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Continuing my review on The Spectacular Spider-Man:
Episode 4- Market Forces
- Peter should have showed some more enthusiasum concerning MJ's good personality. Who knows, they could marry each other some day.
- If only Flint and Alex didn't resort to crime, I could see them as this generation's Odd Couple.
- Definitely thought Spider-Man 3 with the emo line from Eddie.
- In all seriousness, I found the choice to use Montana as The Shocker to be a good one. It certainly keeps the story interesting.
- While we can agree that Norman isn't parent of the year, I found his advice to be a sound one indeed.
Episode 5- Competition
- Looking forward to seeing Flint and Alex's interaction when they meet up in The Sinister Six.
- I'm going to guess that May didn't look into Peter's room after the webbing expired.
- Good to see that Sandman has a sense of priority (no revenge), even if he didn't have the sense to take a crime breather.
- Had a flashback to Spider-Man And His Amazing Friends when Sandman left the bag of money behind.
Episode 6- The Invisible Hand
- Nice to see that the Grant/Brant bit wasn't lost on the younger crowd.
- Always good to see Jameson when he isn't doing the ranting, and this show does that well too.
- While Clancy Brown does good voice work for an antagonistic character, he certainly doesn't sound villainous when voicing a protagonist (refering to his voicing of George Stacy).
- Have to say that Tombstone really looked intimidating even before his display of power.
Questions:
1. What was the silicon armor suppose to do?
2. Recognized Sandman's voice actor as John Dimaggio (Dr. Drakken). Was his facial similarites with Drakken intentional?
3. Given that Betty is an adult in this series with Peter being a minor, was BSP showing any nervousness with Betty (since she was at least considering to go to the dance with him)?
Thanks for another enjoyable set of episodes.
We actually scripted a brief scenelet (cut for time) showing the ceiling pile collapsing when the web dissolved... about at the same time Spidey realized he was out of webbing because he had waisted so much of it fooling around in his room.
1. Otto tells you in the episode.
2. I don't really see it, so I'd guess not.
3. They were fine with our plans.
How tall are the Manhattan clan members? How tall are David Xanatos, Fox, the Pack, the Maza family, Owen Burnett, Demona, MacBeth and the Mutates? Just something I've been wondering for awhile. Thanx.
I'm not big on numbers. Figure Xanatos is 6' even. Feel free to figure out the rest from that.
This isn't a question just praise and thanks. I felt that last episode (Persona) deserved at least that. I loved ever minute, all the angles, villains, the cat, and of course the black. The Black Cat was deliciously flirtatious and Helfer played it up perfect. The whole team deserves a big pat on the back for putting together such a stupendous series in The Spectacular Spider-Man.
Pat my back that much, and I start to purr...
Since the cancellation of Gargoyles with the other stories that you have created have you tried to take the ideas for any of the spin offs to other companies such as Scifi, Cartoon Network, etc to try to get a new series or one of the spin offs produced? I loved Gargoyles, as well as, your work on other series, loved the Goliath Chronicles and would love to see the completed spinoff for King Arthur and Gryph. Do you have any plans to work on any other series in the future other than Spiderman, yours or others?
Boy someone could stand a little meander through the archives. Not saying who. But someone.
Anyway... DISNEY owns Gargoyles and all its spin-offs. Period.
But we are continuing both the original series and at least one (and maybe more) of the spin-offs in comic book form. Check it out!
I'm very happy doing Spider-Man for now, but odds are I'll work on a lot of other series (hopefully), you know, before I die or whatever.
I think it's pretty interesting that Macbeth is actually the grandson of Princess Katherine's cousin. Do Macbeth and Princess Katherine ever realise that they are relatives?
I don't think Katharine does... and Macbeth isn't exactly "himself" when he meets her.
I posted this in the comment room, but Todd suggested I repost it here...
RADIO PLAYS...
Sometimes I just don't have anything Gargoyles for us to do. And I'm not sure if just doing old episodes is all that interesting. And the other things have been fun... at least it seemed that way to me.
Here's a history of the works of the GATHERING PLAYERS...
1998 - RAIN OF THE GHOSTS (an unproduced pilot I wrote)
1999 - THE ROSWELL CONSPIRACIES (a rejected pilot I wrote)
2000 - ROUGHNECKS: THE STARSHIP TROOPERS CHRONICLES (the last arc of the series, which I story edited, half of which was unproduced. Written by me, Jon Weisman Lydia Marano, Cary Bates and Michael Reaves.)
2001 - GARGOYLES: "Hunter's Moon, Part Three" (Note: this was the first time that we actually did something gargoyles related for the radio play. This included scenes that were cut for time from the original. Written by Michael Reaves.)
2002 - TEAM ATLANTIS: "The Last" (Unproduced episode featuring Demona and Fiona Canmore, written by me)
2003 - GARGOYLES: "The Reckoning" (Performed in honor of Gary Sperling, who co-wrote the script with Lydia.)
2004 - GARGOYLES: "The Journey" (my uncut version of the script)
2005 - DOC SHAKESPEARE (An unproduced pilot written by myself and Sam Bernstein)
2006 - GARGOYLES: "The Mirror" (written by Lydia Marano and Brynne Chandler Reaves)
2007 - GARGOYLES: "Clan Building, Chapters III, IV & V: Invitation Only, Masque & Bash" - (from the comic, premeiring chapter V before it was published. Written by me...)
2008 - Geez, I should probably figure this out soon...
Anyway, you can see that traditionally, we've only done something gargish about half the time. For me it's fun to get to see my unproduced work performed, and it does give the fans a little insight into the biz. In any case, I've never heard any complaints from the folks who attended.
Greg Weisman
OFF TO CHICAGO... ON A WING AND A PRAYER...
Hello Greg,
And again there is a quistion about W.i.t.c.h songs "Will to Love" and "Deamon in Me")))
I'm sure you have chords for the songs, sinse it is you who wrote them. Could you please share it? You published the lyrics, and I think publishing chords is not a bigger violation of the copyright than publishing lyrics.
We like the songs wery much and if we could play them ourselves, it would be great! I think Disney must admit that this will lift the popularity of the show and wont do them any harm or disadvantage, sinse they don't profit from keeping chords from public. But I suppose Disney don't read this page, so you can drop the previous sentence.
Thanks
I did NOT write the music, only the lyrics to Will To Love. The lyric to Demon in Me was written by Jon Weisman. The music was written by Noam Kaniel. He's French. In any case, I don't know the chords.
hey i am a longtime fan just wondering if there is any new news on the release of gargoyles season 2 vol 2. It has been a while and i keep hoping due to not having a incomplete season
thank You
People... people... people... please check the archives before asking.
This is more of a Wyvern Clan culture question than a hypothetical one.
After Goliath sends the Trio and Bronx to the rookery and Demona questions his decision to punish them (out of their earshot like a good second, as you noted in the commentary), Goliath tells her that he will make it up to them somehow. If the Wyvern Massacre hadn't intervened, what are some things Goliath might have done to make it up to the Trio and Bronx?
I'm not sure he even knew. Probably a heart-to-heart and a little winging.
If I buy 30 copies of every issue of the Gargoyles comic book, will you promise not to kill Gwen Stacey?
Let's test the theory and find out.
My review of the latest "Spectacular Spider-Man".
Another enjoyable episode. Parts that especially stood out to me:
We see more of the consequences of the Lizard story (and now Eddie Brock's got even more reason to be angry with Peter - and this time with Spidey as well).
Although I'd heard that Chameleon would be showing up in this episode, I was still surprised when he pulled off the Dr. Connors disguise. And then when he shed the Norman Osborn disguise, as well.
J. Jonah Jameson in great form as usual. Telling Peter to get out of his office in seventeen words, shouting "Spiderman's not a fraud!" and then feeling amazed that he just said that, and printing the retraction - on page 42, in a small font!
Even though I knew from last week's episode that Harry Osborn had been sent away, I was still surprised to see Mary Jane replacing him in the opening credits. (Though, knowing your enjoyment of making changes as the story progresses, I shouldn't have been.)
The influence of the alien symbiote on Spidey was well-done, especially his justifications for keeping it. (The kind of justifications that wind up getting used for paving material on a certain road.) I'm looking forward to seeing where things go from here.
Fresh embarrassment for Peter - now seeing his alter ego being defended by Flash Thompson!
And we get a reference to the upside-down kiss (I've never seen any of the Spiderman movies, but I've still heard of it; it's one of those things you have to be aware of unless you become a hermit).
Another fine job, as ever.
Thank you.
*SPOILERS*
I enjoyed it. Venom, being one of my favorite spidey villains, made a strong entry into the series here, as it slowly absorbed Spiderman, turning him into a badass. Really looking forward to more Venom action.
Nice moment at the end with Black Cat. Definite echos of a certain infamous alleyway scene from the 2002 film. Thanks for that throwback, Greg.
Chameleon also made a strong showing, with his frequent impersonations (Dr. Connors, Spidey, Norman) that make it obvious where he got his name from. Kudos.
So Mason makes his first appearance. Forgive me for asking (I'm not AS MUCH of a Spider-man fan as other people here seem to be.) but who was the dark-haired guy working with Chameleon? His name escapes me. :(
Is this the season finale? There was no promo for the next episode. If it was, thanks for a great first season. If not, I still can't wait for more.
So, either way, great job on this episode and the series in particular.
End review.
See you at the Gathering next month.
Quentin Beck.
"Persona"
... And so it begins, the Venom arc. I'll admit right off the bat, this is not a story arc I've been looking forward to. But, I'll save my ramble on Venom and everything that I think is wrong with him as a character and a concept for my review of the season finale, when Venom actually appears.
Peter is such a geek, alien life is discovered and no one seems to care. Not Aunt May, but she's got other things on her mind. Good to see him and Eddie on speaking terms again, but honestly, can you blame Martha Connors for not wanting him there? I can't.
Nice change to the title sequence. Harry's out and Mary Jane is in. That's funny considering that she did not even appear in the episode itself.
And here we have our favorite feline, the Black Cat. Tricia Helfer did an awesome, purrfect job with that character. Oh. My. God. What have I done? Did I just type "purrfect?" Yes, I did. I hate myself for doing that, as I genuinely think puns are the lowest, least funny form of humor there is. But, I can't help myself here, because Cat was indeed purrfect. Argh, I'm doing it again!
The Black Cat has always been one of my favorite characters in the Spider-Mythos. So, I've been anticipating her almost as much as I was anticipating the Green Goblin. I think she was done purrfectly here (Ugh, I'm still doing it?), from her moves to her lines.
Speaking of those lines...
"My kitty sense is purring."
"Try not to get your goop in my hair." .... and I thought Mary Jane and Rand's line about being randy was pushing S&P. How did that get on the air?
