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Hi Greg,
1. Do you think that "quality of writing" is something that the average person might have a stronger opinion about compared to other subjective creative forms like art or music? Does that make it more likely that you'll get people complaining about the quality of the writing in a show rather than any other aspect of it?
2. Is it fair to say that a lot of complaints of this nature are ignorant of the many factors that go into making a show outside of purely creative decisions? Stuff like budget, scheduling or availability that might influence what's reasonably possible to do in a specific time frame?
3. Have you noticed these kinds of criticisms getting worse over time? I feel there wouldn't have been as many people complaining about "Hello, Megan" during the time of Gargoyles, or maybe even Spidey.
4. I get that armchair criticism has always been around and that social media has provided a bigger platform for it, but the recent negative reception to stuff like the ending of Game of Thrones or Star Wars The Last Jedi has made me curious about your perspective on this kind of thing.
1. I do think that. My hypothesis - untested, unconfirmed - is that in a literal sense, nearly everyone knows how to "write". They know how to grab a pencil, pen or keyboard and put words on a page in an order that is at least comprehensible to another human being. So there is, perhaps, a subconscious assumption that if they just set their minds to it, that they could write stories, too - as good or better as most of the professional writers out there. On the other hand, to take your examples, not everybody believes they can draw or make music. Those talents seem esoteric, special, unique. I believe they strike a bit more awe - at least generally - than writing does. So the writing becomes the easy target. Or at least the easier target. But, of course, I'm a writer that can't draw or make music. So it makes sense that I should believe I'm under attack more. Human nature. So take it all with a grain of salt.
2. I think that's very fair to say. (And this is reading a bit like I posted these questions myself in order to defend myself with the answers. Not that I'm complaining.)
3. The internet is... well... awful... in so many ways. And its spread and influence has increased over the years, so, yes, it is definitely getting worse. But it hasn't really changed. Back in the pre-internet days, I'd still get nasty letters (sent via the post office) on Captain Atom. And the basic percentage of praise to criticism to abuse is really about the same. It just feels multiplied by the internet. The quantity of feedback is exponentially larger. And, again, human nature being what it is, I can get literally 50 tweets of praise, which are then wiped out of my mind by one mean tweet.
4. Well, I hated the ending of Game of Thrones, too... and I had mixed feelings about Last Jedi... but that wasn't the point of your question. It definitely FEELS worse. The main thing that people don't seem to get is that I LIKE MY SHOW. Brandon and I like what we've done. Not every frame, mind you, but overall, we LIKE OUR SHOW. And we are making the show WE WANT TO MAKE. I don't mind that people don't like it. (It'd be lovely, I suppose if we had 100% praise for the thing, but I honestly don't expect that. Ever.) What gets on my nerves is the assumption that many "fans" (or hate-watchers) have that we should be making the show that THEY WANT US TO MAKE, and that we're failing because we're not MAKING THEIR SHOW instead of MAKING OUR SHOW. That does grind on me. You want to shout out: "GO MAKE YOUR OWN DAMN SHOW!! No one's forcing you to watch ours!" But, of course, that's not a particularly politic statement to make. And more hate-watchers are still more watchers.
Which misconceptions about Captain Atom and his supporting cast annoy you the most?
Hmm...
1. The conflation of Captain Atom with either (a) Doctor Manhattan or (b) Wildfire of the LSH. Cap is neither an empty shell full of energy as Wildfire is, nor does he have the godlike transformation/transmutation powers of Manhattan.
2. The idea that you can blow Cap up and his destruction releases the equivalent of an atom bomb. He's tapped into the quantum flow, but if he had built up enough power from the flow to be able to generate that kind of explosion, the excess energy would have instantly transported him into the future.
3. Anyone who divorces the Captain's story from the love of his children. That's his raison d'être. Period. That's not to say he can't participate in an adventure that has nothing to do with his kids. A League mission or what not. But if the story is about him, then everything with him is about his kids. He is a dad first. A super-hero and/or a soldier second/third.
4. Anyone who forgets that Cap is a man out of his time. It's not quite as big a deal as the kid thing. He has adapted. But it's important to remember that the 1960s was not that long ago to him.
