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Hi Greg, I was reading up on Disney's Atlantis and it was said that Mike Mignola had been approached by Disney before about doing a Hellboy animated series, but declined. It was implied that the idea to do the Hellboy series evolved into Gargoyles. I was curious how much of this was true? Thanks!
I have no knowledge of Disney approaching Mike about Hellboy. I know Mike helped develop Atlantis.
But Hellboy and Gargoyles have zero connection. ZERO. We began developing Gargoyles in 1991, two years before Hellboy first appeared. I later became a fan of both the Hellboy comics and the movies, but that was long after Gargoyles was in the works and fully developed.
Hello Mr. Weisman,
I have some questions about creating teams and the personalities of its members.
1. When creating a team how do you decide what will be the personalities of characters in the group? I've read elsewhere that the best way to create a group is to make each member of the group have the opposite personality of another member. Is this the method you use?
2. How did you decide what personalities to use in the Manhattan clan in Gargoyles?
Thank you for taking the time out of your busy schedule to answer my questions.
1. No. Nothing quite that didactic. I do look for a mix. But I'd say my process is more organic and holistic than what you're describing. It also depends a LOT on whether I'm adapting an existing property or creating something original.
2. I'm not sure I remember. But if you look at the ASK GREG archive's "Original Development File," you can see how the characters evolved over time.
So mr. weisman. When you pitch the comedy version of the gargoyles. Why it got rejected? that could be a cool show.
You'd have to ask Michael Eisner that question.
Hi Greg! First off, I'd like to thank you for posting all those old production memos from "Gargoyles". I love reading 'behind the scenes' stuff, and seeing the way the story develops over time. It kind of reminds me of Christopher Tolkien's "History of Middle-Earth" series, albeit on a smaller scale.
Now, I have a few questions that I hope can be considered to all fall under the general category of "series development". A couple of them might be stretching it a bit, but I think it'll be okay (and if not, you'll tell me).
1. You started posting production memos for your "Re-Awakening" ramble. Are there any surviving memos from "Thrill" to "Her Brother's Keeper"?
2. When you wrote "The Journey", did Scott Thomas send you a prod. memo?
3. Are there any memos from "Spectacular Spider-Man"?
4. One thing that really struck me when reading some of the notes from early '92 was just how early the Pack came along in the development. Which got me to thinking about another early villian. Was Tony Dracon's involvement planned all along, and he just happened to first appear in "Deadly Force", or was he created specifically because "Deadly Force" needed a new villian? (Awkward sentance, I know, but I can't seem to get this phrased quite right. Do you get what I'm saying?)
Thanks for taking the time to answer these. We will now return to our regularly scheduled "Young Justice" questions.
1. I'm sure there are. But there are difficulties in posting them, including but not limited too: (a) not enough hours in the day (b) most of those memos were only preserved as documents - not electronically, so that it's not as simple as cutting and pasting (c) most of those documents are at my private office in Beverly Hills, and I'm almost never there, since producing YJ here in Burbank keeps me pretty busy.
3. Very few. Those were mostly done via e-mail, and I didn't keep a record of that. Also, I was personally story editing SpecSpidey, so I wasn't writing memos to my story editors, as I was on Gargoyles.
4. I get what you're saying, but I honestly can't remember. My vague guess is that we always knew we'd need a "crime boss" of some kind, but that we probably didn't develop Tony until we got to his episodic premiere.
1.) Hold on so what a minute here you worked on Gargoyles as in THE GARGOYLES?
That show was/is amazing i watched all the time till it stopped coming.
2.)Goliath, Hudson, Broadway Lexington, Bronx and Brooklyn i think thats all of the original Manhattan Clan and Eliza!!!!! God I miss that show am i right?
3.)And i have always wondered what gave you the idea for this amazing show?
I could not believe it when the show ended. Well technically when they stopped showing reruns i was about 8 which is eight years ago.
And again i saw what an amazing show!!
1. Thanks. I'm glad you liked it.
2. Well, it's "Elisa" with an 's', but, yes, you're right.
3. The ASK GREG archives are full of details on this. The short answer is simply: gargoyle statues themselves.
I'm wondering if there was ever any release of the early development of Gargoyles, and any way we can see concept art from back in 1991? I just wonder due to the fact that it's mentioned in moderate detail on Gargwiki but there are no images.
Is there any change we'll be able to see those or have they already been released?
"Released"? I'm not sure what you mean? How would we release that stuff?
Some of it has been displayed at past Gatherings. Some is on Gargwiki. I don't have access to most of it. I'm sure it's buried in Disney Archives somewhere.
Document-wise, there's a bunch of stuff here at Ask Greg in the "Original Development File" archive.
I've enjoyed your use of discarded elements for the "behind-the-scenes" parts of "Gargoyles" in the comic book (such as Constance and Staghart's nicknames, or the Canmores' pursuit of Demona to the Parisian catacombs after Charles Canmore's death). But they give me one misgiving. Now I wonder - if we get more "Gargoyles" graphic novels, what horrible fate you might have in store for Owen?
(That's a rhetorical question, I hasten to add.)
Oh, the aardvark thing? (I had to think about it to remember what you were referring to.)
But given Sevarius' recent experiments... No promises.
In "Gargoyles"#8, Hudson at one point called Constance "Lassie" during the battle at Westminster Abbey. This fits his speech patterns, but I wondered if there was some additional significance to it.
In the original comedy proposal, the equivalents of the trio were named Coco, Amp, and Lassie. Constance and Staghart are nicknamed "Coco" and "Amp", as a reference to that. Was Hudson's use of the word "lassie" intended as a way to get all three of the original names into the story? It was a great way of doing so, since those who didn't know about the comedy development wouldn't even realize they were missing something (for the reason that I gave in the first paragraph).
Ya caught me, laddie.
As fan and amateur drawer I'd love to see the "original" Character Models and Character Sketches I suppose were done when you and the artists of your group were developing your wonderful cartoon and, now, the comic. Sadly the "official" images available online are terribly few: actually they are limited to the ones that can be seen in "Avalon archives" site (http://avalon.gargoyles-fans.org/gallery/official.html) - and even those pics are a bit poor, with just a pose (frontal) and no display of different facial expressions.
Do you think in the future the Gargoyles' fans will have the possibility to admire those drawings in some Gargoyle-related site (as Gargoyles wiki or the Imagery Resource, etc…)?
I suppose I'm not the only fan curious to know how a character is developed in a show production or what the gargoyles looked like in their earlier incarnations of the original comedy development (I've read of Amp, Lassie, Dakota, Coco or IsaDora, of the many faces of Elisa and so on).
My curiosity involved not only the old characters, but the new ones too (es. the London Clan and the ones will be soon introduced: I'm looking forward to discover Katana's look, but I think for this one in particular I only have to patiently wait).
My best regards and sincere compliments for your artistic projects.
Thanks. I'm all for raiding Disney's archives and posting images, but I don't have the time or the technical ability to do so.