Yes, I like Black Cat better than Catwoman and I always have. There, I said it.
Loved Steve Blum as the Chameleon. It's also refreshing to see a more old school take on him, as opposed to him just being a standard, Mystique-like shape shifter. I suppose he could eventually become one, but I'm glad he's not starting out that way. "So, which captain of industry are you going to masquerade as this time?" ... hmm, I know I should be focusing on this episode, so, I'll just do that. La di dah. Oh, what the hell, I can't resist... when he shows up at the party later as Norman Osborn, my mind went back to last week's episode where for a brief time the Green Goblin and "Norman Osborn" were face to face and I shouted "I KNEW IT!" so loud, I think I woke up the neighbors. The Goblin mystery is definitely not over... but, enough of that, I've now indulged myself. Back to "Persona."
Eddie Brock now hates both Peter and Spider-Man. Too birds, one stone. So far, this has been the best depiction of Eddie Brock I have seen yet, but... I am still apprehensive about the whole Venom story. As I've said before, Venom is a character I've never liked. I'm going to give the character and concept another chance in this universe, but I am remaining skeptical.
Chameleon disguised as Spider-Man cracked me up with his faux Spider-Wit. "My amazing insect sense is tingling." And I loved how Jameson just knew that the real Spidey was real, yet was still slandering him. Daran Norris is great.
And now we meet Mayor Waters. Okay, first thing I want to know is, was she in the comics? I don't recall her, and Marvel always preferred to depict the real Mayor of New York (Giuliani appeared as mayor several times in the 90s comics). She also reminds me of Senator Hillary Clinton, and with that, I'll refrain from going any further. Best not to bring politics into this review.
I liked seeing Quentin Beck and Phineas Mason as the Chameleon Goon Squad. Looking forward to them popping up again. Beck looks kine of like Moe. Wait... Bowl Cut Beck. Balding Mason and no hair Chameleon... no, too easy. ;)
The symbiote itself was well done. I like how it subtly took over Peter's costume, and seems to be playing evil Jiminy Cricket on his shoulder. Peter is going to go dark, and I'm hoping for some wacky malicious hijincks and no dancing and strutting in the streets.
Finally, the infamous upside down kiss between Spidey and Black Cat. Purrfect... I promise you, and I promise myself, I will never do that again.
Mayor Waters name (though not her gender) does come from a Spider-Man comic set in the future.
Just watched "Persona" and I have to say, I'm ecstatic about there being such an intelligently-done show on a channel block that calls itself "for kids" @_@
The attention to detail was perfect. They actually showed all of Chameleon's tricks instead of being lazy and letting us assume he can fake things... Showed several instances where he had to 'prove' he was the real deal.. people suspected his height.. and best of all, when his goon pressed a button on his watch, he actually had to DO something with that button to make his boat arrive.. he slid it to the left a bit. That right there is what TV for any demographic is sorely lacking right now. I actually have faith that maybe entertainment is de-retardifying as we speak :D
Keep up the excellent work.
Thanks. I'm big on attention to detail, myself.
will there be a new gargoyles dvd
I hope so.
in the episode the stone city when demona thinks of her past and she had a diferent clan. where did she find them and what happen to the rest of their clan. THANKS
HUGE FAN!
She scoured up survivors from around Scotland. They were massacred by Canmore's forces.
As many of you know, perhaps my favorite television series of all time is HILL STREET BLUES. A couple years ago, the first season was put out on DVD. There was no marketing that I noticed... but there was a bit of publicity. A year later the second season came out. This time no marketing and no publicity. Also, I'm GUESSING, not much in terms of sales -- as the third season isn't on the schedule. I've signed up at Amazon to be notified if-and-when it is released...
SOUND FAMILIAR?
I bring this up, since it allows me to do a few things:
1. SPREAD THE WORD! I encourage you all to buy the first two seasons of Hill Street Blues. This was one of the truly seminal shows in television history, brilliantly written and acted and directed and a HUGE, HUGE influence on Gargoyles. Like Gargoyles it created a tapestry, a world of characters. Very much worth your time and disposable income.
2. CREATE A REALITY CHECK. For those of you who STILL seem to feel Disney is doing something unusual (let alone nefarious) in its treatment of Gargoyles, this is one of just many, many, many examples that demonstrates it's not. We can all sturm and drang about how business should be done, with marketing and publicity galore for every product, with a guarantee that once a company starts a project they must finish it (whether or not the economics justify it), etc. But the gnashing of teeth doesn't change the reality. Companies -- even companies as huge as Disney have LIMITED resources and must deal with the notion of OPPORTUNITY COST. So one company takes a flier on a Gargoyles DVD set, another takes one on Hill St. Both do fairly well in their first season releases, despite limited or no marketing and limited or no publicity. Both fair poorly in their second release. Both don't seem to rate a third release. It's sad. But it's life.
3. ENCOURAGE YOU TO SPREAD THE WORD! The best thing any one of you can do to help get the next release of ANY show you love -- short of spending your own money -- is to help us Spread the Word! About the DVDS, the comics, the Gathering. Oh, and about Hill Street Blues. (See, I practice what I preach!)
With that in mind, I depart in less than 48 hours for Chicago and my 12th Annual Gathering, followed immediately by a trip to Minneapolis for ConVergence (http://www.convergence-con.org/). I won't have internet access while I'm gone, but when I return I'll post my conjournalx2. I encourage all of you who are attending the Gathering to post/cut&paste their conjorunals, diaries etc. here to ASK GREG. It creates a central place where I can refer ignorant PTB-types. Also, if you see me at either con, please come up and say hello. I am notoriously bad with names, and I admit (with some embarrassment) that it often takes me two or three conventions to really nail a name down. But I do want to meet you, and I do want to get to know you. I'm not much at small talk, but I can talk about animation and comics and pop culture in general ad nauseum (just ask my wife).
is eliza like a surrogate mother to the trio?
More like a big sister.
I know you been asked this before but dose disney have a say so or the rights in weather a film could be made out of this spectaculer series
Are we talking about Spider-Man or Gargoyles?
Gargoyles - Of course.
Spectacular Spider-Man - None at all.
Okay, I just picked up Bad Guys 2 yesterday. Loved what you've done so far, and I just have a couple comments (holding back the flood for when the whole six issues are out):
1) You weren't the first person to make the Tengu-Gargoyle connection.
2) LOVED the inside joke on the post-it on the cover. Was that your idea or Guler's? Also, I could only read the second line...what did the first say?
1. How do you know when I made the connection?
2. Guler's. I don't know what any of it says.
Is there a chance Norman staged the whole green goblin is Harry thing to throw people off his trail?
<sigh>
Why did you go more with the movie symbionite suit instaed of the classic look?
We decided to do both, as you probably know by now, in order to show how the Symbiote was gradually taking Peter over.
1. Since Harry was the First Green Goblin in the new cartoon, does that mean that Norman Osborn will never become the Green Goblin?
2. Will the Hob Goblin, Scorpion, Mysterio and other villains appear in the series?
3. Will Carnage eventually appear in this series (like Season 4 or 5 if the show stays succesfull)? Or is he too violent/scary to put in this cartoon.
1. GANG, GANG, this is NOT a forum for me to post all sorts of ridiculous spoilers about Spider-Man. Why would I do that and scoop my own stuff?
2. Yes. Mysterio is slated for the first episode of Season Two. I've previously revealed that both Hobgoblin and Scorpion will debut in Season Three (if there is a Season Three).
3. Time will tell.
Hey Greg,
you guys are doing a fantastic job on the series i really love it, every bit and piece of it i have couple questions though:
1- Do you have any idea on when the first dvd will be released and will it have a bluray edition as well?
2- is there any chance that tombstone is not really the big man, but as foswell put it "some other guy pulling the strings from behind" especially that tombstone never refer to himself as the big man?
3- there surely a lot of mystery surrounding goblin's identity even though we are to believe it is harr after the unmasking in last episode, when will we have a definitve answer on who the goblin was/is? (season 3 ?)
4- are there any plans for a series of comics or video games based on the spectacular spidey series?
Keep up the good work and thanx a bunch for all your efforts
1. No idea.
2. Did you really think I was going to answer this?
3. Who says you don't?
4. I don't know.
(Sorry, I know the above isn't too helpful, but...)
I was wondering...in "MIA" when Leo and Una noticed Goliath outside Into the Mystic didn't it strike them as odd that Goliath hadn't aged a day since they saw him in 1940? It seems like the kind of thing that I would notice...then again I'm not a gargoyle.
Well, since Gargoyles don't age that fast... AND since they were more focused on the shock of seeing him alive at all, I don't think it registered. (It's not like they knew him well or long, so that they'd notice nuances.)
Previously in Ask Greg - http://www.s8.org/gargoyles/askgreg/search.php?qid=10471 ,
dph writes...
Thank you for your previous response to my question about Ophelia. IYou have stated that the ability of a female gargoyles and female gargoyle beasts to become pregnant is tied to Earth's natural cycles. Are the abilities of female gargoyles and female gargoyle beasts to lay eggs also tied to Earth's natural cycles?
Greg responds...
Uh... probably.
Without getting to graphic, if a female gargoyle was artificially inseminated with the proper cells on the right day of the year but not in the right year, would her body start forming an egg so she could possibly lay an egg in an odd year?
"Right day of the year"? You're assuming years act independent of these cycles... as if a right day COULD occur in a wrong year... or am I not understanding your question?
What is my real name?
You mean it's not "jon"?
First of all, I just want to say that the Spectacular Spider-Man is perhaps the best Spider-Man television series in a long time! The writing, the animation, the voice work and the plot lines are all excellent! I also like how the episodes flow together. I can certainly see all the dedication throughout the series, keep up the good work! I do have a few questions, where has Eddie Brock been? What has he been up too? I believe the last we seen of him was in Catalysts. I understand that the symbiote saga is underway, and Eddie Brock is an essential part of the arc, are we going to see what drives him into wanting to smash Spider-Man/Peter Parker? I simply ask because Venom is my favorite Spider-Man villain.
Well, by now, I'm hoping you've seen all 13 episodes, and most of your Venom questions have been answered. So feel free to stop by here again if you still have questions.
I've always been wondering, is the illuminati of great interest to you? Did you ever have to explain or get those references approved by Disney? Not that it's bad, it just seems to be pretty deep for a y7 cartoon.
"Disney" never gave us any trouble over that. And I don't think the way we've handled it is all that depthful... or no more so than everything else. Kids get it well enough, if that's what you mean.
what is the purpose of a gargoyle
What is the purpose of anything... say... YOU, for example?
I've searched the archives and I don't think this has been addressed but it's something I've been wondering about for a while.
1) Did Derek ever listen to that tape of Fox's confession that Elisa gave him in "Her Brother's Keeper"?
2) If yes, what did he make of it?