5. General Wade Eiling is often mischaracterized from my point of view. This is a man with an agenda, but he's still (in his mind) a patriot. He's got a temper, but he's pragmatic not irrational. He'd never, for example, voluntarily place his brain inside the Shaggy Man. That's just silly to me. He's basically a proto-Xanatos. Wade's not as charming as David. But he's that smart and always armed with contingencies.
6. There are probably a lot of other things, too, if I thought about it too much. But the BIG ONE is...
7. The pronunciation of "Eiling." It's EE-ling, like an electric eel. All those people who pronounce it EYE-ling are just objectively wrong.
I was swimming through the S8 archives and noticed a Gargoyles question that's been asked before but never really had a chance to be answered (at least online).
From 2001: http://www.s8.org/gargoyles/askgreg/search.php?qid=2177
From 2013: http://www.s8.org/gargoyles/askgreg/search.php?qid=19262
Naturally, I'm curious myself now (and curious that I've never really wondered about it before tonight). So how many seasons and/or episodes was The Pack on the air?
Just to be thorough, I double checked the ol' This Day in Gargoyles' Universe History rambles from 2007-2008 and the posts relative to the on-air Pack program only refer to the day the television at the castle began airing episodes of The Pack on all stations all day and night long (http://www.s8.org/gargoyles/askgreg/search.php?rid=644), the day of the live-performance engagement (http://www.s8.org/gargoyles/askgreg/search.php?rid=645), and the aftermath of Wolf & Fox's arrest, leading to the show's cancellation (http://www.s8.org/gargoyles/askgreg/search.php?rid=647) . . . all in the span of four days from November 3rd to November 6th, 1994.
Finally, I've been reading Cary Bates's and your work on The Fall and Rise of Captain Atom and I just finished World of Warcraft: Traveler! I thorougly enjoyed both and I (like so many others) cannot wait for Young Justice season three :D
Thanks for the kind words!
The Pack had at least one season and had begun (at least) its second when the $#!^ hit the fan. I don't have Gargoyles materials here at my WB office, and I just can't remember if they had more than one full season. But I don't think so.
Greetings, Greg! I suppose that probably expected someone from the old days of Captain Atom fandom to pop up upon the arrival of The Rise and Fall of CA. Really enjoyed the first issue.
Anyway, someone pointed out that Gen. Eiling bears a starling resemblance to Keith David. Would I be correct in guessing this was on purpose? Was it your idea? Or did Will Conrad surprise you and Cary?
Also, the final page, and its use of a newspaper from Kansas City, evoked a scene in the Dark Tower books. That is not on purpose, right?
All the best, Greg! Looking forward to seeing what you did with Nate.
Simon!!!!
Despite my personal friendship with Keith, it was actually Cary who casually suggested that Will model Eiling on Mr. David. Will did surprise us a little by taking that suggestion and running with it. Keith is tickled by it, by the way.
I'm not familar with the Dark Tower books. So it didn't come from me. But I only co-plotted The Fall and Rise of Captain Atom (not Rise and Fall, btw). Cary wrote it. Still, I'm not sure if that reference is really there, or if it was necessitated by the previously established location of the Continuum.
Simple question what are you currently working on as it is hard to follow sometimes and if you can talk or more specifically write about it what will you be working on that you know? Ohh and where can we watch it , or if read it when is it coming out or where can we find it I know you were writing a comic for Marvel I could never find it in several comic book stores.
Right now, I am working on two things. The third season of YOUNG JUSTICE and the second novel in the WORLD OF WARCRAFT: TRAVELER series.
We don't yet know where Season Three of YJ will air, but you can view Seasons One and Two on Netflix, on iTunes or on DVD or BluRay.
The second WARCRAFT book should come out in bookstores (including online bookstores) next November.
Prior to that, I was working on the second and third seasons of SHIMMER AND SHINE. Season Two is currently airing on Nick Jr.
I also wrote the first book in the WORLD OF WARCRAFT: TRAVELER series, which is currently available at bookstores (and online bookstores).
