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Weisman, Greg

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Laura 'ad astra' Ackerman writes...

Another try at sending this out-

I just typed up a particularly long question that didn't post and got lost, and I was foolish not to copy it somewhere before hitting submit. I apologize if it turns up later and this becomes a double post, and also if I can't get rid of the autoformating in Word and it looks a little screwy. After losing that long a question I am not taking a chance working directly into the web page.

It has been a long time since I posted a question... of course it has been a long time since I have been caught up with your answers. After reading all of the new responses, particularly those dealing with Oberon and Titania, a question has come to mind. [Actually two, but how many new ways can you ask, "What did Titania whisper to Fox?"? That question should almost have its own section.] The short form of the question is this: Just how different are Oberon's hildren from humans? I am not referring to physical or magical characteristics, but rather do they think in a quantifiably different way than do humans?

The long version of the questions comes after the long digression:

A while back a friend practically shoved an anthology into my hands and insisted I read a particular article. I believe it was called, "Hamlet in the Bush". The gist of it was that a young anthropologist found herself with an indigenous culture for a long boring stretch. [She had thought the off season would be a wonderful time to get to observe their culture. Had she asked them they would have told her the off season is the off season because the weather is so miserable that they cannot even visit the next village. They spend the time drink the local equivalent to bear waiting for it to pass.]

Before leaving she had had an argument with a friend. She argued that at base all humans are the same and once you do some explaining to take care of cultural differences, a great work of literature would be recognized as such by all people. The example that was bandied about was Hamlet, so he gave her a copy as a going away present.

With nothing else to do she sat in her tent and read it over and over until the locals asked her what on Earth she was doing. They were a non-literate culture and to them reading papers meant reading boring legal documents. Even a white person could not be so daft as to spend weeks doing so. She seized upon it an opportunity to test her theory and they, being a story telling culture, were happy to oblige.

She immediately ran into two problems:
-1-They didn't have a concept of "ghost". Zombie, yes. Evil spirit in false guise, yes. But the idea of a dead person's spirit hanging around this world was simply ludicrous to them.
-2-They thought Claudius was a great guy. He acted as an exemplary uncle and brother-in-law, although he waited a bit long in taking care of his brother's household. [Three whole months! And with only one wife to tend the fields!]

In the end they loved the story (with their corrections) and thought she was on her way being a great storyteller, (being female aside). They also told her to be sure to tell her elders that they had been good hosts and had corrected her misremembering lest she continue in error.

I think her premise held, but she hadn't realized how far cultural difference went. The more complex the story, the more it was tied to its own cultural assumptions and the harder it is to explain to another culture.

Back to Gargoyles-

In Gargoyles the basic emotions seem pretty much universal. Gargoyles, humans, New Olympians, and even Nokar and Matrix as far as we have seen them, display them. Love, hate, curiosity and fear, as well as slightly more complex emotions of protection and loneliness are clearly expressed and are more easily understood than some lost cultures of our own ancestors. Are Oberon's Children fundamentally different, or if we can imagine long enough the effects of great power and incredibly long lives we can empathize without too much brain-sprain?

There are great works of speculative fiction that try to understand the mind of The Other. Zelazny had a whole series of stories of robots worshiping and trying to understand the long last human race. I recently read a great book called "Exogesis" (a post-modern Prometheius) by Astro Teller dealing with how a newly emerged AI might think and how humanity might respond. If I would list every book I could think of on the topic I will never stop typing and will eventually have feel the urge to start listing plays and movies as well, (and probably have to deal with Frankenstein, and I am not fond of the book. It is hard to like a book when you hate the main character. Perhaps the movies were right to make the monster the lead character. :).

It all boils down to this: Are the Children of Oberon "the Other", or something very much like ourselves?

Boy this is long! sorry.

Greg responds...

Don't apologize. It's fascinating.

Boiling it down...

YOU WROTE:

Are Oberon's Children fundamentally different, or if we can imagine long enough the effects of great power and incredibly long lives we can empathize without too much brain-sprain?

I'd have to say the latter. Great power. Little or no responsibility. Long lives. Being able to look however you feel at a given moment. You add these things up and they may seem other for awhile. But fundamentally, it's about extrapolation on our human emotions.