1. I'll leave that to your interpretation, I think.
2. If yes... ditto.
I was a big fan of Tony Dracon throughout the series. If it had continued, were there any plans to bring him back for a few more episodes?
Yes.
My review/report on the latest episode of "The Spectacular Spider-Man", if a day late.
Obviously, the big question about this episode is: Is Harry really the Green Goblin, or has he been framed? Bishansky's already said a lot about that, so I won't say anything more (except that I also think that Harry *is* being set up).
What more appropriate time for the Goblin to show up than Halloween? I enjoyed Spidey's parody of "Twas the Night Before Christmas", especially his not-too-successful effort at the rhymes. And talk about daring! Peter actually making Spider-Man his Halloween costume. Shades of the gargoyles' own two Halloween parties ("Eye of the Beholder" and the Double Date story in the comic).
And not only does Flash Thompson wind up dressing as a cheerleader, but so do all his football buddies. I hadn't expected that latter part.
Tombstone's as imposing as ever (I can see why Hammerhead respects him). And I got a kick out of Goblin's "deja vu" remark to Spidey.
Great to see more of J. Jonah Jameson's human side, as he waits anxiously for news about the shuttle landing. Which itself looks like it'll have its own big consequences: now Venom's in town. Things are going to get even more lively in the Big Apple now....
I'm not sure Pete was planning to go as Spidey for Halloween -- of if he was just improvising.
I hope there's going to be a live-action movie of Gargoyles, question for you, Greg. Are you a director or something?
Not in the sense you're suggesting. I've voice directed, but mostly I'm a writer-producer-story editor-development guy.
Is Vinnie's last name Grigori or Gregarino?
Grigori. Gregarino was a joke I posted once.
Harry looking like the Green Goblin when seen through the vial of globulin green was a nice touch.
Clones have a bit of a stigma attached to them among Spider-Man fans, but you've shown you can execute the concept well in Gargoyles and Buzz Lightyear. How do you feel about the issue? Can clones work in a (relatively) grounded property like Spider-Man?
We'll have to wait and see...
Thoughts on the Spectacular Spider-Man episode "The Uncertainty Principle."
Wow. So many good scenes in this episode. I'll do my best to keep my thoughts following some sort of coherent pattern.
First off, I'm very impressed with the Green Goblin so far. I was a little stunned to learn Steve Blum was doing his voice (my reaction was probably the same as my reaction way back when I first learned Mark Hammill voiced the Joker), but it fits the character well. I love all his gadgets, and I'm glad to see that he has the charged gloves again (something I missed from the movie). I also love the sound effects his pumpkin bomb explosions make. Like sick, mutilated laughter, which is very appropriate.
I also love the way that his mind works. Blackmailing Tombstone was never his intent. He was simply trying to get his two main enemies into the same room to eliminate them.
"Anyone else getting deja vu? Oh well, let's run with it!" Great watching Spidey and the Goblin interact.
It's kind of funny how the Goblin keeps making Spider-Man and Tombstone work together. And wow... Tombstone took three blades in the back. Makes me wonder what exactly he had done to himself. Also thought it was interesting the way Spider-Man saved himself from going splat. Reminds me of an old episode of the first cartoon where he fought the Sandman, but what he did in this series is much cooler.
As far as the ending is concerned, I loved the confrontation between Harry and his father. Norman raised a good point. Tombstone probably wouldn't have let Harry live if the Goblin's identity were revealed, but I can't help but wonder if anything else was going through his mind. Norman is a ruthless man who never apologizes. And as far as unmasking the Goblin is concerned, I'm convinced there's another angle, but I'll avoid delving into "ideas masquerading as questions," and won't get into specifics.
Still, it was a good character moment for Norman. We also got a nice character moment from Jonah. It's fun seeing hard men have moments of softness. I particularly liked how Jonah's actions bit him on the rear, forcing him to swallow his pride again (the first time being in the episode "Catalysts," when he was forced to give Spider-Man credit for stopping the Goblin). I like his voice a lot better than in the 90s cartoon. Ed Asner was good, but he wasn't a perfect fit. I like what Daran Norris does with it.
It was also nice to see a cameo from the Black Cat. Wonder if she'll be popping up again.
She does pop.
"The Uncertainty Principle"
*** SPECTACULAR SPOILERS ***
I loved this episode.
Very good title, as curve balls continue to be thrown at the audience. The mystery of the Green Goblin's identity is far from over. Well, after re-watching "Catalysts" and "Reaction" over again before watching this I am more convinced than ever that Harry is not the Green Goblin. Either he's been brainwashed or Norman has the Chameleon (who is showing up in the next episode) standing in for him as an alibi. But I'll get to that later.
Nice to finally see Hammerhead in action. Yes, this is why he's Tombstone's enforcer. But, nope, he's no match for the Green Goblin... that's why he's Spider-Man's arch-nemesis.
I loved scene with the Goblin and Tombstone. Just watching the two most dangerous characters in the series go at it like that is priceless. You can see why Hammerhead respects Tombstone so much. The Goblin is arguably more dangerous, but Tombstone commands respect just as much as fear.
It wouldn't be Halloween without costumes, and is that the Black Cat I see? Nice. Mary Jane shows up dressed as a sexy vampire. Liz shows up dressed as a Johnny Depp Fan Girl. Gwen... doesn't even have time to get into a costume because she is too busy worrying about Harry. Poor Gwen, when I see her, I think to myself that she is the only sane person in an insane world. "Some one is getting the look!"
I've been waiting to see Flash dressed as a cheerleader, but I did not expect the rest of the football team to be joining him. Way to show unity, guys. Flash seemed to like having boobs a little too much. So, how long until Rand tells Sally where she can stick it?
I loved Jameson in this episode. People have complained about him being two dimensional, but I never saw it. Hopefully this shut them up. His concern for his son's life was touching. I like this reasoning for his hatred for Spider-Man in this universe. He can't stand to see the spotlight stolen from his son. Is it rational? Not really. Is it understandable? Yes.
"Trap?" "Trap!" Someone's been watching "Serenity".
The fight scene at the end of the episode was stunning. A tip of the hat to everyone involved. Though this borders on cliche, you could feel the heat. I'd say it would be hard to top this one, but I said the same after Spidey's fight with the Lizard.
The final scene at the Osborn residence was... great. Norman is such a manipulative bastard, and I really felt for Harry. But this is the finest case of "the writers are trying to trick you" that I have ever seen. Now, Harry is taking a leave of absence. I hope we see him again soon.
Harry as the Green Goblin just does not add up.
* When the Goblin stole the tech-flight glider from OsCorp, it didn't have the bat-head designed to fire pumpkin bombs and extend a spear on it yet. Harry does not have the technical know-how to add on a feature like that. Norman does. Or the expertise to add that Inhibitor cannon to it. Harry's a moron.
* If Harry were the Green Goblin, he would have attacked the Fall Formal instead of going after Tombstone.
* How would Harry even have access to the Globulin Green in the first place?
* Why would Harry attempt to kill Octavius? Norman knew Otto was a liability, Hammerhead said so in "The Invisible Hand". Norman berated Otto for being a weak man. Then he dressed up as the Goblin so he would have an alibi to show Hammerhead.
* The Green Goblin and Norman Osborn both had the same safety key for Otto's experiment.
* The Big Man was only ever referred to as "Mr. Lincoln" by Norman once and that was in the underground lab while Rhino was being created. Harry could not have overheard that.
* Norman Osborn just so happens to have a secret chamber, which we never saw the inside of. Where's Harry keeping the glider and equipment... not under his bed. For that matter, stealing one or two vials of Globulin Green, I can buy... but we've seen Harry drink from too many.
* Norman's knowing smirk at the end of "Reaction" about unmasking the Goblin before it's too late.
* Peter tipped his hand, told the Goblin he figured out who he was. The Goblin knew Spidey would be coming to the Osborn residence.
* Harry in "Goblin mode" didn't admit to anything except taking the drug. To be the son Norman always wanted. A straight A student and a star athlete.
* Norman is thrown twenty feet up a wall by Harry and is uninjured.
* And it was Norman himself who rationalized it all at the end (a very rehearsed sounding explanation). Then offered to take he fall.
No, Harry was set up. By his own bastard father.
Spectacular episode.
Many of your premises are faulty, independent of the conclusions you draw from them. Without going into too much detail, the ones that REALLY jump out at me include...
*Harry is not a moron. You don't have to like him or respect his judgment, but he was never unintelligent - even before he started taking the Green.
*If Harry were a petty moron, then maybe he'd attack the Fall Formal. But see my first point.
*The Green Goblin used Otto's safety key. Norman used an override key. Two different keys.
In the episode "Kingdom", the gargoyles talked about how Goliath and Bronx had been missing for days. But when they all lined up to sleep on the clocktower, there's a shadowy Bronx climbing into position. Was that an artist mistake, or did some scenes just get copied and reused from episode to episode to save money?
No scenes were reused to save money. Errors did occur, though I'd have to watch again to see if what you're describing is an actual error of if you are misinterpreting.
I know that the first two seasons of "Gargoyles" are on DVD but are there anymore available? Or will there be?
And most importantly will they be available in Western Australia?
Refer to the archives for your first couple questions, and I'm afraid I don't know anything about your last question.
My Review of Bad Guys #2
I really loved it. Everything, especially the cover. The story starts where the last one left off. Very interesting. I'm looking forward to seeing how their 1st mission together turns out. I didn't catch the cameo of Vinnie and the others at first. The flashback showing Yama's banishment is great.
That Yama is his own judge for when he can return to his clan speaks volumes for his character. Characters with that much integrity are as rare as diamonds and I'm thankfull you included one like that in a primary role in a spin-off.
I do hope that by the time the next gargoyles breeding season comes Yama will have found his redemption. The battle to get Yama's attention is quite good and realistic. It's great that Yama knows English. Question is does an entire clan speak English that well? It's nice to see Hunter come clean about wasting her past. (I do have a cat named Hunter. She once stole a mouse from a snake, but that's another story.) It's interesting that Matrix doesn't comprehend the problem with a gargoyle serving a gargoyles hunter. Dingo's reaction to going back to New York City is authentic, but shouldn't he realize that it's just as dangerous for Hunter to return them? In this sense, I'm glad that you haven't told the story of how Hunter was recruited as it would spoil the upcoming story.
Robyn Canmore's revelation that Dingo was recruited to get Matrix is incredible. Only a small handful of people around the world can possibly know about Matrix. Also only a small number of people around the world can possibly know about the Ishimuran clan. When I stop to consider the intersection of those two groups, I'm perplexed because it can only describe a much smaller set than those two groups. That leads me to believe whomever Hunter is working for has to be extremely well-connected and/or possessing Sherlock Holmes type of intelligence.