There's also my two novels RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM, both of which are currently available at bookstores and online bookstores.
Then there's the AudioPlay version of RAIN OF THE GHOSTS, which is currently available for download at Gumroad.com/RainoftheGhosts.
I recently co-plotted a CAPTAIN ATOM miniseries with Cary Bates, illustrated by Will Conrad. It will be available this January, 2017 from anyplace that sells comic books, including the DC Comics App, Comixology and iTunes.
Last year, I wrote the twelve issue STAR WARS KANAN series for Lucasfilm and Marvel. Those are available either as single issues, as two trades (STAR WARS KANAN: THE LAST PADAWAN and STAR WARS KANAN: FIRST BLOOD) or as an omnibus, again at Bookstores, online Bookstores, comic book stores and from the Marvel Comics App, Comixology or iTunes.
Finally, I also wrote the six issue STARBRAND AND NIGHTMASK for Marvel Comics, available as single issues or as one trade (STARBRAND AND NIGHTMASK: ETERNITY'S CHILDREN [Attend University]), which AGAIN is available at bookstores, online bookstores, comic book stores, the Marvel Comics App, Comixology or iTunes.
Whew! I think that's it! Thanks for asking!
Hypothetical question.
ALL of your past and present projects have been renewed, and you have been asked to help them all. Which one would you prioritize, and why?
Well, as many regular readers of this site know, I'm not big on hypotheticals. Reality is so much more complicated, but I'll give it a shot:
GARGOYLES first, always. We're trying to get another comic book version now. Tweet the hashtag #WeLiveAgain!
YOUNG JUSTICE, second. Season Three is real. It's here. I'm working on it.
I'm also working on the second book in the WORLD OF WARCRAFT: TRAVELER series, THE SPIRAL PATH, and recently completed co-plotting work on THE FALL AND RISE OF CAPTAIN ATOM, w/my old Captain Atom partner Cary Bates.
The third book in the RAIN OF THE GHOSTS series, MASQUE OF BONES, which I still plan to get back to as soon as I possibly can.
Everything else falls into the category of it's just too hypothetical to differentiate. But I'm very fond of THE SPECTACULAR SPIDER-MAN, W.I.T.C.H., ROUGHNECKS: THE STARSHIP TROOPER CHRONICLES, STARBRAND & NIGHTMASK, anything with the STAR WARS REBELS characters [especially STAR WARS KANAN], 3X3 EYES, DISNEY'S VILLAINS and many others.
And I'm sure Edmund Tsabard would love to finish Last Tengu in Paris.
In regards to strength, how does Icon compare to the other league heavy hitters, such as Superman, Captain Marvel, Cpt Atom & Green Lantern?
Green Lantern's not particularly strong. Not physically. As for Captain Marvel, it depends whether we're talking season one or season two.
I'm not too interested in ranking generally, so I won't be held to this, but I guess I'd rank it Superman, Icon, Captain Atom. The latter's strength is augmented by energy from the quantum field reinforced by his alien metal exo-shell. The energy is virtually unlimited, but there's only so much augmentation his muscles - even with his exo-shell - can manage.
But they're all very strong. And often, strength is situational. No one's interested in how much they can bench press in a gym under controlled conditions. (Or at any rate, I'M not interested in that.) So in one situation, I could see Superman being stronger; in another, Icon, etc.
No question, just something I observed.
The very first time I asked a question here, one of mine was about the change from Nathaniel Adam to Adams. You explained in always felt more natural to you, even in the 80s.
Did you know that, during the Silver Age, Captain Allen Adam was frequently, erroneously, identified as Allen Adams? In early appearances in Space Adventures, he would often be called Adams instead. See this one:
http://i.imgur.com/pT8dKKi.jpg
Like I said, no question, but vindication, perhaps?
I did know... as I read all that stuff in the eighties when Cary Bates and I did Captain Atom. The Adam/Atom pun was always more annoying than fun for me. And at least Adams felt like a real surname. So real, that letterers of the day naturally made the mistake.
Does Batman keep trophies inside the Batcave?
Which series we talking about? I've done at least five with Batman in it.
