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who is your favorite character on Gargoyles mine is a tie between Goliath and Hudson and i didn't know you was working on Young Justice no wonder why it's already awesome and it only has 4 episodes so far
Thanks.
I don't have a single favorite Gargoyles character, though of course Goliath is the prism through which we view all the others, making him the most essential.
There have been many forums who have been comparing Young Justice to Chris Yost's Avengers series that's coming on Disney XD. Personally, I think they're both great shows that comic book fans and the general audience can enjoy at the same time. I mean this is the first time in animation where there's a cartoon featuring the Earth's Mightiest Heroes and another one with the Justice League. Anyway, what do you think of this debate from maybe both a perspective of a comic book reader and a professional writer? Also, what do you think of Mr. Yost's Avengers series?
I haven't seen Avengers, but there are a bunch of great people working on it, so I'd hardly be surprised if it was kick-ass.
I don't see much to be gained even by comparing the shows, let alone putting them in some kind of hypothetical competition. They're not even on opposite each other. And in this DVR age, what difference would it make to most people even if they were?
Anyway, if you like one of the two series but not both, watch the one you like. If you like both, watch both and enjoy each for its merits - which may have a few things in common, but are likely very different.
Hi Mr. Weisman
I like your new show Young Justice and I have a few questions
1. Are The Light the Big Bad for the first season or the whole series? If the latter, then will we find out who's who by the end of this season or the one after?
No comment.
Again -- gang -- I'm NOT going to spoil my own show. I'm just not. So asking these kind of questions is just wasting everyone's time.
Hi Greg,
Short question: Are there any episodes planned which mostly take place in one of the "big" hometowns (Gotham, Star city, Metropolis, Central City)?
Thank you for taking time to answer.
No comment.
A while back one of the concept artists on the show posted some concept art of catherine Cobert (from the old Justice League Europe series, I believe), and mentioned that at some point she was meant to have been in the pilot episode as some sort of tour guide or liason at the Hall of Justice.
So do you know if she made it into the script only to be cut out due to budget stuff, or was the character dropped at an earlier point in the production cycle?
Either way, hope you and the rest of your team keep up the good work.
She was in the script I wrote and we recorded her (with Stephanie Lemalin playing Catherine) but her part/scene was cut for time at the storyboard stage. Catherine survives in the show in a way, as she is still the voice of the League's computer. In my mind, she's still the League's public affairs officer, but we just haven't had the opportunity to show her yet. (It's a dense, crowded show.)
Greg,
I couldn't help but notice the choice of villians in this week's episode. Considering the name of the episode that Artemis appears, might this have been a hint to her identity? It's something i've considered for a while after you explained in interviews who she isn't...
Also, apologies about being so vague. But I figured it was the best way to put it in case I cracked the clues and you didn't want to spoil anything directly.
You're so vague, I don't even know what you're asking.
I have a question on the western animation process in general (with special regard to YJ), if this is too complex to explain here or not the appropriate place for the question please ignore.
1. I think you mentioned that the inbetweens are done in South Korea. So is it fair to assume the key frames are done in house?
2. Using episode 2 "Fireworks" as an example how does an episode get made?
Does it start with you writing and onto the storyboard and to the animation team? (Sorry this part of the question was a bit vague)
3. At what point of the process does the Director of the episode come into play and what are his contributions?
4. What are the producers contribution to the process and how much weight does their word carry as opposed to the directors if a disagreement should arise?
Thanks. Also I did catch Scooby-Doo after hearing Victor Cook had a hand in it and it was a nice nostalgia trip, a bit weird like how real nostalgia is but nice nonetheless. Ermm thanks again I guess.
1. No. Key frames are done in Korea too. Boarding is done here in the states for the most part.
2. Writing, recording, boards and design, color, shipping, animation, post-production.
3. At all points. And his or her contributions are omniverous.
4. Producers trump directors, and Brandon and I are very involved at every stage.
Hey again Greg
Just had a couple of questions about "Drop-Zone" that I wanted to post seperatly from my review. At the end of the episode we see Sportsmaster being debriefed by the Light. Two of the Light members had speaking roles, L-1 played by Miguel Ferrer and another member who seems to have a very thick French accent. At least it sounded Freanch, feel free to correct me if I'm wrong
1) Who played the seemingly French Light memeber?
2) What was his number designation? We know Ferrer is L-1, Mark Ralston plays L-3
3) How many members of the Light are there in total?