Back to New York, it shouldn't surprise me that Dr Sevarius was keeping tabs of his former experiments, but it did. I was wondering how Fang was going to be 'liberated' and know I see. At last, we learn Fang's real name.
Overall excellent story-telling. You keep throwing more things to consider along with answering questions. I am really looking forward to the next issue.
Hopefully, by now you're looking forward to issue #4, which should be out fairly soon. (It's all done.) Issue #5 is currently being pencilled by Karine, and I'm currently scripting #6.
Hi Mr. Weisman ^_^
I'd like to know if the show would ever come back. I know that it was canceled/terminated and I'm hoping that some time in the near future that it will come back with new ep's and the canceled/terminated will change to coming back. Will this EVER happen?????? I was a big fan of the show and still am and would love to see it back on the air.
I would also like to know why the show was even canceled in the first place. The show rocked, wasn't too violent, no swears, top notch charactors, first rate story line and with humor for all ages that everyone from the six yr.old to the college student could find humourous. Why would a show with such promise and talent be canned???????
THANK YOU FOR YOUR TIME AND FOR TAKING THE TIME TO WRITE BACK TO ME. ^_^
Sincerly:Jewl/IrishPhantom
I'm going to refer you to the ASK GREG FAQ and ARCHIVES for the answer to both those questions. They've both been answered before in copious detail.
My folks, Beth and the kids went to see a truly wonderful performance of "Big River" yesterday at the Los Angeles County High School for the Arts. "Big River" is of course based on "The Adventures of Huckleberry Finn". Now keeping in mind that this is a show I've seen at least three times before, and that Huck is a book I've read at least four times, it stunned me that I NEVER noticed this fact before...
The girl that Huck has a huge unrequited yen for is named "Mary Jane Wilkes". And one of the women who takes Huck in at the beginning of the book is named "Miss Watson". It seems nearly impossible to think that the name "Mary Jane Watson" from Spider-Man wasn't lifted (consciously or otherwise) from Twain... I assume by Stan Lee (though possibly from someone else working at Marvel in those years).
How did this get by me?
___________________________________________________________________________
The Spectacular Spider-Man
Ep 113: "NATURE VS. NURTURE"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________
Developed For Television By
VICTOR COOK & GREG WEISMAN
Created by
STAN LEE & STEVE DITKO
Opening Credits
Card #1
Supervising Producer and Story Editor
GREG WEISMAN
Card #2
Producer and Supervising Director
VICTOR COOK
Card #3
Producer
DIANE A CREA
Card #4
Written By
KEVIN HOPPS
Card #5
Directed By
VICTOR COOK
___________________________________________________________________________
__________________________________________________________________________
Closing Credits
Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
CLANCY BROWN as GEORGE STACY
LACEY CHABERT as GWEN STACY
GREY DELISLE as SALLY AVRIL, ERIN
BEN DISKIN as EDDIE BROCK / VENOM
DORIAN HAREWOOD as DOC BROMWELL
PHIL LAMARR as RAND ROBERTSON
_______________________________________________________________________
Card #8
Also Starring
JOSHUA LEBAR as FLASH THOMPSON
VANESSA MARSHALL as MARY JANE WATSON
KEVIN MICHAEL RICHARDSON as TOMBSTONE
DEBORAH STRANG as MAY PARKER
ALANNA UBACH as LIZ ALLAN
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL MCCUISTION
___________________________________________________________________________
Card #11
Associate Producers
ERIC VESBIT
WADE WISINSKI
___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS
Apprentice Writer
RANDY JANDT
Card # 13
Storyboard Artists
JOAQUIM DOS SANTOS
SAHIN ERSOZ
JAY OLIVA
DAVE PRINCE
ROBERT SOUZA
Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON
Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
DANA LANDSBERG
THOMAS PERKINS
GREG GULER
JOSE ZELAYA
Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK
Card #16
Background Supervisor
VINCENT TOYAMA
Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN
Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE
Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG
Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE
Card #18
Supervising Timing Director
GORDON KENT
Timing Directors
BRIAN HOGAN
RICK LEON
RANDY LUDENSKY
SWINTON SCOTT
JUNG JA KIM WOLF
Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19
Storyboard Production Manager BRIAN G. SMITH
Production Art Supervisor JOHN DIAZ
Production Coordinator SHERRIAN FELIX
Episodic Casting Supervisor MATTHEW C. OTOSKI
Production Assistant BEN MALONEY
Post Coordinator GEORGE COX III
Post Production Assistant JENNIFER L. ANDERSON
Production Accountant NATHAN HARAMOTO
__________________________________________________________________________
Card #20
Associate Producer for Marvel
JOSHUA FINE
Production Coordinator for Marvel
ADAM TOOTLA
__________________________________________________________________________
Card #21
Recorded at
STUDIOPOLIS, INC.
Dialogue Recording Engineer
ERIC LEWIS, C.A.S.
Dialogue Editor
TERRY REIFF
Track Reading
SOUND BYTE, INC.
__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN
Editors
RALPH A. EUSEBIO
BRUCE A. KING
Assistant Editors
MYRA OWYANG
CHUCK SMITH
Digital Effects Supervisor
ULYSSES ARGETTA
Card #22
Music Engineers MARK MATTSON
MAKO SUJISHI
Post Production Sound Services ADVANTAGE Sound Services
Sound Designer ROBERT POOLE II
Dialogue Editor ROBBI SMITH
Foley Artist CRAIG NG
Foley Mixer MARY ERSTAD
Digital Audio Transfer ROBERT PRATT
Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX
Main Title Directed by
VICTOR COOK
Main Title Storyboard by
PHIL WEINSTEIN
Main Title Color by
JOEY MASON
Main Title Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #24
Animation Production by
MOI ANIMATION CO. LTD
Card #25
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.
"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."
Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.
___________________________________________________________________________
END LOGOS
MARVEL ENTERTAINMENT CULVER ENTERTAINMENT
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hello, i'm a french fan so first i want to apologize for my english. My question is: why demona choose to use a name given to her by humans despite her hatred towards human beings?
Thanks for your answer and congrutalation for your job both on tv show and comics.
She liked what the name invoked. And at the time, she liked Macbeth, who named her. Later, she was... addicted to it.
what places can i go to and buy the seasons?
Amazon.com is probably your best bet at this point. Otherwise, you're just counting on dumb luck for any particular store to carry them.
We know that Ishimura has at least one gargoyle beast, considering the state of Beasts in London, I was curious, how many gargoyle beasts does Ishimura have?
I haven't done the math. Not a ton, but more than a few.
When Taro kidnapped the Ishimuran Clan (and Goliath, Angela, and Bronx) what did he do about the Gargoyle eggs? Obviously there were eggs in the Ishimurian Rookery, did he leave them in Ishimura, or did he take them "Gargoyle World" with the clan?
Good question... uh...
The answer's ... uh...
Yeah.
Review of BG#2:
Solid, solid issue. Overall, I can see why you said this LS is a slow boil; it's not all the way there yet, but it's definitely heating up, and in a good way. Somehow a lot more seems to HAPPEN this issue that is relevant and on-target to the series (then again, it might just be that I like Yama more than Dingo and Matrix), and it really leaves me wanting more.
In terms of the art, I'm really digging the decision to do BAD GUYS in black and white. I'm sure it was mostly a financial decision, but I think the atmosphere it brings is more appropriate to the subject matter than the atmosphere a colored comic would evoke. And Charlebois definitely seems to have found her groove here; she seems slightly more comfortable this issue, and it gives us some truly spectacular art from start to finish. The shading is also phenomenal, especially in the scene where Hunter and co. capture Yama.
Things I really liked:
-Fang's face in the first panel of page 3. It's easy to forget that he used to be a normal guy and is not, in fact, accustomed to putting his life in danger at regular intervals and fighting crazy huge robots. He looks scared, which I think gives a little insight into the character. Then him running away gives even more, but, you know. It's the little things.
-The whole Yama/Sora scene. That tugs at the heartstrings. And it's so telling when Sora says "Ask me to go with you" and Yama says "Bushido demands that I do not." He WANTS to ask her so badly; he doesn't say so, but the evasiveness of his answer gives him away. And yet he loves her too much to do that to her. And she loves him enough to know that she has to let him go it alone, or that'll be something else that'll eat at his heart. Poor them. (Also, major props to Charlebois' art in that panel--Yama's face is just tortured.) How long had they been mates when Yama was banished?
-I also love the characterization of Kai here. Stern, not really angry, just disappointed. Perfectly right.
-It'll be interesting to see how Matrix develops; he seems uberpowerful, so it'll be fun to see him in situations that test him, or where he can't just power through.
-What did Yama do between his banishment and his recruitment? Boy loves his toys, that's for sure.
-Hunter's too funny. "Want something done right..." I'm thinking she doesn't so much think highly of Dingo's skills. I do wonder how much of her "Gargoyle knowledge" is educated guesswork, although she sure seems to have a lot of knowledge of bushido. Also, I love that even when Yama has his sword on her throat she's got a gun aimed between his eyes. Now THAT is a kickass, take-no-prisoners, strong woman.
-I love Yama's snark re: the accent. But I also read him as very hopeless, not caring all that much what happens to him. And it just gets worse. He looks so crestfallen when he realizes he's being coerced; I feel for the dude. His big chance at redemption, to get back with his clan...and joining this group won't really redeem him. And yet he still has to do it. And he's too unforgiving of himself to consider forced work in exchange for protecting his clanmates penance. Dude's got STANDARDS.
-Hunter's a smart leader. I think she feels more of a kinship to Yama than Dingo, which accounts for part of it, but she handles them very differently and it's very appropriate for each character. (She handled Dingo and Matrix differently and well, too, come to think of it.) I'm starting to wonder about the dynamic of her and her siblings, who was ACTUALLY the leader and got stuff done.
Really, really looking forward to #3....
Jason was the leader. Robyn got stuff done.
I finally got a hold of Bad Guys. It's great to see Yama, although I'm sad that we don't see more of the Ishimura clan. I was very much hoping we would.
Sora wants to go into exile with him, that is sweet of her. She'd rather be with him than with her clan? But he feels too ashamed to be around her.
Apparently Matrix can hovor/fly without any visible means of propulsion. I find it amusing that when it turns one arm into a gun, the gun has a handle on it, completely unnecessarily. I guess that Matrix has only seen guns that have handles, and thinks that is how they should look.
We see Vinnie in Japan, and he is trying to get to Ishimura. I wonder what Taro has hired him to do. Maybe hoping he'll join his ninja squad, or something.
Also, how does Yama suddenly gain altitude like that, since he can only glide and not fly? I'm honestly confused by this.
Yama looks pretty cool when he stands up on the skyscraper. He's really loaded himself down with weapons -- two katanas, a larger sword (a tachi?), a dagger, nunchakus, ninja stars, and another sword/dagger (a wakizashi?). Clearly he's expecting to be attacked and feels vulnerable outside the clan!