Hey Greg a timeline question or threerather.
1. You have detailed timelines for Young Justice and Gargoyls, do you do this for everything you do even when you havent built the universe from scratch like in your Captain Atom comics or WITCH?
2. When did you start this trait?
3. You have time and time again noted that YJ has no "canon year" and that 2010 worked for Year Zero as a math thing. So does that mean season two being in 2016 by that reckoning was a coincidence?
1. Not everything, no. I have a Captain Atom timeline from way back, but I'm sure it has no relevance to current DC continuity anymore. I don't think I ever did a WITCH timeline in the strictest sense, but I did make an effort to keep track of the backstories, etc.
2. In elementary school.
3. Heh heh heh.
Youve said before that Captian Atom has metal alloy skin, not a shell. So is he as anatomically correct as a Ken doll or something?
And shouldnt he be wearing some pants? If all the silver is his skin, it lloks like all he is wearing are boots, gloves, and a symbol on his chest, which leave NOTHING to the imagionation...exept what happened to his genitalia.
Can he even have any more kids if he wanted to?
The metal covers his private parts and his toes by subconscious choice. The not-a-shell statement was in response to being asked if he was a Wildfire-style energy being beneath a metal shell. He's not. He's a fully organic human being beneath an alien metal coating.
John Wells, as many of you may have noticed on the credit lists I've posted for Young Justice, has provided invaluable research on the DC Universe for those of us working on the YOUNG JUSTICE comic and television series.
He's written a book: American Comic Book Chronicles: 1960-1964, and he's recently been interviewed by KC Carlson about the book, his secret origins and the work he's done in and for the industry. (Coincidentally, KC was - once upon a time - my associate editor on CAPTAIN ATOM.)
Anyway, here are links to the three-part interview:
http://comicsworthreading.com/2013/02/11/interview-with-john-wells-comic-historian-part-1/
http://comicsworthreading.com/2013/02/12/interview-with-john-wells-comic-historian-part-2/
http://comicsworthreading.com/2013/02/13/interview-with-john-wells-comic-historian-part-3/
Check 'em out! And congratulations, John!
It says on you wiki page that you came up with the plot for an episode of Batman: The Brave and the Bold, Powerless!, but didn't actually write the script itself. My question is how your version of the story would have differed from what we received, though I'm guessing Captain Atom wasn't an arrogant git to people without superpowers.
My story idea was based on an issue of Captain Atom that I wrote (with Cary Bates) back in the late 80s, where Cap lost his powers and went to Batman for some... career advice. Or that was the jumping off point, anyway. I did have Major Force in the premise I pitched.
In YJ did you based Wade Eiling on disgraced US Marine Lieutenant Colonel "Oliver North"?
No. We based him on Wade Eiling from the Captain Atom comic book that Cary Bates and I wrote in the 80s and early 90s. And Eiling was loosely modeled on Captain Kirk.
It appears my last post was deleted in light of your new no-long-lists policy (I have to say I agree, though this time around, my list was only three questions.) So, I resubmit one question, and come up with two new ones (all sort of Captain Atom-y related). I hope it gets through.
1. In the whole JLA/I/E/Extreme Justice era of the 90s, Captain Atom did not get along with Wonder Woman. Green Arrow and Hawkman were never big friends, and Batman seems to detest anything that glows green. Are there any "fights" or rivalries in the League in YJ, or are they all big super friends?
2. Seeing as how the Vietnam War is now over 40 years ago, and not 20 as it was when you and Cary wrote the Captain Atom comics, how does it influence characters? Rako was made a kid (and around 50 now?), but how old are Rois and Eiling? They both have to be well over sixty, or even seventy.
3. Which Captain Atom-derived character is your favorite, Major Force or Bombshell?
1. Without going into details, they all get along professionally, but some are better friends than others.
2. Yep. It's an issue that I've largely avoided dealing with so far. But eventually. The main shift that through me so far, was how old I had to make Peggy Adams Eiling.
3. I'm not that familiar with Bombshell, and I co-created Major Force, so... take a guess.
Mr. Weisman, forgive me if this has been previously established, but, where was Nathaniel Adams born?
