblematic) of something primitive and primal. They scare away evil. Not all monsters are against us. We need our dreams and nightmares.

6) (circa) When did you start work on the television
show 'Gargoyles'?

GREG'S RESPONSE: 1991.

7) When and why (circa) were you (and others) forced
to cancel 'Gargoyles'?

GREG'S RESPONSE: The question is phrased in such a way that it's difficult to answer directly. We never planned to do more than 65 episodes. That was a standard run for any show. Now in huge success, a show (like DuckTales for example) made additional episodes, and I won't deny I had hopes that we would to. But the answer came back no. Our ratings were strong. But we were a consistent second place to Power Rangers. So we weren't cancelled. But new episodes would not be made. Then ABC and Disney merged, and ABC wanted some Gargoyles. All my bosses at Disney had left and the new management wanted their own people on the show. So they made me an offer to continue that was designed to make me say no. In hindsight, I should have said yes anyway, but that's spilt milk. I left and they made additional episodes for ABC under the Goliath Chronicles banner. The ratings were not good. Neither, in my opinion, were the episodes. So it wasn't renewed.

8) What did the television show 'Gargoyles'mean to you
as it's creator?

GREG'S RESPONSE: It was and continues to be the highlight of my professional career. Nothing I've done, before or since, let me bring my vision so intact to the screen. It was very collaborative, not every idea was mine, but I still feel like that was the one show that achieved what I hoped it would achieved. I'm ridiculously proud of it, beyond all reason, really.

9) What was the central theme or message of the show ?

GREG'S RESPONSE: There wasn't just one. Among the messages was the obvious DON'T JUDGE A BOOK BY ITS COVER moral. Plus plenty about the preciousness of life and hope. Themes of redemption are very important to me. Guilt, fear, love, trust, loyalty. You name it, at some point we through it in. Often episode titles were designed to remind both audience and writer of what the major theme in that story was.

10) How many Gatherings have you attended?

GREG'S RESPONSE: All three. Two in NYC. One in Dallas. And I hope to continue to go as long as you folks want me.

11) What is your opinion of the Gatherings?

GREG'S RESPONSE: It is always one of the true highlights of my year. How could it not be? I'm basically treated like royalty for 72 straight hours. Since that doesn't happen to a guy like me much in real life, it's pretty damn cool.

12) What do you hope ppl who watch 'Gargoyles'will
come away with?

GREG'S RESPONSE: First and foremost, I hope they were entertained. Not a little, but a lot, and on multiple levels. I hope we got the adrenaline going. I hope we touched their hearts. I hope we gave them something to think about. I hope we educated them a bit, or more likely gave them reason to want to be educated about, say SHAKESPEARE or Scottish History or King Arthur or Native American customs or whatever. I'm greedy. I want all of this.

13) What did you like most about the show 'Gargoyles'?

GREG'S RESPONSE: I'm not objective enough to answer this one.

14) What did you like most about working on the show
'Gargoyles'?

GREG'S RESPONSE: Honestly, the autonomy. The freedom. I also had some incredibly talented collaborators and when we were in gear, we really hummed. But for sheer fun, it's hard to beat those voice recording sessions. That was the part of the job that generally was the least like work. It's where all the potentials of the show come to life and few of the problems are revealed. Just fun.

15) Why incorporate so many classic dramas and other
time honored themes within 'Gargoyles'?

GREG'S RESPONSE: Purely for my own amusement. And with the hope that some people will either also be amused or will come to be amused as they discover these things. Plus it made my job easier. The story of Macbeth is so good, that adapting it practically wrote itself.

Thanks so much for all your help:)!

Lexy;)

GREG'S RESPONSE: You are welcome. Let me know if I can be of any more help.


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Zeliard writes...

Hi, other than your work, do you watch other cartoons?

Greg responds...

Very rarely, these days.

Partially, this is a free time issue. As in, I don't have any...

But partially, it's a reaction to the horrible things I know about the animation business. I get angry about behind the scenes stuff, and I don't need more reasons to be pissed off.

Response recorded on February 09, 2000

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Steven writes...

Hay Greg,
I read you've been working on a few projects lately like Starship Troopers and Max Steel.But,would creating a new series from scratch be totally out of the question?
e.g. new plot, characters etc of your own....

Greg responds...

No. I've created many new series, as anyone who's attended the Gatherings and our Radio Plays can attest to. But selling those is another matter. I haven't (as yet) had any luck selling another new series.

Response recorded on February 09, 2000

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Jade writes...

Happy Brithday Greg!
All the best wishes!
Have fun and most of all make it a safe Brithday!!!!!

Greg responds...

Thanks, Jade.

Response recorded on February 03, 2000

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Andrea "Elisa Maza" Ivanovs writes...

Hi Greg!

I just wanted to wish you all the best for your birthday!!!
Yepyep, have lots of fun and go on being a, can I admit this, excellent person. ;)

All the best,

Andrea/Elisa

Greg responds...

Thanks Andrea/Elisa!

Response recorded on February 03, 2000

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Seth C. Bagnall writes...

Do you do any professional illustrations yourself, perhaps draw as a hobby, or are stick figures about the best you can do?

Greg responds...

I have one goofy face I can draw. Stick figures, I'm mediocre at. If I really work hard, I can doodle and/or copy something that will only look semi-awful. But no one has ever mistaken me for any kind of artist.

Response recorded on February 01, 2000

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Todd Jensen writes...