I'm impressed that the artist can show Yama's eyes glowing even in black and white. Not just the lack of irises but the light shining from them.
And his line about Robyn's accent is great! Also the look on his face as he says that, and his calling her Gaijin. All priceless.
Matrix declares that they serve Law and Order, as if that would explain everything.
Robyn tells him that she's a (former) hunter, which I didn't expect. And while she appears to have discarded her old attitudes at least partly, we do not see what her new attitude is toward gargoyles. She is still willing to threaten the Ishimura clan. Or is that what the Director ordered her to say?
Yama's reaction to that is strange. Desperation, but he doesn't look all that angry, in his face. And he agrees... but why? Just because he feels he is so desperate he has no choice? We do not see the moment when he makes this decision.
I find the square thought bubbles confusing. It is difficult to tell what is thought and what is out loud.
Surprisingly, this issue already moves away from Yama to Fang. Who has a name (and look there's the Yuppies).
Sevarius is clearly impersonating a real person who's known to the Labyrinth-dwellers... some guy named Fred. Is he impersonating Fang? But then Claw doesn't react as if he were. I'd think Claw would know what Fang used to look like.
I'm really liking the art. Yama's face is a little odd, but then he's got a difficult face to draw. The rest looks great.
It was really great to see Yama. I look forward to seeing more of him. The issue felt short but I enjoyed it. Thanks for the continuing story.
In honor of Bad Guys #2, where in Japan is Ishimura located? Which island is it on? Vinnie seems to think it is within a train ride of Tokyo, but then he could just be clueless.
I honestly would have to do a bit more research before I could pin down Ishimura's fictional location.
Dear Greg,
This is something that has been in the back of my mind for a while, and I don't want to solicit any ideas, I am just seriously curious, do you ever plan on showing the gargoyles reactions to 9/11? I am assuming based on the precedent set already that it did happen in the Gargoyles Universe.
It hasn't happened yet, as it's still only 1996/1997 in the Gargoyles Universe. For the answer to your question, browse the archives. I've addressed it in detail many times.
Since, I haven't done any particular episode comments or reviews for The Spectacular Spider-Man I'll be commenting on each story arc for the time being. That said:
Episode 1- Survival of the Fittest
- Considering the plan of using comic book only characters, I'm a bit embarassed that I didn't identify Randy earlier when seeing the episode prior to Market Forces.
- As much as I feel sorry for Peter's rejection from Sally, I couldn't help but laugh when Gwen and Harry commented on it. Either the scene was well written and executed or deep down I'm a jerk. I'll go with well executed scene :).
- Same with the comment above, I had a small laugh when Eddie tell Peter that being a high school student with lack of experience keeps him from getting paid.
- Relating to the comment on the podcast, as a fellow sap (I have a box of Shojo Manga for crying outloud), I too enjoyed Peter's dialogue about having Aunt May at the end.
Episode 2- Interactions
- Unlike the identifying of Randy, I was able to pick up on the cellphone dial tone immediately (which would be impossible to miss).
- In Flash's defense, he did get a higher grade than Liz, so maybe Mr. Warren was a little too judgemental of him (interms of how he would function as a tutor). I'm half serious and half joking about this of course.
- Not being able to have coffee for the rest of my life, I certainly hope I wouldn't go mad.
- I do have a question which my brother brought up. Was Curt's serum going to turn him into the Lizard as it was or was it partially due to exposure to Electro's voltage?
Episode 3- Natural Selection
- Have to say that this episode was a nice flipside to the 1994 cartoon episode "Night Of The Lizard". Basically both had Eddie and Peter involved in the story, but this time Peter looks like the bad guy. Also a good example of Pete winning and losing at the same time.
- My favorite scene is definitely Spidey trying to sneak up on the Lizard only for the cellphone to go off.
Electro gave the serum an unintenional boost.
Spectacular Spider-Man
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Reactions
Another strong outing from what might be the greatest superhero toon of all time
After seeing the timid nebbish Dr. Octavius over the course of the series, I was wondering how you were going to handle his transformation into a crazed supervillain. Peter MacNicol deserves some kind of award for so perfectly capturing all the power and arrogance of Doctor Octopus. I especially liked Otto's little "daydream" while being chewed out by Norman.
The whole High School Soap Opera aspect of the show continues to be surprisingly engaging. Harry's continuing downward spiral makes for pretty heavy TV and puts the lie to anyone who still dismisses this show as kiddy fare.
I have to admit though I was expecting to see more of the Green Goblin, since the episode blurb implied he'd play a larger role. Considering all the other stuff going on in this episode that's probably just greedy of me.
Only 22 minutes per episode... can't fit everything...
Hey Greg, I'm loving Spectacular Spider-Man!
The Spectacular team has done a great job at forming a diverse supporting cast in regards to race and sex, but what is the plan where female villains are concerned?
Spider-Man has had very few female villains and most of them were forgettable. The two major female antagonists were Black Cat and Silver Sable, but they quickly became more allies than bad guys.
In May 2008's issues of Amazing Spider-Man two new female villains are introduced - Screwball, a young thrill seeker who commits crimes and uploads videos of them on the Internet, and Paper Doll, a villain who is... well, like paper!
Is there a chance of either of them being featured in later seasons of Spectacular Spider-Man, a few years down the line, or is the plan to stick with older tried and tested villains?
Thanks for your time!
I'm partial to female villains myself.
There are no current plans for Screwball or Paper Doll, but if we last long enough, who knows?
Black Cat has of course appeared, and she'll be back in Season Two. Silver Sable will make her debut in Season Two, as will Calypso. Others are in my head for later seasons, but I think I'll hold off on going into any more detail at this time.
So, quick question.
Did Peter kick Sally's dog or something? I understand the whole clique thing, but this full blown hatred.
Seen Mean Girls?
Hello Greg,
First of all, thank you for such an intelligent, brilliantly-written series.
Secondly, I have a question regarding Broadway and Angela's kiss in The Journey. I'm sorry if this has been answered before, but I don't recall finding anything related to it in the archives.
Anyway.
You've stated (I believe in the DVD commentary) that gargoyles don't kiss to show affection, but rather wrap their wings around each other and stroke each other's hair. So why do Broadway and Angela kiss? I've had a number of theories, myself:
1. being younger, Broadway and Angela (especially Angela) have been heavily influenced by the tendencies of humans, ie. ways of displaying affection. I mean, Angela must have seen Tom macking on Katherine a few times back on Avalon, right? Not to mention the fact that the eggs were raised in an unconventional (human) way.
2. To show the pair actally kissing would have truly established them as a solid couple in the minds of viewers. It's also a lot more heart-wrenching to see them kiss with Brooklyn watching them.
3. It WAS The Goliath Chronicles, and the writers weren't aware of all the nuances in the world of the gargoyles.
Well, I've probably gone and answered my question, in there. But thanks for taking the time to read through this, anyway!
You and Gargoyles truly are the bees' knees.
We're stuck with 1 & 2, since I was the writer of "The Journey".
My comments on the latest "Spectacular Spider-Man" episode.
I'd been looking forward to this one, since I'd noticed how meek and timid Dr. Octavius (now Dr. Octopus) had been up until now. Since I'd recognized him as a future "Spider-Man" villain (I'm not a big Spider-Man expert, but I still know about Dr. Octopus), I was eagerly awaiting the revelation of how he'd change into a super-villain (and the mental change more than the physical change).
What I got didn't disappoint me. Octavius has finally had enough of Norman Osborn pushing him around (I liked the moment where he's fantasizing about getting back at Norman even before the accident), and the worm finally turns. And how!
Norman is as cool as ever at the end, when Hammerhead's bringing up Green Goblin's actions and the problems they're causing for his boss. (I assume that it's Norman rather than his son who's the Goblin - though Harry's doing a good job of leading the audience astray. I'm looking forward to how that plays out in future episodes, especially since Gwen's getting suspicious.)
Wouldn't you know that Peter would win a stuffed octopus at Coney Island?
And I've got a suspicion that John Jameson's space flight will lead to further trouble for our friendly neighborhood web-slinger, especially since I vaguely remember it featuring in other "Spider-Man" adaptations, with big consequences.
Yep.
I'm new to all this just reading through Ask Greg, While I was wandering around something caught my attend whih was in VII. Family Xanatos & Owen/Puck question 8. Does Owen have a love life? If so, do we know his romantic interest? And Your respond, Yes he does, but we do not know who she is, but however she is human. Now here is my question, is it only owen who loves her, or does puck also care for this woman?
Thank you for your time
I'm not answering this at this time.
"Reactions"
Well, my reaction is that was certainly an awesome episode.
Let's see, where to begin. I've been waiting to see Otto's transformation and it was well done. Gone is the meek, subservient Otto "Yes, Mr. Osborn. Whatever you say, Mr. Osborn" Octavius, and now we have the the ruthless and psychotic Dr. Octopus. I need to extend my compliments to Peter MacNicol for the contrast in both versions of the good doctor.
The Spider-Man/Dr. Octopus battles were great. From their first encounter at OsCorp, where Ock in his paranoia believed that Spidey discovered he created supervillains to the attack on Tri Corp and their battle at Coney Island (Enjoy Coney Island while it's there, it's being torn down). And damn, not too long ago, Otto could probably never bring himself to put a girl like Liz in harm's way. How he's changed. I look forward to him leading the Sinister Six.
"My fans expect a certain amount of quipage in every battle." You tell him, Spidey! That was one of the many reasons the movies were a disappointment.
But, Peter Parker's civilian life is always just as interesting as his superhero life. Poor sap, thought he and Mary Jane had something going. Not yet, Pete. Your time will come, be patient... but be warned, Joe Quesada... er, I mean, Mephisto will conspire to take it away from you. In the mean time, enjoy your time with Liz. And with Liz and Flash now broken up, he might have a shot there.
Let's see. Peter wins an octopus for Liz. Ock is defeated on the octopus ride. And this is the eighth episode. Cute. Very cute.
Harry Osborn is now a junkie. Just like in the original comics, only instead of acid, he's been raiding his dad's medicine cabinet for Globulin Green #994. It's a good way to do Stan Lee's drug story without using a real drug that would make S&P balk. It explains why he's good at football all of a sudden. It's a steroid story without steroids. Cool.
But not to go unmentioned, the Green Goblin plot line is advanced. Norman Osborn is such an asshole, first berating Otto, then feigning concern when he's the one who tried to kill him. While the Harry red herring is being done well, I just can't believe that he's the Goblin. If he were, he'd have attacked the Fall Formal and gone after Kenny in the previous episode. He has no reason to go after the Big Man, and the only place we heard Norman call the Big Man "Lincoln" was in the subterranean lab. Norman knows Otto is a liability. This all fits in with Norman's modus operandi. Not to mention having two close friends of Peter go arch villain on us this season would be redundant. We still have Eddie Brock becoming Venom in a few more episodes.