I haven't thought about it.
I was wondering your opinion on the New 52. Not the execution, I have a hunch you don't have the time to read much of any of it, but the idea of it.
Although I have found a few books I really like, in general I object to heaving aside continuity and trying to rejam the history back into a too short time frame while wiping out character development. The idea of accessibility is a red herring because if they were capable of sticking to self contain arc inviting to new readers they wouldn't need a reboot to do so. Then again, I came into comics after Crisis on Infinite Earths and am conditioned into thinking it was necessary.
As you noted, I have NOT had the time to read the New 52, so I will not comment on that specifically. Whether or not it works creatively depends more than anything else on execution. Since I haven't seen the execution, I can't respond to how it works creatively. But I KNOW that commercially it's been a HUGE hit. I like to believe that it wouldn't have done quite so well, if it wasn't executed well too.
But generally, on the idea of reboots, I do have a handful of thoughts:
1. I don't want to be a hypocrite. When we started Spectacular Spider-Man and again on Young Justice, we were effectively doing a continuity reboot. I feel when adapting something to a new media, that's essential, but it doesn't change the fact that (a) we did it and (b) I was relieved to be able to do it. Relieved to be able to jettison elements that I felt didn't work or were redundant or confusing, etc. Our goal, particularly on Spider-Man, was to come up with something Classic, Cohesive, Coherent, Contemporary and Iconic. So how can I object if the comics themselves want to do this?
2. In the end, whether or not either SpecSpidey or YJ was/is successful depends on our execution of our ideas, additions and cullings. I like to think both shows are successful, but that's a judgement each individual viewer would have to make for him or herself.
3. I was working on staff at DC Comics during the publication of the original Crisis on Infinite Earths. In fact, during my very first editorial meeting, I raised the question as to why we weren't starting ALL our books over (with the numerical exceptions of Detective and Action Comics) with issue #1. I remember very clearly a collective groan rising up from the conference room table. (They had dealt with this question for months before my arrival.) On the one hand, they wanted Crisis to be a real sea-change, a true reboot (before we knew that term). On the other hand, if you truly reboot Batman, then Robin doesn't exist yet. No Robin, no other sidekicks either. So no Teen Titans. And at the time, the New Teen Titans was the company's best selling book.
4. So the end result was that some things got rebooted and some did not.
5. This was complicated by the fact that certain creators came late to the party, and certain characters got reboots too long AFTER Crisis.
6. And so, as a READER, I couldn't help feeling that - rather than simplifying the continuity - Crisis made it more complicated. This will happen in general, naturally, as time passes and more and more comics are produced by a variety of creators and editors, but Crisis seemed to exacerbate the problem for me personally.
7. In part this was because, I really liked the DC Multiverse. I agree that it was abused to the point of confusion. (And I think it was nuts that Earth TWO had the forties heroes and Earth ONE had the sixties heroes. Just the odd backwards numbering itself created additional unnecessary confusion.) But if limits had been placed on the number of parallel earth stories and crossovers, I think it could have been fine.
8. ESPECIALLY, if they had created a new Earth-THREE, starting over with heroes of the eighties, with Superman and Batman (being new to the hero thing but) remaining relatively constant. But with a new Green Lantern (for example) as different from Hal Jordan as Jordan was from Alan Scott.
9. But that didn't happen. And in fact, though I've read very few comics since 1996, my understanding is that reboots have hit over and over at both DC and Marvel. That negates reader trust in the worth and weight of the stories they're reading. It's more insidious than obvious. And you risk alienating old readers, even as you may or may not attract new ones. You'll always get a short term gain off of a reboot, because everyone wants to check it out. But long term...
10. And going back to my first point - which is that most everything depends on execution - I personally didn't love the execution of some of the post-Crisis rebooting. Some people may have loved it. And that's totally legit. But some of the rethinking on certain individual characters didn't work too well for me.
11. Though personally I think the Bates-Weisman-Broderick reboot on Captain Atom from his Charlton incarnation was brilliant. ;)
12. So, personally, my feeling on reboots in general is that you either do them or you don't. You've got to be thorough and ruthless about it, or don't bother, because otherwise - long term - you're creating more problems than you're solving.