Because fundamentally, as a writer, what else can I do? Maybe someone else has the talent, ability, INTEREST in truly creating the OTHER. But not me. I'm interested in US. Gargoyles, humans, Oberon's Children. Toss in the New Olympians, Nokkar, the Space-Spawn, the Lost Race, etc. I'm fundamentally interested in figuring out what makes us real world humans tick. Or boil it down further, and I'm fundamentally interested in figuring out what the hell makes ME tick. All the characters in the Gargverse are just there as an alternative to me being in therapy, I guess.

Does that make sense?

Response recorded on June 29, 2001

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Phil writes...

I've enjoyed reading your development files for Gargoyles. The fact that you're here and still working on the concept years after it's been cancelled leads me to a question:

At what point did you realize that Gargoyles was not just another cartoon series? It's obvious now how different Gargoyles is from Bonkers or Tale Spin, but at what point in development did that emerge?

Greg responds...

There came a point when Frank Paur was hired to join the project, when I realized I didn't want to let go of it. That it was too personal, too in synch with my own head. Normally at that time, I developed shows (like Bonkers) and handed them off to a producer. This one, I could not let go of.

Which is not to say I knew there'd be conventions, websites, fanfic, fanart, etc., way back then. I had no idea the series would generate that kind of loyalty. I just knew I cared about it.

Response recorded on June 27, 2001

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Greg "Xanatos" Bishansky writes...

Don't have time for a large ramble on "Outfoxed", so I'll just comment on a few key points.

Cyberbiotics> I was wondering what became of Cyberbiotics after "Awakening", so it was nice to see them again. And personalizing them in Renard, so we know who it was that got hurt by Goliath and everyone's actions.

I didn't think much of Vogel's resemblence to Owen. I thought they were cousins or something, or perhaps that one was a clone. He also made an interesting character, and I thought his change of heart was believable at the end.

Halcyon Renard. First of all, that is a great name. I like the sound of it. Yes, I did figure that he was Fox's father. I may have flunked out of French class that year, but I knew what Renard meant. He was a great character to, and Robert Culp did a great job doing his voice. Also he made a nice opposite to Xanatos.

Goliath was well-used in this episode. Also nice to show that he's far from perfect in his waiving off his responsibility in the destrcution of Fortress I.

Fox was great in this episode also. She became one of my favorites here. I was surprised by her pregnancy, but it seemed to be a natural step in where she and David were going. Seeing her beat David in their karate match was fun, but I'd like to see him win one some day, he lost to Owen to. Fox's attitude at the end with Renard was priceless, and nice to learn her birth-name. Janine was very appropriate.

Also, with Demona, Elisa, Angela, Fox etc, "Gargoyles" has a lot of great woman characters. That's one thing I really like about this show.

The theme/moral of integrity was a good one, and well handled. I understand how Renard feels when he says it's a daily struggle. I for one have been guilty of taking the easy way out and waiving off integrity. But I try to practice it as often as I can.

This was a very good episode. Not one of my favorites, but very good.

Also, don't ask me how, but I knew that David and Fox were going to have a son. I also knew that IF Goliath and Demona had an egg it was a daughter. Don't ask me how, I just knew.

Hopefully I'll have a longer Ramble/Review for "Revelations". I enjoy doing those.

Greg responds...

ANd I enjoy reading them.

I do like writing female characters a lot. My Starship stories also made the females more prominent. Women just appeal to me as subjects. I just hope I do them justice.

Response recorded on May 04, 2001

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Seeker of Knowledge writes...

In an earlier post, you said you wanted the God of the gargoyle universe to be bigger than the God of Abraham. How is that possible? The very nature of the Judeo-Christian-Muslim teachings makes this impossible. And He is in no way limited to these three religions. If you examine other faiths, it is easy to see that even religions as distant from these three as American Indians have some similarities.

Greg responds...

I see similarities all over. ALL OVER.

These things aren't mutually exclusive, which I believe was my point.

But I've studied the bible, and I see CLEAR signs in it of a non-monotheistic god. He seems to be a geotheistic god, particularly in chapters of Genesis and Exodus. Not the only. Just "THE BEST" (or at least the toughest).

Personally, I'm a Jew who believes in God. But I can't limit my perception of him to the Torah. It just doesn't work for me. Having said that -- and before I get slammed for saying it -- let me state clearly that the above opinions are first and foremost, merely that -- OPINIONS. They are my highly personal opinions. I have no interest or desire in trying to get anyone (ANYONE) to see things my way -- anymore than I have any interest or desire for someone to attempt to convert me.