Still a terrific episode, and I look forward to the mystery being resolved next week.
You're awfully confident.
i noticed you wrote a couple episodes of The Batman i wass wondering if you did a batman show how would you play the characters particularly joker
I've written more than a couple "The Batman"s. Plus I've written the character in comics. If you want to see how I'd handle the Joker, check out "The Rubber Face of Comedy", "The Clay Face of Tragedy", "Strange Minds" and others...
I'm starting this early because I had a thought while watching the Rhino rerun.
Jameson saves Peter from the Rhino, then Spider-man saves Jameson from the Rhino, would he have if he hadn't saved him? Or has been as determined to do it?
All right, and now for the episode, which ironically, I'm starting late now...
I didn't know Spider-man could fly.
I love Peter McNichol. I can hear the X the Eliminator in his voice, and that's one of my favourite roles of his. I wonder what caused Otto's change in personality? The arms or did he just go crazy?
Who does Spider-man think his fans are? Furthermore does he know he's being watched? Does he think Norman is his fan?
Otto sure took to being a super-villain pretty quickly.
And the mystery continues. Harry's passed out, but Norman was obviously at the Oscorp... so is it the father or the son. Kinda parallels the Big Man mystery that at least the fans seem to have going.
"Where do you hide the muscles". Jeez. If he's not the green goblin he's definitely on the green goblin juice at least. Maybe they're both the green goblin. Weird... extra... dimensional...? personality stuff. That would be quite the twist.
Gwen sure forgave Peter pretty fast. That's actually another good thing about the show, be pretty unrealistic if she held a grudge against him just for lying to her once... that wasn't even really a lie, he just changed his mind.
Ah, Octapus has got the movie coat. That's cool. I like the movie coat. And another Gargoyles line, eh?
"Stop that Ms. Brant I'm a married man" that one made me crack up. I'm not exaggerating.
Flash likes Spider-man. I like that. There's that 3-dimensional Flash-ness.
And a girl gets kidnapped. At least it's not Mary Jane I suppose.
...I missed what happened with Liz and Flash... and how it was Peter's fault, I guess I'll find out. And it looks like we're getting another Green Goblin episode next weekend. Cool. I'm guessing we'll finally find out who he is. Harry or Norman. Or maybe even a third party.
This one seemed short to me, but maybe that means I enjoyed it all the more... felt like there were more questions asked than answered. Definitely superior to last weeks anyway.
Of course, Pete/Spidey would have saved Jonah. He LIKES Jonah.
If the episode didn't explain why Otto changed, then it's pointless for me to do it, I'd think.
(Sorry, that should be #8, not 38. And I meant to add that in the comic, Hudson has not returned to flesh form in between the metal-sword box-loading frame and the stone-sword cover illustration.)
I got the gist.
This has been bothering me for some time now, and I need an answer: What is up with Hudson's sword?
The FAQ states that all gargoyles are subject to a modesty spell which causes their clothing and other objects they consider "theirs", which are in contact with their bodies, to turn to stone with them at daybreak. However, Hudson's sword seems to defy this spell, being stone in one shot but metal in the next. In some scenes the sunlight clearly glints of the metal blade as the sunrises; yet in other scenes it is dull as concrete! In the episode "The Price," Xanatos states that one of the harder parts of his plan was to find a replica of Hudson's sword to use in the fake Hudson statue (let's ignore the inherent sculptural difficulties of putting a metal sword in a carved stone hand without damaging either). Yet the statue, and even the miniature version of it Xanatos is holding during this exchange, are both holing metal swords. On the cover of Gargoyles comic 38, stone Hudson is holding a stone sword; yet when stone Hudson and Lexington are being crated for the flight, the sword is clearly metal.
Help! What's going on here! Please put my poor little brain at rest.
(Also, Demona's armlet, earrings and occasionally her crown suffer from this same sometimes-stone-sometimes-metal phenomenon.)
It's pretty simple -- AND HAS DEFINITELY BEEN ANSWERED IN THE ARCHIVES -- but it all depends on what Hudson's thinking at the time of sleep. If he's feeling at one with the sword it'll turn to stone. If not, it won't.
___________________________________________________________________________
The Spectacular Spider-Man
Ep 112: "INTERVENTION"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________
Developed For Television By
VICTOR COOK & GREG WEISMAN
Created by
STAN LEE & STEVE DITKO
Opening Credits
Card #1
Supervising Producer and Story Editor
GREG WEISMAN
Card #2
Producer and Supervising Director
VICTOR COOK
Card #3
Producer
DIANE A CREA
Card #4
Written By
GREG WEISMAN
Card #5
Directed By
DAVE BULLOCK
___________________________________________________________________________
__________________________________________________________________________
Closing Credits
Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
ED ASNER as BEN PARKER
LACEY CHABERT as GWEN STACY
ROBERT COSTANZO as SULLIVAN EDWARDS
JIM CUMMINGS as CRUSHER HOGAN
BEN DISKIN as EDDIE BROCK / VENOM
DORIAN HAREWOOD as DOC BROMWELL
_______________________________________________________________________
Card #8
Also Starring
JOSH LEBAR as FLASH THOMPSON
VANESSA MARSHALL as MARY JANE WATSON
KEVIN MICHAEL RICHARDSON as TOMBSTONE
KATH SOUCIE as MARTHA CONNORS
DEBORAH STRANG as MAY PARKER
ALANNA UBACH as LIZ ALLAN
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL MCCUISTION
___________________________________________________________________________
Card #11
Associate Producers
ERIC VESBIT
WADE WISINSKI
___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS
Apprentice Writer
RANDY JANDT
Card # 13
Storyboard Artists
IRINEO MARAMBA JR.
RICK MORALES
KI HYUN RYU
ADAM VAN WYK
Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON
Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
DANA LANDSBERG
THOMAS PERKINS
GREG GULER
JOSE ZELAYA
Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK
Card #16
Background Supervisor
VINCENT TOYAMA
Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN
Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE
Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG
Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE
Card #18
Supervising Timing Director
GORDON KENT
Timing Directors
BRIAN HOGAN
RICK LEON
SWINTON SCOTT
JUNGJA KIM WOLF
Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19
Storyboard Production Manager BRIAN G. SMITH
Production Art Supervisor JOHN DIAZ
Production Coordinator SHERRIAN FELIX
Episodic Casting Supervisor MATTHEW C. OTOSKI
Production Assistant BEN MALONEY
Post Coordinator GEORGE COX III
Post Production Assistant JENNIFER L. ANDERSON
Production Accountant NATHAN HARAMOTO
__________________________________________________________________________
Card #20
Associate Producer for Marvel
JOSHUA FINE
Production Coordinator for Marvel
ADAM TOOTLA
__________________________________________________________________________
Card #21
Recorded at
STUDIOPOLIS, INC.
Dialogue Recording Engineer
ERIC LEWIS, C.A.S.
Dialogue Editor
TERRY REIFF
Track Reading
SOUND BYTE, INC.
__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN
Editors
RALPH A. EUSEBIO
BRUCE A. KING
Assistant Editors
MYRA OWYANG
CHUCK SMITH
Digital Effects Supervisor
ULYSSES ARGETTA
Card #22
Music Engineers MARK MATTSON
MAKO SUJISHI
Post Production Sound Services ADVANTAGE Sound Services
Sound Designer ROBERT POOLE II
Dialogue Editor ROBBI SMITH
Foley Artist CRAIG NG
Foley Mixer MARY ERSTAD
Digital Audio Transfer ROBERT PRATT
Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX
Main Title Directed by
VICTOR COOK
Main Title Storyboard by
PHIL WEINSTEIN
Main Title Color by
JOEY MASON
Main Title Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #24
Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #25
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.
"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."
Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.
___________________________________________________________________________
END LOGOS
MARVEL ENTERTAINMENT CULVER ENTERTAINMENT
SONY PICTURES TELEVISION
In the background while I am playing on my MMORPG, I tend to have my DVDs going, which of course includes Gargoyles. Tonight I was watching Legion when I noticed the Gargoyles heading to an island north of the Statue of Liberty while chasing Coldstone. Out of curiosity, I decided to check google maps and see which island that was since I didn't think it was named in the show. TO my surprise, Ellis Island is not only in the exact location as in the show, but is incredibly accurate to what was show. I even managed to find the exact location in which Coldstone crash to on the fort there.
Likewise, in other episodes I have noticed an astonishing level of detail in Gargoyles, which I find to be very cool since it is placed in a real world location. To name a few, the Brooklyn Bridge (Reawakening), Belvedere Castle (High Noon), Central Park (various episodes), and so forth in the show. While I was a child, I never noticed just how much detail was there, but now that I am an adult, I can see just how much effort went into it.
My question to you: How much research did you put into these real world locations that appear on the show, and did you check to make sure that the art for the locations were accurate?
PS. Thanks for having a great and dedicated site where we the fans can ask you our questions! I only wished my other favorite shows had similar sites.
I lived in New York for years. So I did very little locational research myself. Mostly relied on my memory. But our artists (both in L.A. and Tokyo) did TREMENDOUS amounts of research. I never had to check to make sure it was accurate. I trusted those guys and gals. And my trust seemed well-placed, don't you think?
Dear heavens that's a lot of red tape just to ask a question. Well, I'm sure my question has been asked many times before, and please forgive me if you find it to be an annoyance (I'm sure I'll politely be escorted to the 'archives' for this one), but I just wanted to know if the creators foresee a film coming out in the near future. I was so very proud of this cartoon. It is quite nostalgic for my younger brother and me. I'd be overjoyed to support this brilliant cartoon on the big screen.
Thanks,
Jackie (Gargoyles fan since I was a youngster!)
You know, Jackie, I've got no sympathy for you here. You seem perfectly aware of the archives -- perfectly aware that you're asking a question that's been asked before. And yet...
I mean you complain about the red tape and then contribute to the reason we HAVE red tape in the first place.
So, yeah, consider yourself escorted...
(sigh)
Hey Greg,
Who would you consider your ten favorite voice actors?
Oh, please, even assuming I could rank these talented people, why would I? I gotta work in this town, bro.
Man this was so worth it.
I swear every issue that comes out just gets better and better.
Yama's characterization was fantastic, and the scene with him and Sora was absolutely beautiful. Powerful and emotional.
I've been to two gatherings and I still have yet to see the gargoyles: bad guys Leica Reel. I still hear Bruce Locke as Yama in my head and I hear Jim Cummings as both Dingo AND Matrix. (Yeah I know he's Jeff Bennett but I've not heard it)Nevertheless I expected Matrix to turn into a sphere and protect them...what I hadn't expected was his ability to FLY! I had figured he'd morph into a boat or something.