13. And still and all, ultimately, it all depends on execution.
Two questions about the comic #10 - a lovely twist on the old series, by the way:
* Captain Atom can revert to a human form. Since "Nathaniel Adams" has been dead for 43 years, does he use another alias (Cameron Scott?).
* Cap is technically 71, but had (through some NO COMMENT event) in 1968. Does he age, or is "Cameron Scott" 28 for the rest of his life?
* The issue mentions "to be continued" at the end, but the solicits for the upcoming issues (#11-#13) make no reference to this storyline. Will this be dealt with in the comics after #14 or in the TV series? I can understand if this is NO COMMENT territory, just curious.
1. Candidly, yes. Though nothing is canon until or unless it's established in the show or the comic.
2. Captain Atom is chronologically 70 in the year that the series is set. Whether or not he ages, is as yet unclear. He hasn't been back long enough to be sure.
3. We will eventually come back to this storyline in the comics...
How old is Captain Atom? and what kind of powers does he have in this show?
Captain Atom is 70 years old (though he doesn't look a day over 28).
Cap is connected to the quantum field via his silver skin, which allows him to access clean (NOT RADIOACTIVE) energy and fire off bolts of energy. That same energy can also be used to power his flight and even to enhance his strength. His skin also makes him largely invulnerable. And he can even survive in deep space without a pressure suit of any kind, as long as he has oxygen. (He still needs to breathe.)
Cap can also ABSORB energy and redirect it back to the quantum field. But there's a limit as to how much energy he can absorb and how quickly. If he takes in too much energy at once, the excess will be used as fuel for a one-way trip into the future. The more he absorbs the further into the future he'll jump.
Long time reader, first time asker. It's been a great week. I don't know which had me more thrilled, issue 9 or Humanity.
1) Probably asked before by now, but I couldn't find it in unanswered: Can you "translate" Zatanna's spells? I only got the second one, which appears to be "Time to try out a new look". Does Zatara speak backwards too?
2) I noticed the gender swap on Red Inferno and Red Torpedo in Homefront, though I gave it no second thought. However, now with the reveal of the "human" identities in Humanity, was the swap deliberate so you could use the golden age hero James Lockhart/Red Torpedo?
3) In issue #9, you used the name "Nathaniel Adams" as opposed to "Nathaniel Adam". I noticed you used the name before in the Batman: The Brave and the Bold episode "Powerless!"; the "Adams" version was, IIRC, introduced in Justice League Unlimited. Did DC ask you to use this name, or do you prefer it over "Adam"?
1. ASKED AND ANSWERED.
1a. Yes.
2. ASKED AND ANSWERED, but yes. Except, I'm not the one who did the gender swap. When I wrote the original Red Tornado mini-series, Inferno was female and Torpedo was male because Torpedo has ALWAYS been male. Of course, they didn't publish my version. So whomever wrote the version they DID publish is the one who did the gender swap. I just went back to the original.
3. I actually do prefer "Adams" over "Adam". I'm sure in this great big world, there's someone out there with the last name "Adam," but even back in the 80s when I first started writing Captain Atom with Cary Bates, I always thought that the last name "Adam" felt artificial. "Adams" always felt more natural to me.
Hello Mr. Weisman. Congratulations to you and the rest of the YJ crew on Home Front. I had a few questions I had hoped you'd be willing to answer.
1. In some versions, I know that Barbara Gordon has been presented as Jim Gordon's niece, whom he raised as his daughter. In other versions, she's his daughter biologically as well (In still others, she's Alfred's daughter, but it's best not to dwell there). Granted, she's Jim Gordon's daughter in every way that really counts in either version, but, for the record, could you clarify which is the case on Earth-16?
2. How would you characterize Dick and Barbara's interactions in general? Casual friendship? Surrogate siblings, to an extent?
3. Did Dick Grayson immediately debut as Robin, or did Batman make him undergo some sort of training program or evaluation before he'd take Dick with him?