1. Nolan North did to save some money.
2. L-6
3. Seven.
YOUNG JUSTICE Episode #8 ("Downtime") Credits
YOUNG JUSTICE
"Downtime"
Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Written By
Kevin Hopps
_________________________________________________________________________
Directed By
Jay Oliva
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_______________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Stephanie Lemelin as Artemis Crock
Jesse McCartney as Dick Grayson
Danica McKellar as Mâgann Mâorzz
Nolan North as Superboy, Superman
Khary Payton as Kaldurâahm, Black Manta
Jason Spisak as Wally West
_________________________________________________________________________
Starring The Voices Of
Jeff Glenn Bennett as Vulko, Alfred Pennyworth
George Eads as Barry Allen
Bruce Greenwood as Bruce Wayne
Kelly Hu as Paula Crock
Phil LaMarr as King Orin
Yuri Lowenthal as Garth
Roger Craig Smith as Prince Orm
Kath Soucie as Queen Mera, Joan Garrick
Cree Summer as Tula, Mary West
James Arnold Taylor as Topo
NOTE: Though uncredited, Kath Soucie also was the voice of Lori Lemaris; Yuri Lowenthal performed Lagoon Boy, and Roger Craig Smith was L-5.
_________________________________________________________________________
Based On DC Comics Characters
Batman Created By
Bob Kane
Superman Created By
Jerry Siegel & Joe Shuster
Miss Martian Created By
Geoff Johns and Tony Daniel
Aquaman Created By
Paul Norris
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
Matthew Benzinger
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
BG Key Design
Enzo Baldi
Hahk-Jin Kim
In-Soo Kim
Prop Design
Andy Chiang
Alexander Kubalsky
Eugene Mattos
_______________________________________________________________
Storyboard
Jay Baker
Tim Divar
Phil Langone
Lauren Montgomery
Storyboard Clean-up
Brendon Clogher
Owen Sullivan
Olga Ulanova
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Gordon Kent
R. Michel Lyman
Animation Checking
Jan Browning
Annamarie Costa
Chuck Gefre
Chuck Martin
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wut It Is
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Doo-Hyung Lee
Background Director
Jung-Ho Park
Production Managers
Young-Soo Yoo (Director)
Min-Sung Park
Pan-Seob Kim
Su-Mi Beck
Production Coordinator
Hyosun Ryu
________________________________________________________________________
Layout Artists
Hahk-Jin Kim
In-Soo Kim
Color Stylist
Min-Yi Kim
Composition
Byoung-Ryul Kim (Director)
Hyo-Yoon Beck
Kyoung-Hee Kang
Sung-Ho Jo
Soo-Jin Yu
Jeong-Mi Lee
Model Checkers
Yang-Sook Kim
Key Animation
Byong-Eui Gwack
Kyong-Ho Lee
Bum-Seok Lee
Kyong-Ah Jang
Eun-Hee Ba
Chang-Ho Park
3D CGI
Gyu-Han Yoo (Director)
Gyu-Sung Oh
Final Checker
Nam-Gyu Lee
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Athena Wingate
Luisa Guzman
Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek
Casting Administrator
Liz Carroll
Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine
Executive In Charge Of Music
Niki Sherrod
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Dan Soulsby - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
Aris Katsaris - Atlantean Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
âYoung Justice: Drop-Zoneâ review
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Really great episode all round, I think this is what most of us have been waiting for since âIndependence Dayâ first aired back in November.
First off, I know a lot of folks thought Desmondâs transformation into Blockbuster was pretty disturbing but damn, Mammoth just took it to a whole new level of nightmare fuel. Not only do we get his skin ripping of but exposed muscle tissue and everything. You guys must have the most laid back S&P exec in history.
Back to the actual plot, this episode really sells the idea of Young Justice as the Leagueâs covert-ops team. I especially liked how the team still hasnât completely gelled yet, as befits their first official mission. Everyoneâs unsure of their roles and they donât even have a leader yet. Robinâs got a lot of natural talent and heâs probably the best suited for covert work, but he lacks the necessary maturity. I like the idea of Kaldur taking on the âburden of leadershipâ until Robinâs ready. I got to say Kaldurâs my favourite character so far and Iâm looking forward to seeing how he grows as a leader in the future.
Iâm a big supervillain geek, so this episode had a lot for me to like. Bane was very cool, a lot of writers forget Baneâs supposed to be a strategist as well as a brawler, so it was refreshing to see him playing the YJers and the Kubra Cult against each other. I also enjoyed Lord Kobra, any dude created by Jack Kirby is automatically worth looking into for me but I loved what Arnold Vosloo did with the character, supremely arrogant yet very cold and understated. Itâs easy to see how a cult of personality formed around this guy.
Sportsmaster seemed pretty left field but interesting. Iâm familiar with the character from âBatman: The Brave & The Boldâ but never expected to see him in a show like this. Still, I liked the way you guys re-imagined him as more of a mercenary then weirdo with a gimmick.
It was also very cool to see the Light again, Iâve been looking forward to seeing these guys again and it looks like their conspiracy seems to stretch across the super-criminal community. Project Cadmus, the Kobra Cult and even Professor Morrow and Mr. Twister, they seem to have their fingers in many dubious pies.
Like I said great episode that just makes my hungry for more, canât wait to see where you guys are going with this.
We're going somewhere GREAT!!
In my opinion, anyway.
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