So take everything I say with a grain of salt. Or a pillar of it.

Response recorded on May 02, 2001

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Bruno writes...

Hi, Greg,

Do you play - or played - videogame?

Greg responds...

We had a full-size arcade Pong machine when I was a kid.

Response recorded on April 17, 2001

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Pyro X writes...

Greg;
Are you really colorblind?

I am as well! I didn't know this. we have something in common, although not a great thing.

Greg responds...

Technically, I'm red-green color deficient.

Response recorded on April 08, 2001

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Jim R. writes...

Where do you answer our questions? At home? Work? In your car? In your sleep?

Greg responds...

I have three offices. One in Beverly Hills, my freelance office. One in Burbank, my Disney office. And one in my home.

I almost NEVER answer questions at home, because I almost never log on from there. I'd rather spend time with my wife and kids.

I answer at one of the other two offices whenever I have a free hour or so.

Occasionally, on vacation, if I have web access, I'll stay up late and answer after everyone else has gone to bed. Like now.

Response recorded on April 08, 2001

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demona writes...

hi greg could u go to my chat room the addy is http://www.masquerade.com/main.htl my group sog would be very excited to see u there out meetings are every sunday at 8:00 pm eastern or standerd time i am there as demona there is also a macbeth etc and we all would love 2 see u there !

Greg responds...

Generally, I don't have internet access on the week-ends. And at any rate, 8pm Eastern is 5pm Pacific, and that's time I spend with my kids. But thanks for the offer.

Response recorded on April 08, 2001

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Demona Taina writes...

One of my favorite smart-ass responses, among many, well, one guy asked (I can't remember whom) what Goliath was like when he was a baby. You replied: "Purple." [LOL] So I'm a hopeless Goliath fan. :P

Greg responds...

Yeah, that's good. (THough I'm amazed I thought of that, being color-blind. Heck, I didn't even KNOW Goliath was purple for about a year after I first saw his color model. I just assumed he was blue.)

Response recorded on April 08, 2001

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Jim R. writes...

Greg,

I just thought to let you know, that I enjoy reading your movie reviews. You see way more movies than I do, so reading some of your thoughts about them is interesting to see whether I would agree if I've seen the movie or not, and to see whether if I should. Ebert and you would be a sight to see...

Greg responds...

If I see more than you, than you must see next to none.

Once upon a time, Cary Bates and I saw like five movies a week. But that was back in the eighties. These days, I'm lucky if I see one movie a month.

But thanks for the kind words.

Response recorded on March 29, 2001

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Cleo writes...

Who is your favorite character on the Show?

Thanks!

Greg responds...

Don't have one. They're all my children.

Response recorded on March 29, 2001

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Jim R. writes...

What was your very first job? And what was the first job that was relevant to what you really wanted to do for a living or that you enjoyed? Was it working on Gargoyles?

Greg responds...

My very first job was in a mail room at American Medical International, Inc.

It had nothing to do with my career aspirations.

My first career oriented paying job was for DC Comics, as a freelance writer.

Gargoyles was YEARS (and many other jobs) after that.

It'd be pretty astonishing if my first job was as the creator and producer of a nationally syndicated tv show, don't you think?

Response recorded on March 29, 2001

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Andrea L. Marbry writes...

Dear Greg,
Just wanted to offer my very belated congratulations on the Starship Troopers video Roughnecks: The Pluto Campaign, coming out in March 2001 (according to Previews Magazine). Hopefully, this will be the beginning of getting out a whole lot of your work out,
including a certain other show of mine that's near and dear to my heart. Do you know who I can write to in order to get more dvd's and videos of Sony's animated stuff out?

Greg responds...

I don't, no. But you might try RoughneckChronicles.com or something.

I got a copy of that first DVD. I didn't work on those episodes, but they are coming out with a second DVD that has my five Tesca Nemerosa jungle shows on it. It also has a commentary track with me, Producer Audu Paden, Executive Producer Jeff Kline, the various directors of each episode and Rino Romano, the voice of Johnny Rico.

By the way, Troopers has just been nominated for two Emmy awards. One for sound, and the other for Best Animated Series Special Class. If we win the latter than a bunch of us will actually walk away with statues. This is my first emmy nomination. I'm pretty psyched about it.

FYI Gargoyles was nominated for sound emmys. Didn't win, unfortunately. But I was never nominated for that show.