Fang/Fred Sykes was great. Oddly enough I was watching "According to Jim" the other night (which I always jokingly call "According to Fang") and Jim said that exact line: "I'm outta here, suckers". I heard it crystal clear in my head.
When Robyn first spoke to Yama I figured he was supposed of go chasing after Fang or something, but I was wrong. Instead the RS fights the robots from Seasame Street. (1,2,3,4,5,6, Seven...Seven deadly robots Mwahahaha)
Yama always reminded me of my dad. I kinda see him as my dad if had been born in the Gagoyles Universe as a Garg. My dad (who incidently had a birthday the day this came out)is obsessed with Japanese culture and especially Samurai so this was strangely fitting. Plus my dad collects Japanese weapons and Yama is armed to the teeth. (I count two katana's, a taichi, four ninja stars, two daggers, and Nunchukku)
Matrix is weird, that's all I have to say on that.
Robyn/Hunter is interesting. I get the feeling that she kind of admires gargoyles/tengu now, but she's still quite prejudiced. The stick was unnessesary, the carrot would have worked.
Dingo feels for Yama, and heck I think he genuinely likes the tengu/gargoyle. Speaking of which, I think that Dingo and Robyn are already attracted to each other. I think that that caught her off guard and so she does little things to get under his skin.
And so Sevarius comes to bust Fang out...again. What is this, the third time someone broke into the Labyrinth? Fourth...I forgot about Awakenings. Security in the Labyrinth SUCKS!
Thug: Somebody broke into the Labyrinth again.
Al: Must be Wednesday.
And the cameo's dotted about were the sprinkles on top. Vinnie, Karine's avatar Kanthara (as a human), Brendan, Margo, Shari, Claw, Benny, Greg B, Mara, and I think I'm missing someone but oh well.
Bad Guys RULES
Doesn't it though?
My Review For Bad Guys #2, "The Lost"...
Well, let me just say. It was worth the wait. And I don't just mean the wait since "Strangers" I mean the wait since I found out at Ask Greg about Yama and Sora and the Redemption Squad. For some reason, I've always thought that the Yama/Sora relationship would be fascinating to watch, and "The Lost" didn't let me down on that note. Ugh, it tugs at my heart to watch them in this issue. They both know what must be done, and yet they are both so conflicted. Without saying the word, I see love between them. I love that Sora is willing to be banished with Yama, and I love that Yama won't let her. Who knows how long they will be apart, but I love thinking that down the road they will always be on the others mind and in the others heart.
"The Lost" is really exciting. As always there is so much going on it is hard not to just point out how I loved every little detail in my review, but I'll attempt to focus on the basics. The action is outstanding. Karine really has a knack for drawing action and Greg has a knack for writing it. It is amazing to me that the comics seem to be as dynamic and fast-paced as any TV episode of the series, if not more so in some cases. Hunter's acrobatics are exciting to watch, Matrix is, as always, very fun in his various forms and fluidity, Dingo's everyman attitude is great and Yama is just so darn cool with his nobility and warrior spirit. This is really shaping up to be a very fun bunch as a main cast.
Lots of cool little bits in this one, as well. The inner monologue stuff was very interesting, I especially enjoyed Dingo's thoughts on fighting gargoyles. The tension between Hunter and Yama is neat too. A former gargoyle hunter and a gargoyle as teammates. Makes me wonder if Hunter has ever actually killed another gargoyle. Matrix is all over the place with this one. His abilities are outright astounding. He can separate himself into numerous, fully functional entities, he can form his arm into a gun, he can float/fly/hover... With all that it is hilarious when Hunter remarks to Dingo that, "I recruited you to get to Matrix." No kidding, he/she/it may seem naive and simple at times, but he is very powerful.
Finally, the New York sequence. Fun to see a cameo by Margot, Brendan, Al, Claw and Shari (not to mention Greg B and others, guess it pays to have friends in high places), but the really fun stuff here is Sevarius. His infiltration of the Labyrinth leads to all sorts of questions. Questions I'm sure won't be answered for a few months at least. But we do get one answer to an old question, Fang's human name. Fred Sykes. And what is Sevarius's interest in Mr. Sykes? I guess thats a story for another day.
So, all in all, a fantastic issue. No errors or problems of any sort that I can see and the story and art and cover are all fantastic. Great job to everyone, I look forward to "Estranged" with great antici........ pation.
How did I fall so far behind here, that I'm only reading #2 reviews now, when #3 is out...?
BAD GUYS #2.
Warning for anyone who's not Greg W., is not involved with making the comic, and/or hasn't read it yet. HERE LURK SPOILERS.
Cool comic, IMO. Feeling too lazy to write out a full length review, so I'll just comment on everything I liked about it and hope it counts.
Nice opening segment. Definite parallels to the BG leica reel. At least, for those who've seen it.
Yama. There's a reason he's one of my favorite minor characters in Gargoyles, and that is because how serious he is. He's focused, driven on honor. Obsessed with honor, in fact. Good characterization on Yama's part, and I always felt he could carry a story. Which he definitely does here. Kudos.
And DAMN, the guy really loves his weapons!
Nice little bits with Dingo as well. Is that a Nightstone mug he's drinking? And his reaction to returning to Manhattan. LMAO. Priceless.
Matrix can turn his own arm into a gun. How badass. Is there ANYTHING the guy can't do?!
And, on that note, for some reason, I think Yama looks wicked, practically ramming his blade in Robin's throat like that. What did she say to tick him off that bad? Talked smack about his clan, apparently.
Nice little cameos towards the end. Nice seeing Margot (though she does annoy me) and Brendan in there. Shari too.
And speaking of cameos. Didn't see Sevarius showing up until it actually happened. Nice. And to get Fang's real name (No, I won't reveal it here) also. Nice plot twist.
Good story. I'm definitely (of course) looking forward to #3.
End my (lazily mild) attempt at a review.
Glad you liked it...
BAD GUYS #2: THE LOST
I somehow knew the format would begin by advancing the "leica reel scenario" before going back to the main story. It's nice, and ends on quite a cliff-hanger for Yama (while also showcasing what a jerk Fang is--"I'm outta here, suckers!")
But on to the main story:
Well, it seems Vinnie's in Japan, which puts this AFTER Vinnie's cameo in "Gargoyles" #8. Most likely, sometime in November then (placing the "leica reel sequence" sometime in January, at least). I LOVE the designs of some of the Japanese pedestrians.
Anyway, we then flash even further back to Yama's banishment. I love the interplay between Kai, Sora and Yama. It intrigues me how Sora was the one who suggested Yama be his own judge--and how Kai objected because the choice was "too harsh." Not that they have to outright say it; Yama figures out that he's his own judge just by Sora and Kai's statements.
Kai then leaves the two alone. I just have to say, I love how stoic Kai acts throughout this sequence.
You can see the pain on both Yama and Sora's faces as they part.
"Ask me to go with you"...damn. Poor girl.
Somewhat Random Thought: I can't help but find myself wondering how much their age difference plays a factor in their relationship.
Back in the "present" flashback, Yama unfurls his wings...and reveals a frickin' armory! How many blades does that guy need?
The Matrix in Surround Sound! Man, that AI is dang useful.
I like how Dingo isn't thrilled with hunting a gargoyle. Nevertheless, he nets Yama, who counters with swords and then cuts right through the Matrix-hammock and hits the ground. Of course, Hunter pulls off some pretty impressive acrobatics of her own.
And Yama is surrounded and gets "the pitch." I'm glad Yama got to surprise Hunter by speaking English ("Better than you speak Japanese.") Yama and Dingo ragging on her accent was fun, too.
Matrix just had to get that "We serve Law and Order" in there, didn't it?
Robyn reveals some of her growth. Particularly in the way she describes having "wasted (her) life hunting gargoyles" and that her "studies of the species were tainted by old prejudices." She seems to have learned enough to know about banishment, however (and I wonder where exactly she learned about that).
Did anybody else notice her Demona reference?
It's strange, but Hunter's face (even in the mask) seems a lot...well, "softer" I guess, then I've ever seen it. I mean, is it just me, or is she a heck of a lot nicer with Yama than she was with Dingo? She even pats him on the shoulder--much more chummy than I would have expected either of them to be.
Yama's actually favorable to the idea of joining the group and doing good already (which, as Dingo thinks, is the "Carrot"). But then, Hunter trots out "the Stick." "Fifteen seconds later..." Hunter's on the ground with a sword pointed at her throat (in addition to Yama's hand around it) and Yama's got THREE guns pointed at him (Dingo's, Hunter's, and Matrix's new gun made out of his arm). I laughed out loud at that.
Yama's angry expression fades to one of consternation over being coerced into this. Despite the gun, Dingo actually comisserates with Yama a bit. Even more surprising, Hunter proves (once again) a bit more receptive to Yama and his dilemma than she was towards Dingo. She even seems to know enough about Bushido to offer a solution--but Yama doesn't let the "gargoyle-hunter" off the hook so easily (Matrix, like the naive AI it is, fails to see the problem).
Who wants to bet that the coffee cup Dingo's drinking from is one of "Nightstone's"?
I like Dingo's spit-take, and referring to Hunter's "evil little mind" as well as his "put-upon" expression in the next panel.
I thought I recognized a couple of the "extras"--go Greg B. and Mara!
And somehow, I knew who "Fred" really was in the first panel--something about the nose and eyes. What interests me is how familiar the residents of the Labyrinth act towards him. He clearly must have been doing this for a while and building up trust.
Shari seems to know who he really is (but does he know that she knows? And if so, does she know that he knows that she knows? And if so...I'll just stop now).
Let me just say, poor Thug.
And then the Big Reveal. Not just Sevarius himself, but Fang's real name: Fred Sykes. My first thought was also about Bill Sikes from "Oliver Twist" (in fact, Tim Curry played him in one made-for-TV version a while back). My second thought was that Sevarius's homeless persona had the same first name as Fang. My third thought was, "Boy, Sevarius really is a ham."
And that is one shocked look on Fang's face at the end.
Oh, and one last thing...I'M IN THE LETTERS SECTION! Wow, man, I never expected that in a million years. That is so frickin' COOL! (ahem) It was rather gratifying. Thank you, Greg.
So, bring on the next installment!
It's brought. And the next is done. And the next is scripted and being Karine'd as we speak!
Kind of a random question, but when the Gargoyles lived in the clock tower, where did they use the bathroom? (Of course, this is assuming that they would need to considering they eat and it has to come out somewhere). While watching the show, I never saw some sort of random door or anything, so I figured I'd ask.
Is this something anyone really needs to know the answer to? There's a bathroom up there, kay?
Got "Bad Guys" #2 today. Here are a few comments on it.