You gave a list here once of Arthurian writers that you've read: Geoffrey of Monmouth, Sir Thomas Malory, T. H. White, Mary Stewart, Roger Lancelyn Green, John Steinbeck, Thomas Berger, and Norma Lorre Goodrich, as I recall. I was wondering if you might be interested in giving your opinions (in brief, of course) on their Arthurian writings - and Goodrich, in particular. Having read her Arthurian books myself, I'm curious as to what you thought of them. (My own response to them was that the author had an engaging style, but a lot of her notions struck me as improbable - such as her effort to substantially revise Arthurian geography by putting everything up in Scotland - and I even detected a number of factual errors and slip-ups in them).

Greg responds...

Believe it or not, I've never read Malory from cover to cover. I've read huge chunks of it. And I've skimmed the whole thing. But he doesn't really engage me as a writer. I'm not sure why.

Thus, it is Roger Lanelyn Green who almost acts as my so-called primary source. God, I loved that little book.

Geoffrey was endlessly fascinating.

Steinbeck didn't finish, which was frustrating. It wasn't the best read.

Berger was a lot of fun. Though I don't personally "believe" many of his interpretations of the legends, it was a great read.

I loved Stewart's THE CRYSTAL CAVE. But with each successive book, I found less and less to connect with Stewart's interpretations. And her Mordred book really bummed me out. It seemed like she felt a need to turn Mordred into a real hero at the expense of just about anyone else. Bugged me.

T.H. White's ONCE AND FUTURE KING. I love this book. And I love his "Book of Merlyn." Beautiful writing. Human and fanciful. Irresistable to me.

As for Goodrich, well, I don't have the background to argue her facts. I found much of the material unconvincing and flat-out dull. But I thought she had one real insight. Lancelot has always been viewed as a late addition to the mythology. As a character who was probably NOT historical. (Whereas Arthur likely was.) Her linguistic explanation, connecting Malory's Lancelot with Monmouth's Angus was very convincing. I'll try and duplicate it here...

ANGUS latinized becomes something like ANGUSELUS.

But Anguselus was a title that could properly be rendered as THE ANGUSELUS.

Frenchifying this would make it L'ANGUSELOS. With the last letter silent.

Over time, it would not be unlikely for the name to be simplified. If a syllable got dropped it could very easily become L'ANSELOS.

And if the last S is silent (as it likely would be in French) then it could easilty become an equally silent "T". Thus L'ANSELOT.

Or LANCELOT once it was anglicized again.

This may sound like a stretch. And I may not be doing it justice above. But early Celtic accounts include the character of Angus. Lancelot was assumed to be a later and fictional French addition to the legend. (And thus a character from France.) If Lancelot is in fact Angus, then that lends a certain credence to the entire legend. And I just love that idea.

Response recorded on January 24, 2000

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Todd Jensen writes...

A little side-note. I happened to see the episode that you wrote for "Disney's Hercules" - I thought I'd mention it after noticing that somebody else on the list mentioned it. I quite enjoyed it - particularly the portrayal of Theseus as a sort of ancient Greek version of "Batman". I also noticed, as a side-note, that there was a certain thematic echo of "Hunter's Moon" in it (although I don't know if you'd intended it or not) where Hercules got so caught up in his efforts to wreak vengeance upon the Minotaur that he lost sight of what was really important, much the same way as Goliath in his pursuit of the Hunters.

Greg responds...

First off, Todd, thanks for the kind words.

There are certain themes that interest me, and so you'll see them revisited in my work (probably ad nauseum) over and over. The theme of, well, let's call it "What Profit Vengeance?" is one of my favorites. So I wasn't deliberately trying to echo "Hunter's Moon" so much as I was servicing a set of ideas that seemed apropos to both series.

As for the Theseus-as-Batman stuff. Well, that's a no-brainer. The Superman/Batman dynamic -- that is the teaming of a hero possessing superhuman abilities with a hero who merely makes the best possible use of his human abilities -- originated with Herakles and Theseus. (Or at any rate, it goes back that far.) So the notion of flipping that, and playing Herc/Theseus as Superman/Batman seemed wonderfully ironic and a fertile place to find comedy.

In high school, I acted in a play called THE WARRIOR'S HUSBAND. I played Theseus, and I've had a real affinity for the character ever since. In that play, Hercules was kind of a mope. (Very strong, but a mope.) The Greeks were waging war against the Amazons. Hercules was in charge, but Theseus was the real brains of the operation. Yet he's also the guy who really falls hard in love for Antiope, sister to Queen Hyppolyta. So instead of conquering -- as he had originally intended -- Theseus winds up manipulating everyone into a compromise. I like that in a hero.

Theseus is part of a sub-genre of archetypes, (an off-shoot of Trickster figures like Puck, Coyote or Odysseus/Ulysses). He's the primary example of the Archetype of "THE BASTARD", which includes such diverse characters as Shakespeare's Edmund from KING LEAR, Joan of Arc's ally Dunois and multiple characters from Arthurian legend (including Merlin, Arthur, Percival, Galahad and Mordred). There are so many parallels between Arthur and Theseus that reading Mary Stewart and Mary Renault seemed almost redundant. (Not really.)

In fact, Luach (or Lulach) is also a prime candidate for that archetype. When he was born, Gruoch was still married to Gillecomgain. But gossip around the castle hinted that the babe's true father was Macbeth. After Macbeth and Gruoch married, Macbeth adopted the boy as his own. At which point the gossip shifted to insist that Gillecomgain was the boy's father. (You can't win.) Pre-DNA testing, there would be no way for Luach to ever be certain of the truth. Maybe Macbeth didn't even know. Hell, Gruoch might not know.

Life's a bitch when you're a bastard.

Response recorded on January 19, 2000


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