Response recorded on March 29, 2001

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Shavri writes...

I had a nightmare last night, Mr. Weisman, and it was about you. In it, you died, and in one of the suckiest ways, too. You fell backwards off a bunk-bed ladder and cracked your skull. It was so horrible! I saw it in slow-motion over and over again; you falling down, your mouth gaping open in a scream, then, "BOOM, CRACK," and I think there was blood coming out of your mouth when you were lying on the floor...you looked so pitiful and helpless. You weren't even that high up (about 2 or 3 feet off the ground)! I wasn't there, but somehow I saw that event (you know how weird dreams can be). I remember seeing somewhere in a comment room and on the news that you had died, and then I was flashed with the image of your horrific death. I felt so bad! I was thinking about how you weren't going to be able to answer the question I asked you yesterday, or any question for that matter. It broke my heart to think that, if a "Gargoyles" movie was going to come out, you wouldn't be there to see it or critique it; and how you'd never be able to work on another show if you were given leave to. I mean, you fall 2 or 3 measly feet off a ladder and die! What a horrible way to end your life! It must have been one of those dreams where you couldn't tell whether it was a dream or not, because I woke up thinking you were dead and how badly it sucked. I was thinking, "Wait a minute IS he dead?"...And trying to remember if someone had said you were or not. Then finally, I got over my disorientation and remembered you were NOT. Please don't think I'm crazy or anything. I'm not sure what brought this on. Probably partly because of the injury that caused Dale Earnhardt's death(a fractured skull), and that somehow incorporated itself into my dream. I really don't know why you were in it. Mr. Weisman, Dear, Sweetie, even though I don't know you personally and vice versa: would you do me a favor and PLEASE, please, BE CAREFUL around LADDERS(especially bunk-bed ladders) or ANYTHING else. Maybe you should wear a helmet or something when you climb one (yeah…I know what you're thinking, but still). If you die should from something stupid I will be VERY unhappy with you for not heeding my advice. So BE CAREFUL, please, don't make me into a psychic.

Greg responds...

I am immune to bunkbed death, so never fear.

As kids, my sister and I -- and later, when she got older and got her own room -- my brother and I shared a bunkbed. Being the oldest, I had the top bunk.

Once, late at night, my dad heard a loud thump. He came into our room and found me sleeping on the floor. I had fallen out of the top bunk without waking. He picked me up and put me back in bed. I never woke up.

The next morning, he came into our room and found me asleep on the floor AGAIN! I had fallen again, again without waking up.

[Of course, on one level, this may explain a lot.]

So anyway, have no fear. And as for the rest of you. Don't get any ideas.

Still, I'm keeping track of ideas for future contests once this 2198 contest is over.

Write Greg Weisman's obituary sounds like morbid fun.

Response recorded on March 29, 2001

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Pyro X writes...

Greg: Did any of your personal views -IE) something you were really opposed to- come out in any way on the show?

Greg responds...

Uh...

I'm opposed to illiteracy. Does that count?

Response recorded on March 13, 2001

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Bruno writes...

Hi, Greg,

You walked out of Meet the Parents. If this was your second time, what was your first?

Greg responds...

I walked out on BORN ON THE FOURTH OF JULY.

Response recorded on March 13, 2001

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Dan M writes...

My dog's name is Norman too.

Greg responds...

Cool.

My dog's name is actually Air Commander Bentley Norman. (It's a long story.) We usually just call him Normie.

Response recorded on March 13, 2001

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Aaron writes...

Thanks for the reminder that you worked on DuckTales. I've been meaning to ask you, there was an episode where Scrooge and co. go in search of a lost play by the great bard William Drakespeare. Was that one of yours?

Or the one where Magica sends Scrooge into the future and everything has gone wrong in his absence? Shades of Future Tense?

Greg responds...

Nope. Neither of those were mine. In fact, I'm fairly certain that those were both made before I started working at Disney.

The four episodes I story edited were:

1. "New Gizmo-Kids on the Block" aka "Honey, I Shrunk the Gizmo-Suit". (I can't remember which title we ultimately used.)

2. "The Golden Goose, Part One"

3. "The Golden Goose, Part Two"

4. "Curse of the Metal Mites" (Or something like that.)

Plus I also worked on the Valentine's special (aka the 100th episode) and a bit on the Feature Film, Legend of the Lost Lamp.