4. I like Robin's gauntlet computer. Does Batman have something similar?
5. How old is Guardian?
6. How old is Alfred Pennyworth?
7. How old is Captain Atom (chronologically and biologically, if they're different)?
8. My apologies if this is asking too much, but can you confirm that the Earth-16 Captain Atom is not a sentient energy field in a containment suit? Bruce Timm and company seem unusually fond of presenting him as such, having done so in both JLU and the Superman/Batman: Public Enemies DTV. Don't get me wrong, I love every DC cartoon that's been produced (with the exception of Batman Beyond), but I've never understood why they did this. I mean, you've got a sentiest energy field that, since the word atom appears in his name, must, by Hollywood "logic," be just waiting to explode. What do we do? We send him into battle against people who are powerful enough to puncture that suit, and then act surprised when a city-sized area is suddenly in imminent danger. Sorry, I guess I've veered from my question somewhat (upon reflection, it's entirely possible that you didn't know about the whole sentient energy field thing).
Thank you for your time, Sir, and for everything else you do for the fans. Few writers make themselves available to the fandom as much as you do, and the vast majority of us greatly appreciate it, even if it sometimes probably feels like we're taking it for granted.
1. She's his daughter.
2. Best friends... with potential.
3. I guess you'd have to define "immediately", but the short answer is both.
4. He has access to the technology.
5. Twenty-four.
6. Sixty-four.
7. He's seventy chronologically. About twenty-eight biologically.
8. Yes, I can confirm that he is NOT "a sentient energy field in a containment suit."
I have been reading the Captain Atom series and have to say great job for both you and Cary. I absolutely love it. The character is amazing when it comes to Captain Atom's powers and how he handles situations. I do have a few questions though:
1. Why hasn't the series been picked back up?
2. Did you help create the superhero himself? If so, what exactly?
3. Why has Captain Atom been featured in crossovers even though his comic has been cancelled?
4. Do you think Captain Atom would become more known if his series came back?
1. Ask DC. I've offered to do it.
2. Create him? No. Captain Atom was originally a Charlton character that DC purchased along with Blue Beetle, Peacemaker, Nightshade, Peter Cannon, Sarge Steel and the Question. But Cary, myself and artist Pat Broderick redeveloped the character for the DC Universe under the supervision of editor Denny O'Neil.
3. You'd have to ask DC.
4. Well... yeah, of course.
You can watch for a bit more Captain Atom in the new Young Justice companion comic, starting in issue #9.
Hi Greg!
If you saw it how did you feel about Captain Atom and Eiling's portrayals on JLU?
I saw one episode with Captain Atom. His powers seemed slightly different from when I wrote the comic, but every series has to adapt. I haven't seen Eiling. At least, I don't think so.
Hey greg,first of all, you're awesome, i remember when i was only 5 and i would re enact your gargoyles haha good times.
If you were to compare Young Justice and your other works, would young justice be in the top 5?
How many views are you having on Young justice ?
Wow, did you just make me feel old...
Yes, YJ would be in my top five, along with Gargoyles (of course) and in no particular order, Spectacular Spider-Man, W.I.T.C.H. and Captain Atom.
What comic universe would you say you're more knowledgeable about: DC or Marvel?
I'm pretty equal on both companies.
Fairly knowledgeable (all things considered) on pre-1970s stuff.
More knowledgeable on the 70s.
Extremely knowledgeable on the 80s.
Less knowledgeable on the early and mid 90s.
Almost completely ignorant of the mid 90s through 2006.
Somewhat knowledgeable but with huge gaps on 2006 through the present...
Of course, I worked at DC as a freelancer from 1983-1991, and on staff from 1985-1987, so I have more INSIDE knowledge of that company, but during that period I was reading ALL the Marvel books too, so if we're talking CONTINUITY and CHARACTERS, I know both companies pretty darn well. I certainly grew up reading both. And when I was a little kid, I didn't even get that there were different companies that made comics. I'd see Green Lantern team up with Superman in one book. And Spider-Man team up with the Fantastic Four in another. And I didn't know that next month I might not see Captain America team with Batman. It took me a while to get the whole competing companies idea.
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