Strong characterization for the members of the Redemption Squad, especially Yama. I liked how he was handled in it, especially the banishment scene and the remark that he had a "rigid and unforgiving" judge - himself. And his stiffly dignified response to Robyn's offer (as well as his wrath when she threatened his clan).
But the other members also had some great moments. Matrix's multiple heads all popping up to make their report to Dingo (just when you thought Matrix couldn't get any more bizarre....). Dingo commenting on how grating Robyn's brogue was (says the guy with the Australian accent). His way of introducing Matrix. His alarm when he learns that they're returning to New York, and Robyn's cool response.
The revelation that the bearded man entering the Labyrinth was Sevarius surprised me - but to add to that, we finally learn what Fang's real name is. (I immediately thought of Bill Sikes from "Oliver Twist" once I read that scene, but I don't know if you really did have Dickens in mind or if it's just a coincidence.) And who but Sevarius would deliver that "time to meet your maker" line to a Mutate?
I also enjoyed the various cameos: Vinnie (as misfortune-prone as ever), Brendan and Margot, Al, Claw, Shari.
Looking forward to #3 (especially since the other two Canmores will be guest-starring in it). Thanks for this issue, Greg!
Bill Sikes was an inspiration.
Got Bad Guys #2 today and really enjoyed it. I'll have to read it again before I do any kind of review, but I have a question.
Toward the end we see Shari hanging out in the Labyrinth as "Fred" wanders through. Without making suggestions that may be construed as ideas, what is the time frame for this scene? Am I correct in assuming its sometime before Halloween?
Since we're on the subject, I'd like to fill in the Bad Guys timeline:
1) What date did Hunter recruit Dingo and Matrix?
2) What date did Hunter recruit Yama?
3) What date did Sevarius spring Fang from the Labyrinth?
4) What date did the Redemption helicopter get blown out of the sky?
Any other Bad Guys-related dates you'd like to provide would be greatly appreciated.
Thanks!
1. Tuesday, November 5th, 1996, 7:00pm AEDT
2. Friday, November 8th, 1996, 7:07pm UTC+09
3. Friday, November 8th, 1996, 9:27pm EST
4. Monday, January 5th, 1997
So, I picked up #2 of "Bad Guys" today. I enjoyed it more than the first issue. Now we finally seem to be getting somewhere and the team has more or less coalesced. Well, still one more, but we're getting there.
Most of the issue takes place in Tokyo, where we open with Yama reflecting on his banishment from the clan. He can only return when his honor has been regained, and he himself is his own judge. A very harsh and unforgiving judge. This universe has never had a lack of characters full of self loathing. Nice to finally see Sora get some characterization after, what, twelve years now?
Loved the action sequence where Hunter and Dingo take down Yama. Hunter is quite the wily one, isn't she? I'm really enjoying her character. Yama and Dingo making fun of her accent was also quite amusing. But more than that, she threatens his clan if Yama does not join, and being the samurai that he is feels that his lost honor cannot be regained under coercion. Damn, this must suck for him.
Must not forget Vinnie's cameo. I hope he doesn't get mugged. Poor guy, doesn't speak the language.
I did enjoy Dingo's reaction to being told they're heading to New York. He's still a wanted, escaped felon there, and Hunter pretty much tells him to get over it. She is such a bitch, I love her.
Next we get to cameos, cameos, cameos. Let's see, who have I spotted.
Brendan and Margot
Shari... I see she's still hanging out in the Labyrinth. Is she doing double agent work for Thailog? Looks like it.
Greg Weisman's son, Benny.
Long time fans, Mara Cordova and I.... yup, that's right. Between Harry Osborn making fun of me in "The Spectacular Spider-Man" and now walking down street past a Mystery Homeless Guy, I am making the rounds in Weisman's material. ;)
http://img.photobucket.com/albums/v661/gregx/Gathering%202007/MeandMara.jpg
Mara and I strolling down a street in Manhattan.
Thanks, Karine!
Okay, back to the story. Mysterious homeless drifter named Fred climbs into the sewers and makes his way to the Labyrinth. He is greeted by Claw, a couple of homeless people. A sinister looking Shari smiles knowingly at him, and "Fred" walks up to Fang's cell and removes his fake beard, hat and coat revealing the good doctor we all love to hate, Dr. Anton Sevarius, here to release Fang for whatever scheme he has in the works. We also learn Fang's real name.
Cool issue. Had less of a "meet the characters" feel, and more of a story. I eagerly anticipate #3.
Which by now you have...
Not a question so much as comments- REALLY enjoying the hopping in time for issue seven and eight as well as the art gets better and better each issue. (Hedgecock's pencils are strong and improve as he's getting more familiar with the characters and Bevard's colors are beautifully crisp and more in touch with the style the show was done in.)
So, yeah. Keep on keeping on.
Thanks, Mara.
Not so much a question as an add-on. One question on the Gargoyle FAQ asks why Gargoyles do not kiss as humans do. While it is true that kissing is a human custom, it is not universal; some cultures view kissing as gross or bizarre. In ancient Inuit tribes, couples would share affection by leaning close to each other so they can feel the warmth of each other's breath. That is where the original term "Eskimo kissing" comes from. In Bali, couples will lean close to each other and gaze into each other's eyes as a show of intimacy. (This has changed as Westernization moved in.) Kissing was not a custom in many Asian countries until relatively recently, when American culture became very popular. The Sirinio in Bolivia and the Thonga in Africa do not kiss as they see it as a sharing of dirt and saliva.
So it goes...
I'd like to start by saying that I like what I've seen of your work with Gargoyles (was around the target demographic when it was produced, the move to comics is probably for the best [even though I miss the quallity voice work]), WITCH (amusing show, interesting enough story and humourous dialogue [some of it is just that special kind of terrible ;)] keeps me watching when I'm awake for it), and 3x3 Eyes (quite the rarity, a good english dub for anime, major props for that) standing out. I'd comment on your newest serries but I haven't watched The Spectacular Spiderman, never really been a fan of the franchise.
Onto the question:
After watching "The Gathering: Part II" again I noticed that when Hudson attacked Oberon's hair with his sword (presumably made from steel as it was from the tenth century) he couldn't cut the hair and was zapped; however, when Angela and Brooklyn (I think, may have been Broadway...) attacked the hair with shards of the broken iron clan they cut clean through it without any negetive effects. My question is, why was Hudson's sword (presumably containing iron) ineffective while the scraps of iron worked great?
I'll leave that to your imagination.
I looked through the archives and you seem to get this question somewhat often but I would really like to know at least vaguely what the heights of the major gargoyles are (within half a foot would work). At the very least could you give the height of Lexington? He tends to not stand up straight a lot and its a little hard to tell.
If its really that bothersome forget it but as I'm sure you know the estimates from fan vary so much even a guess from you would probably be more accurate. I suppose even one height would help as I could just estimate from that...
I'd appreciate any help on the subject but I would blame you if you have better things to do.
It's not that I have better things to do, but I'm just not a numbers guy...
___________________________________________________________________________
The Spectacular Spider-Man
Ep 111: "Group Therapy"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________
Developed For Television By
VICTOR COOK & GREG WEISMAN
Created by
STAN LEE & STEVE DITKO
Opening Credits
Card #1
Supervising Producer and Story Editor
GREG WEISMAN
Card #2
Producer and Supervising Director
VICTOR COOK
Card #3
Producer
DIANE A CREA
Card #4
Written By
ANDREW ROBINSON
Card #5
Directed By
JENNIFER COYLE
___________________________________________________________________________
__________________________________________________________________________
Closing Credits
Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
IRENE BEDARD as JEAN DeWOLFF
JEFF BENNETT as SHOCKER , ST. JOHN DEVEREAUX
STEVE BLUM as DILBERT TRILBY
CLANCY BROWN as RHINO, GEORGE STACY
GREY DELISLE as BETTY BRANT
JOHN DIMAGGIO as SANDMAN, HAMMERHEAD
BEN DISKIN as EDDIE BROCK
ROBERT ENGLUND as VULTURE
_______________________________________________________________________
Card #8
Also Starring
CRISPIN FREEMAN as ELECTRO
ELISA GABRIELLI as ASHLEY KAFKA
PHIL LAMARR as ROBBIE ROBERTSON, FANCY DAN
PETER MACNICOL as DOCTOR OCTOPUS
VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON
KATH SOUCIE as ANNA WATSON
DEBORAH STRANG as MAY PARKER
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION
___________________________________________________________________________
Card #11
Associate Producers
ERIC VESBIT
WADE WISINSKI
___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS
Apprentice Writer
RANDY JANDT
Card # 13
Storyboard Artists
KEVIN ALTIERI
NATE CLESOWICH
JOAQUIM DOS SANTOS
CHARLES DROST
DAVE SCHWARTZ
Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON
Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA
Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK
Card #16
Background Supervisor
VINCENT TOYAMA
Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN
Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE
Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG
Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE
Card #18
Supervising Timing Director
GORDON KENT
Timing Directors
BRIAN HOGAN
RICK LEON
RANDY LUDENSKY
JUNGJA KIM WOLF
Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19
Storyboard Production Manager BRIAN G. SMITH
Production Art Supervisor JOHN DIAZ
Production Coordinator SHERRIAN FELIX
Episodic Casting Supervisor MATTHEW C. OTOSKI
Production Assistant BEN MALONEY
Post Coordinator GEORGE COX III
Post Production Assistant JENNIFER L. ANDERSON
Production Accountant NATHAN HARAMOTO
__________________________________________________________________________
Card #20
Associate Producer for Marvel
JOSHUA FINE
Production Coordinator for Marvel
ADAM TOOTLA
__________________________________________________________________________
Card #21
Recorded at
STUDIOPOLIS, INC.
Dialogue Recording Engineer
ERIC LEWIS, C.A.S.
Dialogue Editor
TERRY REIFF
Track Reading
SOUND BYTE, INC.
__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN
Editors
RALPH A. EUSEBIO
BRUCE A. KING
Assistant Editors
MYRA OWYANG
CHUCK SMITH
Digital Effects Supervisor
ULYSSES ARGETTA
Card #22
Music Engineers MARK MATTSON
MAKO SUJISHI
Post Production Sound Services ADVANTAGE Sound Services
Sound Designer ROBERT POOLE II
Dialogue Editor ROBBI SMITH
Foley Artist CRAIG NG
Foley Mixer MARY ERSTAD
Digital Audio Transfer ROBERT PRATT
Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX
Main Title Directed by
VICTOR COOK
Main Title Storyboard by
PHIL WEINSTEIN
Main Title Color by
JOEY MASON
Main Title Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #24
Animation Production by
MOI ANIMATION CO. LTD
___________________________________________________________________________
Card #25
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.
"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."
Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.
___________________________________________________________________________
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