Response recorded on March 13, 2001

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One writes...

1) What are your personal feelings regarding Demona? Do you see her as a tragic victim of humanity's fear, the weird sister's machinations, etc? Just a mad gargoyle who can't let go of the past and refuses to accept responsibility for her own actions? What's your take on her?

2) In your opinion, which character of the series is most like you? Why?

3) If you had to go through everything Demona went through... how do you think that would have changed you? What would you be like?

Greg responds...

1. She is complex. She contains multitudes. I'm fond of her in a strange way. But that fondness doesn't mitigate her actions as far as I'm concerned. On the other hand, I've always been fascinated with the idea of redemption. So who knows?

2. None really. Or all of them put together. Or Vinnie, because I'm often hapless. Without hap.

3. A puddle.

Response recorded on March 13, 2001

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Jim R. writes...

3 questions directed towards you:

Will you ever write a book? Maybe an autobiography or production series telling about what you've accomplished?

If you should ever be asked to tell about yourself on the A&E show, "Biography", would you?

Greg responds...

1. I'm writing a book now. Don't know if it'll ever get published.

2. That's less likely. I have no interest in writing an autobiography. The latter sounds interesting, but for something like that, I'd want a publisher interested in advance.

3. Sure. I'm holding my breath.

Response recorded on March 02, 2001

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Jim R. writes...

I am curious. You were an "executive producer" for Gargoyles, right? What does an executive producer do for an animated series? Did you work on any of the artwork? Any of the storyline? The voice actors?

What is it that an executive producer does? In a nutshell, of course, I know you're busy...

Greg responds...

Haven't I answered this a hundred times?

No. In those days, Disney TV Animation did not give out "Executive Producer" credits. I started as a "Co-Producer". Then became a "Producer". Then "Supervising Producer". Through all these title changes, my duties never changed. [Which is to say, that a title doesn't necessarily give a consistent read on an individuals responsibilities or efforts. So I can't speak for all Executive or even Supervising Producers. I can just tell you what I did.]

I came up with all 66 story springboards and supervised the writing staff. Though I didn't have the title, since my producer credit rendered it redundant, I was the Supervising Story Editor for the series. I personally wrote and story edited "The Journey". Though I did not produce the Goliath Chronicles episodes, including Journey.

I also supervised all recording sessions with the actors. I voice directed one episode (VENDETTAS).

I don't draw, but I did give notes and approvals on all designs and storyboards. I also supervised post-production. Called retakes, supervised final edits, mixes, on-lines, etc.

I didn't do any of this stuff alone. But along with Frank Paur, I was the final word on everything.

Response recorded on March 02, 2001

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Jim R. writes...

I am curious, why did you leave Disney in 1996? (I hope this question doesn't open up some old wounds that you may have encountered.) And I wasn't sure if anyone had ever asked you that.

Greg responds...

Yeah, it's come up before. The short answer is that my contract was up. Disney didn't offer me a new contract. DreamWorks did.

Response recorded on February 26, 2001

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Jim R. writes...

I guess Elisa won't be taking Goliath to '"catch a Giants game" after all since they lost to the Ravens. Ha, Ha. So, Greg, which team were you gunning to win, or don't you care?

I personally don't care much for football, I just watch it for the commercials... :)

Greg responds...

I'm afraid I didn't really care. I went to school with John Elway, so I'd been a Broncos fan for years, until he retired. But Giants/Ravens? I have no connection to either team.

Response recorded on February 22, 2001

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Baal writes...

At times, have you considered NOT working on new Gargoyles stuff and just leaving the series as is? I would understand if you gave up, tho I'd be a little disappointed (among others). It would be a shame, but thats life. Tho it seems like you've come close already with one of the spin offs.

Greg responds...

Sometimes I think it would be more healthy if I just gave up. Then if it came back it would be a pleasant surprise.

But I can't give up. Just can't.

Response recorded on February 15, 2001

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Pyro X writes...

Hello;

Generally, what does an Executive producer do, as in preparing a show like Gargoyles?

Greg responds...

Well, I wasn't an Executive Producer. Gargoyles didn't have any executive producers.

I was a Supervising Producer. I came up with all the springboards, reviewed all premises, outlines, scripts. Supervised Voice Recordings, edit sessions, sound mixes and on-line sessions. Gave notes on all designs, storyboards and animation. I was a busy boy.

Response recorded on February 15, 2001


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